Tag Archives: Sunday Times Young Writer of the Year Award

Catching Up: Mini Reviews of Some Notable Reads from Last Year

I do all my composition on an ancient PC (unconnected to the Internet) in a corner of our lounge. On top of the CPU sit piles of books waiting to be reviewed. Some have been residing there for an embarrassingly long time since I finished reading them; others were only recently added to the stack but had previously languished on my set-aside shelf. I think the ‘oldest’ of the set below is the Olson, which I started reading in November 2019. In every case, the book earned a spot on the pile because I felt it was worth a review, but I’ll stick to a brief paragraph on why each was memorable. Bonus: I get my Post-its back, and can reshelve the books so they get packed sensibly for our upcoming move.

 

Fiction

How Should a Person Be? by Sheila Heti (2012): My second from Heti, after Motherhood; both landed with me because they nail aspects of my state of mind. Heti writes autofiction about writers dithering about their purpose in life. Here Sheila is working in a hair salon while trying to finish her play – some absurdist dialogue is set out in script form – and hanging out with artists like her best friend Margaux. The sex scenes are gratuitous and kinda gross. In general, I alternated between sniggering (especially at the ugly painting competition) and feeling seen: Sheila expects fate to decide things for her; God forbid she should ever have to make an actual choice. Heti is self-deprecating about an admittedly self-indulgent approach, and so funny on topics like mansplaining. This was longlisted for the Women’s Prize in 2013. (Little Free Library)

 

The Light Years by Elizabeth Jane Howard (1990): The first volume of The Cazalet Chronicle, read for a book club meeting last January. I could hardly believe the publication date; it’s such a detailed, convincing picture of daily life in 1937–8 for a large, wealthy family in London and Sussex that it seems it must have been written in the 1940s. The retrospective angle, however, allows for subtle commentary on how limited women’s lives were, locked in by marriage and pregnancies. Sexual abuse is also calmly reported. One character is a lesbian, but everyone believes her partner is just a friend. The cousins’ childhood japes are especially enjoyable. And, of course, war is approaching. It’s all very Downton Abbey. I launched straight into the second book afterwards, but stalled 60 pages in. I’ll aim to get back into the series later this year. (Free mall bookshop)

 

Nonfiction

Keeper: Living with Nancy—A journey into Alzheimer’s by Andrea Gillies (2009): The inaugural Wellcome Book Prize winner. The Prize expanded in focus over a decade; I don’t think a straightforward family memoir like this would have won later on. Gillies’ family relocated to remote northern Scotland and her elderly mother- and father-in-law, Nancy and Morris, moved in. Morris was passive, with limited mobility; Nancy was confused and cantankerous, often treating Gillies like a servant. (“There’s emptiness behind her eyes, something missing that used to be there. It’s sinister.”) She’d try to keep her cool but often got frustrated and contradicted her mother-in-law’s delusions. Gillies relays facts about Alzheimer’s that I knew from In Pursuit of Memory. What has remained with me is a sense of just how gruelling the caring life is. Gillies could barely get any writing done because if she turned her back Nancy might start walking to town, or – the single most horrific incident that has stuck in my mind – place faeces on the bookshelf. (Secondhand purchase)

 

Reflections from the North Country by Sigurd F. Olson (1976): Olson was a well-known environmental writer in his time, also serving as president of the National Parks Association. Somehow I hadn’t heard of him before my husband picked this out at random. Part of a Minnesota Heritage Book series, this collection of passionate, philosophically oriented essays about the state of nature places him in the vein of Aldo Leopold – before-their-time conservationists. He ponders solitude, wilderness and human nature, asking what is primal in us and what is due to unfortunate later developments. His counsel includes simplicity and wonder rather than exploitation and waste. The chief worry that comes across is that people are now so cut off from nature they can’t see what they’re missing – and destroying. It can be depressing to read such profound 1970s works; had we heeded environmental prophets like Olson, we could have changed course before it was too late. (Free from The Book Thing of Baltimore)

 

Educating Alice: Adventures of a Curious Woman by Alice Steinbach (2004): I’d loved her earlier travel book Without Reservations. Here she sets off on a journey of discovery and lifelong learning. I included the first essay, about enrolling in cooking lessons in Paris, in my foodie 20 Books of Summer 2020. In other chapters she takes dance lessons in Kyoto, appreciates art in Florence and Havana, walks in Jane Austen’s footsteps in Winchester and environs, studies garden design in Provence, takes a creative writing workshop in Prague, and trains Border collies in Scotland. It’s clear she loves meeting new people and chatting – great qualities in a journalist. By this time she had quit her job with the Baltimore Sun so was free to explore and make her life what she wanted. She thinks back to childhood memories of her Scottish grandmother, and imagines how she’d describe her adventures to her gentleman friend, Naohiro. She recreates everything in a way that makes this as fluent as any novel, such that I’d even dare recommend it to fiction-only readers. (Free mall bookshop)

 

Kings of the Yukon: An Alaskan River Journey by Adam Weymouth (2018): I didn’t get the chance to read this when it was shortlisted for, and then won, the Sunday Times Young Writer of the Year Award, but I received a copy from my wish list for Christmas that year. Alaska is a place that attracts outsiders and nonconformists. During the summer of 2016, Weymouth undertook a voyage by canoe down the nearly 2,000 miles of the Yukon River – the same epic journey made by king/Chinook salmon. He camps alongside the river bank in a tent, often with his partner, Ulli. He also visits a fish farm, meets reality TV stars and native Yup’ik people, and eats plenty of salmon. “I do occasionally consider the ethics of investigating a fish’s decline whilst stuffing my face with it.” Charting the effects of climate change without forcing the issue, he paints a somewhat bleak picture. But his descriptive writing is so lyrical, and his scenes and dialogue so natural, that he kept me eagerly riding along in the canoe with him. (Secondhand copy, gifted)

 

Would you be interested in reading one or more of these?

2022 Proof Copies & Early Recommendations (Julia Armfield’s Debut Novel, Lily King’s Short Stories)

I didn’t feel like I’d done a lot of pre-release reading yet, but put it all together and somehow it looks like a lot…

 

My top recommendations for 2022 (so far):

 

Our Wives Under the Sea by Julia Armfield

Coming on March 3rd from Picador (UK) and on July 12th from Flatiron Books (USA)

I loved Armfield’s 2019 short story collection Salt Slow, which I reviewed when it was shortlisted for the Sunday Times Young Writer of the Year Award. Her strategy in her debut novel is similar: letting the magical elements seep in gradually so that, lulled into a false sense of familiarity, you find the creepy stuff all the more unsettling.

Miri is relieved to have her wife back when Leah returns from an extended Centre for Marine Inquiry expedition. But something went wrong with the craft while in the ocean depths and it was too late to evacuate. What happened to Leah and the rest of the small crew? Miri starts to worry that Leah – who now spends 70% of her time in the bathtub – will never truly recover. Chapters alternate between Miri describing their new abnormal and Leah recalling the voyage. As Miri tries to tackle life admin for both of them, she feels increasingly alone and doesn’t know how to deal with persistent calls from the sister of one of the crew members.

This is a really sensitive consideration of dependency and grief – Miri recently lost her mother and Leah’s father also died. I especially liked the passages about Miri’s prickly mother: it was impossible not to offend her, and she truly believed that if she resisted ageing she might never die. Leah seems shell-shocked; her matter-of-fact narration is a contrast to Miri’s snark. Armfield gives an increasingly eerie story line a solid emotional foundation, and her words about family and romantic relationships ring true. I read this in about 24 hours in early December, on my way back from a rare trip into London; it got the 2022 releases off to a fab start to me. Plus, the title and cover combo is killer. I’d especially recommend this to readers of Carmen Maria Machado and Banana Yoshimoto. (Read via NetGalley)

 

Five Tuesdays in Winter by Lily King

Coming on January 20th from Picador (UK); released in the USA in November 2021

The same intimate understanding of emotions and interactions found in Euphoria and Writers & Lovers underlies King’s first short story collection. Some stories are romantic; others are retrospective coming-of-age narratives. Most are set in New England, but the time and place varies from the 1960s to the present day and from Maine to northern Europe. Several stories look back to a 1980s adolescence. “South” and “The Man at the Door” are refreshingly different, incorporating touches of magic and suspense. However, there are also a few less engaging stories, and there aren’t particularly strong linking themes. Still, the questions of love’s transience and whether any relationship can ever match up to expectations linger. I’d certainly recommend this to fans of King’s novels. (See my full review at BookBrowse. See also my related article on contemporary New England fiction.)

