Being on the shadow panel for the Sunday Times Young Writer of the Year Award was a bookish highlight of 2017 for me and, looking back, still one of the best things I’ve achieved in my time as a book blogger. Each year I eagerly keep an eye out for the award shortlist to see how many I’ve read and who I think the judges will choose as the winner. The prize has a higher profile and cash fund this year thanks to new sponsorship from the Charlotte Aitken Trust and partnership with Waterstones.
Last May I started a list of books and authors I expected would be eligible, and continued updating it throughout the year. I was certainly expecting Open Water to make the cut, but I had a lot of other wishes that didn’t come true, particularly Charlie Gilmour for Featherhood, Daisy Johnson for Sisters, Will McPhail for In, Merlin Sheldrake for Entangled Life, and Eley Williams for The Liar’s Dictionary.
Yesterday the five nominees – three debut novels, one work of nonfiction, and one poetry collection – were announced in the Sunday Times and on the website. I happen to have already read three of them. I was vaguely interested in Megan Nolan’s novel already so will get it out from the library to read soon; I had not heard of Anna Beecher’s at all but would be willing to read a review copy if one came my way.
Here Comes the Miracle by Anna Beecher: Sounds potentially mawkish in a Jodi Picoult or Sarah Winman way. Publisher’s blurb: “It begins with a miracle: a baby born too small and too early, but defiantly alive. This is Joe. Decades before, another miracle. In a patch of nettle-infested wilderness, a seventeen-year-old boy falls in love with his best friend, Jack. This is Edward. Joe gains a sister, Emily. From the outset, her life is framed by his. She watches him grow into a young man who plays the violin magnificently and longs for a boyfriend. A young man who is ready to begin. Edward, after being separated from Jack, builds a life with Eleanor. They start a family and he finds himself a grandfather to Joe and Emily. When Joe is diagnosed with stage 4 cancer, Emily and the rest of the family are left waiting for a miracle.”
Islands of Abandonment by Cal Flyn: One of my top nonfiction books of 2021, but I’ll confess I hadn’t realized Flyn was eligible. (Now that I’m, ahem, a few years past the cutoff age myself, I can find it difficult to gauge the difference between early 30s and late 30s in appearance.) Flyn travels to neglected and derelict places, looking for the traces of human impact and noting how landscapes restore themselves – how life goes on without us. Places like a wasteland where there was once mining, nuclear exclusion zones, the depopulated city of Detroit, and areas that have been altered by natural disasters and conflict. The writing is literary and evocative, at times reminiscent of Peter Matthiessen’s. It’s a nature/travel book with a difference, and the poetic eye helps you to see things anew.
My Darling from the Lions by Rachel Long: I read this when it was shortlisted for last year’s Costa Awards and reviewed it when it was shortlisted for the Folio Prize. It’s had a lot of critical attention now, but wasn’t my cup of tea. Race, sex, and religion come into play, but the focus is on memories of coming of age, with the voice sometimes a girl’s and sometimes a grown woman’s. Her course veers between innocence and hazard. She must make her way beyond the world’s either/or distinctions and figure out how to be multiple people at once (biracial, bisexual). Her Black mother is a forceful presence; “Red Hoover” is a funny account of trying to date a Nigerian man to please her mother. Much of the rest of the book failed to click with me, but the experience of poetry is so subjective that I find it hard to give any specific reasons why that’s the case.
Open Water by Caleb Azumah Nelson: I always enjoy the use of second person narration. It works pretty well in this love story between two young Black British people in South London. The title is a metaphor for the possibilities and fear of intimacy. The protagonist, a photographer, doesn’t know what to do with his anger about how young Black men are treated. I felt Nelson was a little heavy-handed in his treatment of this theme, though I did love that the pivotal scene is set in a barbershop, a place where men reveal more of themselves than usual – I was reminded of a terrific play I saw a few years ago, Barber Shop Chronicles. Ultimately, I wasn’t convinced that fiction was the right vehicle for this story, especially with all the references to other authors, from Hanif Abdurraqib to Zadie Smith (NW, in particular); I think a memoir with cultural criticism was what Nelson really intended. I’ll keep an eye out for him, though – with his next book he might truly find his voice.
