Final 2020 Statistics and Retrospective / 2021 Reading Goals
In 2020…
My mother was supposed to visit us in May – my first visit from family in 13 years – and we were meant to be in the States for Christmas. These planned trips had to be cancelled, of course, and many gigs and regular events we would have attended in London and elsewhere couldn’t go ahead.
We managed two mini-breaks, one to Dorset and Devon and one to Hay-on-Wye, as well as a daytrip to Avebury and Silbury Hill, a night out at an Oxford comedy club, a few meals out, and some outdoor meet-ups with family and friends.
It was also the year we finally started doing video chats with family in America, and we kept up with certain friends better than ever thanks to Zoom meetings.
All told, I have no grounds for complaint about the year that has just passed. I know we are lucky to have had good health, stable employment and a wonderful town and community.
Moreover, I was spoiled for choice with online bookish and musical content last year:
- 45 livestreamed gigs (28+ Bookshop Band, 4 Duke Special, 3 Edgelarks and Megson, 2 Switchfoot, and 1 each by Bellowhead, Krista Detor, Lau, Mark Erelli and Nerina Pallot)
- 8 neighborhood book club meetings
- 8 literary festival events
- 8 quizzes (mostly general trivia; 1 bookish, run by Penguin – I did well among the hundreds of entries!)
- 6 literary prize announcements
- 4 festivals, mostly of folk music
- 4 book launch events
- 3 book club/preview events
- 2 conferences (mostly book-related)
I’m also lucky that, unlike many, my reading was not affected by a stressful year. My reading total was very close to the previous year’s (343), which means that after five years above 300 and climbing, I’ve now figured out what my natural limit is. Next year I will aim for 340 again.
Some interesting additional statistics, courtesy of Goodreads:
First read of the year: Last read of the year:
This was my Christmas book haul thus far (I have a feeling more may be marooned at my in-laws’ house), including money to spend the next time I can get to Bookbarn. I started a few of them right away.
My husband reads between one-fifth and one-quarter of what I do in a year, but by anyone’s accounting, 76 books is a lot in a year, especially considering that he has a busy full-time university lecturer job, is a town councillor, and is on lots of other voluntary committees. We overlap in some of our reading tastes (nature and travel writing, and some literary fiction) and I pass a lot of my review copies or library books his way, but he’s less devoted to new books and more likely to pick up books with heavier historical, political, or scientific content. If you’re interested, his rundown of his reading, including his top 3 reads of the year, is here.
2021 Reading Goals
My immediate priorities are to clear my set-aside pile (20 books) and everything I’m currently reading, start some January releases, and get back into some university library books to last me while I have limited access to our public library.
These are the 2021 proofs and finished copies I have received thus far:
Looking further ahead, I plan to continue and/or participate in many of 2020’s reading challenges again, as well as join in Liz’s Anne Tyler readalong for the novels I own and haven’t read yet. (The first one for me will be The Clock Winder in mid- to late February.)
Genres in which my achievement often lags far behind my intentions include literature in translation, biographies, and travel books. To address the first one, I’m going to set up a shelf in my house for unread works in translation, as a visual reminder and area to select from. I’ll start with the one below left as part of my “M” 4-in-a-Row.
I would be happy to read even one biography this year, since they often take me many months to read. I’m going to make it the one above, of Janet Frame. Standard travel narratives intimidate me for some reason; I get on with them much better if they are in essays or incorporate memoir and/or nature writing. We have a whole shelf of unread travel books, many of which are of the more traditional going somewhere and reporting on what you see type. I want to clear the shelf to give them to my father-in-law, who expressed interest in reading more travel books. I’ll start with the 2018 Young Writer of the Year Award winner, above.
A “Classic of the Month” and “Doorstopper of the Month” are regular features on my blog, yet I don’t always manage to complete one each month. My aim will be to have at least one classic and one doorstopper on the go at all times, and hope that that translates to one a month as much as possible. Here’s my first pair:
I can see that lots of other book bloggers are prioritizing doorstoppers and backlist reading in 2021. Apart from the modest goals I’ve set here, I expect my reading to be as varied and over-the-top as ever. I know I’ll read lots of 2021 releases, but backlist books are often more memorable, so I’ll try to arrange my stacks and choose my challenges so as to let them shine.