With thanks to Picador for the proof copy for review.

 

Other 2022 releases I’ve read:

(In publication date order)

 

Write It All Down: How to put your life on the page by Cathy Rentzenbrink [Jan. 6, Bluebird] I’ve read all of Rentzenbrink’s books, but the last few have been disappointing. Alas, this is more of a therapy session than a practical memoir-writing guide. (Full review coming later this month.)

 

Recovery: The Lost Art of Convalescence by Gavin Francis [Jan. 13, Wellcome Collection]: A short, timely book about the history and subjectivity of recovering from illness. (Full review and giveaway coming next week.)

 

The Store-House of Wonder and Astonishment by Sherry Rind [Jan. 15, Pleasure Boat Studio]: In her learned and mischievous fourth collection, the Seattle poet ponders Classical and medieval attitudes towards animals. (Full review coming to Shelf Awareness soon.)

 

Stepmotherland by Darrel Alejandro Holnes [Feb. 1, University of Notre Dame Press]: Holnes’s debut collection, winner of the Andrés Montoya Poetry Prize, ponders a mixed-race background and queerness through art, current events and religion. Poems take a multitude of forms; the erotic and devotional mix in provocative ways. (See my full review at Foreword.)

 

Rise and Float: Poems by Brian Tierney [Feb. 8, Milkweed Editions]: A hard-hitting debut collection with themes of bereavement and mental illness – but the gorgeous imagery lifts it above pure melancholy. (Full review coming to Shelf Awareness soon.)

 

Cost of Living: Essays by Emily Maloney [Feb. 8, Henry Holt]: Probing mental illness and pain from the medical professional’s perspective as well as the patient’s, 16 autobiographical essays ponder the value of life. (Full review coming to Shelf Awareness soon.)

 

Circle Way: A Daughter’s Memoir, a Writer’s Journey Home by Mary Ann Hogan [Feb. 15, Wonderwell]: A posthumous memoir of family and fate that focuses on a father-daughter pair of writers. A fourth-generation Californian, Hogan followed in her father Bill’s footsteps as a local journalist. Collage-like, the book features song lyrics and wordplay as well as family anecdotes. (See my full review at Foreword.)

 

Cold Enough for Snow by Jessica Au [Feb. 23, Fitzcarraldo Editions]: A delicate work of autofiction – it reads like a Chloe Aridjis or Rachel Cusk novel – about a woman and her Hong Kong-raised mother on a trip to Tokyo. (Full review coming up in a seasonal post.)

 

The Carriers: What the Fragile X Gene Reveals about Family, Heredity, and Scientific Discovery by Anne Skomorowsky [May 3, Columbia UP]: Blending stories and interviews with science and statistics, this balances the worldwide scope of a disease with its intimate details. (Full review coming to Foreword soon.)

 

Currently reading:

(In release date order)

This Boy We Made: A Memoir of Motherhood, Genetics, and Facing the Unknown by Taylor Harris [Jan. 11, Catapult] (Reading via Edelweiss; to review for BookBrowse)

To Paradise by Hanya Yanagihara [Jan. 11, Picador] (Blog review coming … eventually)

I Came All This Way to Meet You: Writing Myself Home by Jami Attenberg [Jan. 13, Serpent’s Tail] (Blog review coming later this month)

Everything Is True: A Junior Doctor’s Story of Life, Death and Grief in a Time of Pandemic by Roopa Farooki [Jan. 20, Bloomsbury] (To review for Shiny New Books)

Some Integrity by Padraig Regan [Jan. 27, Carcanet] (Blog review coming later this month)

 

Additional proof copies on my shelf:

(In release date order; publisher blurbs from Goodreads/Amazon)

What I Wish People Knew About Dementia by Wendy Mitchell [Jan. 20, Bloomsbury]: “When Mitchell was diagnosed with young-onset dementia at the age of fifty-eight, her brain was overwhelmed with images of the last stages of the disease – those familiar tropes, shortcuts and clichés that we are fed by the media, or even our own health professionals. … Wise, practical and life affirming, [this] combines anecdotes, research and Mitchell’s own brilliant wit and wisdom to tell readers exactly what she wishes they knew about dementia.”

 

I Love You But I’ve Chosen Darkness by Claire Vaye Watkins [Came out in USA last year; UK release = Jan. 20, Quercus]: “Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. … Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history.”

 

Beasts of a Little Land by Juhea Kim [Feb. 3, Oneworld]: “From the perfumed chambers of a courtesan school in Pyongyang to the chic cafes of a modernising Seoul and the thick forests of Manchuria, Juhea Kim’s unforgettable characters forge their own destinies as they shape the future of their nation. Immersive and elegant, firmly rooted in Korean folklore and legend, [this] unveils a world where friends become enemies, enemies become saviours, and beasts take many shapes.”

Theatre of Marvels by Lianne Dillsworth [April 28, Hutchinson Heinemann]: “Unruly crowds descend on Crillick’s Variety Theatre. Young actress Zillah [a mixed-race orphan] is headlining tonight. … Rising up the echelons of society is everything Zillah has ever dreamed of. But when a new stage act disappears, Zillah is haunted by a feeling that something is amiss. Is the woman in danger? Her pursuit of the truth takes her into the underbelly of the city.” (Unsolicited) [Dillsworth is Black British.]

 

The Secret Lives of Church Ladies by Deesha Philyaw [Came out in USA in 2020; UK release = May 5, Pushkin]: “explores the raw and tender places where Black women and girls dare to follow their desires and pursue a momentary reprieve from being good. … With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be, and as free as they deserve to be.”

 

And on my NetGalley shelf:

Will you look out for one or more of these titles?

Any other 2022 reads you can recommend?

September Poetry & Nonfiction: Antrobus, Benning, Carey; Bowler, Lister

September is a major month for new releases. I’ve already reviewed two fiction titles that came out this month: Blank Pages and Other Stories by Bernard MacLaverty and Bewilderment by Richard Powers. I’m still working through the 500+ pages of Ruth Ozeki’s new novel, The Book of Form and Emptiness, and hope to report back on it before too long.

Today I have poetry volumes reckoning with race and disability and with modern farming on the Canadian prairie, as well as a centuries-spanning anthology; and, in nonfiction, memoirs of living with advanced cancer and adjusting to widowhood in one’s thirties.

 

All the Names Given by Raymond Antrobus

Antrobus, a British-Jamaican poet, won the Rathbones Folio Prize, the Ted Hughes Award, and the Sunday Times Young Writer of the Year Award for his first collection, The Perseverance. I reviewed it for the Folio Prize blog tour in 2019 and was in attendance at the Young Writer ceremony when he won. Its themes carry over into this second full-length work: again, he reflects on biracial identity, deafness, family divisions, and the loss of his father. Specifically, he is compelled to dive into the history of his English mother’s ancient surname, Antrobus: associated with baronets, owners of Stonehenge, painters – and slavers.

Tell me if I’m closer

to the white painter

with my name than I am

 

to the black preacher,

his hands wide to the sky,

the mahogany rot

 

of heaven. Sorry,

but you know by now

that I can’t mention trees

 

without every shade

of my family

appearing and disappearing. (from “Plantation Paint”)

Other poems explore police and prison violence against Black and deaf people, and arise from his experiences teaching poetry to students and inmates. Captions in square brackets are peppered throughout, inspired by the work of Deaf sound artist Christine Sun Kim. These serve as counterparts to the sign language illustrations in The Perseverance. There are also unsentimental love poems written for his wife, Tabitha. This didn’t captivate me in the same way as his first book, but I always enjoy experiencing the work of contemporary poets and would recommend this to readers of Jason Allen-Paisant, Caleb Femi and Kei Miller.

With thanks to Picador for the free copy for review.