Acts of Desperation by Megan Nolan: Another debut from an Irish writer – heir to Sally Rooney? Publisher’s blurb: “In the first scene of this provocative gut-punch of a novel, our unnamed narrator meets a magnetic writer named Ciaran and falls, against her better judgment, completely in his power. After a brief, all-consuming romance he abruptly rejects her, sending her into a tailspin of jealous obsession and longing. … Part breathless confession, part lucid critique, Acts of Desperation renders a consciousness split between rebellion and submission, between escaping degradation and eroticizing it, between loving and being lovable. With unsettling, electric precision, Nolan dissects one of life’s most elusive mysteries: Why do we want what we want, and how do we want it?”
You can read more about these books and the judges’ reactions to them on the website. This year’s judges are authors Tahmima Anam, Sarah Moss, and Andrew O’Hagan; critic Claire Lowdon; and creative writing teacher Gonzalo C. Garcia. The chair, as always, is Sunday Times literary editor Andrew Holgate.
Reasoning and Prediction
- Poetry has won the last two years in a row.
- Nelson has just won the Costa First Novel Award (though the judges chose Raymond Antrobus, at that time already a recipient of multiple major awards).
- We haven’t had a female winner since 2017, so it’s past time.
- We haven’t had a nonfiction winner since Adam Weymouth in 2018 for Kings of the Yukon.
So, I’d love for Cal Flyn to win for the excellent and timely Islands of Abandonment. She’s had a few nominations (the Baillie Gifford Prize, the Saltire Award, the Wainwright Prize) but not won anything, and richly deserves to.
I haven’t heard yet if there will be a shadow panel this year. Anyone got any intel on this? If it goes ahead in person this year, I’ll hope to attend the awards ceremony in London on 24 February. In any case, I’ll be looking out for the winner announcement.
Have you read anything from this year’s shortlist?
Three very different works of women’s life writing: heartfelt remarks on bereavement, a seasonal diary of stewarding four wooded acres in Somerset, and a look back at postnatal depression.
Notes on Grief by Chimamanda Ngozi Adichie
This slim hardback is an expanded version of an essay Adichie published in the New Yorker in the wake of her father’s death in June 2020. With her large family split across three continents and coronavirus lockdown precluding in-person get-togethers, they had a habit of frequent video calls. She had seen her father the day before on Zoom and knew he was feeling unwell and in need of rest, but the news of his death still came as a complete shock.
Adichie anticipates all the unhelpful platitudes people could and did send her way: he lived to a ripe old age (he was 88), he had a full life and was well respected (he was Nigeria’s first statistics professor), he had a mercifully swift end (kidney failure). Her logical mind knows all of these facts, and her writer’s imagination has depicted grief many times. Still, this loss blindsided her.
She’d always been a daddy’s girl, but the anecdotes she tells confirm how special he was: wise and unassuming; a liberal Catholic suspicious of materialism and with a dry humour. I marvelled at one such story: in 2015 he was kidnapped and held in the boot of a car for three days, his captors demanding a ransom from his famous daughter. What did he do? Correct their pronunciation of her name, and contradict them when they said that clearly his children didn’t love him. “Grief has, as one of its many egregious components, the onset of doubt. No, I am not imagining it. Yes, my father truly was lovely.” With her love of fashion, one way she dealt with her grief was by designing T-shirts with her father’s initials and the Igbo words for “her father’s daughter” on them.
I’ve read many a full-length bereavement memoir, and one might think there’s nothing new to say, but Adichie writes with a novelist’s eye for telling details and individual personalities. She has rapidly become one of my favourite authors: I binged on most of her oeuvre last year and now have just one more to read, Purple Hibiscus, which will be one of my 20 Books of Summer. I love her richly evocative prose and compassionate outlook, no matter the subject. At £10, this 85-pager is pricey, but I was lucky to get it free with Waterstones loyalty points.
“In the face of this inferno that is sorrow, I am callow and unformed.”
“How is it that the world keeps going, breathing in and out unchanged, while in my soul there is a permanent scattering?”
Deeper Into the Wood by Ruth Pavey
In 1999 Ruth Pavey bought four acres of scrubland at auction, happy to be returning to her family’s roots in the Somerset Levels and hoping to work alongside nature to restore some of her land to orchard and maintain the rest in good health. Her account of the first two decades of this ongoing project, A Wood of One’s Own, was published in 2017.
