Tag: W. Somerset Maugham

“All to Do with the Moon”: Four Books with Moon in the Title

I happened to read two books with the word moon in their titles within a couple of weeks in September, which prompted me to ransack my shelves and find two more. While these four are in completely different genres – one women’s fiction, one poetry, one memoir and one Booker-winning literary novel – they are all by women (naturally more in touch with the moon?) and all worth reading. In the weeks that I was undertaking this mini reading project, I couldn’t get Krista Detor’s song “All to Do with the Moon” out of my head (on this video, a live recording of the entire “Night Light” suite of three songs, it starts at about 6:15). She’s one of our favorite singer-songwriters, though, so this was no problem.

The Pull of the Moon by Elizabeth Berg (1996)

This is my second contemporary novel from Berg. I find her work effortlessly readable. She’s comparable to those other Elizabeths, McCracken and Strout, but also to Alice Hoffman and Anne Tyler. This one reminded me most of Tyler’s Ladder of Years in that both are about a middle-aged woman who takes a break from her marriage to figure out what she wants from life. Nan, “a fifty-year-old runaway,” takes off from her suburban Boston home and drives west, stopping at motels and cabins, eating at diners, and meeting the locals; eventually she gets as far as South Dakota. Her narration is in the form of letters to her husband, Martin, alternated with italicized passages from her journal. She reflects on everything that has made up her life – her upbringing, her marriage and other sexual encounters, raising her daughter, Ruthie – as well as on the small-town folk she meets in Iowa and Minnesota. The moon is a symbol of the femininity Nan fears she’s losing through menopause and hopes to reclaim on this journey.

The Moon Is Almost Full by Chana Bloch (2017)

This was a lucky find in the clearance section at Blackwell’s on my Oxford day with Annabel. It’s a beautifully produced book from Autumn House, the small Pittsburgh press that released my favorite poetic work of last year: The Small Door of Your Death by Sheryl St. Germain. This was Bloch’s sixth and final book of poetry, published in the year of her death. She writes in the awareness that this cancer will be her end and doesn’t gloss over losses of function and dignity, but still finds delight in life through her family, writing and Jewish rituals: “Never forget / you were put on earth to gather joy // with melancholy hands” (from “Instructions for the Bridegroom”). A favorite poem was “The Will,” in which she imagines how the physical and intangible relics of her life will be distributed (“My plans and projects I hereby bequeath to the air / of which they were conceived. … Let the doctors pack up my heart / and keep it humming for the right customer.”).

Off-topic note: This was typeset in Mrs Eaves, which may well be one of my favorite fonts.

To the Moon and Back: A Childhood under the Influence by Lisa Kohn (2018)

My special interest in women’s religious memoirs led me to list this among my most anticipated titles of 2018. I had it on my wish list for quite a while and then, when I saw it available for a bargain price online, snapped it up for myself. Lisa Kohn grew up in the New York City environs, the child of hippie parents she called Mimi and Danny rather than Mom and Dad. After their parents divorced, she and her brother lived in New Jersey with their mother and went into the City to visit their father, who was very lax about things like drugs. By the time Kohn was 10, her mother had gotten caught up in Reverend Moon’s Unification Church.

I knew next to nothing about the “Moonies,” so I found it fascinating to learn about this cult led by a South Korean reverend who let it be assumed that he was the new incarnation of Jesus Christ and the flourishing of his family on Earth would usher in God’s Kingdom. The Church became Kohn’s whole life until internal questioning set in during high school, and by the time she went to college she was adrift and into drugs instead. The book recreates scenes and dialogue well, but I found myself losing interest once the cult itself stopped being the main focus.

Readalikes: Small Fry by Lisa Brennan-Jobs and In the Days of Rain by Rebecca Stott

Moon Tiger by Penelope Lively (1987)

Seventy-six-year-old Claudia Hampton, on her deathbed in a nursing home, determines to write a history of the world – or at least, the world as she’s seen it. She’s been an author of popular history books (one of which, on Mexico, was made into a film), but she’s also been a daughter, a sister, a lover and a mother. As the book shifts between the first person and the third person, the present and the past, we learn volumes about Claudia and how her memory has preserved the layers of her personal history. There are a couple of big reveals, about her relationship with her brother Gordon and her time as a Second World War correspondent in Egypt, but what’s more impressive than these plot surprises is how Lively packs the whole sweep of a life into just 200 pages, all with such rich, wry commentary on how what we remember constructs our reality.

