Tag Archives: Scottish Highlands

Summer 2021 Reading, Part II & Transitioning into Autumn

In the past couple of weeks, we’ve taken advantage of the last gasp of summer with some rare chances at socializing, outdoors and in. Our closest friends came to visit us last weekend and accompanied us to a beer festival held in a local field, and this weekend we’ve celebrated birthdays with a formal-wear party at a local arts venue and a low-key family meal.

After my first installment of summer reads, I’ve also finished Klara and the Sun (a bust with me, alas) and the three below: a wildlife photographer’s memoir of lockdown summer spent filming in the New Forest, a record of searching for the summer’s remnants of snow in the Highlands, and an obscure 1950s novel about the psychological connections between four characters in one Irish summer. I close with a summer-into-autumn children’s book.

 

Goshawk Summer: A New Forest Season Unlike Any Other by James Aldred (2021)

My second nature book about the New Forest this year (after The Circling Sky by Neil Ansell) has only sharpened my hankering to get back there and have a good wander after many years away. In March 2020, Aldred had recently returned from filming cheetahs in Kenya when the UK went into its first national lockdown. He had the good fortune to obtain authorization from Forestry England that allowed him to travel regularly from his home in Somerset to the New Forest to gather footage for a documentary for the Smithsonian channel.

Zooming up on empty roads and staying in local cottages so he can start at 4 each morning, he marvels at the peace of a place when humans are taken out of the equation. His diary chronicles a few months of extraordinary wildlife encounters – not only with the goshawks across from whose nest he built a special treetop platform, but also with dragonflies, fox cubs, and rare birds like cuckoo and Dartford warbler. The descriptions of animal behaviour are superb, and the tone is well balanced: alongside the delight of nature watching is anger at human exploitation of the area after the reopening and despair at seemingly intractable declines – of 46 curlew pairs in the Forest, only three chicks survived that summer.

Despite the woe at nest failures and needless roadkill, Aldred is optimistic – in a similar way to Ansell – that sites like the New Forest can be a model of how light-handed management might allow animals to flourish. “I believe that a little space goes a long way and sometimes all we really need to do is take a step back to let nature do its thing. … It is nature’s ability to help itself, to survive in spite of us in fact, that gives me tentative hope”. (Unsolicited review copy)

With thanks to Elliott & Thompson for the free copy.

 

Among the Summer Snows by Christopher Nicholson (2017)

After the death from cancer of his wife Kitty, a botanical illustrator, Nicholson set off for Scotland’s Cairngorms and Ben Nevis in search of patches of snow that persist into summer. “Summer snow is a miracle, a piece of out-of-season magic: to see it is one thing, to make physical contact with it is another.” His account of his travels washed over me, leaving little impression. I appreciated the accompanying colour photographs, as the landscape is otherwise somewhat difficult to picture, but even in these it is often hard to get a sense of scale. I think I expected more philosophical reflection in the vein of The Snow Leopard, and, while Nicholson does express anxiety over what happens if one day the summer snows are no more, I found the books on snow by Charlie English and Marcus Sedgwick more varied and profound. (Secondhand, gifted)

  

A Shower of Summer Days by May Sarton (1952)

Although I’m more a fan of Sarton’s autobiographical material, especially her journals, I’ve also enjoyed exploring her fiction. This was my seventh of her novels. It’s set in Ireland at Dene’s Court, the grand house Violet inherited. She and her husband Charles have lived in Burma for two decades, but with the Empire on the wane they decide to settle in Violet’s childhood home. Gardening and dressing for dinner fill their languid days until word comes that Violet’s 20-year-old niece, Sally, is coming to stay.

The summer is meant to cure Sally of her infatuation with an actor named Ian. Violet reluctantly goes along with the plan because she feels so badly about the lasting rivalry with her sister, Barbara. Sally is a “bolt of life” shaking up Violet and Charles’s marriage, and when Ian, too, flies out from America, a curious love triangle is refashioned as a quadrilateral. The house remains the one constant as the characters wrestle with their emotional bonds (“the kaleidoscope of feelings was being rather violently shaken up”) and reflect on the transitory splendour of the season (“a kind of timelessness, the warm sun in the enclosed garden in the morning, the hum of bees, and the long slow twilights”). This isn’t one of my favourites from Sarton, but it has low-key charm. I saw it as being on a continuum from Virginia Woolf to Tessa Hadley (e.g. The Past) via Elizabeth Bowen. (Secondhand purchase from Awesomebooks.com)

 

And finally, one for the seasons’ transition:

 

Goodbye Summer, Hello Autumn by Kenard Pak (2016)

A child and dog pair set out from home, through the woods, by a river, and into town, greeting other creatures and marking the signs of the season. “Hello!” the beavers reply. “We have no time to play because we’re making cozy nests and dens. It will be cold soon, and we want to get ready.” The quaint Americana setting and papercut-style illustrations reminded me of Vermont college towns and Jon Klassen’s work. I liked the focus on nature. (Free from a neighbour)

 

What books are accompanying you from summer into autumn this year?