 

Field Requiem by Sheri Benning

Benning employs religious language to give structure to her solemn meditations on the degraded landscape of Saskatchewan, a place where the old ways have been replaced by impersonal, industrial-scale farming. Poems are titled “Plainsong,” “Minor Doxology,” “Intercession” and “Compline.” You can hear the rhythms of psalms and the echoes of the requiem mass in her verse.

There’s a prophetic tone behind poems about animal casualties due to pesticides, with “We were warned” used as a refrain in “1 Zephaniah”:

Everything swept away.

Everything consumed. Sky bled dry

of midges. Locusts, bees, neurons frayed.

 

Antiseptic silence of canola

fields at dusk, muted

grasshopper thrum.

Alliteration pops out from the lists of crops and the prairie species their cultivation has pushed to the edge of extinction. This is deeply place based writing, with the headings of multipart poems giving coordinates. Elegies tell the stories behind the names in a local graveyard, including Ukrainian immigrants. Many of these are tragic tales of failure: “neck in the noose of profit margins and farm credit” (from “NE 10 36 22 W2ND”). Benning and her sister, Heather, who took the Ansel Adams-like black-and-white photographs that illustrate the book, toured derelict farms and abandoned homes:

pull yourself through the kitchen window,

glass shot out decades ago. Breathe the charnel reek,

the cracked-open casket of the nation’s turn-of-the-century bullshit-

promises, adipose gleam of barley and wheat. (from “SW 26 36 22 W2ND”)

I attended the online launch event last night and enjoyed hearing Benning read from the book and converse with Karen Solie about its origins. Benning’s parents were farmers up until the late 1990s, then returned to diversified farming in the late 2000s. Solie aptly referred to the book as “incantatory.” With its ecological conscience, personal engagement and liturgical sound, this is just my kind of poetry. If you’ve been thinking about the issues with land use and food production raised by the likes of Wendell Berry and James Rebanks, you shouldn’t miss it.

With thanks to Carcanet Press for the free copy for review.

 

100 Poets: A Little Anthology by John Carey

John Carey is among the UK’s most respected literary critics. I’ve read several of his books over the years, including his outstanding memoir, The Unexpected Professor. This anthology, a sort of follow-up to his A Little History of Poetry (2020), chooses 100 top poets and then opines on what he considers their best work. The book is organized chronologically, proceeding from Homer to Maya Angelou. Sticking mostly to English-language and American, British or Commonwealth poets (with just a handful of Continental selections, like Charles Baudelaire and Rainer Maria Rilke, in translation), Carey delivers mini-essays with biographical information and historical background.

There is some inconsistency in terms of the amount of context and interpretation given, however. For some poets, there may be just a line or two of text, followed by a reprinted poem (Richard Wilbur, Les Murray); for others, there are paragraphs’ worth of explanations, interspersed with excerpts (Andrew Marvell, Thomas Gray). Some choices are obvious; others are deliberately obscure (e.g., eschewing Robert Frost’s and Philip Larkin’s better-known poems in favour of “Out, Out” and “The Explosion”). The diversity is fairly low, and you can see Carey’s age in some of his introductions: “Edward Lear was gay, and felt a little sad when friends got married”; “Alfred Edward Housman was gay, and he thought it unjust that he should be made to feel guilty about something that was part of his nature.” There’s way too much First and Second World War poetry here. And can a poet really be one of the 100 greatest ever when I’ve never heard of them? (May Wedderburn Cannan, anyone?)

Unsurprisingly, I was most engaged with the pieces on Victorian and Modernist poets since those are the periods I studied at university and still love the most, but there were a few individual poems I was glad to discover, such as Ben Jonson’s “On My First Sonne,” written upon his death from bubonic plague, and Edward Thomas’s “Old Man,” as well as many I was happy to encounter again. This would be a good introduction for literature students as well as laypeople wanting to brush up on their poetry.

With thanks to Yale University Press, London for the proof copy for review.

 

Nonfiction

 

No Cure for Being Human (And Other Truths I Need to Hear) by Kate Bowler

(Below is my Shelf Awareness review, reprinted with permission.)

In her bittersweet second memoir, a religion professor finds the joys and ironies in a life overshadowed by advanced cancer.

When Kate Bowler, an associate professor at Duke Divinity School, was diagnosed with advanced colon cancer at age 35, her chances of surviving two years were just 14%. In No Cure for Being Human, her wry, touching follow-up to her 2018 memoir Everything Happens for a Reason (And Other Lies I’ve Loved) and its associated podcast, she continues to combat unhelpful religious/self-help mantras as she ponders what to do with the extra time medical breakthroughs have given her.

After multiple surgeries, a promising immunotherapy drug trial gave Bowler hope that she would live to see her 40th birthday and her young son starting kindergarten. Working on her bucket list, she found that small moments outshined large events: on a trip to the Grand Canyon, what stood out was a chapel in the ponderosa pinewoods where she added a prayer to those plastering the walls. In the Church calendar, “Ordinary Time” is where most of life plays out, so she encourages readers to live in an “eternal present.”

The chapters function like stand-alone essays, some titled after particular truisms (like “You Only Live Once”). The book’s bittersweet tone finds the humor as well as the tragedy in a cancer diagnosis. Witty recreated dialogue and poignant scenes show the type-A author learning to let go: “I am probably replaceable,” she acknowledges, but here in the shadow of death “the mundane has begun to sparkle.” These dispatches from the “lumpy middle” of life and faith are especially recommended to fans of Anne Lamott.


(If you’ve read her previous book, Everything Happens for a Reason, you may find, as I did, that there is a little too much repetition about her diagnosis and early treatment. The essays could also probably be structured more successfully. But it’s still well worth reading.)

With thanks to Rider Books for the free copy for review.

 

The Elements: A Widowhood by Kat Lister

This story hit all too close to home to me: like Kat Lister, my sister was widowed in her thirties, her husband having endured gruelling years of treatment for brain cancer that caused seizures and memory loss. Lister’s husband, Pat Long, was a fellow journalist. Cancer was with them for the entire span of their short marriage, and infertility treatment didn’t succeed in giving them the children they longed for.

Although it moves back and forth in time, the memoir skims over the happy before and the torturous middle, mostly shining a light on the years after Pat died in 2018. Lister probes her emotional state and the ways in which she met or defied people’s expectations of a young widow. Even when mired in grief, she was able to pass as normal: to go to work, to attend social functions wearing leopard print. She writes of a return trip to Mexico, where she’d gone with Pat, and in some detail of the sexual reawakening she experienced after his death. But everyday demands could threaten to sink her even when life-or-death moments hadn’t.

Writing helped her process her feelings, and the Wellcome Library was a refuge where she met her predecessors in bereavement literature. While some of the literary points of reference are familiar (Joan Didion, Elisabeth Kübler-Ross, C.S. Lewis), others are unexpected, and the overall Fire­–Water–Earth–Air structure creates thematic unity in a similar way as the constellations do in Molly Wizenberg’s The Fixed Stars. Giving shape and dignity to grief, this is a lovely, comforting read.

A favourite passage:

When I talk of my husband, I often speak of disparate worlds. Mine is inside time, his is supertemporal. I continue to age whilst my husband stays fixed in a past I am drifting further away from with every sentence that I type. And yet, like those luminous balls of plasma in the sky, we are still connected together, for all time is cyclical. I hold the elements within me.

With thanks to Icon Books for the free copy for review.

 

What recent releases can you recommend?

Three May Graphic Novel Releases: Orwell, In, and Coma

These three terrific graphic novels all have one-word titles and were published on the 13th of May. Outwardly, they are very different: a biography of a famous English writer, the story of an artist looking for authentic connections, and a memoir of a medical crisis that had permanent consequences. The drawing styles are varied as well. But if the books share one thing, it’s an engagement with loneliness: It’s tempting to see the self as being pitted against the world, with illness an additional isolating force, but family, friends and compatriots are there to help us feel less alone and like we are a part of something constructive.