I made the fine choice to start reading this on holiday at the Jurassic coast in Dorset, which was fitting because Claudia grew up in Dorset and uses ammonites and rock strata as recurring metaphors. This won a well-deserved Booker Prize and is the best of the five Lively books I’ve read. I wasn’t particularly taken with the first couple I read by her, so I’m glad I tried again this year (with Heat Wave and then this). It’s just a shame that the copy I found in the free bookshop where I volunteer has such a dreadfully inappropriate cover, making it look like contemporary chick lit rather than serious literature.

Some favorite lines:
“Argument, of course, is the whole point of history. Disagreement; my word against yours; this evidence against that. If there were such a thing as absolute truth the debate would lose its lustre. I, for one, would no longer be interested.”

“In life as in history the unexpected lies waiting, grinning from around corners. Only with hindsight are we wise about cause and effect.”

“Once it is all written down we know what really happened.”

A note on the title: From the context, it seems that a moon tiger was a special inflammatory device, maybe like a citronella candle, used to repel mosquitoes and other insects.

Other ‘Moon’ books I have happened to review:

Crossing the Moon by Paulette Bates Alden

The Moon and Sixpence by W. Somerset Maugham

Incidents of Book Serendipity

Since May I’ve been posting my occasional reading coincidences on Twitter and/or Instagram. This is when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such serendipitous incidents. What’s the weirdest one you’ve had lately? (The following are in rough chronological order.)

Two historical novels set (partially) among the slaves of Martinique and featuring snippets of Creole (Patrick Chamoiseau’s Slave Old Man and Jane Harris’s Sugar Money)

A book about epilepsy and a conductor’s memoir, followed by a novel with a conductor character and another who has seizures (Suzanne O’Sullivan’s Brainstorm and Lev Parikian’s Why Do Birds Suddenly Disappear? to Caoilinn Hughes’s Orchid & the Wasp)

Two characters mistake pregnancy for cholera (in Alexandra Fuller’s Leaving Before the Rains Come and W. Somerset Maugham’s The Painted Veil)

Two characters are reading Ursula K. Le Guin’s The Left Hand of Darkness (in Lily Brooks-Dalton’s Good Morning, Midnight and Julie Buntin’s Marlena) … I’ve since tried again with Le Guin’s book myself, but it’s so dry I can only bear to skim it.

Two memoirs by Iranian-American novelists with mental health and drug use issues (Porochista Khakpour’s Sick and Afarin Majidi’s Writing and Madness in a Time of Terror)

References to the blasé response to Martin Luther King’s assassination in North Carolina (in Paulette Bates Alden’s Crossing the Moon and David Sedaris’s Calypso)

The Police lyrics (in Less by Andrew Sean Greer and Summer by Karl Ove Knausgaard [a whole essay called “Sting”])

Salmon croquettes mentioned in Less by Andrew Sean Greer and An American Marriage by Tayari Jones

I’m reading Beryl Markham’s West with the Night … and then Glynnis MacNicol picks that very book up to read on a plane in No One Tells You This

Starting two books with the word “Ladder” in the title, one right after the other: Ladders to Heaven by Mike Shanahan and Ladder of Years by Anne Tyler (followed just a couple of weeks later by A Ladder to the Sky by John Boyne!)

Two books set in Dunedin, New Zealand, one right after the other – I planned it that way, BUT both have a character called Myrtle (To the Is-Land by Janet Frame and Dunedin by Shena Mackay). Then I encountered Harold Gillies, the father of plastic surgery, in Jim McCaul’s Face to Face, and guess what? He was from Dunedin!
- Then I was skimming Louisa Young’s You Left Early and she mentioned that her grandmother was a sculptor who worked with Gillies on prostheses, which was the inspiration for her WWI novel, My Dear I Wanted to Tell You.

Two novels featuring drug addicts (Pretend I’m Dead by Jen Beagin and Bad News by Edward St. Aubyn)

The same Wallace Stevens lines that appear as an epigraph to Barbara Kingsolver’s Unsheltered are mentioned in Elaine Pagels’s Why Religion? – “After the final no there comes a yes / And on that yes the future world depends.”

