I call it serendipitous when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually around 20), I suppose I’m more prone to such incidents than some. I also list these occasional reading coincidences on Twitter. The following are in rough chronological order. (January to March appeared in this post.)
- Characters named Sonny in Pew by Catherine Lacey, My Father’s Wake by Kevin Toolis, and Sacred Country by Rose Tremain.
- A double dose via Greenery via Tim Dee – while reading it I was also reading Other People’s Countries by Patrick McGuinness, whom he visits in Belgium; and A Cold Spring by Elizabeth Bishop, referenced in a footnote.
- A red thread is worn as a bracelet for its emotional or spiritual significance in The Book of Longings by Sue Monk Kidd and Plan B by Anne Lamott.
- The Library of Alexandria features in Footprints by David Farrier and The Book of Longings by Sue Monk Kidd.
- The Artist’s Way is mentioned in At Hawthorn Time by Melissa Harrison and Traveling Mercies by Anne Lamott.
- Characters sleep in a church in Pew by Catherine Lacey and Abide With Me by Elizabeth Strout. (And both novels have characters named Hilda.)
- Coins being flung away among some trees in In the Springtime of the Year by Susan Hill and The Book of Longings by Sue Monk Kidd (literally the biblical 30 pieces of silver in the Kidd, which is then used as a metaphor in the Hill).
- Rabbit-breeding projects in When the Lights Go Out by Carys Bray and Parable of the Sower by Octavia E. Butler.
- Mentions of the Great Barrier Reef in When the Lights Go Out by Carys Bray and Footprints by David Farrier.
- The same very specific fact – that Seamus Heaney’s last words, in a text to his wife, were “Noli timere” – was mentioned in Curlew Moon by Mary Colwell and Greenery by Tim Dee.
- Klondike ice cream bars appeared in both Small Victories by Anne Lamott and The Fixed Stars by Molly Wizenberg.
- The metaphor of a rising flood only the parent or the child will survive is used in both Exit West by Mohsin Hamid and What We Carry by Maya Lang.
- The necessity of turning right to save oneself in a concentration camp setting is mentioned in both Man’s Search for Meaning by Viktor Frankl and Fugitive Pieces by Anne Michaels.
- An English child is raised in North Africa in Oleander, Jacaranda by Penelope Lively and The Child in Time by Ian McEwan.
- The Bristol Stool Chart appeared in both Gulp by Mary Roach and The Bad Doctor by Ian Williams.
- A Greek island setting in both Exit West by Mohsin Hamid and Fugitive Pieces by Anne Michaels (plus, earlier, in A Theatre for Dreamers by Polly Samson).
- Both Writers & Lovers by Lily King and Mother: A Memoir by Nicholas Royle mention Talking Heads within the first 20 pages.
- A trip to North Berwick in the early pages of Mother: A Memoir by Nicholas Royle, and hunting for cowrie shells on the beach – so familiar from Evie Wyld’s The Bass Rock, read the previous month. (Later, more collecting of cowrie shells in Oleander, Jacaranda by Penelope Lively.)
- Children’s authors are main characters in The Crow Road by Iain Banks and The Child in Time by Ian McEwan.
- A character is killed by a lightning strike in The Crow Road by Iain Banks and Writers & Lovers by Lily King.
- Characters named Ash in The Crow Road by Iain Banks and The Fixed Stars by Molly Wizenberg.
- A brother steals the main character’s object of affection in The Crow Road by Iain Banks and Sacred Country by Rose Tremain.
- A minor character in Parable of the Sower by Octavia E. Butler is called Richard Rohr … meanwhile, I was reading a book by Richard Rohr, The Universal Christ.
- A maternity ward setting in The Pull of the Stars by Emma Donoghue and The Bell in the Lake by Lars Mytting.
- A love triangle is a central element in Writers & Lovers by Lily King and The Bell in the Lake by Lars Mytting.