In this sequel, she gives peaceful snapshots of the wood throughout 2019, from first snowdrops to final apple pressing, but also faces up to the environmental degradation that is visible even in this pocket of the countryside. “I am sure there has been a falling off in numbers of insects, smaller birds and rabbits on my patch,” she insists. Without baseline data, it is hard to support this intuition, but she has botanical and bird surveys done, and invites an expert in to do a moth-trapping evening. The resulting species lists are included as appendices. In addition, Pavey weaves a backstory for her land. She meets a daffodil breeder, investigates the source of her groundwater, and visits the head gardener at the Bishop’s Palace in Wells, where her American black walnut sapling came from. She also researches the Sugg family, associated with the land (“Sugg’s Orchard” on the deed) from the 1720s.
Pavey aims to treat this landscape holistically: using sheep to retain open areas instead of mowing the grass, and weighing up the benefits of the non-native species she has planted. She knows her efforts can only achieve so much; the pesticides standard to industrial-scale farming may still be reaching her trees on the wind, though she doesn’t apply them herself. “One sad aspect of worrying about the state of the natural world is that everything starts to look wrong,” she admits. Starting in that year’s abnormally warm January, it was easy for her to assume that the seasons can no longer be relied on.
Compared with her first memoir, this one is marked by its intellectual engagement with the principles and practicalities of rewilding. Clearly, her inner struggle is motivated less by the sense of ownership than by the call of stewardship. While this book is likely be of most interest to those with a local connection or a similar project underway, it offers a universal model of how to mitigate our environmental impact. Pavey’s black-and-white sketches of the flora and fauna on her patch, reminiscent of Quentin Blake, are a highlight.
With thanks to Duckworth for the proof copy for review. The book will be published tomorrow, the 27th of May.
After the Storm: Postnatal Depression and the Utter Weirdness of New Motherhood by Emma Jane Unsworth
The author’s son was born on the day Donald Trump won the U.S. presidential election. Six months later, she realized that she was deep into postnatal depression and finally agreed to get help. The breaking point came when, with her husband* away at a conference, she got frustrated with her son’s constant fussing and pushed him over on the bed. He was absolutely fine, but the guilty what-ifs proliferated, making this a wake-up call for her.
In this succinct, wry and hard-hitting memoir, Unsworth exposes the conspiracies of silence that lead new mothers to lie and pretend that everything is fine. Since her son’s traumatic birth (which I first read about in Dodo Ink’s Trauma anthology), she hadn’t been able to write and was losing her sense of self. To add insult to injury, her baby had teeth at 16 weeks and bit her as he breastfed. She couldn’t even admit her struggles to her fellow mum friends. But “if a woman is in pain for long enough, and denied sleep for long enough, and at the same time feels as though she has to keep going and put a ‘brave’ face on, she’s going to crack.”
The book’s titled mini-essays give snapshots into the before and after, but particularly the agonizing middle of things. I especially liked the chapter “The Weirdest Thing I’ve Ever Done in a Hotel Room,” in which she writes about borrowing her American editor’s room to pump breastmilk. Therapy, antidepressants and hiring a baby nurse helped her to ease back into her old life and regain some part of the party girl persona she once exuded – enough so that she was willing to give it all another go (her daughter was born late last year).
While Unsworth mostly writes from experience, she also incorporates recent research and makes bold statements of how cultural norms need to change. “You are not monsters,” she writes to depressed mums. “You need more support. … Motherhood is seismic. It cracks open your life, your relationship, your identity, your body. It features the loss, grief and hardship of any big life change.” I can imagine this being hugely helpful to anyone going through PND (see also my Three on a Theme post on the topic), but I’m not a mother and still found plenty to appreciate (especially “We have to smash the dichotomy of mums/non-mums … being maternal has nothing to do with actually physically being a mother”).
I’m attending a Wellcome Collection online event with Unsworth and midwife Leah Hazard (author of Hard Pushed) this evening and look forward to hearing more from both authors.
*It took me no time at all to identify him from the bare facts: Brighton + doctor + graphic novelist = Ian Williams (author of The Lady Doctor)! I had no idea. What a fun connection.
