Here are excerpts from (and links to, where available) some of my recent reviews for other places. A few of these books will undoubtedly be showing up on my end-of-year best lists in a couple weeks’ time.
I was pleased to have three of the books I reviewed show up on BookBrowse’s list of the top 20 books of the year, as voted for by the site’s readers. What’s more, Educated was voted their top nonfiction book of the year and Where the Crawdads Sing (below) their #1 debut novel. (The third on the list was Unsheltered.)
Beauty in the Broken Places by Allison Pataki: Ernest Hemingway wrote that we are strong at the broken places, and Allison Pataki found that to be true when her husband, David Levy, a third-year orthopedic surgery resident in Chicago, had a near-fatal stroke at age 30. On June 9, 2015, Dave and five-months-pregnant Allison were on a flight from Chicago to Hawaii for their babymoon, planning to stop in Seattle to visit Dave’s brothers. But they never made it there. On the plane Dave told her he couldn’t see out of his right eye.The plane made an emergency landing in Fargo, North Dakota and Dave was rushed to a hospital for testing. Doctors found he had suffered a bithalamic midbrain ischemic stroke, even though he’d had no risk factors and this stroke type was virtually unknown in patients of his age. Pataki goes back and forth between the details of this health crisis and her past with Dave. Hers is a relatable story of surviving the worst life can throw at you and finding the beauty in it.
Sick by Porochista Khakpour: Khakpour can’t remember a time when she didn’t feel unwell and like she wanted to escape. “I had no idea what normal was. I never felt good,” she writes in her bracing memoir. Related to this sense of not being at home in her body was the feeling of not having a place where she fit in. Throughout Sick, she gives excellent descriptions of physical and mental symptoms. Her story is a powerful one of being mired in sickness and not getting the necessary help from medical professionals. Lyme disease has cost her $140,000 so far, and a lack of money and health insurance likely delayed her diagnosis by years. There is, unfortunately, some inherent repetition in a book of this nature. At times it feels like an endless cycle of doctors, appointments, and treatment strategies. However, the overall arc of struggling with one’s body and coming to terms with limitations will resonate widely.
Southernmost by Silas House: In Silas House’s sixth novel, a Tennessee preacher’s family life falls apart when he accepts a gay couple into his church. We go on a long journey in Southernmost: not just a literal road trip from Tennessee to Florida, but also a spiritual passage from judgment to grace. Reconciliation is a major theme, but so is facing up to the consequences of poor decisions. I found the plotting decisions rewarding but also realistic. The pattern of a narrow religious worldview ebbing away to no faith at all and eventually surging back as a broader and more universal spirituality truly resonates. I loved House’s characters and setups, as well as his gentle evocation of the South. His striking metaphors draw on the natural world, like “She had the coloring of a whip-poor-will” and “The sky is the pink of grapefruit meat.” It’s a beautiful, quietly moving novel of redemption and openness to what life might teach us.
Unsheltered by Barbara Kingsolver: Kingsolver’s bold eighth novel has a dual timeline that compares the America of the 1870s and the recent past, revealing how they are linked by distrust and displacement. The book’s themes and structure emphasize similarities between two time periods that might initially appear very different. Chapters alternate between the story lines, and the last words of one chapter form the title of the next. It’s a clever and elegant connecting strategy, as is the habit of using variations on the title word as frequently as possible – something Jonathan Franzen also does in his novels. (I counted 22 instances of “shelter” and its variants in the text; how many can you spot?) Kingsolver can be heavy-handed with her messages about science, American politics and healthcare, etc. All the same, Unsheltered is a rich, rewarding novel and an important one for our time, with many issues worth pondering and discussing.
Where the Crawdads Sing by Delia Owens: It’s easy to see why so many have taken this debut novel into their hearts: it’s a gripping mystery but also a tender coming-of-age story about one woman’s desperately lonely upbringing and her rocky route to finding love and a vocation. Not only that, but its North Carolina marsh setting is described in lyrical language that evinces Delia Owens’s background in nature writing, tempered with folksy Southern dialect. The title refers to places where wild creatures do what comes naturally, and throughout the book we are invited to ponder how instinct and altruism interact and what impact human actions can have in the grand scheme of things. In Kya, Owens has created a truly outstanding character. The extremity of her situation makes her a sympathetic figure in spite of her oddities. Crawdads is a real treat.