- Reading a book by a Galloway (The Trick Is to Keep Breathing by Janice Galloway) and a book about Galloway (Native: Life in a Vanishing Landscape by Patrick Laurie) simultaneously.
- Attending college in L.A. in The Vanishing Half by Brit Bennett and Dreams from My Father by Barack Obama.
- Two books that reference the same Darwin quote: Into the Tangled Bank by Lev Parikian, and “The Entangled Bank” is the title of the final poem in Red Gloves by Rebecca Watts.
- Characters with the surname Savage in The Box Garden by Carol Shields and Islands of Mercy by Rose Tremain.
- A character is taught how to eat oysters in The Vanishing Half by Brit Bennett and Kitchen Confidential by Anthony Bourdain.
- A Louisiana setting in The Vanishing Half by Brit Bennett and Property by Valerie Martin.
- Characters named Stella in The Vanishing Half by Brit Bennett and The Group by Lara Feigel.
- The last line of the book has a character saying “Come in” in Americanah by Chimamanda Ngozi Adichie and Ankomst by Gøhril Gabrielsen.
- Currently reading four books with mixed-race narrators: (Black/white) The Girl Who Fell from the Sky by Heidi Durrow, Dreams from My Father by Barack Obama, Memorial Drive by Natasha Trethewey; and (Japanese/white) My Year of Meats by Ruth Ozeki.
- Currently reading two novels in which a pair of orphaned sisters are taken in by relatives (Deerbrook by Harriet Martineau and Rise and Shine by Anna Quindlen). Plus two more novels with orphan characters: The Girl Who Fell from the Sky and My Year of Meats.
- In two of these four (not telling which, though you can safely assume it’s not the Victorian novel!), they are orphans because both parents were killed in a car accident. I feel like this is a fictional setup that I encounter all the time (cf. All the Beautiful Girls, The Monsters of Templeton, Saint Maybe) that can’t be that common in real life?
- Vassar as an alma mater in Kitchen Confidential by Anthony Bourdain and The Group by Mary McCarthy.
- Punahou School (Honolulu, Hawaii) is the author’s alma mater in The Noonday Demon by Kathleen Norris and Dreams from My Father by Barack Obama.
What’s the weirdest reading coincidence you’ve had lately?
~This review contains plot spoilers.~
Sue Monk Kidd’s bold fourth novel started as a what-if question: What if Jesus had a wife? Church tradition has always insisted that he remained unmarried, but she felt that, given the cultural norms of the Middle East at that time, it would have been highly unusual for him not to marry. Musing on the motivation for airbrushing a spouse out of the picture, on the last page of the novel Kidd asks, “Did [early Christians] believe making him celibate rendered him more spiritual?” Or “Was it because women were so often invisible?” Although The Book of Longings retells biblical events, it is chiefly an attempt to illuminate women’s lives in the 1st century CE and to chart the female contribution to sacred literature and spirituality.
Fourteen-year-old Ana is a headstrong young woman with a forthright voice and a determination to choose her own life. Privilege and luck are on her side: her father is the head scribe to Herod Antipas, the ruler of Galilee; and the repulsive widower to whom she’s been betrothed dies, freeing her to marry Jesus, a travelling craftsman who caught her eye at the market. Ana’s aunt, Yaltha from Alexandria, is a major influence in her life. She had a rare chance at education and encourages her niece in her writing. Ana knows several ancient languages and fills every papyrus scroll she can get her hands on with stories of the women in the Bible. Yaltha also gives her an incantation bowl in which to write her deeply held prayers.
If you’re familiar with Kidd’s other work (such as The Secret Life of Bees and Traveling with Pomegranates), you know that she often explores the divine feminine and matriarchal units. Historically, Christianity has a poor record of acknowledging its patriarchal tendencies and redressing the balance. But Kidd imagines that, right at the beginning, Jesus valued women and was open to them having a life beyond domestic chores and childrearing. He involves Ana in his discussions about God and the nature of the Kingdom; they both see and take compassion on people’s suffering; together they are baptized by John the Baptist. And when Ana tells Jesus she doesn’t believe she is meant to be a mother – her mother and aunt took herbal potions and have passed on their contraceptive knowledge to her – he accepts her choice, even though childlessness could bring shame on both of them.
