First Four in a Row: Márai, Maupin, McEwan, McKay
I announced a few new TBR reading projects back in May 2020, including a Four in a Row Challenge (see the ‘rules’, such as they are, in my opening post). It only took me, um, nearly 11 months to complete a first set! The problem was that I kept changing my mind on which four to include and acquiring more that technically should go into the sequence, e.g. McCracken, McGregor; also, I stalled on the Maupin for ages. But here we are at last. Debbie, meanwhile, took up the challenge and ran with it, completing a set of four novels – also by M authors, clearly a numerous and tempting bunch – back in October. Here’s hers.
I’m on my way to completing a few more sets: I’ve read one G, one and a bit H, and I selected a group of four L. I’ve not chosen a nonfiction quartet yet, but that could be an interesting exercise: I file by author surname even within categories like science/nature and travel, so this could throw up interesting combinations of topics. Do feel free to join in this challenge if, like me, you could use a push to get through more of the books on your shelves.
Embers by Sándor Márai (1942)
[Translated from the Hungarian by Carol Brown Janeway]
My first work of Hungarian literature.* This was a random charity shop purchase, simply because I’m always trying to read more international literature and had enjoyed translations by Carol Brown Janeway before. In 1940, two old men are reunited for the first time in 41 years at a gloomy castle, where they will dine by candlelight and, over the course of a long conversation, face up to the secret that nearly destroyed their friendship. This is the residence of 75-year-old Henrik, usually referred to as “the General,” who lives alone apart from Nini, his 91-year-old wet nurse. His wife, Krisztina, died 33 years ago.
Henrik was 10 when he met Konrad at an academy school. They were soon the best of friends, but two things came between them: first was the difference in their backgrounds (“each forgave the other’s original sin: wealth on the one hand and poverty on the other”); second was their love for the same woman.
I appreciated the different setup to this one – a male friendship, just a few very old characters, the probing of the past through memory and dialogue – but it was so languid that I struggled to stay engaged with the plot.
*My next will be Journey by Moonlight by Antal Szerb, another charity shop find.
Favourite lines:
“My homeland was a feeling, and that feeling was mortally wounded.”
“Life becomes bearable only when one has come to terms with who one is, both in one’s own eyes and in the eyes of the world.”
Tales of the City by Armistead Maupin (1978)
I’d picked this up from the free bookshop we used to have in the local mall (the source of my next two as well) and started it during Lockdown #1 because in The Novel Cure it is given as a prescription for Loneliness. Berthoud and Elderkin suggest it can make you feel like part of a gang of old friends, and it’s “as close to watching television as literature gets” due to the episodic format – the first four Tales books were serialized in the San Francisco Chronicle.
How I love a perfect book and bookmark combination!
The titled chapters are each about three pages long, which made it an ideal bedside book – I would read a chapter per night before sleep. The issue with this piecemeal reading strategy, though, was that I never got to know any of the characters; because I’d often only pick up the book once a week or so, I forgot who people were and what was going on. That didn’t stop individual vignettes from being entertaining, but meant it didn’t all come together for me.
Maupin opens on Mary Ann Singleton, a 25-year-old secretary who goes to San Francisco on vacation and impulsively decides to stay. She rooms at Anna Madrigal’s place on Barbary Lane and meets a kooky assortment of folks, many of them gay – including her new best friend, Michael Tolliver, aka “Mouse.” There are parties and affairs, a pregnancy and a death, all told with a light touch and a clear love for the characters; dialogue predominates. While it’s very much of its time, it manages not to feel too dated overall. I can see why many have taken the series to heart, but don’t think I’ll go further with Maupin’s work.
Note: Long before I tried the book, I knew about it through one of my favourite Bookshop Band songs, “Cleveland,” which picks up on Mary Ann’s sense of displacement as she ponders whether she’d be better off back in Ohio after all. Selected lyrics:
Quaaludes and cocktails
A story book lane
A girl with three names
A place, post-Watergate
Freed from its bird cage
Where the unafraid parade
[…]
Perhaps, we should all
Go back to Cleveland
Where we know what’s around the bend
[…]
Citizens of Atlantis
The Madrigal Enchantress cries
And we decide, to stay and bide our time
On this far-out, far-flung peninsula.