Shiny New Books
Under the Rock by Benjamin Myers: When Myers moved to the Calder Valley of West Yorkshire from London over a decade ago, he approached his new patch with admirable curiosity, and supplemented the observations he made from his study window with frequent long walks with his dog (“Walking is writing with your feet”) and research into the history of the area. The result is a divagating, lyrical book that ranges from literature and geology to true crime but has an underlying autobiographical vein. This isn’t old-style nature writing in search of unspoiled places. Instead, it’s part of a growing interest in the ‘edgelands’ where human impact is undeniable but nature is creeping back in. Interludes transcribe his field notes, which are stunning impromptu poems. I came away from this feeling that Myers could write anything – a thank-you note, a shopping list – and make it profound literature. Every sentence is well-crafted and memorable. “Writing is a form of alchemy,” he declares. “It’s a spell, and the writer is the magician.” I certainly fell under his spell here.
Nine Pints by Rose George: Nine Pints dives deep into the science and cultural history of blood. George’s journalistic tenacity keeps her pushing through the statistics to find the human stories that animate the book. In the first chapter we track the journey of a pint of blood that she donates in her hometown of Leeds. I was particularly interested, if morbidly so, in the chapter on leeches and bloodletting. Other sections journey further afield, chiefly to South Africa and India, to explore AIDS and menstruation taboos. The style can be choppy and repetitive, given to short sentences and identical paragraph openers, and there are a couple of places where the nine-chapter structure shows its weaknesses. While Nine Pints is quite uneven, it does convey a lot of important information about the past, present and future of our relationship to blood.
Times Literary Supplement
Face to Face: True stories of life, death and transformation from my career as a facial surgeon by Jim McCaul: Eighty percent of a facial surgeon’s work is the removal of face, mouth and neck tumors in surgeries lasting eight hours or more. McCaul also restores patients’ appearance as much as possible after disfiguring accidents. Here he pulls back the curtain on the everyday details of his work life: everything from his footwear (white Crocs that soon become stained with blood and other fluids) to his musical choices (pop for the early phases; classical for the more challenging microsurgery stage). Like neurosurgeon Henry Marsh, he describes the awe of the first incision – “an almost overwhelming sense of entering into a sanctuary.” There’s a vicarious thrill to being let into this insider zone, and the book’s prose is perfectly clear and conversational, with unexpectedly apt metaphors such as “Sometimes the blood vessels can be of such poor quality that it is like trying to sew together two damp cornflakes.” This is a book that inspires wonder at all that modern medicine can achieve.
On Sheep: Diary of a Swedish Shepherd by Axel Lindén: Lindén left city life behind to take on his parents’ rural collective in southeast Sweden. This documents two years in his life as a shepherd aspiring to self-sufficiency and a small-scale model of food production. Published diaries can devolve into tedium, but the brevity and selectiveness of this one prevent its accounts of everyday tasks from becoming tiresome. Instead, the rural routines are comforting, even humbling, as the shepherd practices being present with these “quiet and unpretentious and stoical” creatures. The attention paid to slaughtering and sustainability issues – especially as the business starts scaling up and streamlining activities – lends the book a wider significance. It is thus more realistic and less twee than its stocking-stuffer dimensions and jolly title font seem to suggest.
One of my goals with this blog is to have one convenient place where I can gather together all my writing that has appeared in disparate online locations. To that end, once a month I provide links to all book reviews I’ve published elsewhere, with a rating (below each description) and a taster so you can decide whether to read more. A few exceptions: I won’t point out my Kirkus Indie, BlueInk or Publishers Weekly reviews since I don’t get a byline.
In Search of Mary: The Mother of All Journeys by Bee Rowlatt: A BBC journalist and mother of four sets out, baby in tow, to trace the steps of Mary Wollstonecraft in Norway and France. A follow-up trip to California is a little off-topic, but allows Rowlatt to survey the development of feminism over the last few centuries. This isn’t as successful a bibliomemoir as many I’ve read in recent years, such as Rebecca Mead’s My Life in Middlemarch or Samantha Ellis’s How to Be a Heroine, but for readers interested in engaging in the ongoing debate about how women can balance work life with motherhood, and especially for any women who have attempted traveling with children, it’s a fun, sassy travelogue.