I appreciated this picture of a woman who opts for writing and the spiritual life over motherhood. However, Kidd portrays a whole range of women’s experiences: Jesus’s mother and sister-in-law submit to the drudgery of keeping a household going; Ana’s friend is raped and has her tongue cut out in an attempt to silence her, yet finds new ways to express herself; and another major character is a servant involved in the healing rituals at a temple to Isis. A practicing Jew, Ana finds meaning in other religious traditions rather than dismissing them as idolatry. She also participates in wider intellectual life, such as by reading The Odyssey.
Some descriptions make this novel sound like alternative history. If you’re expecting Ana to save the day and change the course of history, you will be disappointed. Ana is simply an observer of the events documented in the Bible. While she recounts the inspirations for some parables and healing incidents, during two years in exile with her aunt she only hears secondhand accounts of Jesus’s ministry. Her brother, a Zealot, disagrees with Jesus on how to usher in the Kingdom of God. By the time Ana returns to Jerusalem, the events leading to the crucifixion have already been set in motion; she can only bear witness. For her, life will continue after Jesus’s death, in a women-led spiritual community. From avoiding motherhood to choosing a monastic-type life, Ana has a lot of freedom. Some readers may be skeptical about how realistic this life course is, but the key, I think, is to consider Ana as an outlier.
Kidd has made wise decisions here: for the most part she makes her story line parallel or tangential to the biblical record, rather than repeating material many will find overly familiar. She takes Jewish teaching as a starting point but builds a picture of a more all-encompassing spirituality drawn from multiple traditions. Her Jesus is recognizable and deeply human; Ana calls him “a peacemaker and a provocateur in equal measures” and remembers him telling her what it was like growing up with the stigma of his illegitimate birth. The novel is rooted in historical detail but the research into the time and place never takes over. Engrossing and convincing, this is a story of women’s intuition and yearning, and of the parts of history that often get overlooked. It wouldn’t be out of place on next year’s Women’s Prize longlist.
The Book of Longings was released on Tuesday the 21st. My thanks to Tinder Press for the proof copy for review.
I’m the last stop on a small blog tour for the audiobook release: if you’re interested in listening to the first hour of The Book of Longings, visit the blogs below and follow the links. Each one is hosting a 10-minute excerpt. The final one is available here.
Review copies have started to feel like an obligation I don’t want. Almost as soon as one comes through the door, I regret having asked for or accepted it. (Now I have to read the danged thing, and follow through with a review!) So I’m going to cut back severely this year. The idea is to wait until late in 2020 to figure out which are the really worthwhile releases, and then only read those instead of wading through a lot of mediocre stuff.
“Until one has some kind of professional relationship with books one does not discover how bad the majority of them are. In much more than nine cases out of ten the only objectively truthful criticism would be ‘This book is worthless,’ while the truth about the reviewer’s own reaction would probably be ‘This book does not interest me in any way, and I would not write about it unless I were paid to’. … The best practice, it has always seemed to me, would be simply to ignore the great majority of books and to give very long reviews … to the few that seem to matter.” (from “Confessions of a Book Reviewer” in Books v. Cigarettes by George Orwell)
These are the January to May 2020 releases I own so far, with perhaps a few more on the way. I acquired a lot of these in September through November, before I made the decision to cut down on review copies.
I’m also looking forward to new books by Sebastian Barry, Susanna Clarke, Stephanie Danler, Anne Enright, Yaa Gyasi, John Irving, Daisy Johnson, Daniel Kehlmann, Sue Monk Kidd, Rebecca Dinerstein Knight, Maya Shanbhag Lang, Helen Macdonald, Hilary Mantel, David Mitchell, Sarah Moss, Mark O’Connell, Maggie O’Farrell, Anne Tyler, Abraham Verghese, Raynor Winn and Molly Wizenberg.