With thanks to Profile Books/Wellcome Collection for the free copy for review.
What recent releases can you recommend?
Even before George Saunders won the Man Booker Prize for the truly astounding Lincoln in the Bardo, I wanted to read Tenth of December (2013), the short story collection that won him the inaugural Folio Prize. The 10 stories, set in a recognizable contemporary or near-future suburban America, feature a mixture of realist and science fiction scenarios and a gently satirical tone.
At times the narration seems to reflect a new form of human speech, almost like shorthand, with the characters only lapsing into old-fashioned garrulousness under the influence of specially designed pharmaceuticals. I found the language most amusing in “The Semplica Girl Diaries,” narrated by a lower-middle-class dad who’s trying to keep up with the Joneses and please his daughters. “Have to do better! Be kinder. Start now. Soon they will be grown and how sad, if only memory of you is testy stressed guy in bad car.”
However, notably absent from the entertaining definitions he drops in for posterity (Whac-a-Mole, in case future readers are unfamiliar: “Plastic mole emerges, you whack with hammer, he dies, falls, another emerges, you whack, kill?”) is one for the SGs. Only gradually do you realize, with some horror, that “Semplica girls,” who have left the developing world for a chance at a better life, are a trendy lawn ornament, strung along a wire through their brains. From this article, included as an introduction to the Bloomsbury paperback, I learned that this story arose from a dream Saunders had. That accounts for how matter-of-factly bizarre it is.
Although it runs a bit long, this story was one of my favorites, along with “Victory Lap,” about a geeky high schooler improbably saving a classmate from a sexual assault, and “Sticks,” which in under two pages captures a family’s entire decades-long dynamic. None of the rest were quite as memorable for me, so I’m not sure I’ll seek out more of Saunders’s stories. I just couldn’t resist the urge to read and review this book in time for the day in the title after I found it on clearance at my local Waterstones.
I know that a number of you have long-term, faithful book clubs. Boy, am I envious! You might find it surprising that I’ve only ever been in one traditional book club, and it wasn’t a resounding success. Partway through my time working for King’s College, London, an acquaintance from another library branch started the club. A group of five to eight of us from Library Services aimed to meet after work one evening a month at a Southbank venue or a staff room to discuss our latest pick. By poring over old e-mails and my Goodreads library, I’ve managed to remember 10 of the books we read between November 2011 and June 2013:
- Do Androids Dream of Electric Sheep?, Philip K. Dick [classic science fiction]
- The Little Shadows, Marina Endicott [Canadian historical fiction]
- A Spot of Bother, Mark Haddon [contemporary fiction]
- The Talented Mr. Ripley, Patricia Highsmith [classic suspense]
- The Vintner’s Luck, Elizabeth Knox [bizarre historical fiction/magic realism]
- What Was Lost, Catherine O’Flynn [contemporary fiction]
- Franny and Zooey, J.D. Salinger [classic short fiction]
- The Rabbi’s Cat, Joann Sfar [graphic novel in translation]
- Girl Meets Boy, Ali Smith [an update of Greek myth]
- Angel, Elizabeth Taylor [an obscure English classic]
That may well be the complete list. Although I was a member for 20 months until I quit to go freelance, we often only managed to meet every other month because we couldn’t find a mutually convenient free evening or no one had read the book in time. I was consistently frustrated that – even when our selections were only about 200 pages long – I was often one of the only people to have read the whole book.
Overall, the quality of books we chose struck me as mediocre: I rated half of these books 2 stars, and the rest 3 stars. (I think I was a harsher rater then, but it’s not a good sign, is it?) Perhaps this is part of the inevitable compromising that goes with book clubs, though: You humor other people in their choices and hope they’ll be kind about yours? My suggestion, for the record, was the pretty dismal Little Shadows, for which I got a free set of book club copies to review for Booktime magazine. But I also voted in favor of most of the above list.
Looking back, I am at least impressed by how varied our selections were. People were interested in trying out different genres, so we ranged from historical fiction to sci-fi, and even managed a graphic novel. But when we did get together for discussion there was far too much gossipy chat about work, and when we finally got around to the book itself the examination rarely went deeper than “I liked it” or “I hated all the characters.”