Italy Invades: How Italians Conquered the World by Christopher Kelly and Stuart Laycock: Proceeding alphabetically from Afghanistan to Zimbabwe, the authors give a comprehensive picture of Italians’ global reach through one- to five-page snapshots. There are many familiar names here, such as Caesar, Garibaldi and Marco Polo. Along with exploration, some major reasons for historical crossover were trade, war, colonialism and immigration. At times it feels as if the authors are grasping at straws; better to skip one-paragraph write-ups altogether and focus instead on the countries that have extensive links with Italy. Nonetheless, this is a lively, conversational book full of surprising facts.
Why You Won’t Go to Hell by Benjamin Vande Weerdhof Andrews: In a well-structured argument, Andrews prizes empirical thinking, rejects the supernatural, and affirms the possibility of godless morality. His central thesis is that religion doesn’t evolve to keep pace with society and so holds humanity back. The book’s tone is too often defensive, often in response to included website comments, and there are some failures of accuracy and fairness. Ultimately, though, this could be an inspirational book for atheists or believers, prompting both groups to question their assumptions and be willing to say “I don’t know.” Readers of Sam Harris and Christopher Hitchens will be particularly drawn to the book, but others should take a chance on it too.
Cultured Food for Health by Donna Schwenk: When Schwenk started eating cultured foods in 2002, she had diabetes, high blood pressure, and a premature newborn. Keen to see if good bacteria could help with her medical problems, she started introducing the “healing powerhouse” of kefir (a fermented milk product resembling thin yogurt), kombucha (bubbly tea), and cultured vegetables into her diet, and soon reaped the rewards. About a quarter of the book is background information about probiotic foods. Bullet-pointed lists of health benefits, along with an alphabetical inventory of the diseases that cultured foods can treat, should prove helpful. The rest of the book is devoted to recipes, most vegetarian.
Three Simple Questions: Being in the World, But Not of It by Charlie Horton: Horton, trained as a social worker, was diagnosed with cerebellar degeneration in 1988. It has gradually affected his speech and movement. Despite having lived with disability for nearly three decades, he declares, “the world I live in is rich, and my spirit is young.” Here he documents how he deals with depression and physical limitations through guided meditations that bring him closer to God. Although he comes from a Christian perspective, he writes about spirituality in such inclusive terms that his work should speak to people of any faith.
Middle Passage: The Artistic Life of Lawrence Baker by Louis B. Burroughs, Jr.: This ghostwritten autobiography of an African-American artist is not only an evocative, eventful life story that moves from the Jim Crow South to the North, but also a forceful artist’s manifesto. Burroughs writes in Baker’s voice, a decision that works surprisingly well. The title is a powerful reference to the slave trade. Indeed, Burroughs consciously crafts Baker’s autobiography as an “up from slavery” narrative reminiscent of Richard Wright and Maya Angelou – with ‘slavery’ in this case being poverty and racism.
40 Sonnets by Don Patterson: All but one of the poems in this new book have the sonnet’s traditional 14 lines; “The Version” is a short prose story about writing an untranslatable poem. However, even in the more conventional verses, there is a wide variety of both subject matter and rhyme scheme. Topics range from love and death to a phishing phone call and a footpath blocked off by Dundee City Council. A few favorites were “A Powercut,” set in a stuck elevator; “Seven Questions about the Journey,” an eerie call-and-response; and “Mercies,” a sweet elegy to an old dog put to sleep. There weren’t quite enough stand-outs here for my liking, but I appreciated the book as a showcase for just how divergent in form sonnets can be.
Without You There Is No Us by Suki Kim: This is a quietly gripping book even though not much of moment happens over Kim’s five months teaching young men at a missionary-run college in Pyongyang. She was in a unique position in that students saw her as ethnically one of their own but she brought an outsider’s perspective to bear on what she observed. Just before she flew back to the States in 2011, Kim Jong-Il died, an event she uses as a framing device. It could have represented a turning point for the country, but instead history has repeated itself with Kim Jong-un. Kim thus ends on a note of frustration: she wants better for these young men she became so fond of. A rare glimpse into a country that carefully safeguards its secrets and masks its truth.