 

Orwell by Pierre Christin; illustrated by Sébastien Verdier

[Translated from the French by Edward Gauvin]

George Orwell was born Eric Blair in Bengal, where his father worked for the colonial government. As a boy, he loved science fiction and knew that he would become a writer. He had an unhappy time at prep school, where he was on reduced fees, and proceeded to Eton and then police training in Burma. Already he felt that “imperialism was an evil thing.” Among this book’s black-and-white panes, the splashes of colour – blood, a British flag – stand out, and guest artists contribute a two-page colour spread each, illustrating scenes from Orwell’s major works. His pen name commemorates a local river and England’s patron saint, marking his preoccupation with the essence of Englishness: something deeper than his hated militarism and capitalism. Even when he tried to ‘go native’ for embedded journalism (Down and Out in Paris and London and The Road to Wigan Pier), his accent marked him out as posh. He was opinionated and set out “rules” for clear writing and the proper making of tea.

The book’s settings range from Spain, where Orwell went to fight in the Civil War, via a bomb shelter in London’s Underground, to the island of Jura, where he retired after the war. I particularly loved the Scottish scenery. I also appreciated the notes on where his life story entered into his fiction (especially in A Clergyman’s Daughter and Keep the Aspidistra Flying). During World War II he joined the Home Guard and contributed to BBC broadcasting alongside T.S. Eliot. He had married Eileen, adopted a baby boy, and set up a smallholding. Even when hospitalized for tuberculosis, he wouldn’t stop typing (or smoking).

Christin creates just enough scenes to give a sense of the sweep of Orwell’s life, and incorporates plenty of the author’s own words in a typewriter font. He recognizes all the many aspects, sometimes contradictory, of his subject’s life. And in an afterword, he makes a strong case for Orwell’s ideas being more important now than ever before. My knowledge of Orwell’s oeuvre, apart from the ones everyone has read – Animal Farm and 1984 – is limited; luckily this is suited not just to Orwell fans but to devotees of life stories of any kind.

With thanks to SelfMadeHero for the free copy for review.

 

In by Will McPhail

Nick never knows the right thing to say. The bachelor artist’s well-intentioned thoughts remain unvoiced, such that all he can manage is small talk. Whether he’s on a subway train, interacting with his mom and sister, or sitting in a bar with a tongue-in-cheek name (like “Your Friends Have Kids” or “Gentrificchiato”), he’s conscious of being the clichéd guy who’s too clueless or pathetic to make a real connection with another human being. That starts to change when he meets Wren, a Black doctor who instantly sees past all his pretence.

Like Orwell, In makes strategic use of colour spreads. “Say something that matters,” Nick scolds himself, and on the rare occasions when he does figure out what to say or ask – the magic words that elicit an honest response – it’s as if a new world opens up. These full-colour breakthrough scenes are like dream sequences, filled with symbols such as a waterfall, icy cliff, or half-submerged building with classical façade. Each is heralded by a close-up image on the other person’s eyes: being literally close enough to see their eye colour means being metaphorically close enough to be let in. Nick achieves these moments with everyone from the plumber to his four-year-old nephew.

Alternately laugh-out-loud funny and tender, McPhail’s debut novel is as hip as it is genuine. It’s a spot-on picture of modern life in a generic city. I especially loved the few pages when Nick is on a Zoom call with carefully ironed shirt but no trousers and the potential employers on the other end get so lost in their own jargon that they forget he’s there. His banter with Wren or with his sister reveals a lot about these characters, but there’s also an amazing 12-page wordless sequence late on that conveys so much. While I’d recommend this to readers of Alison Bechdel, Craig Thompson, and Chris Ware (and expect it to have a lot in common with Kristen Radtke’s forthcoming Seek You: A Journey through American Loneliness), it’s perfect for those brand new to graphic novels, too – a good old-fashioned story, with all the emotional range of Writers & Lovers. I hope it’ll be a wildcard entry on the Sunday Times Young Writer of the Year Award shortlist.

With thanks to Sceptre for the free copy for review.

  

Coma by Zara Slattery

In May 2013, Zara Slattery’s life changed forever. What started as a nagging sore throat developed into a potentially deadly infection called necrotising fascitis. She spent 15 days in a medically induced coma and woke up to find that one of her legs had been amputated. As in Orwell and In, colour is used to differentiate different realms. Monochrome sketches in thick crayon illustrate her husband Dan’s diary of the everyday life that kept going while she was in hospital, yet it’s the coma/fantasy pages in vibrant blues, reds and gold that feel more real.

Slattery remembers, or perhaps imagines, being surrounded by nightmarish skulls and menacing animals. She feels accused and guilty, like she has to justify her continued existence. In one moment she’s a puppet; in another she’s in ancient China, her fate being decided for her. Some of the watery landscapes and specific images here happen to echo those in McPhail’s novel: a splash park, a sunken theatre; a statue on a plinth. There’s also a giant that reminded me a lot of one of the monsters in Spirited Away.

Meanwhile, Dan was holding down the fort, completing domestic tasks and reassuring their three children. Relatives came to stay; neighbours brought food, ran errands, and gave him lifts to the hospital. He addresses the diary directly to Zara as a record of the time she spent away from home and acknowledges that he doesn’t know if she’ll come back to them. A final letter from Zara’s nurse reveals how bad off she was, maybe more so than Dan was aware.

This must have been such a distressing time to revisit. In this interview, Slattery talks about the courage it took to read Dan’s diary even years after the fact. I admired how the book’s contrasting drawing styles recreate her locked-in mental state and her family’s weeks of waiting – both parties in limbo, wondering what will come next.

Brighton, where Slattery is based, is a hotspot of the Graphic Medicine movement spearheaded by Ian Williams (author of The Lady Doctor). Regular readers know how much I love health narratives, and with my keenness for graphic novels this series couldn’t be better suited to my interests.

With thanks to Myriad Editions for the free copy for review.

 

Read any graphic novels recently?

Some of My Most Anticipated Releases of 2021

Although 120+ books that will be published in 2021 are already on my radar, I’ve limited myself to the 20 I’m most excited about. The modest number is a cheat in that I’ve already read a couple of books from this period in advance (and I’m currently reading another two), and I haven’t listed any that I already own as proofs or finished copies (pictured here) or have been promised. With a couple of exceptions, these books are due out between January and June.

I’m also not counting these three forthcoming books that I’ve sponsored via Kickstarter (the Trauma anthology) or Unbound:

Two that I read as U.S. e-books but would recommend that UK-based readers look out for in 2021 are Memorial by Bryan Washington (Jan. 7, Atlantic) and Transcendent Kingdom by Yaa Gyasi (March 4, Penguin).

The following are in UK release date order, within sections by genre; the quoted descriptions are from the publisher blurbs on Goodreads. Much more fiction is catching my eye this time.

Fiction

The Living Sea of Waking Dreams by Richard Flanagan [Jan. 14, Chatto & Windus / May 25, Knopf] “In a world of perennial fire and growing extinctions, Anna’s aged mother … increasingly escapes through her hospital window … When Anna’s finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. … A strangely beautiful novel about hope and love and orange-bellied parrots.” I’ve had mixed success with Flanagan, but the blurb draws me and I’ve read good early reviews so far. [Library hold]

The Charmed Wife by Olga Grushin [Jan. 21, Hodder & Stoughton / Jan. 12, Putnam] “Cinderella married the man of her dreams – the perfect ending she deserved after diligently following all the fairy-tale rules. Yet now, two children and thirteen-and-a-half years later, things have gone badly wrong. One night, she sneaks out of the palace to get help from the Witch who, for a price, offers love potions to disgruntled housewives.” A feminist retelling. I loved Grushin’s previous novel, Forty Rooms. [Edelweiss download]

The Prophets by Robert Jones Jr. [Jan. 21, Quercus / Jan. 5, G.P. Putnam’s Sons] “A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence.” Lots of hype about this one. I’m getting Days Without End vibes, and the mention of copious biblical references is a draw for me rather than a turn-off. The cover looks so much like the UK cover of The Vanishing Half! [Publisher request pending]

Mrs Death Misses Death by Salena Godden [Jan. 28, Canongate] “Mrs Death has had enough. She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen. Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs.” [NetGalley download / Library hold]