The Children Act by Ian McEwan (2014)
Although it’s good to see McEwan take on a female perspective – a rarer choice for him, though it has shown up in Atonement and On Chesil Beach – this is a lesser novel from him, only interesting insomuch as it combines elements from two of his previous works, The Child in Time (legislation around child welfare) and Enduring Love (a religious stalker). Fiona Maye, a High Court judge, has to decide whether 17-year-old Adam, a bright and musical young man with acute leukaemia, should be treated with blood transfusions despite his Jehovah’s Witness parents’ objection.
[SPOILERS FOLLOW]
She rules that the doctors should go ahead with the treatment. “He must be protected from his religion and from himself.” Adam, now better but adrift from the religion he was raised in, starts stalking Fiona and sending her letters and poems. Estranged from her husband, who wants her to condone his affair with a young colleague, and fond of Adam, Fiona spontaneously kisses the young man while traveling for work near Newcastle. But thereafter she ignores his communications, and when he doesn’t seek treatment for his recurring cancer and dies, she blames herself.
[END OF SPOILERS]
It’s worth noting that the AI in McEwan’s most recent full-length novel, Machines Like Me, is also named Adam, and in both books there’s uncertainty about whether the Adam character is supposed to be a child substitute.
The Birth House by Ami McKay (2006)
Dora is the only daughter to be born into the Rare family of Nova Scotia’s Scots Bay in five generations. At age 17, she becomes an apprentice to Marie Babineau, a Cajun midwife and healer who relies on ancient wisdom and appeals to the Virgin Mary to keep women safe and grant them what they want, whether that’s a baby or a miscarriage. As the 1910s advance and the men of the village start leaving for the war, the old ways represented by Miss B. and Dora come to be seen as a threat. Dr. Thomas wants women to take out motherhood insurance and commit to delivering their babies at the new Canning Maternity Home with the help of chloroform and forceps. “Why should you ladies continue to suffer, most notably the trials of childbirth, when there are safe, modern alternatives available to you?” he asks.
Encouraged into marriage at an early age, Dora has to put her vocation on hold to be a wife to Archer Bigelow, a drunkard with big plans for how he’s going to transform the area with windmills that generate electricity. Dora’s narration is interspersed with journal entries, letters, faux newspaper articles, what look like genuine period advertisements, and a glossary of herbal remedies – creating what McKay, in her Author’s Note, calls a “literary scrapbook.” I love epistolary formats, and there are so many interesting themes and appealing secondary characters here. Early obstetrics is not the only aspect of medicine included; there is also an exploration of “hysteria” and its treatment, and the Spanish flu makes a late appearance. Dora, away in Boston at the time, urges her friends from the Occasional Knitters’ Society to block the road to the Bay, make gauze masks, and wash their hands with hot water and soap.
There are a few places where the narrative is almost overwhelmed by all the (admittedly, fascinating) facts McKay, a debut author, turned up in her research, and where the science versus superstition dichotomy seems too simplistic, but for the most part this was just the sort of absorbing, atmospheric historical fiction that I like best. McKay took inspiration from her own home, an old birthing house in the Bay of Fundy.
Ex Libris x 2: Who Wears It Better, Anne Fadiman or Michiko Kakutani?
When I heard about the new book by Michiko Kakutani, former chief book critic of the New York Times, I rushed to put it on my wish list – though I ended up accessing it via the library instead. I also felt a hankering to reread Anne Fadiman’s essay collection by the same title, so I ordered myself a secondhand copy earlier this year. Both books are by (more or less) famous New York City bibliophiles and take old-fashioned bookplate designs as an inspiration. Here’s how the two fared in a head-to-head battle.
Ex Libris: Confessions of a Common Reader by Anne Fadiman (1998)
Like many a bibliophile, I have a soft spot for books about books. However, I’m also a real stickler about them, because all too often they make common mistakes: they’re too generic or too obscure in their points of reference, they slip into plot summary and include spoilers, or they alienate the reader by presenting the author as being on another echelon.
Fadiman, though, is a very relatable narrator in these expanded versions of 18 essays originally written for publication in Civilization, the Library of Congress magazine published from 1994 to 2000. (Can you imagine, your own bookish column in which you could write whatever you like?!) Her father was the well-known intellectual Clifton Fadiman. Theirs was a family of book-obsessed, vocabulary-loving, trivia-spouting readers, and she was also crafting her own with her husband and two young children.
I saw my family – especially my mother and me – in a number of these pieces: in “The Joy of Sesquipedalians,” about the love of obscure words and word games played on a board or along with the TV (I was a spelling bee champion, and we’re all Scrabble fiends to a greater or lesser extent), in “Insert a Caret [Inset a Carrot],” about compulsive proofreading, in “The Catalogical Imperative,” about a build-up of print catalogues and the different selves one can imagine using the products therein, and in “Secondhand Prose,” about collecting used books.