Alive, Alive Oh!: And Other Things that Matter by Diana Athill: Diana Athill turns 98 on December 21st. Apart from “Dead Right,” however, this collection is not primarily concerned with imminent death. Instead Athill is still grateful to be alive: marveling at a lifetime of good luck and health and taking joy in gardening, clothing, books, memories and friendships. Six of the 10 essays originally appeared elsewhere. The collection highlight is the title piece, about a miscarriage she suffered in her forties. Another stand-out is “The Decision,” about moving into a retirement home in her nineties. This doesn’t live up to her best memoirs, but is an essential read for a devoted fan, and a consolation given she will likely not publish anything else (though you never know). [For first-time Athill readers, I’d recommend starting with Somewhere Towards the End, followed by Stet, about her work as a literary editor.]
I also post reviews of most of my casual reading and skimming on Goodreads:
The Weightless World by Anthony Trevelyan: This debut novel blends postcolonial bureaucracy with steampunk zaniness. The setup is familiar enough: businessmen head overseas to take financial advantage of a former colony, puzzle over unfamiliar customs, and by the end are chastened but gain a clearer sense of values. Narrator Steven Strauss is the personal assistant to Raymond Ess, an entrepreneur with a history of mental illness. Their aviation company has gone bust; Strauss is to accompany Ess to India and keep him occupied by looking for an anti-gravity machine. Not anchored by either current events or convincing fantasy, the plot suffers in comparison to works by Geoff Dyer or Nick Harkaway. Despite entirely serviceable writing and a gravity-defying theme, it never really takes off.
My Confection: Odyssey of a Sugar Addict by Lisa Kotin: 1978. Twenty-one-year-old mime goes to macrobiotic rehab to recover from sugar addiction. Fails. Shows signs of being a sex addict as well. Pared down to headlines, that’s how this fairly rambling memoir about Kotin’s relationships with food, family, lovers, and career opens. I kept waiting for a turn, some moment of revelation, when Kotin’s binge eating would be solved. Still, her recreation of her obsessive younger self can be pretty funny and charming, and her family sounds a bit like the Sedaris clan. I found this a bit dated, but others may find the time period and Jewish family background more evocative.
Good on Paper by Rachel Cantor: I’m going to chalk this one up to blurb inflation. The writing is lively and the plot well crafted, with quirky postmodern touches, but the novel as a whole did not live up to my absurdly high expectations: it’s really nothing like A.S. Byatt’s Possession. It’s 1999 and Shira Greene is a failed translator from the Italian, now working as a temp in New York City and raising her daughter Andi with the help of her gay, Pakistani co-parent, Ahmad. One day she gets a call from Romei, a Nobel Prize-winning Italian poet who wants her to translate his new work, a version of Dante’s Vita Nuova that focuses on his relationship with his ill wife – and eventually starts to comment on Shira’s own life in surprising ways.
Water Sessions by James Lasdun: Wonderful poems from a severely underrated writer. The British Lasdun has relocated to small-town upstate New York, where he’s learned the spiritual worth of manual labor. There are such interesting rhyme schemes and half-rhymes throughout. One of the most striking poems, “Thing One and Thing Two,” compares human and animal sexuality in a rather disturbing way. The title sequence is a dialogue between a patient and a therapist, discussing what went wrong in a relationship and how arguments are never ‘about’ the thing that started it.
The Secret Chord by Geraldine Brooks: A retelling of the life of King David from the perspective of the prophet Nathan. The naming takes some getting used to, but the stories – from gory massacres to moments of triumph – are recognizable from the Old Testament. What makes Brooks’s take unique is the different points of view it shows and the ways it subtly introduces doubt about David’s carefully cultivated image. It’s sensual historical fiction, full of rich descriptive language. Strangely unmemorable for me, perhaps because the storyline is just too familiar. Brooks doesn’t offer a radical reinterpretation but sows small seeds of doubt about the hero we think we know. (Full review in Jan/Feb 2016 issue of Third Way magazine.)
When I Die: Lessons from the Death Zone by Philip Gould: Gould may be familiar to British readers as a key strategist of the New Labour movement and one of Tony Blair’s advisors. In 2008 he was diagnosed with esophageal cancer and chose to pay for private treatment at New York’s Sloan-Kettering hospital instead of going for a radical operation through the NHS – a fateful decision. Gould’s own account is fairly short, about 140 pages, but it’s supplemented by short reminiscences from his wife and two daughters. Daughter Georgia’s, especially, is a very good blow-by-blow of his final week. All royalties from the book went to the National Oesophago-Gastric Cancer Fund.