No One Is Talking About This by Patricia Lockwood [Feb. 16, Bloomsbury / Riverhead] “A woman known for her viral social media posts travels the world speaking to her adoring fans … Suddenly, two texts from her mother pierce the fray … [and] the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy and justice in the universe, and a deluge of evidence to the contrary.” Lockwood’s memoir, Priestdaddy, is an all-time favorite of mine. [NetGalley download / Publisher request pending]

A Town Called Solace by Mary Lawson [Feb. 18, Chatto & Windus / Feb. 16, Knopf Canada] “It’s North Ontario in 1972, and seven-year-old Clara’s teenage sister Rose has just run away from home. At the same time, a strange man – Liam – drives up to the house next door, which he has just inherited from Mrs Orchard, a kindly old woman who was friendly to Clara … A beautiful portrait of a small town, a little girl and an exploration of childhood.” I’ve loved the two Lawson novels I’ve read. [Publisher request pending]

Klara and the Sun by Kazuo Ishiguro [March 2, Faber & Faber / Knopf] Synopsis from Faber e-mail: “Klara and the Sun is the story of an ‘Artificial Friend’ who … is warned not to invest too much in the promises of humans. A luminous narrative about humanity, hope and the human heart.” I’m not an Ishiguro fan per se, but this looks set to be one of the biggest books of the year. I’m tempted to pre-order a signed copy as part of an early bird ticket to a Faber Members live-streamed event with him in early March.

Hot Stew by Fiona Mozley [March 18, Hodder & Stoughton / April 20, Algonquin Books] “The Soho that Precious and Tabitha live and work in is barely recognizable anymore. … Billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. … An insightful and ambitious novel about property, ownership, wealth and inheritance.” This sounds very different to Elmet, but I liked Mozley’s writing enough to give it a try.

 Libertie by Kaitlyn Greenidge [March 30, Algonquin Books; April 29, Serpent’s Tail] “Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson” is expected to follow in her mother’s footsteps as a doctor. “When a young man from Haiti proposes, she accepts, only to discover that she is still subordinate to him and all men. … Inspired by the life of one of the first Black female doctors in the United States.” I loved Greenidge’s underappreciated debut, We Love You, Charlie Freeman. [Edelweiss download]

An Ordinary Wonder by Buki Papillon [April 9, Dialogue Books] “Richly imagined with art, proverbs and folk tales, this moving and modern novel follows Oto through life at home and at boarding school in Nigeria, through the heartbreak of living as a boy despite their profound belief they are a girl, and through a hunger for freedom that only a new life in the United States can offer. … a powerful coming-of-age story that explores complex desires as well as challenges of family, identity, gender and culture, and what it means to feel whole.”

Great Circle by Maggie Shipstead [May 4, Doubleday / Knopf] “In 1940s London, after a series of reckless romances and a spell flying to aid the war effort, Marian embarks on a treacherous, epic flight in search of the freedom she has always craved. She is never seen again. More than half a century later, Hadley Baxter, a troubled Hollywood starlet beset by scandal, is irresistibly drawn to play Marian Graves in her biopic.” I loved Seating Arrangements and have been waiting for a new Shipstead novel for seven years!

The Anthill by Julianne Pachico [May 6, Faber & Faber; this has been out since May 2020 in the USA, but was pushed back a year in the UK] “Linda returns to Colombia after 20 years away. Sent to England after her mother’s death when she was eight, she’s searching for the person who can tell her what’s happened in the time that has passed. Matty – Lina’s childhood confidant, her best friend – now runs a refuge called The Anthill for the street kids of Medellín.” Pachico was our Young Writer of the Year shadow panel winner.

Filthy Animals: Stories by Brandon Taylor [June 24, Daunt Books / June 21, Riverhead] “In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness.” Sounds like the perfect follow-up for those of us who loved his Booker-shortlisted debut novel, Real Life.

Saturday Night at the Lakeside Supper Club by J. Ryan Stradal [USA only? Pamela Dorman Books; no cover or exact date yet, just “Summer 2021”] “Combines the comedic pathos of John Irving with the brilliant generational storytelling of Jane Smiley and the wildly rich and quirky characters of fellow Minnesotan Anne Tyler … set on a lake in Northern Minnesota, about a beloved but dying family restaurant and whether it can be saved.” I was disappointed by Stradal’s latest, but love Kitchens of the Great Midwest enough to give him another try.

Matrix by Lauren Groff [Sept. 23, Cornerstone / Riverhead; no cover yet] “Cast out of the royal court by Eleanor of Aquitaine, … seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease. … a mesmerizing portrait of consuming passion, aberrant faith, and a woman that history moves both through and around.” Yuck to medieval history in general as a setting, but I love Groff’s work enough to get hold of this one anyway.

Nonfiction

Islands of Abandonment: Nature Rebounding in the Post-Human Landscape by Cal Flyn [Jan. 21, William Collins; June 1, Viking] “A variety of wildlife not seen in many lifetimes has rebounded on the irradiated grounds of Chernobyl. A lush forest supports thousands of species that are extinct or endangered everywhere else on earth in the Korean peninsula’s narrow DMZ. … Islands of Abandonment is a tour through these new ecosystems … ultimately a story of redemption”. Good news about nature is always nice to find. [Publisher request pending]

 The Believer by Sarah Krasnostein [March 2, Text Publishing – might be Australia only; I’ll have an eagle eye out for news of a UK release] “This book is about ghosts and gods and flying saucers; certainty in the absence of knowledge; how the stories we tell ourselves to deal with the distance between the world as it is and as we’d like it to be can stunt us or save us.” Krasnostein was our Wellcome Book Prize shadow panel winner in 2019. She told us a bit about this work in progress at the prize ceremony and I was intrigued!

A History of Scars: A Memoir by Laura Lee [March 2, Atria Books; no sign of a UK release] “In this stunning debut, Laura Lee weaves unforgettable and eye-opening essays on a variety of taboo topics. … Through the vivid imagery of mountain climbing, cooking, studying writing, and growing up Korean American, Lee explores the legacy of trauma on a young queer child of immigrants as she reconciles the disparate pieces of existence that make her whole.” I was drawn to this one by Roxane Gay’s high praise.

 Everybody: A Book about Freedom by Olivia Laing [April 29, Picador / May 4, W. W. Norton & Co.] “The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. …  Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement.” Wellcome Prize fodder from the author of The Lonely City.

Rooted: Life at the Crossroads of Science, Nature, and Spirit by Lyanda Lynn Haupt [May 4, Little, Brown Spark; no sign of a UK release] “Cutting-edge science supports a truth that poets, artists, mystics, and earth-based cultures across the world have proclaimed over millennia: life on this planet is radically interconnected. … In the tradition of Rachel Carson, Elizabeth Kolbert, and Mary Oliver, Haupt writes with urgency and grace, reminding us that at the crossroads of science, nature, and spirit we find true hope.” I’m a Haupt fan.

 

Which of these do you want to read, too?

What other upcoming 2021 titles are you looking forward to?

Final 2020 Statistics and Retrospective / 2021 Reading Goals

In 2020…

My mother was supposed to visit us in May – my first visit from family in 13 years – and we were meant to be in the States for Christmas. These planned trips had to be cancelled, of course, and many gigs and regular events we would have attended in London and elsewhere couldn’t go ahead.

We managed two mini-breaks, one to Dorset and Devon and one to Hay-on-Wye, as well as a daytrip to Avebury and Silbury Hill, a night out at an Oxford comedy club, a few meals out, and some outdoor meet-ups with family and friends.

It was also the year we finally started doing video chats with family in America, and we kept up with certain friends better than ever thanks to Zoom meetings.

All told, I have no grounds for complaint about the year that has just passed. I know we are lucky to have had good health, stable employment and a wonderful town and community.

Moreover, I was spoiled for choice with online bookish and musical content last year:

  • 45 livestreamed gigs (28+ Bookshop Band, 4 Duke Special, 3 Edgelarks and Megson, 2 Switchfoot, and 1 each by Bellowhead, Krista Detor, Lau, Mark Erelli and Nerina Pallot)
  • 8 neighborhood book club meetings
  • 8 literary festival events
  • 8 quizzes (mostly general trivia; 1 bookish, run by Penguin – I did well among the hundreds of entries!)

