Tag Archives: spring

A Bouquet of Spring Reading

In March through May I often try to read a few gardening-themed books and/or ones with “spring” in the title. Here are some of the ones that I have on the go as occasional reading:

Flowers and gardens

 

The Florist’s Daughter by Patricia Hampl: Her mother’s final illness led Hampl to reflect on her upbringing in St. Paul, Minnesota as the daughter of an Irish Catholic library clerk and a Czech florist. I love how she writes about small-town life and helping out in her father’s flower shop:

“These apparently ordinary people in our ordinary town, living faultlessly ordinary lives … why do I persist in thinking—knowing—they weren’t ordinary at all? … Nostalgia is really a kind of loyalty”

“it was my father’s domain, but it was also marvelously other, this place heavy with the drowsy scent of velvet-petaled roses and Provençal freesias in the middle of winter, the damp-earth spring fragrance of just-watered azaleas and cyclamen”

 

Led by the Nose: A Garden of Smells by Jenny Joseph: Joseph’s name might not sound familiar, but she was the author of the famous poem “Warning: When I Am an Old Woman I Shall Wear Purple” and died early last year. This is a pleasant set of short pieces about what you might see and sense in your garden month by month. “Gardeners do indeed look before and after, at the same time living, as no one else, in the now of the nose,” she maintains. I’m particularly fascinated by the sense of smell and how a writer can describe odors, so I was delighted to find this in a charity shop in Edinburgh last year and have been reading it a few pages at a time as a bedside book. I especially like the wood engravings by Yvonne Skargon that head each chapter.

 

Green Thoughts: A Writer in the Garden by Eleanor Perényi: A somewhat dense collection of few-page essays, arranged in alphabetical order, on particular plants, tools and techniques. I tried reading it straight through last year and only made it as far as “Beans.” My new strategy is to keep it on my bedside shelves and dip into whichever pieces catch my attention. I don’t have particularly green fingers, so it’s not a surprise that my eye recently alighted on the essay “Failure,” which opens, “Sooner or later every gardener must face the fact that certain things are going to die on him. It is a temptation to be anthropomorphic about plants, to suspect that they do it to annoy.”

 

With One Lousy Free Packet of Seed by Lynne Truss (DNF at page 131 out of 210): A faltering gardening magazine is about to be closed down, but Osborne only finds out when he’s already down in Devon doing the research for his regular “Me and My Shed” column with a TV actress. Hijinks were promised as the rest of the put-out staff descend on Honiton, but by nearly the two-thirds point it all still felt like preamble, laying out the characters and their backstories, connections and motivations. My favorite minor character was Makepeace, a pugnacious book reviewer: “he used his great capacities as a professional know-all as a perfectly acceptable substitute for either insight or style.”

 

 

Spring

 

The Seasons, a Faber & Faber / BBC Radio 4 poetry anthology: From Chaucer and other Old English poets to Seamus Heaney (“Death of a Naturalist”) and Philip Larkin (“The Trees”), the spring section offers a good mixture of recent and traditional, familiar and new. A favorite passage was “May come up with fiddle-bows, / May come up with blossom, / May come up the same again, / The same again but different” (from “Nuts in May” by Louis MacNeice). Once we’re back from America I’ll pick up with the summer selections.

 

In the Springtime of the Year by Susan Hill: Early one spring, Ruth Bryce’s husband, Ben, dies in a forestry accident. They had only been married a year and here she is, aged twenty-one and a widow. Ben’s little brother, 14-year-old Jo, is a faithful visitor, but after the funeral many simply leave Ruth alone. I’m 100 pages in and still waiting for there to be a plot as such; so far it’s a lovely, quiet meditation on grief and solitude amid the rhythms of country life. Ben’s death is described as a “stone cast into still water,” and here at nearly the halfway point we’re seeing how some of the ripples spread out beyond his immediate family. I’m enjoying the writing more than in the three other Hill books I’ve read.