There’s one respect in which I differ from the Fadiman family, though. Tom Mole’s The Secret Life of Books had reminded me of Fadiman’s division of readers into “courtly” and “carnal” lovers of books: the courtly ones keep a book pristine, while the carnal ones use and abuse them however they wish. She introduces this piece with an episode from a family trip to Copenhagen when she was a teenager. Her brother left a book open, facedown, on the bedside table at their hotel and the next day they found that the chambermaid had carefully put a marker at the right page, closed the book, and set a note on top reading, “Sir, you must never do that to a book.” I wholeheartedly agree. While I always say “your books, your rules” to other readers, I would have to suppress a cringe if I witnessed dog-earing, reading in the bath, cracking the spine, tearing out pages, doodling in the margins, and so on.
What I can get on board with, though, is the love of books as both narratives and physical objects. In the former camp, you get essays on books about polar exploration, sonnets, outdated guides to femininity, food literature, and reading aloud. On the latter, you’ll hear about her New York City apartment groaning with books absorbed from her husband’s and father’s collections, the good and bad of inscriptions, and Prime Minister William Gladstone’s tips for storing books.
Two essays have not aged well: one on a beloved pen (though she acknowledges that this was already multiply outdated by that time, by the typewriter and then by the computer she now uses for composition) and especially one on the quandary of gender-neutral pronouns (as opposed to “every man for himself” types of constructions) – nowadays we have no qualms about employing “them” for the unknown and the nonbinary.
My favorite essay overall was “You Are There,” about the special joy of reading on location. Additional irony points for Joe Biden being mentioned in the piece on plagiarism! I’d read this from a library some years before. I enjoyed it just as much the second time around, and certain essays will reward additional future rereadings, too.
My original rating (c. 2008):
My rating now:
Ex Libris: 100+ Books to Read and Reread by Michiko Kakutani (2020)
In my more morbid moments, when I imagine how I would approach the remainder of my life if I knew that I was going to die young of a terminal illness, I think about self-publishing a selection of my best blog posts and book reviews. A personal greatest hits, if you would, and anyone could forgive the self-indulgence because, hey, she’s probably going to die soon. But then I open a book like this and realize that a collection of book reviews can actually be pretty tedious, even when written by one of the greats.
“Like all lists and anthologies, the selections here are subjective and decidedly arbitrary,” Kakutani warns in her introduction. What this means in practice is that: a) if I’d read a particular book, I didn’t need to read a ~1000-word review of it; b) if I hadn’t read the book but wanted to, I avoided the essay in fear of spoilers (e.g. she does reveal some specific incidents from Mary Karr’s The Liars’ Club, which I have on the shelf and was looking forward to; I’ll just wait until I’ve forgotten); and c) if I hadn’t read the book and didn’t want to (there is LOTS of history and politics here, with plenty of Trump jabs shoehorned in; you do know her only previous book was a diatribe against Trump, right?), I wasn’t interested. So, while there were a few pieces I appreciated, such as one on the enduring appeal of The Great Gatsby, which I recently read a third time for book club, not many caught my eye as I skimmed the book.
In any case, it’s not a book for reading all the way through but one for having on the coffee table to read the occasional essay. It is gorgeously put together, what with Dana Tanamachi’s illustrations in the style of vintage bookplates, so would still be a lovely reference book to have around. Think of it as a collection of amuse-bouches to whet your appetite to read the books you’ve always meant to pick up but haven’t managed yet (for me, that would be As I Lay Dying and Mason & Dixon). See Susan’s more judicious review here.
My rating:
I found plenty of other books on Goodreads with the title Ex Libris, such as this one, a compendium of library-themed fantasy and science fiction stories. (Yes, really.)
Have you read one of these? Which did you prefer?
Sad Souvenirs: Defunct Bookshops’ Bookmarks
I’m a dedicated bookmark user and probably have at least 120–150 that I rotate through, matching marker to book subject matter or reading location whenever possible. A sorry subset of my collection commemorates bookshops (secondhand and/or new stock) that no longer exist. I was a customer at a couple of these, but only know of the others through bookmarks that I found at random, e.g. in secondhand purchases from other stores. Through Google Earth, I tracked down what you’ll find where these shops used to be.
Shops I visited:
Déjà Vu Books (Bowie, Maryland)
This was my local secondhand bookshop when I was a teenager. I would wheedle occasional visits out of my mother until my friends and I got our driving licenses and could go by ourselves. My friend Rachael and I would stop there after karate on a Saturday morning.