I can still access new/pre-release books via my public library and NetGalley/Edelweiss, especially fiction to review for BookBrowse and nonfiction for Kirkus and the TLS.
This resolution is not about denying or punishing myself, as bloggers’ book-buying bans sometimes seem to be, so if an unmissable book (e.g. HAMNET) is offered on Twitter or via my blog, I won’t consider it cheating to say yes. FOMO will likely be a chronic condition for me this year, but ultimately I hope to do myself a favor.
With the reading time I’m saving, I plan to make major inroads into those 440 print books I own and haven’t read yet, and to do a lot of re-reading (I only managed one and a bit rereads in 2019). I might well blog less often and only feature those books that have been exceptional for me. I’ve set aside this shelf of mostly fiction that I think deserves re-reading soon:
“I do not think we go back to the exciting books,—they do not usually leave a good taste in the mouth; neither to the dull books, which leave no taste at all in the mouth; but to the quiet, mildly tonic and stimulating books,—books that have the virtues of sanity and good nature, and that keep faith with us.” (from “On the Re-Reading of Books” in Literary Values by John Burroughs)
I hope (as always) to read more classics, literature in translation and doorstoppers. Travel and biography are consistently neglected categories for me. Though I won’t set specific goals for these genres, I will aim to see measurable progress. I will also take advantage of the Wellcome Book Prize being on hiatus this year to catch up on some of the previous winners and shortlisted books that I’ve never managed to read.
Mostly, I want to avoid any situations that make me feel guilty or mean (so no more books received direct from the author, and any review books that disappoint will be quietly dropped), follow my whims, and enjoy my reading.
What are some of your goals (reading-related or otherwise) for 2020?
I have an all-female line-up for you this time, with selections ranging from a YA romance in verse to a memoir by a spiritual recording artist. There’s a very random detail that connects two of these books – look out for it!
In Paris with You by Clémentine Beauvais
[Faber & Faber, 7th]
I don’t know the source material Beauvais was working with (Eugene Onegin, 1837), but still enjoyed this YA romance in verse. Eugene and Tatiana meet by chance in Paris in 2016 and the attraction between them is as strong as ever, but a possible relationship is threatened by memories of a tragic event from 10 years ago involving Lensky, Eugene’s friend and the boyfriend of Tatiana’s older sister Olga. I’m in awe at how translator Sam Taylor has taken the French of her Songe à la douceur and turned it into English poetry with the occasional rhyme. This is a sweet book that would appeal to John Green’s readers, but it’s more sexually explicit than a lot of American YA, so is probably only suitable for older teens. (Proof copy from Faber Spring Party)
“Her heart takes the lift / up to her larynx, / where it gets stuck / hammering against the walls of her neck.”
“an adult with a miniature attention span, / like everyone else, refreshing, updating, / nibbling at time like a ham baguette.”
“helium balloons in the shape of spermatozoa straining towards the dark sky.”
Implosion: A Memoir of an Architect’s Daughter by Elizabeth W. Garber
[She Writes Press, 12th]
The author grew up in a glass house designed by her father, Modernist architect Woodie Garber, outside Cincinnati in the 1960s–70s. This and his other most notable design, Sander Hall, a controversial tower-style dorm at the University of Cincinnati that was later destroyed in a controlled explosion, serve as powerful metaphors for her dysfunctional family life. Woodie is such a fascinating, flawed figure. Manic depression meant he had periods of great productivity but also weeks when he couldn’t get out of bed. He and Elizabeth connected over architecture, like when he helped her make a scale model of Le Corbusier’s Villa Savoye for a school project, but it was hard for a man born in the 1910s to understand his daughter’s generation or his wife’s desire to go back to school and have her own career.