  • 6 literary prize announcements
  • 4 festivals, mostly of folk music
  • 4 book launch events
  • 3 book club/preview events
  • 2 conferences (mostly book-related)

I’m also lucky that, unlike many, my reading was not affected by a stressful year. My reading total was very close to the previous year’s (343), which means that after five years above 300 and climbing, I’ve now figured out what my natural limit is. Next year I will aim for 340 again.

Some interesting additional statistics, courtesy of Goodreads:

First read of the year:                          Last read of the year:

This was my Christmas book haul thus far (I have a feeling more may be marooned at my in-laws’ house), including money to spend the next time I can get to Bookbarn. I started a few of them right away.

My husband reads between one-fifth and one-quarter of what I do in a year, but by anyone’s accounting, 76 books is a lot in a year, especially considering that he has a busy full-time university lecturer job, is a town councillor, and is on lots of other voluntary committees. We overlap in some of our reading tastes (nature and travel writing, and some literary fiction) and I pass a lot of my review copies or library books his way, but he’s less devoted to new books and more likely to pick up books with heavier historical, political, or scientific content. If you’re interested, his rundown of his reading, including his top 3 reads of the year, is here.

2021 Reading Goals

My immediate priorities are to clear my set-aside pile (20 books) and everything I’m currently reading, start some January releases, and get back into some university library books to last me while I have limited access to our public library.

These are the 2021 proofs and finished copies I have received thus far:

Looking further ahead, I plan to continue and/or participate in many of 2020’s reading challenges again, as well as join in Liz’s Anne Tyler readalong for the novels I own and haven’t read yet. (The first one for me will be The Clock Winder in mid- to late February.)

Genres in which my achievement often lags far behind my intentions include literature in translation, biographies, and travel books. To address the first one, I’m going to set up a shelf in my house for unread works in translation, as a visual reminder and area to select from. I’ll start with the one below left as part of my “M” 4-in-a-Row.

I would be happy to read even one biography this year, since they often take me many months to read. I’m going to make it the one above, of Janet Frame. Standard travel narratives intimidate me for some reason; I get on with them much better if they are in essays or incorporate memoir and/or nature writing. We have a whole shelf of unread travel books, many of which are of the more traditional going somewhere and reporting on what you see type. I want to clear the shelf to give them to my father-in-law, who expressed interest in reading more travel books. I’ll start with the 2018 Young Writer of the Year Award winner, above.

A “Classic of the Month” and “Doorstopper of the Month” are regular features on my blog, yet I don’t always manage to complete one each month. My aim will be to have at least one classic and one doorstopper on the go at all times, and hope that that translates to one a month as much as possible. Here’s my first pair:

I can see that lots of other book bloggers are prioritizing doorstoppers and backlist reading in 2021. Apart from the modest goals I’ve set here, I expect my reading to be as varied and over-the-top as ever. I know I’ll read lots of 2021 releases, but backlist books are often more memorable, so I’ll try to arrange my stacks and choose my challenges so as to let them shine.

 

What are some of your reading goals for 2021?

Booker and Young Writer Ceremonies & Tracy Chevalier Book Club

This year I correctly predicted Shuggie Bain by Douglas Stuart and Surge by Jay Bernard as the winners of the Booker Prize and the Sunday Times Young Writer of the Year Award, respectively. Patting myself on the back!

(Earlier in the year, I had a feeling Maggie O’Farrell would win the Women’s Prize, but wasn’t confident enough to single her out; and I got the Wainwright Prizes all wrong.)


I watched both the Booker Prize (live) and Young Writer of the Year Award (pre-recorded) ceremonies online; not having to secure an invitation or pay £30 for the train into London has been an ongoing bonus of pandemic arrangements.

The Booker ceremony was nicely tailored to viewers at home, incorporating brief, informal pre-recorded interviews with each nominated author and a video chat between last year’s winners, Margaret Atwood and Bernardine Evaristo. When Evaristo asked Atwood about the difference between winning the Booker in 2019 versus in 2000, she replied, deadpan, “I was older.” I especially liked the short monologues that well-known UK actors performed from each shortlisted book. Only a few people – the presenter, Evaristo, chair of judges and publisher Margaret Busby, and a string quartet – appeared in the studio, while all the other participants beamed in from other times and places. Stuart is only the second Scottish winner of the Booker, and seemed genuinely touched for this recognition of his tribute to his mother.


I’ve attended the Young Writer ceremony at the London Library twice: in 2017, when I was on the shadow panel, and again last year. It was a shame not to be able to meet up with fellow bloggers and the shortlisted authors, but I appreciated hearing the judges’ thoughts on each nominee. Tessa Hadley said the whole shortlist was “so full of young energy.” Kit de Waal called Catherine Cho’s Inferno “an absolute page-turner.” All the judges remarked at how funny, cutting and original Naoise Dolan’s Exciting Times is. Critic Houman Barekat referred to Seán Hewitt’s Tongues of Fire as “unabashedly earnest.” Hadley said Marina Kemp’s Nightingale is just the kind of novel she loves, a “delicate, full notation,” and Barekat observed that it is a timely reminder of the value of care work.

It was clear that, for the judges, all five books were terrifically accomplished and would be worthy winners. Still, the unanimous decision was in favor of Surge, which Sunday Times literary editor Andrew Holgate said is “remarkable for its passionate engagement and diversity of voices.” Bernard read “Hiss” (also up on the Granta website) and said that “poems can take on another life” through performance and short films, so the poet can’t predict whether they will stay in poetry or branch out into other genres.


Back on 18 November, I attended another online event to which I’d gotten a last-minute invitation: a “book club” featuring Tracy Chevalier in conversation with her literary agent, Jonny Geller, on Girl with a Pearl Earring at 20 and her new novel, A Single Thread. In 1996 she sent Geller a letter asking if he’d read Virgin Blue, which she’d written for the MA at the University of East Anglia – the only UK Creative Writing course out there at the time. After VB, she started a contemporary novel set at Highgate Cemetery, where she was a tour guide. It was to be called Live a Little (since a Howard Jacobson title). But shortly thereafter, she was lying in bed one day, looking at a Vermeer print on the wall, and asked herself what the look on the girl’s face meant and who she was. She sent Geller one page of thoughts and he immediately told her to stick Live a Little in a drawer and focus on the Vermeer idea.

Intriguingly, Chevalier stated that the deadline of her pregnancy determined the form of Girl with a Pearl Earring: she knew she had to keep things simple, with a linear narrative, one point of view, and spare prose. While the novel had a quiet publication in August 1999, a good review from Deborah Moggach helped, and it became a “word of mouth success,” never hitting #1 but selling continuously. Chevalier believes this was due to a rare coming together of story and writing; sometimes good stories are hampered by mediocre writing, or vice versa. She and Geller discussed the strange coincidence of two other Vermeer novels coming out at the same time (e.g. Girl in Hyacinth Blue by Susan Vreeland); she had the good luck of being the victor. The film version is “lovely,” she said. Geller has never forgotten Scarlett Johansson, who turned 18 on set, leaving her gum in during a cast supper of spaghetti.

Chevalier’s actual Highgate novel, Falling Angels, didn’t borrow at all from her contemporary-set draft as it was set in 1900. Incorporating suffragette history, it felt like an untold story ripe for the plucking. Falling Angels has long been the one I consider my favorite Chevalier – as of last month, when we did The Last Runaway in book club, I’ve read all her work – but after this event I’m eager to reread it and GwaPE to see what I think.

Lastly, Chevalier and Geller talked about her new novel, A Single Thread, which was conceived before Trump and Brexit but had its central themes reinforced by the constant references back to 1930s fascism during the Trump presidency. She showed off the needlepoint spectacles case she’d embroidered for the novel. This wasn’t the first time she’d taken up a craft featured in her fiction: for The Last Runaway she learned to quilt, and indeed still quilts today. Geller likened her to a “method actor,” and jokingly fretted that they’ll lose her to one of these hobbies one day. Chevalier’s work in progress features Venetian glass. I’m already looking forward to it.

Like me, she moved to England from the Washington, D.C. area and has never lost the ‘accent’, so I feel like she’s a kindred spirit.

