The Swansea University International Dylan Thomas Prize recognizes the best published work in the English language written by an author aged 39 or under. All literary genres are eligible, so the longlist contained poetry collections as well as novels and short stories. Remaining on the shortlist are these six books (five novels and one short story collection; four of the works are debuts):
- Alligator and Other Stories by Dima Alzayat – Stories of the Syrian American experience.
- Kingdomtide by Rye Curtis – A novel about an elderly plane crash victim and the alcoholic park ranger who tries to find her. (See Annabel’s review.)
- The Death of Vivek Oji by Akwaeke Emezi – A coming-of-age story set in Nigeria.
- Pew by Catherine Lacey – A mysterious fable about a stranger showing up in a Southern town in the week before an annual ritual.
- Luster by Raven Leilani – A young Black woman and would-be painter negotiates a confusing romantic landscape and looks for meaning beyond dead-end jobs.
- My Dark Vanessa by Kate Elizabeth Russell – A nuanced look at the #MeToo phenomenon through the prism of one young woman’s relationship with her teacher.
It’s an American-dominated set this year, but, refreshingly, five of the six nominees are women or non-binary. I happen to have already read the last three of the novels on the list. I’m most keen to try Alligator and Other Stories and Kingdomtide and hope to still have a chance to read them. No review copies reached me in time, so today I’m giving an overview of the list.
This is never an easy prize to predict, but if I had to choose between the few that I’ve read, I would want Kate Elizabeth Russell to win for My Dark Vanessa.
(The remaining information in this post comes from the official Midas PR press release.)
The shortlist “was selected by a judging panel chaired by award-winning writer, publisher and co-director of the Jaipur Literature Festival Namita Gokhale, alongside founder and director of the Bradford Literature Festival Syima Aslam, poet Stephen Sexton, writer Joshua Ferris, and novelist and academic Francesca Rhydderch.
“This year’s winner will be revealed at a virtual ceremony on 13 May, the eve of International Dylan Thomas Day.”
Namita Gokhale, Chair of Judges, says: “We are thrilled to present this year’s extraordinary shortlist – it is truly a world-class writing showcase of the highest order from six exceptional young writers. I want to press each and every one of these bold, inventive and distinctive books into the hands of readers, and celebrate how they challenge preconceptions, ask new questions about how we define identity and our relationships, and how we live together in this world. Congratulations to these tremendously talented writers – they are master storytellers in every sense of the word.”
Francesca Rhydderch on Alligator and Other Stories by Dima Alzayat: “Dima Alzayat’s visceral, innovative Alligator & Other Stories marks the arrival of a major new talent. While the range of styles and stories is impressively broad, there is a unity of voice and tone here which must have been so very difficult to achieve, and a clear sense that all these disparate elements are part of an overriding, powerful examination of identity.”
Joshua Ferris on Kingdomtide by Rye Curtis: “Kingdomtide is a propulsively readable and frequently very funny book about the resources, personal and natural, necessary to survive a patently absurd world. The winning voice of Texas-native Cloris Waldrip artfully takes us through her eighty-eight-day ordeal in the wilds of Montana as the inimitable drunk and park ranger Debra Lewis searches for her. This fine novel combines the perfect modern yarn with something transcendent, lyrical and wise.”
Namita Gokhale on The Death of Vivek Oji by Akwaeke Emezi: “The Death of Vivek Oji by Akwaeke Emezi is a powerful novel that carries the authenticity of cultural and emotional context. The story unfolds brilliantly, with the prescient foreboding about Vivek Oji’s death already announced in the brief line that constitutes the opening chapter. Yet the suspense is paced and carefully maintained until the truth is finally communicated in the final chapter. A triumph of narrative craft.”
Francesca Rhydderch on Pew by Catherine Lacey: “In this brilliant novel Catherine Lacey shows herself to be completely unafraid as a writer, willing to tackle the uglier aspects of a fictional small town in America, where a stranger’s refusal to speak breeds paranoia and unease. Beautifully written, sharply observed, and sophisticated in its simplicity, Pew is a book I’m already thinking of as a modern classic.”
Syima Aslam on Luster by Raven Leilani: “Sharp and incisive, Luster speaks a fearless truth that takes no hostages. Leilani is unflinchingly observant about the realities of being a young, black woman in America today and revelatory when it comes to exploring unconventional family life and 21st-century adultery, in this darkly comic and strangely touching debut.”
Stephen Sexton on My Dark Vanessa by Kate Elizabeth Russell: “My Dark Vanessa is an articulate, uncompromising and compelling novel about abuse, its long trail of damage and its devastating iterations. In Vanessa, Russell introduces us to a character of immense complexity, whose rejection of victimhood—in favour of something more like love—is tragic and unforgettable. Timely, harrowing, of supreme emotional intelligence, My Dark Vanessa is the story of one girl; of many girls, and of the darknesses of Western literature.”
It can’t happen here. Or can it? That’s a question Rosamund Lupton asks with her novel about a siege at a progressive school in rural England. When out in public with my copy of the book, I was asked a few times what I was reading. I would explain that it was about a school shooting in Somerset, and the reply was always “In the UK?!” Guns are difficult to come by in this country thanks to firearms legislation that was passed following a couple of high-profile massacres in the 1980s and 90s. So, to an extent, you’ll have to suspend your disbelief about the perpetrators getting access to automatic weapons and bombs. And you should, because the story that unfolds is suspenseful and timely.
Cliff Heights School is in the midst of a surprise November blizzard. It’s also under attack. At 9:16 the headmaster, Matthew Marr, is shot twice. Students bundle him into the library, barricade the doors and tend to his head and foot injuries as best they can. He recognized the shooter, but the damage to his brain means he’s incapable of telling anyone who it was.
At 8:15 Rafi Bukhari, a Syrian refugee pupil, had seen an IED explode on the school grounds and alerted Marr, who promptly evacuated the junior school. But the institution is based across several buildings, with some students in the theatre for a dress rehearsal, more in the pottery hut for art class – and now a few trapped in the library.
Lupton toggles between these different locations, focusing on a handful of staff and students and the relationships between them. Hannah, who’s doing her best to help Mr. Marr, is Rafi’s girlfriend. Rafi is concerned for his little brother, Basi, who’s still traumatized after their escape from Syria. Mr. Marr sponsored the boys’ move to England. Could it be that anti-Muslim sentiment has made the Bukhari boys – and thus the school they attend – a target?
We also spend time behind the scenes with police investigators as they pursue leads and worried parents as they await news of their children. I found the book most gripping when the situation was still a complete unknown; as the options narrow down and it becomes clear who’s responsible, things feel a bit more predictable. However, there are still unexpected turns to come.
A few elements that stood out for me were the use of technology (FaceTime, WhatsApp and drones weren’t available at the time of Columbine), the Syrian boys’ history, and the student production of Macbeth, whose violence ironically comments on the school’s crisis. While not my usual fare, I found this well worth reading and will look into Lupton’s back catalogue, too.
Three Hours will be published by Penguin Viking on the 9th. My thanks to the publisher for the free copy for review.
My pal Annabel has also reviewed the book today.