Twain’s End by Lynn Cullen: “Twain’s End” was a possible name for the Clemens house in Connecticut, but it’s also a tip of the hat to Howards End and an indication of the main character’s impending death. In January 1909, when the novel opens, Samuel Clemens, 74, is busy dictating his autobiography and waiting for Halley’s Comet, the heavenly body that accompanied his birth, to see him back out. His secretary, Isabel Lyon, is 45 and it’s no secret that the two of them are involved. I love how the novel shifts between the perspectives of several strong female characters yet still gives a distinct portrait of Clemens/Twain. Interestingly, I found that it helped to have visited the Twain house in Connecticut – I could truly picture all the scenes, especially those set in the billiard room and conservatory.
Meadowland: The Private Life of an English Field by John Lewis-Stempel: Lewis-Stempel is a proper, third-generation Herefordshire farmer, but also a naturalist with a poet’s eye. His day job might involve shooting rabbits, cutting hay and delivering lambs, but he still finds the time to notice and appreciate wildlife. He knows his field’s flowers, insects and birds as well as he knows his cows; he gets quiet and close enough to the ground to watch a shrew devouring beetles. June and July are the stand-out chapters, with some truly magical moments. When his mower breaks on a stone, he has to cut the hay by hand, returning him to a centuries-gone model of hard labor. All delivered in the loveliest prose.
Did You Ever Have a Family by Bill Clegg: A strong debut novel about personal and community responses to tragedy. Clegg’s multivocal approach works quite well, though there are perhaps a few too many voices diluting the mixture. I like how the revelations of what really happened that night before the wedding to cause the fatal house fire come gradually, making you constantly rethink who was responsible and what it all means. The small-town Connecticut setting is a good one, but I’d question the decision to set so much of the book in Washington, where the bereaved June drives on a whim. For a tragic story, it’s admirably lacking in melodrama.
A Homemade Life: Stories and Recipes from My Kitchen Table by Molly Wizenberg: Foodoir extraordinaire! I liked this even better than Delancey, which is a terrific book about opening a pizza restaurant in Seattle with her husband. Here we get the prequel: the death of her father Burg from cancer, time spent living in Paris, building a new life in Seattle, starting her now-famous food blog (Orangette), and meeting her husband Brandon through it. Each brief autobiographical essay is perfectly formed and followed by a relevant recipe, capturing precisely how food is tied up with her memories. Wizenberg’s very fond of salad, but also of cake, and every recipe is full-on in terms of flavors and ingredients.
Ellen Foster by Kaye Gibbons: This was a random library book sale purchase, chosen almost entirely for the title. I set aside my usual dislike of child narrators and found an enjoyable voice-driven novella about a feisty ten-year-old who loses both her parents (good riddance to her father, at least) and finds her own unconventional family after cycling through the homes of some truly horrid relatives. Just as an example, her maternal grandmother sends her out to work picking cotton. The book is set in the South, presumably in the 1970s or 80s, so it’s alarming to see how strong racial prejudice still was.
The Ecco Book of Christmas Stories, edited by Alberto Manguel: I read this over several years, a handful each holiday season. There are some very unusual choices, including some that really have hardly anything to do with Christmas (e.g. one by Bessie Head). Still, it’s a nice book to have to hand, even if just to skip through. Manguel strikes a good balance between well-known short story writers, authors you might never think to associate with Christmas, and fairly obscure works in translation. Four favorites: “A Christmas Memory,” Truman Capote (overall favorite); “Christmas Is a Sad Season for the Poor,” John Cheever; “The Zoo at Christmas,” Jane Gardam; and “O’Brien’s First Christmas,” Jeanette Winterson.
One of my goals with this blog is to have one convenient place where I can gather together all my writing that has appeared in disparate online locations. To that end, once a month – or maybe more often – I’ll provide links to all the book reviews I’ve published elsewhere, with a rating and a short taster so you can decide whether to click to read more. (A couple of exceptions: I won’t point out my Kirkus Indie or BlueInk reviews since I don’t get a byline.)