“Twinkle, Twinkle, Little Star” is mentioned in Little by Edward Carey and Marilla of Green Gables by Sarah McCoy

Reading Nine Pints, Rose George’s book about blood, at the same time as Deborah Harkness’s Time’s Convert, which is partially about vampires; in this it takes 90 days for a human to become fully vampirized – the same time it takes to be cured of an addiction according to the memoir Ninety Days by Bill Clegg.

My Patchy Experience with Book Clubs

I know that a number of you have long-term, faithful book clubs. Boy, am I envious! You might find it surprising that I’ve only ever been in one traditional book club, and it wasn’t a resounding success. Partway through my time working for King’s College, London, an acquaintance from another library branch started the club. A group of five to eight of us from Library Services aimed to meet after work one evening a month at a Southbank venue or a staff room to discuss our latest pick. By poring over old e-mails and my Goodreads library, I’ve managed to remember 10 of the books we read between November 2011 and June 2013:

Do Androids Dream of Electric Sheep?, Philip K. Dick [classic science fiction]
The Little Shadows, Marina Endicott [Canadian historical fiction]
A Spot of Bother, Mark Haddon [contemporary fiction]
The Talented Mr. Ripley, Patricia Highsmith [classic suspense]
The Vintner’s Luck, Elizabeth Knox [bizarre historical fiction/magic realism]
What Was Lost, Catherine O’Flynn [contemporary fiction]
Franny and Zooey, J.D. Salinger [classic short fiction]
The Rabbi’s Cat, Joann Sfar [graphic novel in translation]
Girl Meets Boy, Ali Smith [an update of Greek myth]
Angel, Elizabeth Taylor [an obscure English classic]

That may well be the complete list. Although I was a member for 20 months until I quit to go freelance, we often only managed to meet every other month because we couldn’t find a mutually convenient free evening or no one had read the book in time. I was consistently frustrated that – even when our selections were only about 200 pages long – I was often one of the only people to have read the whole book.

Overall, the quality of books we chose struck me as mediocre: I rated half of these books 2 stars, and the rest 3 stars. (I think I was a harsher rater then, but it’s not a good sign, is it?) Perhaps this is part of the inevitable compromising that goes with book clubs, though: You humor other people in their choices and hope they’ll be kind about yours? My suggestion, for the record, was the pretty dismal Little Shadows, for which I got a free set of book club copies to review for Booktime magazine. But I also voted in favor of most of the above list.

Looking back, I am at least impressed by how varied our selections were. People were interested in trying out different genres, so we ranged from historical fiction to sci-fi, and even managed a graphic novel. But when we did get together for discussion there was far too much gossipy chat about work, and when we finally got around to the book itself the examination rarely went deeper than “I liked it” or “I hated all the characters.”

If it was profound analysis I was after, I got that during the years I volunteered at Greenbelt, an annual summer arts festival with a progressive Christian slant. I eagerly read the eclectic set of three books the literature coordinator chose for book club meetings in 2010 – Star of the Morning: The Extraordinary Life of Lady Hester Stanhope by Kirsten Ellis, The First Person and Other Stories by Ali Smith, and The Bridge of San Luis Rey by Thornton Wilder – and then as a literature volunteer for the next three years I read and prepared copious notes and questions about our festival “Big Read.” We did Exile by Richard North Patterson in 2011, Dark Eden by Chris Beckett in 2012 and So Many Ways to Begin by Chris Beckett in 2013, and each time I offered to chair the book club meetings.

Unfortunately, due at least in part to logistical considerations, these were run in the way many festival events are: a panel of two to five talking heads with microphones was at the front of the tent, sometimes on a raised dais, while the audience of whatever size sat towards the back. This created a disconnect between the “experts” and the participants, and with the exception of the McGregor meeting I don’t recall much audience input. I’ve mostly blanked out the events – as I tend to for anything that entails public speaking and nervous preparation for something you can’t control – but I was pleased to be involved and I should probably make more of this on my CV. It wasn’t your average book club setting, that’s for sure.