 

Absent in the Spring by Mary Westmacott: (The title doesn’t actually have anything to do with the season; it’s a quotation from Shakespeare’s Sonnet 98: “From you have I been absent in the spring.”) From 1944, this is the third of six novels Agatha Christie published under the alias Mary Westmacott. Joan Scudamore, traveling back to London from Baghdad after a visit to her adult daughter, encounters bad weather and misses her train, which leaves her stranded in the desert for days that feel more like weeks. We’re led back through scenes from Joan’s earlier life and realize that she’s utterly clueless about what those closest to her want and think. Rather like Olive Kitteridge, Joan is difficult in ways she doesn’t fully acknowledge. Like a desert mirage, the truth of who she’s been and what she’s done is hazy, and her realization feels a little drawn out and obvious. Once she gets back to London, will she act on what she’s discovered about herself and reform her life, or just slip back into her old habits? This is a short and immersive book, and a cautionary tale to boot. It examines the interplay between duty and happiness, and the temptation of living vicariously through one’s children.

 

Have you been reading anything particularly appropriate for spring this year?

Dubiously Thematic Easter Reading

In 2015 and 2017 I came up with some appropriately theological reading recommendations for Easter. This year I’m going for a more tongue-in-cheek approach, as befits the unfortunate conjunction of Easter with April Fools’ Day.

 

Currently reading or reviewing:

The Egg and I by Betty MacDonald

I bought this on a whim from a local charity shop, based on the title, cover and blurb. I’m about one-third of the way through so far. MacDonald and her husband started a chicken farm in a mountainous area of the Pacific Northwest in the 1940s. Her account of her failure to become the perfect farm wife is rather hilarious. My only hesitation is about her terrible snobbishness towards rednecks and “Indians.”

 

 

A representative passage: “Gathering eggs would be like one continual Easter morning if the hens would just be obliging and get off the nests. Co-operation, however, is not a chickenly characteristic and so at egg-gathering time every nest was overflowing with hen, feet planted, and a shoot-if-you-must-this-old-grey-head look in her eye.”

 

The Sheep Stell by Janet White

I’m reviewing this reissued memoir for the TLS. It’s a delightful story of finding contentment in the countryside, whether on her own or with family. White, now in her eighties, has been a shepherd for six decades in the British Isles and in New Zealand. While there’s some darker material here about being stalked by a spurned suitor, the tone is mostly lighthearted. I’d recommend it to anyone who’s enjoyed books by Gerald Durrell, James Herriot and Doreen Tovey.

Representative passages: “Shepherding is a strange mixture of tremendous physical work alternating with periods of calm, quiet indolence.” & “A dare, a dream and a challenge. I could have hunted the whole world over and never in a lifetime found anywhere so right: warm, high, pastoral and severed by the sea.”

 

Read recently:

 

The Trouble with Goats and Sheep by Joanna Cannon

Mrs. Creasy disappears one Monday in June 1976, and ten-year-old Grace Bennett and her friend Tilly are determined to figure out what happened. I have a weakness for precocious child detectives (from Harriet the Spy to Flavia de Luce), so I enjoyed Grace’s first-person sections, but it always feels like cheating to me when an author realizes they can’t reveal everything from a child’s perspective so add in third-person narration and flashbacks. These fill in the various neighbors’ sad stories and tell of a rather shocking act of vigilante justice they together undertook nine years ago.

Sheep are a metaphor here for herd behavior and a sense of belonging, but also for good versus evil. Grace and Tilly become obsessed with a Bible passage the vicar reads about Jesus separating the sheep from the goats. But how can he, or they, know who’s truly righteous? As Grace says, “I think that’s the trouble, it’s not always that easy to tell the difference.” It’s a simplistic message about acknowledging the complexity of other lives and situations rather than being judgmental, and matches the undemanding prose.

Reminiscent of Rachel Joyce, but not as good.

My rating:

 

Vita Nova by Louise Glück

My first collection from the prolific Pulitzer winner. Some of the poems are built around self-interrogation, with a question and answer format; several reflect on the myth of Orpheus and Eurydice. The first and last poems are both entitled “Vita Nova,” while another in the middle is called “The New Life.” I enjoyed the language of spring in the first “Vita Nova” and in “The Nest,” but I was unconvinced by much of what Glück writes about love and self-knowledge, some of it very clichéd indeed, e.g. “I found the years of the climb upward / difficult, filled with anxiety” (from “Descent to the Valley”) and “My life took me many places, / many of them very dark” (from “The Mystery”).