Reading from the Wainwright Prize Longlists

Another day, another prize longlist! This year the Wainwright Prize has split into two awards for writing on 1) UK nature and 2) global conservation themes. Tomorrow (July 30th), they will be whittled down to shortlists. I happen to have read and reviewed 10 of the nominees already. I took the opportunity to experience a few more before the shortlist announcement. I give a paragraph on each below (forgive me for, in some cases, repeating the excerpts that appeared in my reviews roundups and best-of lists).

 

From the UK nature writing longlist:

 

Dark, Salt, Clear: Life in a Cornish Fishing Town by Lamorna Ash: In her early 20s, Ash made multiple trips from London to stay in Newlyn: walking to the cove that bears her name, going out on fishing trawlers, and getting accepted into the small community. Gruelling and lonely, the fishermen’s way of life is fading away. The book goes deeper into Cornish history than non-locals need, but I enjoyed the literary allusions – the title is from Elizabeth Bishop. I liked the writing, but this was requested after me at the library, so I could only skim it.

 

Wild Child: Coming Home to Nature by Patrick Barkham: Childhood has moved indoors over the course of three generations, the Guardian journalist observes. Highlighting activities that will engage budding naturalists in every season and accompanying his three children to outdoor nursery, he suggests how connection with nature can be part of everyday life. An engaging narrative not just for parents and educators but for anyone who has a stake in future generations’ resolve to conserve the natural world – which is to say, all of us. (Reviewed for Shiny New Books)

 

Bird Therapy by Joe Harkness: In 2013, Harkness was in such a bad place that he attempted suicide. Although he’s continued to struggle with OCD and depression in the years since then, birdwatching has given him a new lease on life. Avoiding the hobby’s more obsessive, competitive aspects (like listing and twitching), he focuses on the benefits of outdoor exercise and mindfulness. He can be lyrical when describing his Norfolk patch and some of his most magical sightings, but the writing is weak. (My husband helped crowdfund the book via Unbound.)

 

Dancing with Bees: A Journey Back to Nature by Brigit Strawbridge Howard: Bees were the author’s gateway into a general appreciation of nature, something she lost for a time in midlife because of the rat race and family complications. Allotment gardening gives her opportunities to observe bee behaviour and marvel at their various lookalikes (like hoverflies), identify plants, work on herbal remedies, and photograph her finds. She delights in discovery and is devoted to lifelong learning in a book characterized by curiosity and warmth. (On my runners-up of 2019 list)

 

Surfacing by Kathleen Jamie: Jamie has a particular interest in birds, islands, archaeology and the oddities of the human body. The bulk of the book is three long pieces set in Alaska, Orkney and Tibet. Neolithic sites lead her to think about deep time – a necessary corrective to short-term thinking that has gotten us into environmental crisis. I connected with the few-page pieces on experiencing a cave, spotting an eagle or getting lost in a forest. Beautiful nature writing and relatable words on the human condition. (My #9 nonfiction book of 2019)

 

Native: Life in a Vanishing Landscape by Patrick Laurie: Galloway may be the forgotten corner of Scotland, but this third-generation cattle farmer can’t imagine living anywhere else. In his year-long nature diary, each month brings rewards as well as challenges as he strives to manage the land in a manner beneficial to wildlife. I’m lucky to have visited Wigtown and the surrounding area. You needn’t have been in person, though, to appreciate this pensive account rich with the sense of place and balanced between solastalgia and practicality. (Reviewed for Shiny New Books)

 

Wintering by Katherine May: May’s sympathetic memoir considers winter not only as a literal season, but also as an emotional state. Although “depression” could be substituted for “wintering” in most instances, the book gets much metaphorical mileage out of the seasonal reference as she recounts how she attempted to embrace rather than resist the gloom and chill through rituals such as a candlelit St. Lucia service and an early morning solstice gathering at Stonehenge. Wintering alternates travel and research, mind and body. (Reviewed for TLS)

 

Diary of a Young Naturalist by Dara McAnulty: McAnulty is the UK’s answer to Greta Thunberg: a leader in the youth environmental movement and an impassioned speaker on the love of nature. This is a wonderfully observant and introspective account of his fifteenth year: of disruptions – moving house and school, of outrage at the state of the world and at individual and political indifference, of the complications of being autistic, but also of the joys of everyday encounters with wildlife. Impressive perspective and lyricism. (Reviewed for Shiny New Books; on my Best of 2020 so far list.)