Girl at War by Sara Nović [subscription service; excerpt available to non-subscribers]: This pitch-perfect debut novel is an inside look at the Yugoslavian Civil War and its aftermath, from the perspective of a young girl caught up in the fighting. The careful structure is what keeps it from becoming just another ordinary, chronological war story. The recreation of a child’s perspective on the horrors of war is stunning. In fact, I can barely think of a negative thing to say about this concise novel. It strikes a perfect balance between past and present, tragic and hopeful.
Church of Marvels by Leslie Parry [subscription service; excerpt available to non-subscribers]: With settings ranging from a Coney Island theater to an opium den and a mental asylum, this is a gritty look at late-nineteenth-century outsiders. Circus and sideshow themes have been very popular in fiction in recent years, and this is a great example of a novel that uses those elements as background but goes beyond the incidentals of the carnival lifestyle to examine sexuality and societal outcasts. A very atmospheric and accomplished debut novel.
Secrets of the Pomegranate by Barbara Lamplugh (& interview): In the aftermath of the 2004 Madrid train bombings, the secrets harbored by two English sisters, one of them settled in Granada, will come out into the open and affect the entire family. Lamplugh does a great job of unveiling a little at a time – but still maintaining tension until the surprise of the final revelation. The novel shifts easily between the central narrative and Deb’s diary entries, and between Alice’s and Mark’s perspectives. A strong debut novel.
An Account of the Decline of the Great Auk, According to One Who Saw It by Jessie Greengrass: An unusual mixture of historical, contemporary and dystopian short stories. A number of the first-person narratives feel like vague interior monologues, though there are some universal sentiments. When Greengrass picks one genre (but which will it be?) and sticks with it for the length of a whole book, she should have the time and space for the deep characterizations I thought were missing here. (But you can’t beat this book’s title, can you?)
From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E.L. Konigsburg: This was one of the key books of my American childhood. All these years later, phrases were still familiar to me, such as Jamie’s frequent exclamation of “Oh, boloney!” I clearly remembered the delicious overall sense of adventure and secrecy. Konigsburg captures school group chatter and brother/sister banter perfectly. The museum and archive settings are a great way to get children interested in art, history and library research. This was the original Night at the Museum before that franchise was ever dreamed up.
The Hunt for the Golden Mole by Richard Girling: From Victorian animal collecting to present-day poaching, Girling surveys the contradictory human instincts toward exploitation and preservation of mammals. The book is rather scattered, with too little about the actual quest for the mole, but the message about species extinction is powerful. (The Somali golden mole has never been seen in the wild, except as a few bones in an owl pellet found by an Italian zoologist in 1964. For some reason, it captured Girling’s imagination, becoming a symbol of rarity and fragility.)
Road Ends by Mary Lawson: Contrasting rural Canada and London in the 1960s, Lawson’s third novel is a powerful story about how people deal with a way of life ending. She creates a perfect balance between her two plot strands, and the evocation of both locations is flawless, perhaps because they have autobiographical worth for her – she grew up on a farm in Ontario but moved to England in 1968. One remarkable thing about the novel is how she traces every decision back to a traumatic event in a character’s past.
The Wolf Border by Sarah Hall: Rachel Caine has run Idaho’s Chief Joseph wolf preserve for nearly a decade, but her roots are in England’s Lake District. Her two worlds unexpectedly collide when an earl asks for her help reintroducing wolves near the Scottish border. Alongside the story of the wolves’ release runs Rachel’s decision to become a mother. The twin plot strands – one environmental and the other personal – ask what can be salvaged from the past.
Italian Ways by Tim Parks: Parks, an Englishman, has lived and worked in northern Italy for over 30 years. To start with he saw his train travel as an everyday source of woes about ticket queues, late running, officious staff, and so on, but as years passed he decided to interrogate Italy’s rail system as a metaphor for the country itself. He structures this book around seven train journeys. It’s better suited to train spotters than to armchair travelers: there is quite a lot about train schedules and not enough about the countryside itself.
Landmarks by Robert Macfarlane: This new classic of nature writing zeroes in on the language we use to talk about our environment, both individual words – which Macfarlane celebrates in nine mini-glossaries alternating with the prose chapters – and the narratives we build around places, via discussions of the work of nature writers he admires. Whether poetic (“heavengravel,” Gerard Manley Hopkins’s term for hailstones), local and folksy (“wonty-tump,” a Herefordshire word for a molehill), or onomatopoeic (on Exmoor, “zwer” is the sound of partridges taking off), his vocabulary words are a treasure trove.