Mixed feelings towards a charismatic creative genius who made home life a torment and the way their fractured family kept going are reasons enough to read this book. But another is just that Garber’s life has been so interesting: she witnessed the 1968 race riots and had a black boyfriend when interracial relationships were frowned upon; she was briefly the librarian for the Oceanics School, whose boat was taken hostage in Panama; and she dropped out of mythology studies at Harvard to become an acupuncturist. Don’t assume this will be a boring tome only for architecture buffs. It’s a masterful memoir for everyone. (Read via NetGalley on Nook)
Florida by Lauren Groff
[William Heinemann (UK), 7th / Riverhead (USA), 5th]
My review is in today’s “Book Wars” column in Stylist magazine. Two major, connected threads in this superb story collection are ambivalence about Florida, and ambivalence about motherhood. The narrator of “The Midnight Zone,” staying with her sons in a hunting camp 20 miles from civilization, ponders the cruelty of time and her failure to be sufficiently maternal, while the woman in “Flower Hunters” is so lost in an eighteenth-century naturalist’s book that she forgets to get Halloween costumes for her kids. A few favorites of mine were “Ghosts and Empties,” in which the narrator goes for long walks at twilight and watches time passing through the unwitting tableaux of the neighbors’ windows; “Eyewall,” a matter-of-fact ghost story; and “Above and Below,” in which a woman slips into homelessness – it’s terrifying how precarious her life is at every step. (Proof copy)
“What had been built to seem so solid was fragile in the face of time because time is impassive, more animal than human. Time would not care if you fell out of it. It would continue on without you.” (from “The Midnight Zone”)
“The wind played the chimney until the whole place wheezed like a bagpipe.” (from “Eyewall”)
“How lonely it would be, the mother thinks, looking at her children, to live in this dark world without them.” (from “Yport”)
The Most Beautiful Thing I’ve Seen: Opening Your Eyes to Wonder by Lisa Gungor
You’re most likely to pick this up if you enjoy Gungor’s music, but it’s by no means a band tell-all. The big theme of this memoir is moving beyond the strictures of religion to find an all-encompassing spirituality. Like many Gungor listeners, Lisa grew up in, and soon outgrew, a fundamentalist Christian setting. She bases the book around a key set of metaphors: the dot, the line, and the circle. The dot was the confining theology she was raised with; the line was the pilgrimage she and Michael Gungor embarked on after they married at 19; the circle was the more inclusive spirituality she developed after their second daughter, Lucie, was born with Down syndrome and required urgent heart surgery. Being mothered, becoming a mother and accepting God as Mother: together these experiences bring the book full circle. Barring the too-frequent nerdy-cool posturing (seven mentions of “dance parties,” and so on), this is a likable memoir for readers of spiritual writing by the likes of Sue Monk Kidd, Mary Oliver and Terry Tempest Williams. (Read via NetGalley on Kindle)
Orchid & the Wasp by Caoilinn Hughes
[Oneworld, 7th] – see my full review.
Ok, Mr Field by Katharine Kilalea
[Faber & Faber, 7th]
Mr. Field is a concert pianist whose wrist was shattered in a train crash. With his career temporarily derailed, there’s little for him to do apart from wander his Cape Town house, a replica of Le Corbusier’s Villa Savoye, and the nearby coastal path. He also drives over to spy on his architect’s widow, with whom he’s obsessed. He’s an aimless voyeur who’s more engaged with other people’s lives than with his own – until a dog follows him home from a graveyard. This is a strangely detached little novel in which little seems to happen. Like Asunder by Chloe Aridjis and Leaving the Atocha Station by Ben Lerner, it’s about someone who’s been coasting unfeelingly through life and has to stop to ask what’s gone wrong and what’s worth pursuing. It’s so brilliantly written, with the pages flowing effortlessly on, that I admired Kilalea’s skill. Her descriptions of scenery and music are particularly good. In terms of the style, I was reminded of books I’ve read by Katie Kitamura and Henrietta Rose-Innes. (Proof copy from Faber Spring Party)
This came out in the States (from Riverhead) back in early April, but releases here in the UK soon, so I’ve added it in as a bonus.