Bookish online events coming up soon: Penguin book quiz, followed by book club holiday social (a Zoom meeting with glasses of wine in hand!), on the 15th

Have you taken advantage of any online literary events recently?

Young Writer of the Year Award 2020: Shortlist Reviews and Predictions

Being on the shadow panel for the Sunday Times Young Writer of the Year Award was a bookish highlight of 2017 for me. I’m pleased for this year’s panelists, especially blogging friend Marina Sofia, to have had the same opportunity, and I look forward to hearing who they choose as their shadow panel winner on December 3rd and then attending the virtual prize ceremony on December 10th.

At the time of the shortlisting, I happened to have already read Exciting Times by Naoise Dolan and was halfway through Catherine Cho’s memoir Inferno. I got the poetry collection Surge by Jay Bernard out from the library to have another go (after DNFing it last year), and the kind folk of FMcM Associates sent me the other two shortlisted books, a poetry collection and a novel, so that I could follow along with the shadow panel’s deliberations. Here are my brief thoughts on all five nominees.

 

Surge by Jay Bernard (2019)

As a writer-in-residence at the George Padmore Institute, a research centre for radical Black history, in 2016, Bernard investigated the New Cross Massacre, a fire that killed 13 young people in 1981. In 2017, the tragedy found a horrific echo in the Grenfell Tower fire, which left 72 dead. This debut poetry collection bridges that quarter-century through protest poems from various perspectives, giving voice to victims and their family members and exploring the interplay between race, sexuality and violence. Patois comes in at several points, most notably in “Songbook.” I especially liked “Peg” and “Pride,” and the indictment of government indifference in “Blank”: “It-has-nothing-to-do-with-us today issued this statement: / those involved have defended their actions and been … acquitted / retired with full pay”. On the whole, I found it difficult to fully engage with this collection, but I am reliably informed that Bernard’s protest poems have more impact when performed aloud.

Readalikes: In Nearby Bushes by Kei Miller, A Portable Paradise by Roger Robinson and Don’t Call Us Dead by Danez Smith

My rating:

 

Inferno by Catherine Cho (2020)

Cho, a Korean American literary agent based in London, experienced stress-induced postpartum psychosis after the birth of her son. She and her husband had returned to the USA when Cato was two months old to introduce him to friends and family, ending with a big Korean 100-day celebration at her in-laws’ home. Almost as soon as they got to her in-laws’, though, she started acting strangely: she was convinced cameras were watching their every move, and Cato’s eyes were replaced with “devil’s eyes.” She insisted they leave for a hotel, but soon she would be in a hospital emergency room, followed by a mental health ward. Cho alternates between her time in the mental hospital and a rundown of the rest of her life before the breakdown, weaving in her family history and Korean sayings and legends. Twelve days: That was the length of her hospitalization in early 2018, but Cho so painstakingly depicts her mindset that readers are fully immersed in an open-ended purgatory. She captures extremes of suffering and joy in this vivid account. (Reviewed in full here.)

Readalikes: An Angel at My Table by Janet Frame and Dear Scarlet by Teresa Wong

My rating:

 

Exciting Times by Naoise Dolan (2020)

At 22, Ava leaves Dublin to teach English as a foreign language to wealthy preteens in Hong Kong and soon comes to a convenient arrangement with her aloof banker friend, Julian, who lets her live with him without paying rent and buys her whatever she wants. They have sex, yes, but he’s not her boyfriend per se, so when he’s transferred to London for six months, there’s no worry about hard feelings when her new friendship with Edith Zhang turns romantic. It gets a little more complicated, though, when Julian returns and she has to explain these relationships to her two partners and to herself. On the face of it, this doesn’t sound like it would be an interesting plot, and the hook-up culture couldn’t be more foreign to me. But with Ava Dolan has created a funny, deadpan voice that carries the entire novel. I loved the psychological insight, the playfulness with language, and the zingy one-liners (“I wondered if Victoria was a real person or three Mitford sisters in a long coat”). (Reviewed in full here.)

Readalikes: Besotted by Melissa Duclos and Conversations with Friends by Sally Rooney

My rating:

 

Tongues of Fire by Seán Hewitt (2020)

In the title poem, the arboreal fungus from the cover serves as “a bright, ancestral messenger // bursting through from one realm to another” like “the cones of God, the Pentecostal flame”. This debut collection is alive with striking imagery that draws links between the natural and the supernatural. Sex and grief, two major themes, are silhouetted against the backdrop of nature. Fields and forests are loci of meditation and epiphany, but also of clandestine encounters between men: “I came back often, // year on year, kneeling and being knelt for / in acts of secret worship, and now / each woodland smells quietly of sex”. Hewitt recalls travels to Berlin and Sweden, and charts his father’s rapid decline and death from an advanced cancer. A central section of translations of the middle-Irish legend “Buile Suibhne” is less memorable than the gorgeous portraits of flora and fauna and the moving words dedicated to the poet’s father: “You are not leaving, I know, // but shifting into image – my head / already is haunted with you” and “In this world, I believe, / there is nothing lost, only translated”.

Readalikes: Physical by Andrew McMillan and If All the World and Love Were Young by Stephen Sexton

My rating:

 

Nightingale by Marina Kemp (2020)

Marguerite Demers, a 24-year-old nurse, has escaped Paris to be a live-in carer for elderly Jérôme Lanvier in southern France. From the start, she senses she’s out of place here – “She felt, as always in this village, that she was being observed”. She strikes up a friendship with a fellow outsider, an Iranian émigrée named Suki, who, in this story set in 2002, stands out for wearing a hijab. Everyone knows everyone here, and everyone has history with everyone else – flirtations, feuds, affairs, and more. Brigitte Brochon, unhappily married to a local farmer, predicts Marguerite will be just like the previous nurses who failed to hack it in service to the curmudgeonly Monsieur Lanvier. But Marguerite sticks up for herself and, though plagued by traumatic memories, makes her own bid for happiness. The novel deals sensitively with topics like bisexuality, euthanasia, and family estrangement, but the French provincial setting and fairly melodramatic plot struck me as old-fashioned. Still, the writing is strong enough to keep an eye out for what Kemp writes next. (U.S. title: Marguerite.)

Readalikes: French-set novels by Joanne Harris and Rose Tremain; The Hoarder by Jess Kidd

My rating:

 

General thoughts:

After last year’s unexpected winner – Raymond Antrobus for his poetry collection The Perseverance – I would have said that it’s time for a novel by a woman to win. However, I feel like a Dolan win would be too much of a repeat of 2017’s win (for Sally Rooney), and Kemp’s debut novel isn’t quite up to scratch. Much as I enjoyed Inferno, I can’t see it winning over these judges (three of whom are novelists: Kit de Waal, Sebastian Faulks and Tessa Hadley), though it would be suited to the Wellcome Book Prize if that comes back in 2021. So, to my surprise, I think it’s going to be another year for poetry.

I’ve been following the shadow panel’s thoughts via Marina’s blog and the others’ Instagram accounts and it looks like they are united in their admiration for the poetry collections, particularly the Hewitt. That would be my preference, too: I respond better to theme and style in poetry (Hewitt) than to voice and message (Bernard). However, I think that in 2020 the Times may try to trade its rather fusty image for something more woke, bearing in mind the Black Lives Matter significance and the unprecedented presence of a nonbinary author.

 

My predictions:

Shadow panel winner: Tongues of Fire by Seán Hewitt

Official winner: Surge by Jay Bernard

 

Have you read anything from this year’s shortlist?

Be(com)ing an ‘Expert’ on Postpartum Depression for #NonficNov

This Being/Becoming/Asking the Expert week of the month-long Nonfiction November challenge is hosted by Rennie of What’s Nonfiction.

I’m also counting this as the first entry in my new “Three on a Theme” series, where I’ll review three books that have something significant in common and tell you which one to pick up if you want to read into the topic for yourself. I have another medical-themed one lined up for this Friday as a second ‘Being the Expert’ entry.

I never set out to read several memoirs of women’s experience of postpartum depression this year; it sort of happened by accident. I started with the graphic memoir and then chanced upon a recent pair of traditional memoirs published in the UK – in fact, I initially pitched them as a dual review to the TLS, but they’d already secured a reviewer for one of the books.