In recent years the closest thing I’ve had to a book club has been online buddy reading. The shadow panels for the Wellcome Book Prize and Sunday Times Young Writer of the Year Award fall into this category, as do online readalongs I’ve done for several Iris Murdoch novels and for C.S. Lewis’s Mere Christianity with various female family members. A few of us book bloggers chatted about Andrea Levy’s Small Island in an online document earlier this year, and my mom and I e-mailed back and forth while reading W. Somerset Maugham’s The Painted Veil in May. I’m also doing my last three of the #20BooksofSummer as online buddy reads, checking in occasionally on Twitter.

Of course, there are some inherent limitations to this kind of discussion – people read at different paces and don’t want to spoil the plot for others, and at some point the back-and-forth fizzles out – but it’s always been easier for me to organize my thoughts in writing, so I likely feel more comfortable contributing than I might in an in-person meeting.

This is all context for my decision to join my neighborhood book club next month. The club arose some months back out of our community’s Facebook group, a helpful resource run by a go-getting lady a few doors down from us. So far it’s turning out to be a small group of thirty- and fortysomething women who alternate meetings at each other’s houses, and the name they’ve chosen gives an idea of the tone: “Books, Booze and Banter.”

I made the mistake of not getting involved right at the start; I wanted to hang back and see what kind of books they’d choose. This means I wasn’t part of the early process of putting titles in a hat, so I’ve looked on snobbishly for several months as they lurched between crime and women’s fiction, genres I generally avoid. (Still, there were actually a couple books I might have joined them for had I not been in America and had they been readily available at the public library.) For many people a book club selection will be the only book they get through that month, so I can understand how they’d want it to be something ‘readable’ that they’d be happy to pick up anyway. Even though statistically I read 27 books a month, I’m still jealously protective of my reading time; I want everything I read to be worthwhile.

So for September I managed to steer the group away from a poorly received historical novel of over 400 pages and the new Joël Dicker and onto Ladder of Years by Anne Tyler, which the bookstore chain Waterstones has been promoting heavily as one of their books of the month. I already had a charity shop copy in hand and the others liked the sound of it, so we’re all set for September 12th! Future months’ literary fiction choices look promising, too, so provided I enjoy the discussion and the camaraderie I plan to stick with it: a backlist Pat Barker novel I’ve not read, and Kirsty Logan and Jonathan Coe novels I’ve read before and won’t reread but will remind myself about briefly before the meetings.

I’m out of practice with this book club thing. My mother tells me that I have a lot to contribute but that I must also be open to what I’ll learn from other people – even if I don’t expect to. So I don’t want to set myself up as some kind of expert. In fact, I probably won’t even mention that I’m a freelance book reviewer and book blogger. Mostly I’m hoping to find some friendly faces around the neighborhood, because even though we’ve lived here just over two years I still only know a handful of names and keep myself to myself as I work from home. Even if I have to read books I wouldn’t normally, it’ll be worth it to meet more people.

What has your experience with book clubs (in person and online) been?

The Smell of Fresh Rain by Barney Shaw

Petrichor: that would be the alternative title for this book about the often-neglected human sense of smell. In avoiding that lovely but obscure word, Barney Shaw is making a specific point: we don’t have an everyday vocabulary for talking about smells; there are specialist terms and concepts, but try to depict an ordinary scent in words and you may struggle.

I had just such an experience myself the other week. We’d bought a jar of Sun-Pat peanut butter at Sainsbury’s that didn’t taste or smell right, but no longer had the receipt to return it to the store. When I contacted the company on Twitter, my attempts to describe the problem were decidedly feeble: we’d bought a “duff jar,” I wrote; it tasted and smelled “off.” If pressed I would perhaps have used the word “stale,” but I had no way of conveying how exactly it didn’t taste or smell right. (Sun-Pat very kindly took my word for it and sent £10 worth of vouchers. The new jars we bought as replacements tasted better but still not the same as before: chances are they’ve recently changed the recipe to be cheaper.)

I’m intrigued by the related senses of smell and taste in general, so I was delighted to find a whole book on the topic. Shaw, a retired civil servant who served as a private secretary to various government ministers, approaches the topic as an amateur enthusiast rather than a scientist, so his language is never overly technical and he ranges between history, anatomy, literature and even self-help.