If it was profound analysis I was after, I got that during the years I volunteered at Greenbelt, an annual summer arts festival with a progressive Christian slant. I eagerly read the eclectic set of three books the literature coordinator chose for book club meetings in 2010 – Star of the Morning: The Extraordinary Life of Lady Hester Stanhope by Kirsten Ellis, The First Person and Other Stories by Ali Smith, and The Bridge of San Luis Rey by Thornton Wilder – and then as a literature volunteer for the next three years I read and prepared copious notes and questions about our festival “Big Read.” We did Exile by Richard North Patterson in 2011, Dark Eden by Chris Beckett in 2012 and So Many Ways to Begin by Chris Beckett in 2013, and each time I offered to chair the book club meetings.
Unfortunately, due at least in part to logistical considerations, these were run in the way many festival events are: a panel of two to five talking heads with microphones was at the front of the tent, sometimes on a raised dais, while the audience of whatever size sat towards the back. This created a disconnect between the “experts” and the participants, and with the exception of the McGregor meeting I don’t recall much audience input. I’ve mostly blanked out the events – as I tend to for anything that entails public speaking and nervous preparation for something you can’t control – but I was pleased to be involved and I should probably make more of this on my CV. It wasn’t your average book club setting, that’s for sure.
In recent years the closest thing I’ve had to a book club has been online buddy reading. The shadow panels for the Wellcome Book Prize and Sunday Times Young Writer of the Year Award fall into this category, as do online readalongs I’ve done for several Iris Murdoch novels and for C.S. Lewis’s Mere Christianity with various female family members. A few of us book bloggers chatted about Andrea Levy’s Small Island in an online document earlier this year, and my mom and I e-mailed back and forth while reading W. Somerset Maugham’s The Painted Veil in May. I’m also doing my last three of the #20BooksofSummer as online buddy reads, checking in occasionally on Twitter.
Of course, there are some inherent limitations to this kind of discussion – people read at different paces and don’t want to spoil the plot for others, and at some point the back-and-forth fizzles out – but it’s always been easier for me to organize my thoughts in writing, so I likely feel more comfortable contributing than I might in an in-person meeting.
This is all context for my decision to join my neighborhood book club next month. The club arose some months back out of our community’s Facebook group, a helpful resource run by a go-getting lady a few doors down from us. So far it’s turning out to be a small group of thirty- and fortysomething women who alternate meetings at each other’s houses, and the name they’ve chosen gives an idea of the tone: “Books, Booze and Banter.”
I made the mistake of not getting involved right at the start; I wanted to hang back and see what kind of books they’d choose. This means I wasn’t part of the early process of putting titles in a hat, so I’ve looked on snobbishly for several months as they lurched between crime and women’s fiction, genres I generally avoid. (Still, there were actually a couple books I might have joined them for had I not been in America and had they been readily available at the public library.) For many people a book club selection will be the only book they get through that month, so I can understand how they’d want it to be something ‘readable’ that they’d be happy to pick up anyway. Even though statistically I read 27 books a month, I’m still jealously protective of my reading time; I want everything I read to be worthwhile.
So for September I managed to steer the group away from a poorly received historical novel of over 400 pages and the new Joël Dicker and onto Ladder of Years by Anne Tyler, which the bookstore chain Waterstones has been promoting heavily as one of their books of the month. I already had a charity shop copy in hand and the others liked the sound of it, so we’re all set for September 12th! Future months’ literary fiction choices look promising, too, so provided I enjoy the discussion and the camaraderie I plan to stick with it: a backlist Pat Barker novel I’ve not read, and Kirsty Logan and Jonathan Coe novels I’ve read before and won’t reread but will remind myself about briefly before the meetings.
I’m out of practice with this book club thing. My mother tells me that I have a lot to contribute but that I must also be open to what I’ll learn from other people – even if I don’t expect to. So I don’t want to set myself up as some kind of expert. In fact, I probably won’t even mention that I’m a freelance book reviewer and book blogger. Mostly I’m hoping to find some friendly faces around the neighborhood, because even though we’ve lived here just over two years I still only know a handful of names and keep myself to myself as I work from home. Even if I have to read books I wouldn’t normally, it’ll be worth it to meet more people.