Best lines about spring:

“The spring of the year; young men buying tickets for the ferryboats. / Laughter, because the air is full of apple blossoms.” (from “Vita Nova”)

“Spring / descended. Or should one say / rose? … yellow-green of forsythia, the Commons / planted with new grass— // the new / protected always” (from “Ellsworth Avenue”)

My rating:

 

Plucked off the shelf for their dubious thematic significance!

To Rise Again at a Decent Hour by Joshua Ferris

Animal, Vegetable, Miracle by Barbara Kingsolver

Wise Blood by Flannery O’Connor

So You’ve Been Publicly Shamed by Jon Ronson

The Resurrection of Joan Ashby by Cherise Wolas

 


Happy Easter to all those who mark it, and have a good week. I have a few review-based posts scheduled for while we’re in Wigtown, a trip I hope to report on next Monday, when I will also attempt to catch up on blogs and comments.

Midwinter Cedes to Spring

I’ve marked the turn of the seasons by following a ‘Midwinter’ book with a ‘Spring’ one.


Moominland Midwinter by Tove Jansson

img_1142My third and favorite Moomins book (so far).

Moomins are supposed to sleep through the winter, but this year young Moomintroll awakens and finds himself in a “strange and dangerous” world transformed by snowdrifts. He can’t get his parents to wake up so is effectively a temporary orphan, surrounded by peculiar creatures from Jansson’s menagerie, this time including a dim-witted squirrel, invisible shrews, a glum little dog who wishes he could run with wolves, and the Dweller Under the Sink (with its exceptionally bushy eyebrows).

While Moomintroll searches for totems of familiarity—

He looked at the cupboard in the corner and thought of how nice it was to know that his own old bath-gown was hanging inside it. That something certain and cosy still remained in the middle of all the new and worrying things.

—Too-ticky has the opposite mindset: “All things are so very uncertain, and that’s exactly what makes me feel reassured.” She goes fishing under the ice, builds a life-size horse out of snow, and assembles tree trunks and old furniture for the midwinter ritual of a huge bonfire.

img_1148When they receive a visit from the Hemulen, who’s keen on skiing and declares the indoors too stuffy in winter, the creatures quickly tire of his energetic optimism. The truth is that they like sitting around being miserable. “I’m cold! I’m lonely! I want the sun back again!” Moomintroll pouts, but even he is too affable to make the Hemulen leave.

Of course the spring finally arrives, as it does every year, but it’s depressingly long in coming and for Moomintroll becomes a matter of faith. I love the strangeness of Jansson’s imagination, the balance of melancholy and comedy, and the little philosophical nuggets buried along the way – children and adult readers alike will get a lot out of this. It doesn’t talk down to children with a rosy message about everything being alright.

My rating: 4-star-rating

 

Spring: An anthology for the changing seasons, edited by Melissa Harrison

Although this was the first of the Wildlife Trusts anthologies published in 2016, I got a late start last year so am reading this as the final of four. In common with the other volumes, it’s a terrific mix of contemporary and historical writing, big names and newcomers, observation and reflection. Compared with the other books, it seems to have more about WT sites in particular, with a few pieces from current volunteers or former employees. I also noticed that there’s a bit more of a focus on birds – with essays on the chiffchaff, the birds encountered on the Cley Marshes, cuckoo festivals, young dippers, and a tawny owl chick.

springThat said, there’s still plenty of variety here, with everything from spring flora* to adders fueling the generally two- to three-page essays. I especially liked Kate Long’s piece on filming hedgehogs at night and Vijay Medtia’s on how people of color living in cities have little access to nature; he recalls spotting a magpie with a twig in its beak at a train station and having to ask someone what it was called. Of the previously published authors, I enjoyed hearing more from Rob Cowen and Miriam Darlington and laughed at Will Cohu’s ice cream and underwear metaphors applied to varieties of cherry trees.

You can’t beat George Orwell on toad sex, and it’s fun to encounter excerpts from classic novels in the context of a nature book: The Wind in the Willows, Lorna Doone, and Jane Eyre (which, shamefully, I didn’t recognize until Lowood was mentioned in the last paragraph). I think my favorite piece of all, though, was Jo Sinclair’s about watching spring’s arrival after a major operation and noting nature’s inscrutable jumble of beauty and brutality.