Much of the book was researched “on location,” as it were. Shaw travels to Portsmouth to grasp the signature smells of the seaside; visits a hardware store to differentiate the odors of different metals (they release no smell on their own, only in contact with human skin/sweat); returns to his hometown to discover the smells associated with suburban gardens and different types of High Street shops; and sniffs at butcher stalls, pubs, and London Underground trains. With his son, blind from birth and autistic, he sets out to capture “the smell of 3 a.m.” as early-morning market sellers set out their mushrooms and cheeses.

Shaw also travels through time, imagining what it might have smelled like in the mid-nineteenth century or earlier: raw sewage, cooking smoke, animal dung, and laundries and tanneries with their reek of stale urine. Once many of those stinks were eliminated, bad smells became associated with the working classes (as in the work of Maugham and Orwell) or with foreigners, a continuing prejudice that fuels xenophobia. The book also traces the rise of the perfume industry and other artificial smells like scent diffusers and vaping. Shaw is uncomfortable with the idea of natural scents being replaced by synthetic ones, and notes the environmental consequences of our obsession with abolishing body odor: “The price we pay for hygiene and deodorants is in the pollution pumped out by a billion washing machines and … soap, toothpaste and washing powder flowing down to the seas.”

There are fascinating facts on pretty much every page of this book; I won’t bore you by listing them, but will just say that if you’re interested in exploring the connections between smell and memory in life and in literature, in discovering what makes the human sense of smell unique, and in learning some wine-tasting-style tips for describing odors, this is the perfect introduction. I noted a bit of repetition in the book, especially at chapter openings, but that didn’t keep me from being as enthralled with the subject matter as Shaw, a passionate tour guide to the olfactory world, so clearly is.

My rating:

The Smell of Fresh Rain was released in the UK on November 14th. My thanks to Victoria Reed at Icon Books for the free copy for review.

Other books referencing smell/taste that I have read or at least sampled:

Season to Taste: How I Lost My Sense of Smell and Found My Way by Molly Birnbaum
Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste by Bianca Bosker
Parfums: A Catalogue of Remembered Smells by Philippe Claudel
The Diary of a Nose by Jean-Claude Ellena
A Smell of Burning: The Story of Epilepsy by Colin Grant
Perfume: The Story of a Murderer by Patrick Süskind

Other smell-related titles on my TBR:

Nonfiction:

Fragrant: The Secret Life of Scent by Mandy Aftel
Taste, Memory: Forgotten Foods, Lost Flavors, and Why They Matter by David Buchanan
The Perfect Scent: A Year Inside the Perfume Industry in Paris and New York by Chandler Burr
The Case against Fragrance by Kate Grenville

Fiction:

A Good Scent from a Strange Mountain and Perfume River by Robert Olen Butler
The Scent of Water by Elizabeth Goudge
The Smell of Other People’s Houses by Bonnie-Sue Hitchcock
The Perfume Collector by Kathleen Tessaro

Jacob’s Room Is Full of Books by Susan Hill

Susan Hill has published dozens of books in multiple genres, but is probably best known for her perennially popular ghost story, The Woman in Black (1983). Apart from that and two suspense novellas, the only book I’d read by her before is Howards End Is on the Landing (2009), a sort of prequel to this work. Both are bookish memoirs animated by the specific challenge to spend more time reading from her shelves and revisiting the books that have meant the most to her in the past. Though not quite a journal, this is set up chronologically and also incorporates notes on the weather, family events and travels, and natural phenomena encountered near her home in Norfolk.

The Virginia Woolf reference in the title is fitting, as Hill realizes she has four shelves’ worth of books about Woolf and her Bloomsbury set. It’s just one of many mini-collections she discovers in her library on regular “de-stocking” drives when she tries to be realistic about what, at age 75, she’s likely to reread or reference in the future. “A book that cannot be returned to again and again, and still yield fresh entertainment and insights, is only half a book,” Hill contends. Some authors who merit frequent rereading for her are Edith Wharton, Muriel Spark, Somerset Maugham and Olivia Manning, while other passions had a time limit: she’s gone off E.F. Benson, and no longer reads about Antarctica or medieval theology.

Hill is unashamedly opinionated, though she at least has the humility to ask what individual taste matters. Her substantial list of no-nos includes fairy tales, science fiction, Ethan Frome, Patricia Highsmith and e-readers, and she seems strangely proud of never having read Jane Eyre. She’s ambivalent about literary festivals and especially about literary prizes: they were a boon to her as a young author, but she was also on the infamous 2011 Booker Prize judging panel, and disapproves of that prize being opened up to American entries.