Penelope Fitzgerald: A Life by Hermione Lee: A thorough and sympathetic appreciation of an underrated author, and another marvelously detailed biography from Lee. Fitzgerald is, like Diana Athill, a reassuring examples of an author who did not find success until well into middle age. Although she always guarded literary ambitions, she was not able to pursue her work wholeheartedly until she had reared three children and nursed her hapless husband through his last illness. The approach is largely chronological, though Lee pauses at key moments to investigate the biographical origins of each of Fitzgerald’s books.
Saint Mazie by Jami Attenberg: Mazie Phillips-Gordon, a real ticket-taker at The Venice movie theatre, barely gets a footnote in history. Here we see all sides of this bold, brassy broad through Attenberg’s fragmented, epistolary narrative. The novel intersperses Mazie’s fictional diary entries (1907 to 1939) with excerpts from her unpublished autobiography and interviews with people who knew her. This is historical fiction – but not as we’re accustomed to it. Attenberg shows how fragile and incomplete the documentary record can be. A hard-nosed heroine with a heart of gold, Mazie will leave her mark on you.
A Buzz in the Meadow by Dave Goulson: As Goulson did in his book about bees, A Sting in the Tale, he treats readers like friends he is taking on a gentle tour to have everyday encounters with nature. The low-key, humorous anecdotes are reminiscent of the writings of Gerald Durrell, but – like Durrell – Goulson has a serious environmental agenda. Some of the most amusing chapters are about the sexual habits of insects and plants. This is less focused than his previous book, though, and repeats some of the material. The main draw, as always, is Goulson’s infectious enthusiasm and excellent explanations of science.
We Love This Book
War of the Encyclopaedists by Christopher Robinson and Gavin Kovite: In this postmodern satire, two Seattle hipsters must face reality when one of them leaves to fight in the Iraq War. From now on they keep in touch by updating their pretentious Wikipedia article. While Hal applies literary criticism to Star Wars and tries to make amends to his ex-girlfriend, Mickey is in life-and-death situations, looking for car bombs and overseeing local elections. Robinson and Kovite (an Iraq War veteran) alternate their settings in a fairly seamless whole.
The Edible Atlas by Mina Holland: Food lovers and armchair travelers alike will savor this tour through the world’s regional cuisines and trademark dishes. In her first book, the editor of the Guardian’s Cook supplement introduces 39 cuisines with larder lists, a rundown of crucial flavors, and one to four recipes. Maps show which spices and chilies are used in different areas, while sidebars present key ingredients. The book strives for a balance of common imports and unknown dishes, prioritizing authenticity and reproducibility at home.
Hollow Heart by Viola di Grado: Twenty-five-year-old Dorotea Giglio slit her wrists in the bathtub in July 2011 and expired in “a grim mojito of mint bubble bath and blood.” Over the next four years she chronicles her physical decomposition as well as her spirit’s enduring search for love. In alternately clinical and whimsical language, with fresh metaphors that have survived translation from Italian admirably, di Grado’s second novel examines the secret sadness passed down through families.
Auschwitz #34207: The Joe Rubinstein Story by Nancy Sprowell Geise: This eye-opening account of a Polish Jew’s life before, during, and after Auschwitz deposits readers right into concentration camp horrors. Instead of presenting this as a third-person biography, Geise writes as Rubinstein, using extensive interviews and documentary research to recreate his perspective. While the story is necessarily a bit less dramatic after the chapters on the Holocaust, the fact that Rubinstein survived and later became a successful shoe designer in New York is inspiring.
The Contaminants by Devin K. Smyth: Two teens aboard a spacecraft hold out hope for new life on post-apocalyptic Earth in this believable YA science fiction novel. Composed of two solid first-person narratives and based around two father-child relationships, this is a novel that prizes emotions as much as it does technology. The novel is on the thin side; it could have done with another subplot or two to add some complexity. However, the subtle eugenics theme will give teen readers plenty to think about while they follow the fast-paced story.