 

Wanderland: A Search for Magic in the Landscape by Jini Reddy: Reddy has often felt like a nomad and an outsider. Through a year of travelling to holy sites, she seeks to be rooted in the country she has come to call home. The quest takes her all over the British Isles, creating an accessible introduction to its sacred spots. Recovering a sense of reverence for nature can only help in the long-term mission to preserve it. Reddy is the first person of colour nominated for the Wainwright Prize in its seven-year history. (Reviewed for Shiny New Books)

 

I think this year’s is an especially appealing longlist. It’s great to see small presses and debut authors getting recognition. I’ve now read 8 out of 13 (and skimmed one), and am interested in the rest, too, especially The Frayed Atlantic Edge by David Gange. The final three, all combining nature and (auto)biographical writing, are On the Red Hill by Mike Parker, The Well-Gardened Mind by Sue Stuart-Smith, and Rootbound: Rewilding a Life by Alice Vincent.

 


From the writing on global conservation longlist:

Greenery: Journeys in Springtime by Tim Dee: From the Cape of Good Hope to the Arctic Circle, Dee tracks the spring as it travels north. From first glimpse to last gasp, moving between his homes in two hemispheres, he makes the season last nearly half the year. His main harbingers are migrating birds, starting with swallows. The book is steeped in allusions and profound thinking about deep time and what it means to be alive in an era when nature’s rhythms are becoming distorted. A fresh, masterful model of how to write about nature. (Review reprinted at Shiny New Books; on my Best of 2020 so far list.)

 

Irreplaceable: The Fight to Save Our Wild Places by Julian Hoffman: Species and habitat loss are hard to comprehend even when we know the facts. This exquisitely written book is about taking stock, taking responsibility, and going beyond the numbers to tell the stories of front-line conservation work. Irreplaceable is an elegy of sorts, but, more importantly, it’s a call to arms. It places environmentalism in the hands of laypeople and offers hope that in working together in the spirit of defiance we can achieve great things. (Reviewed for Shiny New Books; my #1 nonfiction book of 2019)

 

Losing Eden: Why Our Minds Need the Wild by Lucy Jones: While nature’s positive effect on human mental health is something we know intuitively and can explain anecdotally, Jones wanted to investigate the scientific mechanism behind it. She makes an empirical enquiry but also attests to the personal benefits nature has. Losing Eden is full of common sense and passion, cramming masses of information into 200 pages yet never losing sight of the big picture. Like Silent Spring, on which it is patterned, I can see this leading to real change. (Reviewed for Shiny New Books; on my Best of 2020 so far list.)

 

Notes from an Apocalypse: A Personal Journey to the End of the World and Back by Mark O’Connell: The same satirical outlook that made O’Connell’s first book so funny is perfect for approaches to the end of the world, especially in the early chapter about preppers. Preparing = retreating, so he travels to South Dakota bunkers; a Mars Society Conference in Los Angeles; New Zealand, where billionaires plan to take refuge; and the wilderness of the Scottish Highlands. While pessimism strikes him as the only rational attitude, he decides constant anxiety is no way to live. (More extended thoughts here.)

 

The other book from this longlist that I’m interested in reading is Rebirding by Benedict Macdonald. I DNFed Bloom (all you ever wanted to know about algae!) last year; the other five seem too similar to other things I’ve read.

 


My predictions-cum-wish lists:

UK nature writing:

  • The Frayed Atlantic Edge by David Gange
  • Surfacing by Kathleen Jamie*
  • On the Red Hill by Mike Parker
  • Diary of a Young Naturalist by Dara McAnulty
  • Wanderland by Jini Reddy
  • Rootbound: Rewilding a Life by Alice Vincent

Writing on global conservation:

  • Greenery by Tim Dee
  • What We Need to Do Now for a Zero Carbon Future by Chris Goodall
  • Irreplaceable by Julian Hoffman*
  • Losing Eden by Lucy Jones
  • Bloom by Ruth Kassinger
  • Harvest: The Hidden Histories of Seven Natural Objects by Edward Posnett

*Predicted overall winners.

 

Have you read anything from the Wainwright Prize longlists? Do any of these books interest you?