What are some of your reading goals for 2021?
Random 2020 Superlatives and Statistics
My top ‘discoveries’ of the year: Chimamanda Ngozi Adichie (4 books), Octavia E. Butler, Tim Dee (3 books each, read or in progress), and Louise Erdrich (2 books, one in progress).
Also the publisher Little Toller Books: I read four of their releases this year and they were fantastic.
The authors I read the most by this year: Carol Shields tops the list at 6 books (3 of these were rereads) thanks to my buddy reads with Buried in Print, followed by Paul Auster with 5 due to Annabel’s reading week in February, then Chimamanda Ngozi Adichie with 4, and finally Anne Lamott with 3 comfort rereads.
Debut authors whose next work I’m most looking forward to: Naoise Dolan, Bess Kalb, Dara McAnulty, Mary South, Brandon Taylor, and Madeleine Watts
My proudest reading achievement: 16 rereads, which must be a record for me. Also, I always say I’m not really a short story person … and yet somehow I’ve read 19 collections of them this year (and one stand-alone story, plus another collection currently on the go)!
My proudest (non-reading) bookish achievement: Conceiving of and coordinating the Not the Wellcome Prize blog tour.
Five favorite blog posts of the year: Love, Etc. – Some Thematic Reading for Valentine’s Day; Polio and the Plague: Epidemics in Fiction; Thinking about the Future with David Farrier & Roman Krznaric (Hay Festival); Three Out-of-the-Ordinary Memoirs: Kalb, Machado, McGuinness; Asking What If? with Rodham by Curtis Sittenfeld (I had a lot of fun putting the current post together, too!)
The bookish experience that most defined my year: Watching the Bookshop Band’s live shows from their living room. Between their Friday night lockdown performances and one-offs for festivals and book launches, I think I saw them play 33 times in 2020!
Biggest book read this year: Going by dimensions rather than number of pages, it was the oversize hardback The Lost Words by Robert Macfarlane and Jackie Morris.
vs.
Smallest book read this year: Pocket-sized and only about 60 pages: No One Is Too Small to Make a Difference by Greta Thunberg.
Oldest author read this year: Peggy Seeger was 82 when her memoir First Time Ever was published. I haven’t double-checked the age of every single author, but I think second place at 77 is a tie between debut novelist Arlene Heyman for Artifact and Sue Miller for Monogamy. (I don’t know how old Michael McCarthy, Jeremy Mynott and Peter Marren, the joint authors of The Consolation of Nature, are; Mynott may actually be the oldest overall, and their combined age is likely over 200.)
vs.
Youngest author read this year: You might assume it was 16-year-old Dara McAnulty with Diary of a Young Naturalist, which won the Wainwright Prize (as well as the An Post Irish Book Award for Newcomer of the Year, the Books Are My Bag Reader Award for Non-Fiction, and the Hay Festival Book of the Year!) … or Thunberg, above, who was 16 when her book came out. They were indeed tied for youngest until, earlier in December, I started reading The House without Windows (1927) by Barbara Newhall Follett, a bizarre fantasy novel published when the child prodigy was 12.
Most As on a book cover: Americanah by Chimamanda Ngozi Adichie
vs.
Most Zs on a book cover: The Hiding Place by Trezza Azzopardi. I haven’t read it yet, but a neighbor passed on a copy she was getting rid of. It was nominated for both the Booker Prize and the Orange Prize.
The book that made me laugh the most: Kay’s Anatomy by Adam Kay
Books that made me cry: Writers and Lovers by Lily King, Monogamy by Sue Miller, First Time Ever by Peggy Seeger, and Catalogue Baby: A Memoir of (In)fertility by Myriam Steinberg (coming out in March 2021)
The book that put a song in my head every single time I looked at it, much less read it: I Am an Island by Tamsin Calidas (i.e., “I Am a Rock” by Simon and Garfunkel, which, as my husband pointed out, has very appropriate lyrics for 2020: “In a deep and dark December / I am alone / Gazing from my window to the streets below … Hiding in my room / Safe within my womb / I touch no one and no one touches me.”)