The Loneliness Cure by Kory Floyd: A professor of communication tackles the loneliness epidemic with stories and science. Floyd explains the problems associated with chronic affection deprivation and suggests practical strategies for getting more of the human contact we naturally crave. Two-thirds of the text goes to preliminaries, but the subtitle’s six strategies are worth waiting for. Like the best self-help books, this convinces readers that “it pays to reach out for help when you need it” and gives the confidence and tactics to do so.
In this article I give a more in-depth preview of Circling the Sun by Paula McLain, her fictionalized biography of Beryl Markham.
I also post reviews of most of my casual reading and skimming on Goodreads.
Insomnia by Linda Pastan: Excellent free verse poems infused with images of weather, heavenly bodies, the night sky, art history, and travels. No rhymes to speak of, but plenty of alliteration and repetition – like in “Necklace,” where nearly every line ends with “pearl” or “pearls.” Historical and mythological references are frequent and highbrow. Especially in Part 3, the main theme is facing old age and illness. Linda Pastan has been writing poetry for nearly half a century; I’ll be sure to seek out more of her collections. Releases October 26th.
The Kindness by Polly Samson: This very subtle novel reminds me of works by Tessa Hadley and Lucy Caldwell. It takes one seemingly perfect couple – Julia and Julian – and parses out what went wrong between them and the aftermath. The book is so elegantly structured; characters drift in and out of flashbacks with none of the customary warnings. Instead Samson leaves it to readers to piece together the jigsaw puzzle of how they met and raised their daughter, Mira, and then how everything fell apart.
The Versions of Us by Laura Barnett: In this impressive debut, Barnett chronicles the romantic lives of two Cambridge graduates through three-quarters of a century, giving three options for how their connection might play out. She juggles her storylines and moves through decades with ease. Less mawkish than One Day; less gimmicky than Life After Life – though there are shades of both. The message seems to be: there is no one perfect person, no one perfect story. Unsentimental this may be, but it feels true to how life works. (My full review will appear in the July 2015 issue of Third Way magazine.)
Eating Appalachia: Rediscovering Regional American Flavors by Darrin Nordahl: Nordahl travels through Ohio, West Virginia, Kentucky and North Carolina in search of truly indigenous local ingredients. He highlights ramsons, pawpaw, elk (leaner and richer than beef), squirrel, hickory nuts and black walnuts, sumac, spicebush berry, sassafras, and persimmons. There are a few recipes and photographs in each chapter, although this is more of a narrative than a cookbook. I loved how he brought it all together with an imagined Appalachian Thanksgiving feast.
Eating Rome: Living the Good Life in the Eternal City by Elizabeth Minchilli: Minchilli’s parents moved the family from America to Rome when she was 12. Over the years she kept going back to Italy: to Florence as a graduate student, and then to stay when she married Domenico. Here, through recipes and personal stories, she shares her enthusiasm for Italian food and for Rome in particular. She finishes each chapter with a list of favorite eateries, so this is a practical guide anyone would benefit from taking along on a trip to Rome.
Some Churches by Tasha Cotter: I loved the first two poems but felt a number of the rest were lacking in artistry. Almost all are written in complete sentences, some in paragraph blocks, and alliteration isn’t always enough to differentiate them from prose. Favorite lines (from “Blood Orange”): “People think that either the red or the orange should go, because to blend the two / alienates some readers. / … I, too, am having an identity crisis, / just like the blood orange. Now that we’ve peeled back / the artifice, you’re inviting me in anyway”.
South Toward Home: Travels in Southern Literature by Margaret Eby: This tour through Southern literature is a great introduction for someone whose familiarity with Southern authors is minimal. Starting off in her home state of Mississippi, Eby travels through Georgia, Alabama, Louisiana, and back to Mississippi in a roughly circular road trip. My favorite chapter was on Flannery O’Connor, but I was also interested to learn about Harry Crews, who I’d never heard of before – it certainly sounds like he was a character. Releases September 8th.
Post-Traumatic Church Syndrome: A Memoir of Humor and Healing by Reba Riley: I could relate to much of Riley’s story. She was a Pentecostal-leaning fundamentalist through high school, but now even setting foot in a church made her feel nauseous. Yet she retained a strong spiritual compass that helped her tap into the energy of the “Godiverse.” Aged 29, Riley had the idea of experiencing 30 different religious traditions before 30. She writes in a chatty, girlfriend-to-girlfriend style, as if you’ve joined her book club for a glass of pinot grigio.