The Female Persuasion by Meg Wolitzer
[Chatto & Windus, 7th]
An enjoyable story of twentysomethings looking for purpose and trying to be good feminists. To start with it’s a fairly familiar campus novel in the vein of The Art of Fielding and The Marriage Plot, but we follow Greer, her high school sweetheart Cory and her new friend Zee for the next 10+ years to see the compromises they make as ideals bend to reality. Faith Frank is Greer’s feminist idol, but she’s only human in the end, and there are different ways of being a feminist: not just speaking out from a stage, but also quietly living every day in a way that shows you value people equally. I have a feeling this would have meant much more to me a decade ago, and the #MeToo-ready message isn’t exactly groundbreaking, but I very much enjoyed my first taste of Wolitzer’s sharp, witty writing and will be sure to read more from her. This seems custom-made for next year’s Women’s Prize shortlist. (Free from publisher, for comparison with Florida in Stylist “Book Wars” column.)
What June books do you have on the docket? Have you already read any that you can recommend?
This coming Sunday is Mother’s Day in the USA. (Mothering Sunday generally falls in March here in the UK, so every year I have to buy a card early to send to my mother back in the States, but I still associate Mother’s Day with May.) Earlier in the year I got over halfway through a Goodreads giveaway book, Beyond the Pale by Emily Urquhart, before I realized its author was the daughter of a Canadian novelist I’d read before, Jane Urquhart. That got me thinking about other mother–daughter pairs that might be on my shelves. I found one in the form of Sue Monk Kidd’s The Secret Life of Bees plus an advance e-copy of her daughter Ann Kidd Taylor’s upcoming debut novel, The Shark Club. (I’ve previously reviewed their joint memoir, Traveling with Pomegranates.) And, as a bonus, I have a mini-review of Graham Swift’s novella Mothering Sunday: A Romance.
The Whirlpool, Jane Urquhart
From 1986, this was Urquhart’s first novel. Overall it reminded me of A. S. Byatt (especially The Virgin in the Garden) and John Fowles’s The French Lieutenant’s Woman. Set in 1889 on the Canadian side of Niagara Falls, it features characters who, each in their separate ways, are stuck in the past and obsessed with death and its symbolic stand-in, the whirlpool. Maud Grady, the local undertaker’s widow, takes possession of the corpses of those who’ve tried to swim the Falls. Her creepy young son starts off mute and becomes an expert mimic. Major David McDougal is fixated on the War of 1812, while his wife Fleda camps out in a tent reading Victorian poetry, especially Robert Browning, and awaiting a house that may never be built. Local poet Patrick sees Fleda from afar and develops romanticized ideas about her.
Each of these narratives is entertaining, but I was less convinced by their intersections – except for the brilliant scenes when Patrick and Maud’s son engage in wordplay. In particular, I was unsure what the prologue and epilogue (in which Robert Browning, dying in Venice, is visited by images of Shelley’s death by drowning) were meant to add. This is the second Urquhart novel I’ve read, after Sanctuary Line. I admire her writing but her plots don’t always come together. However, I’m sure to try more of her work: I have a copy of Away on the shelf, and Changing Heaven (1990) sounds unmissable – it features the ghost of Emily Brontë! [Bought from a Lambeth charity shop for 20p.]
Beyond the Pale: Folklore, Family and the Mystery of Our Hidden Genes, Emily Urquhart
In December 2010, the author’s first child, Sadie, was born with white hair. It took weeks to confirm that Sadie had albinism, a genetic condition associated with extreme light sensitivity and poor eyesight. A Canadian folklorist, Urquhart is well placed to trace the legends that have arisen about albinos through time and across the world, ranging from the Dead Sea Scroll story of Noah being born with blinding white skin and hair to the enduring superstition that accounts for African albinos being maimed or killed to use their body parts in folk medicine.