Best book club selections: Notes from an Exhibition by Patrick Gale and The Wife by Meg Wolitzer tied for our highest score ever and gave us lots to talk about.
Most unexpectedly apt lines encountered in a book: “People came to church wearing masks, if they came at all. They’d sit as far from each other as they could.” (Gilead by Marilynne Robinson. Describing not COVID-19 times but the Spanish flu.)
Most ironic lines encountered in a book: “September 12—In the ongoing hearings, Senator Joseph Biden pledges to consider the Bork nomination ‘with total objectivity,’ adding, ‘You have that on my honor not only as a senator, but also as the Prince of Wales.’ … October 1—Senator Joseph Biden is forced to withdraw from the Democratic presidential race when it is learned that he is in fact an elderly Norwegian woman.” (from the 1987 roundup in Dave Barry’s Greatest Hits – Biden has been on the U.S. political scene, and mocked, for 3.5+ decades!)
Best first line encountered this year: “And then there was the day when Addie Moore made a call on Louis Waters.” (Our Souls at Night by Kent Haruf)
Best last lines encountered this year:
- “my childhood falls silently to the bottom of my memory, that library of the soul from which I will draw knowledge and experience for the rest of my life.” (Childhood by Tove Ditlevsen)
- “What I want to say is: I misremember all this so vividly it’s as if it only happened yesterday.” (Other People’s Countries: A Journey into Memory by Patrick McGuinness)
- “these friends would forever be her stitches, her scaffold, her ballast, her home.” (The Dearly Beloved by Cara Wall)
My favorite title and cover combo of the year: A Registry of My Passage Upon the Earth by Daniel Mason
The book I wish had gotten a better title and cover: Tennis Lessons by Susannah Dickey – I did enjoy this second-person novel about a young woman who is her own worst enemy, to the tune of 3.5 stars, but the title says nothing about it and the cover would have been a turnoff had I not won a signed copy from Mslexia.
The most unfortunate typos I found in published works: In English Pastoral by James Rebanks, “sewn” where he meant “sown” (so ironic in a book about farming!) versus, in Mr Wilder & Me by Jonathan Coe, “sown” in place of “sewn.” Also “impassible” where it should read “impassable” in Apeirogon by Colum McCann. This is what proofreaders like myself are for. We will save you from embarrassing homophone slips, dangling modifiers, and more!
The 2020 books that everybody else loved, but I didn’t: The Mirror and the Light by Hilary Mantel, Hamnet by Maggie O’Farrell, and Shuggie Bain by Douglas Stuart
The year’s biggest disappointments: I don’t like to call anything “worst” (after all, I didn’t read anything nearly as awful as last year’s Jonathan Livingston Seagull), but my lowest ratings went to A Traveller at the Gates of Wisdom by John Boyne and At Hawthorn Time by Melissa Harrison, and I was disappointed that When the Lights Go Out by Carys Bray was misleadingly marketed.
The downright strangest books I read this year: Enter the Aardvark by Jessica Anthony, A Traveller at the Gates of Wisdom by John Boyne, The House Without Windows by Barbara Newhall Follett, and The Child in Time by Ian McEwan
The people and themes that kept turning up in my reading: Rachel Carson and Henry David Thoreau; curlews and plagues; how we define and relate to history; childhood memoirs (seven of them).
Some of my 2020 curlew reading. (Two more books with curlews on the cover were borrowed from the library.)
Some statistics on my 2020 reading:
Fiction: 57.2%
Nonfiction: 36.8%
Poetry: 6%
(Fiction reigned supreme this year! Last year my F:NF ratio was roughly 1:1. Poetry was down by ~5% this year compared to 2019.)
Male author: 34.1%
Female author: 63.8%
Nonbinary author: 0.3% (= 1 author, Jay Bernard)
Multiple genders (anthologies): 1.8%
(Women dominated by an extra ~5% this year over 2019. I’ve said this for four years now: I find it intriguing that female authors significantly outweigh male authors in my reading because I have never consciously set out to read more books by women; it must be a matter of being interested in the kinds of stories women tell and how they capture their experiences in nonfiction.)