What I remember purchasing there: A near-complete set of Dickens’s works, blue/green cloth hardbacks, early 20th century, for $30; an Agatha Christie omnibus I gave to my mother.
What it is now: Chi Bella Natural Hair Boutique
Water Lane Book Shop (Salisbury, England)
My husband is a Hampshire lad. Salisbury was a relatively nearby town we would explore when I went to visit him while we were dating or engaged. An average daytrip would include touring the cathedral, having tea at the Polly Tearooms, and – in a waterside location just along from the cathedral square – having a nose through the well-stocked shelves of this compact shop.
What I remember purchasing there: Lots of my secondhand David Lodge paperbacks.
What it is now: A private residence (it had just sold as of Streetview in June 2018)
Others I only learned about through their orphan bookmarks:
Barnwood Books (Hagerstown, Maryland)
The bookmark looks old enough that I had to ask myself whether the shop might have been supplanted by Wonder Book & Video, a small chain I first discovered as a young teen. It has branches in Frederick (where I went to college; I worked there part-time in my senior year) and Hagerstown, and most recently opened in Gaithersburg. At the least, Wonder Book probably absorbed their stock when they closed.
What it is now: An empty storefront between a gastropub and a home fashions store (as of October 2019)
The Book Mark (Toronto, Canada)
I found this bookmark inside a secondhand book I bought from the Frederick Wonder Book & Video. I assumed the shop was still extant, but I checked in with Marcie (Buried in Print) and she sent me an article explaining that it was priced out of the neighbourhood and closed in 2012. It had been the oldest independent bookstore in Toronto. (This article gives more information.)
What it is now: Nails on Bloor, a nails and waxing parlour
Paperback Exchange (Hereford, England)
I can’t recall where I found this bookmark, but I wish a shop with this policy still existed! From the reverse: “The Paperback Exchange system: up to HALF the purchase price of books bought from us, against further purchases; up to a QUARTER on good quality paperbacks bought elsewhere.”
What it is now: On the June 2018 Streetview, it’s either the closed-down charity shop or the school uniform shop.
A nice postscript:
Royal Oak Bookshop (Front Royal, Virginia)
The bookmark I found in a used book looked so old I wasn’t sure if the shop would still exist. I was going to include it in the post as one of the defunct ones. But just to be sure, I decided to try hunting it down through the website…
Do you commemorate any deceased bookshops through their memorabilia?
Making Plans for a Return to Hay-on-Wye & A Book “Overhaul”
Somehow it’s been nearly 3.5 years since our last trip to Hay-on-Wye, the Book Town of Wales (I wrote about that April 2017 visit here). This coming weekend will be our seventh trip to Hay, one of our favorite places. We’ve booked an Airbnb in nearby English hamlet Cusop Dingle for two nights, so it’s a pretty short break, but longer than the weekend away we managed last month – reduced to only 36 hours by the cat’s poorly timed but ultimately minor one-day illness.
I’ve acquired many, many books from the free mall bookshop over the past year. (It’s now closed permanently, alas.) And I had no shortage of additional incomers during lockdown, via the unofficial Little Free Library I started and orders I placed with independent bookstores and publishers. So you could say I don’t need a book-buying trip to Hay. But 1) it’s never a question of need, is it? and 2) We want to continue to support the town, which will have been hit hard by temporary closures and by its annual literary festival being purely online this year.
I have no particular plans for what to buy this time, so will just see what takes my fancy. There are noticeably fewer bookshops than when we first started visiting Hay in 2004, but among the dozen or so remaining are some truly excellent shops like Addyman Books, the Hay Cinema Bookshop, and Booth’s Bookshop. Our best bargains last time were from the Oxfam charity shop and the honesty shelves around the castle, so those will likely be our first ports of call, and from there we’ll let whimsy be our guide. Saturday and Monday will be for wandering the town and book shopping, while Sunday will include countryside walks around Hay Bluff. We also hope to explore some eatery options we’ve not tried before.
An Overhaul of Last Trip’s Book Purchases
Simon of Stuck in a Book runs a regular blog feature he calls “The Overhaul,” where he revisits a book haul from some time ago and takes stock of what he’s read, what he still owns, etc. (here’s the most recent one). With his permission, I’m borrowing the title and format to look back at what I bought in Hay last time.