She attends a NOAH (America’s National Organization for Albinism and Hypopigmentation) conference, discovers potential evidence of a family history of albinism, and even makes a pilgrimage to Tanzania to meet some victims. It’s all written up in as engaging present-tense narrative of coming to terms with disability: to start with Urquhart is annoyed at people reassuring her “it could be worse,” but by the end she’s ever so slightly disappointed to learn that her second child, a boy, will not be an albino like his sister. [Goodreads giveaway copy]
The Secret Life of Bees, Sue Monk Kidd
It’s hard to believe it was 15 years ago that this debut novel was an It book, and harder to believe that I’d never managed to get around to it until now. However, in some ways it felt familiar because I’d read a fair bit of background via Kidd’s chapter in Why We Write about Ourselves and Traveling with Pomegranates, in which she and her daughter explored the Black Madonna tradition in Europe.
It joins unusual elements you wouldn’t expect to find in fiction – beekeeping and the divine feminine – with more well-trodden territory: the Civil Rights movement in the South in the 1960s, unhappy family relationships, secrets, and a teenage girl’s coming of age. Fourteen-year-old Lily is an appealing narrator who runs away from her memories of her mother’s death and her angry father, peach farmer T. Ray. You can’t help but fall in love with the rest of her new African-American, matriarchal clan, including their housekeeper, Rosaleen, who scandalizes the town by registering to vote, and the bee-keeping Boatwright sisters, August, June, and May, who give Lily and Rosaleen refuge when they skip town.
Although this crams in a lot of happenings and emotional ups and downs, it’s a charming story that draws you into the brutal heat of a South Carolina summer and keeps you hoping Lily will forgive herself and slip into the rhythms of a purposeful life of sisterhood. [Secondhand purchase in America]
A favorite line: “The way people lived their lives, settling for grits and cow shit, made me sick.”
The Shark Club, Ann Kidd Taylor
Dr. Maeve Donnelly loves sharks even though she was bitten by one as a child. She’s now a leading researcher with a Florida conservancy and travels around the world to gather data. Her professional life goes from strength to strength, but her personal life is another matter. Aged 30, she’s smarting from a broken engagement to her childhood sweetheart, Daniel, and isn’t ready to open her heart to Nicholas, a British colleague going through a divorce.
Things get complicated when Daniel returns to their southwest Florida island to work as the chef at her grandmother’s hotel – with his six-year-old daughter in tow. Maeve is soon taken with precocious Hazel, who founds the title club (pledge: “With this fin, I do swear. To love sharks even when they bite. When they lose their teeth, I will find them. When I catch one, I will let it go”), but isn’t sure she can pick up where she left off with Daniel. Meanwhile, evidence has surfaced of a local shark finning operation, and she’s determined to get to the bottom of it.
This is a little bit romance and a little bit mystery, and Taylor brings the Florida Keys setting to vibrant life. It took a while to suspend disbelief about Maeve’s background – an orphan and a twin and a shark bite survivor and a kid brought up in a hotel? – but I enjoyed the sweet yet unpredictable story line. Nothing earth-shattering, but great light reading for a summer day at the beach. Releases June 6th from Viking. [Edelweiss download]
Mothering Sunday: A Romance, Graham Swift
If you’re expecting a cozy tale of maternal love, let the Modigliani nude on the U.K. cover wipe that notion out of your mind. Part of me was impressed by Swift’s compact picture of one sexy, fateful day in 1924 and the reverberations it had for a budding writer even decades later. Interesting class connotations, too. But another part of me thought, isn’t this what you would get if Ian McEwan directed a middling episode of Downton Abbey? It has undeniable similarities to Atonement and On Chesil Beach, after all, and unlike those novels it’s repetitive; it keeps cycling round to restate its main events and points. There’s some good lines, but overall this felt like a strong short story stretched out to try to achieve book length. [Library read]
I spotted an odd coincidence the other week: I’ve read three books with the word ‘pomegranate’ in the title. It’s not a word (or a fruit) you encounter every day, and it has some interesting metaphorical and mythological connections with womanhood that are worth exploring. Here, then, are those three books and some things they have in common:
In this unusual travel memoir, novelist Sue Monk Kidd and her daughter Ann Kidd Taylor, a budding writer herself, swap reflections on their travels to sites in Greece and France associated with the sacred feminine and wonder what kind of women they want to be. Taylor’s trip to Greece in college had been life-changing, even giving her the idea of becoming an ancient Greek scholar, but when she was rejected by her chosen graduate school it threw her for a loop and sparked a years-long depression that distanced her from her mother and her true self.