And my favorite passage:

Year after year all this loveliness for eye and ear recurs: in early days, in youth, it was anticipated with confidence; in later years, as the season approaches, experience and age qualify the confidence with apprehension lest clouds of war or civil strife, or some emergency of work, or declining health, or some other form of human ill may destroy the pleasure or even the sight of it: and when once again it has been enjoyed we have a sense of gratitude greater than in the days of confident and thoughtless youth. Perhaps the memory of those days, having become part of our being, helps us in later life to enjoy each passing season.

(from Sir Edward Grey’s The Charm of Birds, 1927)

This passage from Reverend Francis Kilvert’s diary (April 14, 1871) makes me look forward to our trip to nearby Hay-on-Wye next month: “The village is in a blaze of fruit blossom. Clyro is at its loveliest. What more can be said?” Simply that these anthologies are an essential companion to the seasons.

*Like my husband’s piece, positioned right before the R.D. Blackmore extract.

(See also my reviews of Summer, Autumn and Winter.)

My rating: 4-star-rating

In the Past Week…

It truly felt like spring was on the way. Temperatures were in the mid-fifties (I’ve never really gotten to grips with Centigrade) and the daffodils in our back garden were trying their best to join the snowdrops decorating the churchyard in town. I started reading this pair of books to look to the seasons ahead instead of dreading that winter might return in earnest:

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Some lovely things have happened in the past week.

  • I’ve delighted from afar as my sister, a widow for just over two years, precipitously falls in love with a pastor she met through a dating website.
  • I had my second yoga class and, after the one other participant had to leave early, got what was essentially a private lesson. Many of the poses feel right at the edge of what my flexibility and balance will allow, which is surely a sign that the exercise is doing me good.
  • (This one’s not so much lovely as annoying yet amusing.) The cat, already a connoisseur of cereal milk, discovered the illicit pleasure of melted butter in a dish we unthinkingly left on the counter, and now will not rest in his search for it. This is bad news as he’s already quite the butterball. He’s also ramped up his efforts to access all of the house’s secret spaces, including the airing cupboard, the under-stairs cupboard, and the crawlspace under the bath. [Stay tuned for tomorrow’s mini-reviews of yet more cat books, including one about some very mischievous Siamese cats.]
  • On Friday I got an e-mail out of the blue asking me to review a book for the Times Literary Supplement. It was October 2015 when I first wrote for them, but that ended poorly: they ran out space in the magazine for my review and paid me a “kill fee” instead, but it made me doubt myself – was that code for them not thinking my writing was good enough to publish? So hearing back from them five months after I’d last gotten in touch asking for work was a great surprise. And I get to read History of Wolves, which I’ve heard marvelous things about.
  • We went to a brilliant gig by folk artists Phillip Henry and Hannah Martin in a hole-in-the-wall venue 10 minutes from our house. It was doubtless the first time I’d seen beatboxing and a classical Indian sitar/guitar used in folk music, and Henry’s harmonica skills were literally unbelievable. You had to have been there. I was impressed anew at how folk, arising as it does from liberal working-class traditions, is unafraid to tackle social issues. They had songs about his cotton mill-working grandfather, the war in Syria, immigration, and a detention center in the Midlands. My favorite, though, was “Landlocked,” about a real woman from the eighteenth century who went to sea with her naval husband but ended up right back where she started: selling fish at Exmouth harbor. I loved Martin’s deep, rich voice and the complex interplay of guitar, banjo, pedal steel and fiddle in many of their songs.
  • With one of our leftover jars of homemade mincemeat we made a decadent mincemeat cheesecake from this Nigel Slater recipe. What with the shortbread crust and crumbs and the orange zest in the topping, it was very much like having mince pies – but also cheesecake. Yum.

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  • This morning we attended a service led by a former archbishop. We knew that George Carey was a parishioner at the Berkshire church we’ve been frequenting since December, but hadn’t seen him at the pulpit yet. He’s one of various retired and lay clergy who have been filling in while the church seeks to appoint a new vicar. Carey gave a damn fine sermon (I guess he’s had plenty of practice) on the enormous topic of why bad things happen to good people, refuting the prosperity gospel and telling the tragically fascinating story behind the hymn “It Is Well with My Soul.”

And, of course, I’ve been reading some brilliant books. This week’s ongoing reading has included three terrific novels: Homegoing by Yaa Gyasi, Spaceman of Bohemia by Jaroslav Kalfař, and Narcissism for Beginners by Martine McDonagh.

 

How was your week – in terms of reading and otherwise?