Date of haul: April 2017
Location: Hay-on-Wye
Number of books bought: 18
Had already read: (3/18)
- How to Age by Anne Karpf
- From Heaven Lake by Vikram Seth
- Tamara Drewe by Posy Simmonds – It’s on my shelf for rereading.
Have read since then: (5/18)
- Every Man for Himself by Beryl Bainbridge [resold]
- Fillets of Plaice by Gerald Durrell
- A Student of Weather by Elizabeth Hay (!)
- The Dead Beat by Marilyn Johnson
- Cats in May by Doreen Tovey
BUT also read from my hubby’s pile (not pictured):
- Sold for a Farthing by Clare Kipps
- All the Presidents’ Pastries by Roland Mesnier
- Second Nature by Michael Pollan
- A Shepherd’s Life by James Rebanks
DNFed: (3/18)
- Life & Times of Michael K by J.M. Coetzee [resold]
- We Were the Mulvaneys by Joyce Carol Oates – Might try this one again another time.
- Ghostwalk by Rebecca Stott [given away]
Resold unread: (1/18)
- Family and Friends by Anita Brookner – I’d added it to the Oxfam pile to make up a 5 for £1 stack, but then didn’t enjoy Booker winner Hotel du Lac enough to try another by Brookner.
Total still unread: 6
Total no longer owned: 4
This is not too bad a showing overall, though it does reveal my habit of buying books and letting them sit around for years unread. (Surely I’m not alone in this?!)
The six purchases still to read are two cat-themed anthologies for reading piecemeal, plus these four – two fiction and two non-:
- Talking to the Dead by Helen Dunmore
- Ingenious Pain by Andrew Miller
- Jesus Land by Julia Scheeres
- A Year in Green Tea and Tuk-Tuks by Rory Spowers
To force myself to get to them, these are the four I’ve packed for reading in the car and while in Hay. I’m also bringing, to read on location: 1) On the Red Hill by Mike Parker, a Wainwright Prize-shortlisted memoir about life in the Welsh countryside (I’m about 40 pages into it already); and 2) Sixpence House, which I’ve read several times before and consider among my absolute favorite books; it’s Paul Collins’s memoir about finding a temporary home and work among the bookshops of Hay.
I’ll be back on Tuesday with this year’s book haul plus photos and notes on how we found the town this time around. (But first, Six Degrees of Separation will post on Saturday while I’m away.)
Reading Statistics for the First Half of 2020, Including Where My Books Came From
Almost halfway through the year: how am I doing on the reading goals I set for myself? Pretty well!
- It might not look like it from the statistics below, but I have drastically cut down on the number of review copies I’m requesting or accepting from publishers. (This time last year they made up 43% of my reading.)
- I’ve reread nine books so far, which is more than I can remember doing in any other year – and I intend to continue prioritizing rereads in the remaining months.
- Thanks to COVID-19, over the past few months I have been reading a lot less from the libraries I use and, consequently, more from my own shelves. This might continue into next month but thereafter, when libraries reopen, my borrowing will increase.
- I’ve also bought many more new books than is usual for me, to directly support authors and independent bookshops.
- I’m not managing one doorstopper per month (I’ve only done May so far, though I have a few lined up for June‒August), but I am averaging at least one classic per month (I only missed January, but made up for it with multiple in two other months).
- On literature in translation, I’m doing better: it’s made up 9.7% of my reading, versus 8.1% in 2019.
The breakdown:
Fiction: 57.6%
Nonfiction: 36.3%
Poetry: 6.1%
(This time last year I’d read exactly equal numbers of fiction and nonfiction books. Fiction seems to be winning this year. Poetry is down massively: last June it was at 15.4%.)
Male author: 34.7%
Female author: 63.5%
Anthologies with pieces by authors of multiple genders: 1.8%
(No non-binary authors so far this year. Even more female-dominated than last year.)
E-books: 12.7%
Print books: 87.3%
(E-books have crept up a bit since last year due to some publishers only offering PDF review copies during the pandemic, but I have still been picking up many more print books.)
I always find it interesting to look back at where my books come from. Here are the statistics for the year so far, in percentages (not including the books I’m currently reading, DNFs or books I only skimmed):
- Free print or e-copy from the publisher: 25.5%
- Public library: 21.2%
- Free, e.g. from Book Thing of Baltimore, local swap shop or free mall bookshop: 16.4%
- Secondhand purchase: 10.3%
- Downloaded from NetGalley or Edelweiss: 8.5%
- New purchase: 7.3%
- Gifts: 5.4%
- University library: 5.4%