 

Inferno: A Memoir by Catherine Cho

I was delighted to see this prediction of mine make the Sunday Times Young Writer of the Year Award shortlist. Coincidentally, I was already halfway through the book on my Kindle (via NetGalley) at that point, but its nomination gave me the push to finish in a timely manner. Cho, a Korean American literary agent based in London, experienced stress-induced postpartum psychosis after the birth of her son, Cato. She and her husband James had gone back to the USA when Cato was two months old to introduce him to friends and family, ending with a big Korean 100-day celebration for him at her in-laws’ home in New Jersey. Almost as soon as they got to her in-laws’, though, she started acting strangely: she was convinced there were cameras watching their every move, and Cato’s eyes were replaced with “devil’s eyes.” She insisted they leave for a hotel, but soon she would be in an emergency room, followed by a mental health ward.

Cho alternates between her time on the New Bridge ward – writing in a notebook, trying to act normal whenever James visited, expressing milk from painfully swollen breasts, and interacting with her fellow patients with all their quirks – and a rundown of the rest of her life before the breakdown. Her Kentucky childhood was marked by her mathematician father’s detachment and the sense that she and her brother were together “in the trenches,” pitted against the world. In her twenties she worked in a New York City corporate law firm and got caught up in an abusive relationship with a man she moved to Hong Kong to be with. All along she weaves in her family’s history and Korean sayings and legends that explain their values.

Twelve days. That was the length of her hospitalization in early 2018, but Cho so painstakingly depicts her mindset that readers are fully immersed in an open-ended purgatory – a terrifying time when she questioned her sanity and whether she was cut out for motherhood. “Koreans believe that happiness can only tempt the fates and that any happiness must be bought with sorrow,” she writes. She captures both extremes, of suffering and joy, in this vivid account.

My rating:

 

What Have I Done? An honest memoir about surviving postnatal mental illness by Laura Dockrill

Dockrill is a British children’s author. Her style reminded me of others of her contemporaries who do a good line in light, witty, warts-and-all, here’s-what-it’s-really-like-to-be-a-woman books: Dolly Alderton, Caitlin Moran and the like. From a labor that quickly deviated from her birth plan due to an emergency Caesarean to the usual post-baby blues to full-blown psychosis, Dockrill recreates her experience with fluid dialogue and italicized passages of her paranoid imaginings. Her memoir resembles Cho’s in its broad strokes but also in certain particulars, like imagining surveillance cameras and hearing a voice in her head telling her she is a bad mum. I skimmed this one because of a library deadline and because of an overload on similar content. I had a greater affinity for Cho’s literary style compared to the more between-girlfriends, self-help bent of this memoir. With the glossary and resources at the end, though, I’d say this one would be more useful for someone going through the same thing.

My rating:

 

Dear Scarlet: The Story of My Postpartum Depression by Teresa Wong (2019)

Memoir as letter and as graphic novel. Wong narrates the traumatic birth of her first child and her subsequent postpartum depression in black-and-white sketches that manage to feel breezy and fun despite the heavy subject matter. “I felt lost. I had no maternal instincts and no clue how I was supposed to take care of a baby,” she writes to Scarlet. “Your first two months in the world were the hardest two months of my life.”

For Wong, a combination of antidepressants, therapy, a postnatal doula, an exercise class, her mother’s help, and her husband’s constant support got her through, and she knows she’s lucky to have had a fairly mild case and to have gotten assistance early on. I loved the “Not for the Faint of Heart” anatomical spreads and the reflections on her mother’s tough early years after arriving in Canada from China.

The drawing and storytelling style is similar to that of Sarah Laing and Debbie Tung. The writing is more striking than the art, though, so I hope that with future work the author will challenge herself to use more color and more advanced designs (from her Instagram page it looks like she is heading that way).

My rating:

My thanks to publicist Beth Parker for the free e-copy for review.

 

What I learned:

All three authors emphasize that motherhood does not always come naturally; “You might not instantly love your baby,” as Dockrill puts it. There might be a feeling of detachment – from the baby and/or from one’s new body. They all note that postpartum depression is common and that new mothers should not be ashamed of seeking help from medical professionals, baby nurses, family members and any other sources of support.

These two passages were representative for me:

Cho: “I don’t feel a rush of love or an overwhelming weight of responsibility, emotions that I’d been expecting. Instead, I felt curious, like I’d just been introduced to a stranger. He was a creature, an idea, not even human yet, just a being, a life. … I’d thought I would reclaim my body after birth, but instead, it was now a tool, something to sustain life.”

Dockrill: “If childbirth and motherhood are the most natural, universal, common things in the world, the things that women have been doing since the beginning of time, then why does nobody tell us that there’s a good chance that you might not feel like yourself after you have a baby? That you might even lose your head? That you might not ever come back?”

On this topic, I have also read: Birth of a New Brain by Dyane Harwood. There are more book ideas here and here.

Nobody Told Me by Hollie McNish, one of my current bedside books, also deals with complicated pregnancy emotions and the chaotic early months of motherhood.

 

If you read just one, though… Make it Inferno by Catherine Cho.

 

Can you see yourself reading any of these books?

November Plans: Novellas, Margaret Atwood Reading Month & More

My big thing next month will, of course, be Novellas in November, which I’m co-hosting with Cathy of 746 Books as a month-long challenge with four weekly prompts. I’m taking the lead on two alternating weeks and will introduce them with mini-reviews of some of my favorite short books from these categories:

9–15 November: Nonfiction novellas

23–29 November: Short classics

I’m also using this as an excuse to get back into the nine books of under 200 pages that have ended up on my “Set Aside Temporarily” shelf. I swore after last year that I would break myself of the bad habit of letting books linger like this, but it has continued in 2020.

 

Other November reading plans…

Readalong of Derek Jarman’s Modern Nature

I learned about this book through Losing Eden by Lucy Jones; she mentions it in the context of nature helping people come to terms with their mortality. Jarman found solace in his Dungeness, Kent garden while dying of AIDS. Shortly after I came across that reference, I learned that his home, Prospect Cottage, had just been rescued from private sale by a crowdfunding campaign. I hope to visit it someday. In the meantime, Creative Folkestone is hosting an Autumn Reads festival on his journal, Modern Nature, running from the 19th to 22nd. I’ve already begun reading it to get a headstart. Do you have a copy? If so, join in!

Margaret Atwood Reading Month

This is the third year of #MARM, hosted by Canadian bloggers extraordinaires Marcie of Buried in Print and Naomi of Consumed by Ink. (Check out the neat bingo card they made this year!) I plan to read the short story volume Wilderness Tips and her new poetry collection, Dearly,on the way for me to review for Shiny New Books. If I fancy adding anything else in, there are tons of her books to choose from across the holdings of the public and university libraries.

Nonfiction November

I don’t usually participate in this challenge because nonfiction makes up at least 40% of my reading anyway, but the past couple of years I enjoyed putting together fiction and nonfiction pairings and “Being the Expert” on women’s religious memoirs. I might end up doing at least one post, especially as I have some “Three on a Theme” posts in mind to encompass a couple of nonfiction topics I happen to have read several books about. The full schedule is here.

Young Writer of the Year Award

Being on the shadow panel for the Sunday Times Young Writer of the Year Award was a highlight of 2017 for me. I look forward to following along with the nominated books, as I did last year, and attending the virtual prize ceremony. With any luck I will already have read at least one or two books from the shortlist of four. Fingers crossed for Rowan Hisayo Buchanan, Naoise Dolan, Jessica J. Lee, Olivia Potts and Nina Mingya Powles; Niamh Campbell, Catherine Cho, Tiffany Francis and Emma Glass are a few other possibilities. (By chance, only young women are on my radar this year!)

November is such a busy month for book blogging: it’s also Australia Reading Month and German Literature Month. I don’t happen to have any books on the pile that will fit these prompts, but you might like to think about how you can combine one of them with some of the other challenges out there!

Any reading plans for November? Will you be joining in with novellas, Margaret Atwood’s books or Nonfiction November?