As well as grumpy pronouncements, this book is full of what seems like name-dropping: encounters with Iris Murdoch, J.B. Priestley, Susan Sontag and the like. (To be fair, the stories about Murdoch and Sontag are rather lovely.) Although aspects of this book rubbed me the wrong way, I appreciated it as a meditation on how books are woven into our lives. I took note of quite a few books I want to look up, and Hill ponders intriguing questions that book clubs might like to think about: Can we ever enjoy books as purely as adults as we did as children, now that we have to “do something” with our reading (e.g. discussing or reviewing)? Is it a lesser achievement to turn one’s own life experiences into fiction than to imagine incidents out of thin air? Will an author unconsciously “catch the style” of any writer they are reading at the time of their own compositions? Is it better to come to a book blind, without having read the blurb or anything else about it?

You’ll applaud; you’ll be tempted to throw the book at the wall (this was me with the early page disparaging May Sarton). Perhaps on consecutive pages. But you certainly won’t be indifferent. And a book that provokes a reaction is a fine thing.

Some favorite lines:

“Cold room, warm bed, good book.”

“I have had fifty-five years of experience but still every book is like walking a tightrope. I might fall off.”

“People say they can never part with a book. I can. As fast as I get one out of the back door, two new ones come in through the front anyway.”

“How many people are there living in the books here? Only take the complete novels of Dickens and add up all the characters in each one and then multiply by … and I already need to lie down. Overall, there must be thousands of imaginary people sharing this house with us.”

“One of the best presents anyone can give you is the name of a writer whose books they believe will be ‘you’ – and they are. Someone you would almost certainly never have found for yourself.”

My rating:

Jacob’s Room Is Full of Books was released in the UK on October 5th. My thanks to Profile Books for the free copy for review.

Making Plans (and Book Lists) for America

On Tuesday we leave for two weeks in America. It’s nearly a year and a half since our last trip – much too long – so we’ll be cramming in lots of visits with friends and family and doing a fair bit of driving around the Mid-Atlantic states. I’m giving myself the whole time off, which means I’ve been working flat out for the past two weeks to get everything done (including my U.K. and U.S. taxes). I’m nearly there: at the 11-day countdown I still had 12 books I wanted to finish and 12 reviews to write; now I’m down to five books, only one of which might be considered essential, and all the reviews are ready to submit/schedule. What with the holiday weekend underway, it should all be manageable.

I’m a compulsive list maker in general, but especially when it comes to preparing for a trip. I’ve kept adding to lists entitled “Pack for America,” “Do in America,” “Buy in America,” and “Bring back from America.” But the more fun lists to make are book-related ones: what paper books should I take to read on the plane? Which of the 315 books on my Kindle ought I to prioritize over the next two weeks? Which exclusively American books should I borrow from the public library? What secondhand books will I try to find? And which of the books in the dozens of boxes in the closet of my old bedroom will I fit in my suitcase for the trip back?

I liked the sound of Laila’s habit of taking an Anne Tyler novel on every flight. That’s just the kind of cozy reading I want, especially as I head back to Maryland – not far at all from Tyler’s home turf of Baltimore. I browsed the blurbs on a few of her paperbacks I have lying around and chose Back When We Were Grownups to be my fifth Tyler and one of my airplane reads.

I’m also tempted by Min Kym’s Gone, a memoir by a violin virtuoso about having her Stradivarius stolen. I picked up a proof copy in a 3-for-£1 charity sale a couple of weeks ago. And then I can’t resist the aptness of Jonathan Miles’s Dear American Airlines (even though we’re actually flying on Virgin). I’ll start one or more of these before we go, just to make sure they ‘take’.

I almost certainly won’t need three print books for the trip, particularly if I take advantage of the in-flight entertainment. We only ever seem to watch films while we’re in America or en route there, so between the two legs I’ll at least try to get to La La Land and The Light between Oceans; I’m also considering Nocturnal Animals, Silence, and the live-action Beauty and the Beast – anyone seen these?