Meanwhile, Kidd had only written nonfiction at this point but longed to be a novelist and had initial plans for The Secret Life of Bees floating in her mind. She was able to reconnect with Taylor on this first trip to Greece, and bought them matching glass pomegranate charms to wear on necklaces as a salient reminder of the myth of Demeter rescuing her beloved daughter Persephone from the underworld. As they journeyed on to France looking for Black Madonna statues like the one at Rocamadour, both Kidd and Taylor turned secrets of the heart into wishes and promises expressed to the Goddess.
As they returned to South Carolina and Taylor prepared for marriage, Kidd transitioned from myth to fairy tales while pondering the turn of generations. The fact that Taylor wore Kidd’s old wedding dress only underscored for her that “The Young Woman inside has turned to go, but the Old Woman has not shown up.” All the same, she was going through menopause and having to adjust to a new relationship with her body. “Perhaps all mothers of daughters possess a secret talking mirror that announces when their young womanhood begins to fade and their daughters’ begin to blossom,” she muses. “As in the fairy tale, the experience can unleash a lacerating jealousy in some mothers.”
This is a book with vivid settings, carefully recreated scenes and dialogue, mythological echoes, and strong feminist themes. For both Kidd and Taylor, the struggle was to balance Hestia (a home life) with Athena or Joan of Arc (the intellect and sense of adventure). “I learned how easy it is to give up and become draperies while everyone else is dancing,” Taylor laments. For both her and her mother, these travels in search of the sacred feminine were all about finding inner courage and acting on creative urges despite fear.
(Taylor gives her mother the first and last word; initially she was going to write up their journeys by herself, but later enlisted her mother’s help to give the full story – or, being cynical, to have a big-name draw. It is a shame that Taylor hasn’t managed to write anything else in all this time given that her writing is nearly as good as her mother’s. I loved Kidd’s The Invention of Wings but still haven’t read Bees, her breakout novel, so this has whetted my appetite to finally pick that one up.)
I read this perhaps nine years ago now; it was one of the first books – along with A Three Dog Life by Abigail Thomas and Without a Map by Meredith Hall – that really turned me on to memoirs, now one of my very favorite genres, and got me thinking about illness and death and how we respond to these in writing. Gabriel, an Oxford journalist, was diagnosed with breast cancer at age 44; her mother had died of the same disease at age 42, when Gabriel was a teenager. Two years before the diagnosis, Gabriel had genetic testing and discovered that she had an inherited mutation on the BRCA gene that made cancer nearly inevitable for her.
Exploring her past and chronicling the grueling treatment process she underwent while raising two small children, Gabriel looks for meaning and connections in a life-and-death struggle. Like Traveling with Pomegranates, this book weaves in the mythology surrounding Persephone and Demeter, bringing with it themes of abandonment and the hope of escaping the pull of the underworld.
Secrets of the Pomegranate, Barbara Lamplugh
I reviewed this debut novel for The Bookbag in April. As in the Kidd–Taylor book, themes of women’s identity and creative bravery come through strongly. The title refers not only to the book’s setting, the Spanish city of Granada (which literally means pomegranate), but also serves as a symbol for female fertility. Also, as Lamplugh revealed in my interview with her, “According to the Qu’ran, [the pomegranate] grows in the gardens of paradise” – which is important to the novel given the main character’s study of Islamic women’s history as well as her relationship with a Muslim man.
Q: When is a fruit not just a fruit?
A: When it has as many symbolic and mythological associations as the pomegranate.
Have you noticed odd little connections between books before, whether their titles or themes? Share them in the comments below!