E-books: 10.6%
Print books: 89.4%
(Almost exactly the same as last year. My e-book reading has been declining, partially because I’ve cut back on the reviewing gigs that involve only reading e-books and partially because I’ve done less traveling. Increasingly, I prefer to sit down with a big stack of print books.)
Books by BIPOC: 14.7%
Literature in translation: 6.6%
(Down from last year’s 7.2%; how did this happen?! This will be something to address in 2021.)
Where my books came from for the whole year:
- Free print or e-copy from publisher: 25.6%
- Public library: 25.6%
- Free (giveaways, The Book Thing of Baltimore, the free mall bookshop, etc.): 14.9%
- Secondhand purchase: 11.6%
- Downloaded from NetGalley, Edelweiss or Project Gutenberg: 6.7%
- New purchase (sometimes at a bargain price): 6.3%
- Gifts: 5.5%
- University library: 3.8%
I promised to scale back on review copies this year, and I did: last year they accounted for nearly 37% of my reading. My library reading was higher than last year’s, despite the challenges of lockdowns; my e-book reading decreased in general. I bought more than twice as many new books as usual this year, and read lots that I either bought secondhand or got for free.
Number of unread print books in the house: 435
At the end of last year this figure was at 440 after lots of stock-ups from the free mall bookshop, which has since closed. So even though it might look like I have only read five books of my own, I have in fact read loads from my shelves this year … but also acquired many more books, both new and secondhand.
In any case, the overall movement has been downward, so I’m calling it a win!
The Ones that Got Away: DNFs, Most Anticipated Reads & More
Following on from my late June list of DNFs, here are the rest of the books I abandoned this year (asterisks next to the ones I intend to try again someday):
Summer before the Dark: Stefan Zweig and Joseph Roth, Ostend 1936 by Volker Weidermann – Too niche.
The Motion of the Body through Space by Lionel Shriver – Too non-PC.
When They Call You a Terrorist: A Black Lives Matter Memoir by Patrisse Khan-Cullors – Too been-there.
*The Wild Laughter by Caoilinn Hughes – Too much economics.
Birdsong on Mars by Jon Glover & Two Tongues by Claudine Toutoungi – Carcanet poetry releases. Style/reader mismatch issue for both.
That Reminds Me by Derek Owusu – Too dull.
3 Summers by Lisa Robertson (poetry) – Too weird.
Apeirogon by Colum McCann – Too long.
*We Were the Mulvaneys by Joyce Carol Oates – Too much of quirky folks.
Persuasion by Jane Austen – Too much telling.
Golden Boy by Abigail Tarttelin – Too brutal.
The Song of Achilles by Madeline Miller – Too much Greek myth.
*Shuggie Bain by Douglas Stuart – Too misery-memoir.
Night-Gaunts and Other Tales of Suspense by Joyce Carol Oates – Maddening punctuation.
The Corset by Laura Purcell – Too lifeless.
True Story by Kate Reed Petty – Too consciously relevant.
As You Were by Elaine Feeney – Too much of mental hospitals.
*House of Glass by Hadley Freeman – Too detailed.
Rootbound: Rewilding a Life by Alice Vincent – Too much snowflake woe.
Le Bal by Irène Némirovsky – Too gloomy.
The Wasp Factory by Iain Banks – Too disturbing.
The Girl with the Louding Voice by Abi Daré – Too precocious.
Restless by William Boyd – Too ordinary.
No getting around it: I have lots of DNFs. I’ve not done a great job recording them this year, but I think it was 46, which works out to about 12% of the books I’ve started. Most years it’s around 15%, so for me that’s not too bad, but I know some of you never have DNFs, or could count them on one hand. How do you do it? Do you sample books beforehand? Do you make yourself finish everything you start even if you’re not enjoying it? Or are you just that good at picking what will suit your tastes? Sometimes I overestimate my interest in a subject or my tolerance for subpar writing. In recent years my patience for mediocre books has waned, and I’m allergic to some writers’ style for reasons that are often difficult to pinpoint.