However, I’ll also keep my Kindle to hand, as I find it easier to pick up and put down on multi-part journeys like ours to the airport (train ride + coach ride). Some of the books on my Kindle priority list are: The Day that Went Missing by Richard Beard, Cork Dork by Bianca Bosker, Eleanor Oliphant Is Completely Fine by Gail Honeyman, The Fact of a Body by Alexandria Marzano-Lesnevich, Mrs. Fletcher by Tom Perrotta (out in August), The Power by Naomi Alderman, Reservoir 13 by Jon McGregor, The Rules Do Not Apply by Ariel Levy, See What I have Done by Sarah Schmidt, You Should Have Left by Daniel Kehlmann … and the list continues, but I’ll stop there.

My book shopping list is an ongoing one, as the many cross-outs and additions on this sheet show. Finding specific books at my beloved Wonder Book can be a challenge, so I usually just keep in mind the names of authors I’d like to read more by. This time that might include Arnold Bennett, Geoff Dyer, Elizabeth Hay, Bernd Heinrich, W. Somerset Maugham, Haruki Murakami and Kathleen Norris. In addition to the couple of secondhand bookstores we always hit, I hope to visit a few new-to-me ones on stays with friends in Virginia.

As for those poor books sat in boxes in the closet, I have plans to unearth novels by Anita Brookner, Mohsin Hamid, Kent Haruf, Penelope Lively, Howard Norman and Philip Roth – for reading while I’m there and/or bringing back with me. I’m also contemplating borrowing my dad’s omnibus edition of the John Updike “Rabbit” novels. From my nonfiction hoard, I fancy an Alexandra Fuller memoir, D.H. Lawrence’s travel books and more of May Sarton’s journals. If only it weren’t for luggage weight limits!

On Monday I’ll publish my intercontinental Library Checkout, on Tuesday I have a few June releases to recommend, and then I’m scheduling a handful of posts for while I’m away – a couple reviews I happen to have ready, plus some other lightweight stuff. Alas, I read no doorstoppers in May, but I have a list (of course) of potential ones for June, so will attempt to resurrect that monthly column.

Though I may be slow to respond to comments and read your blogs while I’m away, I will do my best and hope to catch up soon after I’m back.

Classic of the Month: The Moon and Sixpence

This was indeed the perfect follow-up to Fabrizio Dori’s Gauguin, the SelfMadeHero graphic novel I reviewed earlier in the month. W. Somerset Maugham’s short novel functioned like a prequel for me because, whereas Dori focuses on Gauguin’s later life in the South Pacific, Maugham concentrates on his character Charles Strickland’s attempt to make a living as a painter in Paris.

The Moon and Sixpence – the unusual title comes from the TLS reviewer’s description of the protagonist in Of Human Bondage as so absorbed in reaching for the moon that he doesn’t notice the sixpence at his feet – is narrated by an unnamed author drawn into Strickland’s orbit through his wife Amy Strickland’s attendance at London literary soirées. He hasn’t gotten to know the couple very well at all when he hears that Charles, a stockbroker, has abandoned his family and left for Paris to pursue painting – a hobby for which he’s never previously shown any aptitude.

Amy sends the narrator off to Paris to talk sense into her husband, but Charles never shows the least remorse. The narrator marvels at his insouciance and utter conviction that he is meant to be an artist.

He was single-hearted in his aim, and to pursue it he was willing to sacrifice not only himself – many can do that – but others. He had a vision. Strickland was an odious man, but I still think he was a great one.

Tucker Collection, New York Public Library Archives (Public Domain).

I noted familiar themes from Of Human Bondage (published in 1915, four years prior to The Moon and Sixpence), especially the artist’s struggle, nomadism and the threat of poverty. Dirk Stroeve, the talentless Dutch painter who becomes friendly with the narrator in Paris and recognizes Strickland’s brilliance even as he lets the man walk all over him, reminded me of the happy-go-lucky Thorpe Athelny in Bondage.

At less than a third of the length of that earlier novel, though, The Moon and Sixpence struck me as a condensed parable about genius and sacrifice.

Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul. … It was the work of a man who had delved into the hidden depths of nature and had discovered secrets. … There was something primeval there and terrible. It was not human. It brought to … mind vague recollections of black magic. It was beautiful and obscene.

This is a fascinating character study, whether or not you’re aware of Gauguin’s life as the inspiration, and would be a great introduction to Maugham’s work if you’ve not read him before. (Secondhand copy from Bookbarn International.)

My rating: