Tag Archives: Sarah Sands

Book Serendipity, May to June 2021

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck.

The following are in roughly chronological order.

  • Sufjan Stevens songs are mentioned in What Is a Dog? by Chloe Shaw and After the Storm by Emma Jane Unsworth.

 

  • There’s a character with two different coloured eyes in The Mothers by Brit Bennett and Painting Time by Maylis de Kerangal.
  • A description of a bathroom full of moisturizers and other ladylike products in The Mothers by Brit Bennett and The Interior Silence by Sarah Sands.

 

  • A description of having to saw a piece of furniture in half to get it in or out of a room in A Braided Heart by Brenda Miller and After the Storm by Emma Jane Unsworth.
  • The main character is named Esther Greenwood in the Charlotte Perkins Gilman short story “The Unnatural Mother” in the anthology Close Company and The Bell Jar by Sylvia Plath. Indeed, it seems Plath may have taken her protagonist’s name from the 1916 story. What a find!

 

  • Reading two memoirs of being in a coma for weeks and on a ventilator, with a letter or letters written by the hospital staff: Many Different Kinds of Love by Michael Rosen and Coma by Zara Slattery.
  • Reading two memoirs that mention being in hospital in Brighton: Coma by Zara Slattery and After the Storm by Emma Jane Unsworth.

 

  • Reading two books with a character named Tam(b)lyn: My Cousin Rachel by Daphne du Maurier and Coma by Zara Slattery.

 

  • A character says that they don’t miss a person who’s died so much as they miss the chance to have gotten to know them in Featherhood by Charlie Gilmour and In by Will McPhail.
  • A man finds used condoms among his late father’s things in The Invention of Solitude by Paul Auster and Featherhood by Charlie Gilmour.

 

  • An absent husband named David in Open House by Elizabeth Berg and Ruby by Ann Hood.

 

  • The murder of Thomas à Becket featured in Murder in the Cathedral by T.S. Eliot (read in April) and Heavy Time by Sonia Overall (read in June).
  • Adrienne Rich is quoted in (M)otherhood by Pragya Agarwal and Heavy Time by Sonia Overall.

 

  • A brother named Danny in Immediate Family by Ashley Nelson Levy and Saint Maybe by Anne Tyler.

 

  • The male lead is a carpenter in Early Morning Riser by Katherine Heiny and Saint Maybe by Anne Tyler.
  • An overbearing, argumentative mother who is a notably bad driver in Early Morning Riser by Katherine Heiny and Blue Shoe by Anne Lamott.

 

  • That dumb 1989 movie Look Who’s Talking is mentioned in (M)otherhood by Pragya Agarwal and Early Morning Riser by Katherine Heiny.

 

  • In the same evening, I started two novels that open in 1983, the year of my birth: The Other Black Girl by Zakiya Dalila Harris and Malibu Rising by Taylor Jenkins Reid.
  • “Autistic” is used as an unfortunate metaphor for uncontrollable or fearful behavior in Open House by Elizabeth Berg and Blue Shoe by Anne Lamott (from 2000 and 2002, so they’re dated references rather than mean-spirited ones).

 

  • A secondary character mentions a bad experience in a primary school mathematics class as being formative to their later life in Blue Shoe by Anne Lamott and Saint Maybe by Anne Tyler (at least, I think it was in the Tyler; I couldn’t find the incident when I went back to look for it. I hope Liz will set me straight!).

 

  • The panopticon and Foucault are referred to in Great Circle by Maggie Shipstead and I Live a Life Like Yours by Jan Grue. Specifically, Jeremy Bentham’s panopticon is the one mentioned in the Shipstead, and Bentham appears in The Cape Doctor by E.J. Levy.

 

What’s the weirdest reading coincidence you’ve had lately?