In early July, I highlighted the 15 releases from the second half of the year that I was most looking forward to reading. Here’s how I did:
Read: 10 [Slight disappointments (i.e., rated 3 stars): 4]
Languishing on my Kindle, but I still intend to read: 2
Haven’t managed to find yet: 3
Getting to two-thirds of my most anticipated books is really good for me!
I regret not having enough time left in 2020 to finish Tyll by Daniel Kehlmann, especially because Cathy and Susan both named it as one of their favorite books of the year.
The additional 2020 releases I most wished I’d found time for before the end of this year (from my late November list of year-end reading plans) include Marram by Leonie Charlton, D by Michel Faber, and Alone Together: Love, Grief, and Comfort in the Time of COVID-19. This last one was offered to me by the editor on Goodreads and I feel bad for not following through with a review, but somehow the subject feels too close to the bone. Maybe next year?
I’ll be back to start the countdown of my favorite books of the year on the 26th, starting with fiction and poetry. On the 27th it’s all about nonfiction. A break for Library Checkout on the 28th, followed by 2020 runners-up on the 29th, best backlist reads on the 30th, and some superlatives and statistics on the 31st.
Merry Christmas!
Reading Statistics for the First Half of 2020, Including Where My Books Came From
Almost halfway through the year: how am I doing on the reading goals I set for myself? Pretty well!
- It might not look like it from the statistics below, but I have drastically cut down on the number of review copies I’m requesting or accepting from publishers. (This time last year they made up 43% of my reading.)
- I’ve reread nine books so far, which is more than I can remember doing in any other year – and I intend to continue prioritizing rereads in the remaining months.
- Thanks to COVID-19, over the past few months I have been reading a lot less from the libraries I use and, consequently, more from my own shelves. This might continue into next month but thereafter, when libraries reopen, my borrowing will increase.
- I’ve also bought many more new books than is usual for me, to directly support authors and independent bookshops.
- I’m not managing one doorstopper per month (I’ve only done May so far, though I have a few lined up for June‒August), but I am averaging at least one classic per month (I only missed January, but made up for it with multiple in two other months).
- On literature in translation, I’m doing better: it’s made up 9.7% of my reading, versus 8.1% in 2019.
The breakdown:
Fiction: 57.6%
Nonfiction: 36.3%
Poetry: 6.1%
(This time last year I’d read exactly equal numbers of fiction and nonfiction books. Fiction seems to be winning this year. Poetry is down massively: last June it was at 15.4%.)
Male author: 34.7%
Female author: 63.5%
Anthologies with pieces by authors of multiple genders: 1.8%
(No non-binary authors so far this year. Even more female-dominated than last year.)
E-books: 12.7%
Print books: 87.3%
(E-books have crept up a bit since last year due to some publishers only offering PDF review copies during the pandemic, but I have still been picking up many more print books.)
I always find it interesting to look back at where my books come from. Here are the statistics for the year so far, in percentages (not including the books I’m currently reading, DNFs or books I only skimmed):
- Free print or e-copy from the publisher: 25.5%
- Public library: 21.2%
- Free, e.g. from Book Thing of Baltimore, local swap shop or free mall bookshop: 16.4%
- Secondhand purchase: 10.3%
- Downloaded from NetGalley or Edelweiss: 8.5%
- New purchase: 7.3%
- Gifts: 5.4%
- University library: 5.4%
How are you doing on any reading goals you set for yourself?
Where do you get most of your books from?
Holiday Book Haul and Final 2019 Statistics
This is the stack I got for Christmas – along with a £30 Waterstones voucher to buy more books! I haven’t spent it yet, but I’m contemplating some combination of Be My Guest by Priya Basil, Disappearing Earth by Julia Phillips, The Glovemaker by Ann Weisgarber, a pre-order of the paperback of Benjamin Myers’s The Offing, and a cheap 2020 calendar.
2019 was my most prolific reading year yet! (I’m sure I said the same thing the last two years.) People sometimes joke, “why not aim for a book a day?” but that’s not how I do things. Instead of reading one book from start to finish and then beginning another, I almost always have 10 to 20 books on the go at a time. I tend to start and finish books in batches – I’m addicted to starting new books, but also to finishing them.
Some interesting additional statistics courtesy of Goodreads:
How did 2019 turn out for you reading-wise?
Other 2019 Superlatives and Some Statistics
My best discoveries of the year: The poetry of Tishani Doshi; Penelope Lively and Elizabeth Strout (whom I’d read before but not fully appreciated until this year); also, the classic nature writing of Edwin Way Teale.
The authors I read the most by this year: Margaret Atwood and Janet Frame (each: 2 whole books plus parts of 2 more), followed by Doris Lessing (2 whole books plus part of 1 more), followed by Miriam Darlington, Paul Gallico, Penelope Lively, Rachel Mann and Ben Smith (each: 2 books).
Debut authors whose next work I’m most looking forward to: John Englehardt, Elizabeth Macneal, Stephen Rutt, Gail Simmons and Lara Williams.
My proudest reading achievement: A 613-page novel in verse (Mary Ann Sate, Imbecile by Alice Jolly) + 2 more books of over 600 pages (East of Eden by John Steinbeck and Cutting for Stone by Abraham Verghese).
Best book club selection: Red Dust Road by Jackie Kay was our first nonfiction book and received our highest score ever.
Some best first lines encountered this year:
“What can you say about a twenty-five-year old girl who died?” (Love Story by Erich Segal)- “The women of this family leaned towards extremes” (Away by Jane Urquhart)
- “The day I returned to Templeton steeped in disgrace, the fifty-foot corpse of a monster surfaced in Lake Glimmerglass.” (from The Monsters of Templeton by Lauren Groff)
The downright strangest book I read this year: Lanny by Max Porter
The 2019 books everybody else loved (or so it seems), but I didn’t: Fleishman Is in Trouble by Taffy Brodesser-Akner, The Topeka School by Ben Lerner, Underland by Robert Macfarlane, The Boy, The Mole, The Fox and The Horse by Charlie Mackesy, Three Women by Lisa Taddeo and The Nickel Boys by Colson Whitehead
The year’s major disappointments: Cape May by Chip Cheek, We Are the Weather: Saving the Planet Begins at Breakfast by Jonathan Safran Foer, Letters to the Earth: Writing to a Planet in Crisis, ed. Anna Hope et al., Bowlaway by Elizabeth McCracken, Rough Magic: Riding the World’s Loneliest Horse Race by Lara Prior-Palmer, The Lager Queen of Minnesota by J. Ryan Stradal, The Knife’s Edge by Stephen Westaby and Frankissstein by Jeanette Winterson
The worst book I read this year: Jonathan Livingston Seagull by Richard Bach
Some statistics on my 2019 reading:
Fiction: 45.4%
Nonfiction: 43.4%
Poetry: 11.2%
(As usual, fiction and nonfiction are neck and neck. I read a bit more poetry this year than last.)
Male author: 39.4%
Female author: 58.9%
Nonbinary author (the first time this category has been applicable for me): 0.85%
Multiple genders (anthologies): 0.85%
(I’ve said this the past three years: I find it interesting that female authors significantly outweigh male authors in my reading; I have never consciously set out to read more books by women.)
E-books: 10.3%
Print books: 89.7%
(My e-book reading has been declining year on year, partially because I’ve cut back on the reviewing gigs that involve only reading e-books and partially because I’ve done less traveling; also, increasingly, I find that I just prefer to sit down with a big stack of print books.)
Work in translation: 7.2%
(Lower than I’d like, but better than last year’s 4.8%.)
Where my books came from for the whole year:
- Free print or e-copy from publisher: 36.8%
- Public library: 21.3%
- Secondhand purchase: 13.8%
- Free (giveaways, The Book Thing of Baltimore, the free mall bookshop, etc.): 9.2%
- Downloaded from NetGalley, Edelweiss or Project Gutenberg: 7.8%
- Gifts: 4.3%
- University library: 2.9%
- New purchase (usually at a bargain price): 2.9%
- Church theological library: 0.8%
- Borrowed: 0.2%
(Review copies accounted for over a third of my reading; I’m going to scale way back on this next year. My library reading was similar to last year’s; my e-book reading decreased in general; I read more books that I either bought new or got for free.)
Number of unread print books in the house: 440
(Last thing I knew the figure was more like 300, so this is rather alarming. I blame the free mall bookshop, where I volunteer every Friday. Most weeks I end up bringing home at least a few books, but it’s often a whole stack. Surely you understand. Free books! No strings attached!)
Reading Statistics for the First Half of 2019, Including Where My Books Came From
Almost halfway through the year: how am I doing on the reading goals I set for myself? So-so. I’m mostly managing one doorstopper and one classic per month, though sometimes I’ve had to fudge it a little with modern classics or a skim read. I’ve read precisely 0 travel classics, biographies, or re-reads, so those aims are a fail thus far. As to literature in translation, I’m doing better: it’s made up 8.1% of my reading, nearly double my 2018 percentage. And it looks like I’m on track to meet or exceed my Goodreads target.
The breakdown:
Fiction: 42.3%
Nonfiction: 42.3%
Poetry: 15.4%
(Exactly equal numbers of fiction and nonfiction books! What are the odds?!)
Male author: 41.3%
Female author: 56.7%
Non-binary author: 2%
(This is the first year when I’ve consciously read work by non-binary authors – three of them.)
E-books: 9.3%
Print books: 90.7%
(I seem to be moving further and further away from e-books now that they no longer make up the bulk of my paid reviewing.)
I always find it interesting to look back at where my books come from. Here are the statistics for the year so far, in both real numbers and percentages (not including books I’m currently reading, DNFs or books I only skimmed):
- Free print or e-copy from the publisher or author: 65 (43%)
- Public library: 31 (21%)
- Secondhand purchase: 21 (14%)
- Downloaded from NetGalley or Edelweiss: 12 (8%)
- Gifts: 9 (6%)
- Free, e.g. from Book Thing of Baltimore, local swap shop or free mall bookshop: 5 (3.5%)
- University library: 4 (2.5%)
- New book purchase: 2 (1.5%)
- Borrowed: 1 (0.5%)
How are you doing on any reading goals you set for yourself?
Where do you get most of your books from?
Final 2018 Statistics and Where My Books Came From
My most prolific year yet! (I’m sure I said the same last year, but really, this is a number I will most likely never top and shouldn’t attempt to.) People sometimes joke to me, “why not shoot for a book a day?!” but that’s not how I do things. Instead of reading one book from start to finish, I almost always have 10 to 20 books on the go at a time, and I tend to start and finish books in batches – I’m addicted to starting new books, but also to finishing them.
The breakdown:
Fiction: 44.9%
Nonfiction: 45.8%
Poetry: 9.3%
(I think this is the first time nonfiction has surpassed fiction! They’re awfully close, though. I read a bit less poetry this year than last.)
Male author: 38.1%
Female author: 61.9%
(Roughly the same thing has happened the last two years, which I find interesting because I have never consciously set out to read more books by women.)
E-books: 15.7%
Print books: 84.3%
(In 2016 I read one-third e-books; in 2017 it was one-quarter. For some reason I seem to find e-books less and less appealing. They are awfully useful for traveling. However, I’ve been cutting back on the reviewing gigs that rely on me reading only e-books.)
Works in translation: 4.8%
(Ouch – my reading in translation almost halved compared to last year. I’m going to have to make a point of reading more translated work next year.)
Where my books came from for the whole year:
- Free print or e-copy from publisher: 28.7%
- Public library: 20.8%
- Secondhand purchase: 20.6%
- Downloaded from NetGalley or Edelweiss: 14.9%
- Gifts: 5%
- Free (giveaways, GET Free Bookshop, Book Thing of Baltimore, etc.): 3.8%
- University library: 3.2%
- New purchase (usually at a bargain): 1.5%
- Kindle purchase: 0.9%
- Borrowed: 0.6%
Some interesting additional statistics courtesy of Goodreads:
How did 2018 turn out for you reading-wise?
Happy New Year!
Final 2017 Statistics and 2018 Goals
It’s possible that I might finish another book tomorrow, but as we now have house guests here through the 2nd, it’s probably for the best if I consider the reading year done. I even surpassed 2016’s reading total, making this my most prolific year ever:
The breakdown:
Fiction: 49.3%
Nonfiction: 40.7%
Poetry: 10%
(Very similar to last year.)
Male author: 38.4%
Female author: 61.6%
(Roughly the same thing happened last year, which I find interesting because I have never consciously set out to read more books by women.)
E-books: 25.2%
Print books: 74.8%
(This really surprised me. Last year I was at one-third e-books / two-thirds print books, but this year the print books have dominated even more. I think this might be because I’m more likely to read lots of books on Kindle when traveling and we’ve done less travel overall; I’ve also scaled back on some of the reviewing gigs that only send me e-books.)
Works in translation: 8%
(I thought I’d done better than last year, but I actually read a bit less in translation. Sigh.)
Where my books came from for the whole year:
- Free print or e-copy from publisher: 28%
- Downloaded from NetGalley or Edelweiss: 22.2%
- Secondhand purchase: 18.5%
- Public library: 16.7%
- Free from giveaways (or Book Thing of Baltimore): 6.5%
- Gifts: 6.2%
- University library: 1.9%
Some interesting additional statistics courtesy of Goodreads:
2018 Goals
Looking back at the reading goals I set for 2017, I’m pleased to see that I did indeed get involved with blog tours and prize shadow panels: I participated in eight blog tours and two shadow panels (the Wellcome Book Prize and the Sunday Times Young Writer of the Year Award – highlights of my bookish year; I’ll probably do the Wellcome again next year). I was pretty consistent about featuring at least one classic and a doorstopper per month. I doubt I’ll keep those challenges up on a monthly basis in 2018, but I might do them occasionally.
Specifically, in the next year I’d like to focus on:
- Travel classics
- Biographies, some of which will happen to top out at 500 pages or more.
- Literature in translation (I’d like to increase the past year’s percentage.)
- The books I own – I went around and counted 327 unread books in the house, which is more than a year’s reading. (This is opposed to 221 at this time last year; I blame a trip to Hay-on-Wye, multiple visits to Book Cycle in Exeter, free books acquired from the swap shop, and a 3-for-95 pence deal one of our local charity shops used to have.) In addition, I have nearly 350 books on my Kindle: again, over a year’s reading. To keep chipping away at the books I already own, I need to scale back on purchases and on requests from publishers (print or e-) and try to make the books from my own shelves account for at least a quarter – better, a third – of my reading in 2018.
Unrelated to books … I got a vintage accordion for Christmas and need to learn a) how to read music and b) how to play an accordion. It should be a fun project!
I’ll be back at some point next week – once I’ve had time to wade through all the upcoming 2018 releases I’ve heard about via Goodreads, NetGalley, Edelweiss, Publishers Weekly, Library Journal, Twitter, Instagram, other bloggers, etc. – to preview the 25–30 coming out in the first half of the year that I’m most excited about.
Happy New Year, everyone! Thanks for your support of my blog through another year.
How did 2017 turn out for you reading-wise? What are some of your goals for 2018?
Some Final Statistics for 2016
I thought last year’s reading total could never be beat, but somehow I’ve done it. In the meantime I also exceeded my Goodreads goal by a whole 20%. I don’t like to crow, so I’ve worked out the statistics below in terms of percentages rather than absolute numbers. (But, if you’re curious, you can see my final tally here.)
Fiction: 46.2%
Nonfiction: 41.3%
Poetry: 12.5%
Average rating: 3.6 out of 5 stars
Longest book: The Goldfinch by Donna Tartt
Shortest book: Physical by Andrew McMillan (in general, reading poetry is one way I boost my reading totals; although the books require time and attention, most only have between 50 and 100 pages)
Average length: 258 pages
Male author: 40.4%
Female author: 59.6%
(Really interesting as I never consciously set out to read more books by women.)
E-books: 33.7%
Print books: 66.3%
(I’m surprised this isn’t closer to half and half!)
Works in translation: 8.3%
(Must do better!)
2016: What a year, huh? World events left so many of us reeling, but books kept me going.
How did 2016 turn out for you reading-wise?
Wishing all of my readers a very happy new year. I look forward to another year of reading and blogging.
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.