Women’s Prize 2019: Longlist Review Excerpts and Shortlist Thoughts
There’s a reason I could never wholeheartedly shadow the Women’s Prize: although each year the prize introduces me one or two great novels I might never have heard of otherwise, inevitably there are also some I don’t care for, or have zero interest in reading. Here’s how I fared this year, in categories from best to worst, with excerpts and links to any I’ve reviewed in full:
Loved! (5)
- The Pisces by Melissa Broder: This starts off as a funny but somewhat insubstantial novel about a thirtysomething stuck with a life she isn’t sure she wants, morphs into a crass sex comedy (featuring a merman), but ultimately becomes a profound exploration of possession, vulnerability and the fluidity of gender roles. It’s about the prison of the body, and choosing which of the many different siren voices calling us we’ll decide to listen to. It’s a Marmite book, but perfect Women’s Prize material.
Ordinary People by Diana Evans: Reminds me of On Beauty by Zadie Smith, one of my favorite novels of this millennium. It focuses on two Black couples in South London and the suburbs who, in the wake of Obama’s election, are reassessing their relationships. Their problems are familiar middle-class ones, but Evans captures them so candidly that many passages made me wince. The chapter in which two characters experience mental instability is a standout, and the Black slang and pop music references a nice touch.
- An American Marriage by Tayari Jones: Roy and Celestial only get a year of happy marriage before he’s falsely accused of rape and sentenced to 12 years in prison in Louisiana. I ached for all three main characters: It’s an impossible situation. There’s a lot to probe about the characters’ personalities and motivations, and about how they reveal or disguise themselves through their narration. I found it remarkable how the letters, which together make up not even one-fifth of the text, enhance the raw honesty of the book.
- Ghost Wall by Sarah Moss: It’s the late 1980s and teenager Silvie Hampton and her parents have joined a university-run residential archaeology course in the North of England, near the bogs where human sacrifice once took place. Nationalism, racism, casual misogyny – there are lots of issues brewing under the surface here. Women’s bodies and what can be done to them is central; as the climax approaches, the tricksy matter of consent arises. I ended up impressed by how much Moss conveys in so few pages. Another one custom-made for the Women’s Prize.
Bottled Goods by Sophie van Llewyn: I just finished this the other day. It’s a terrific hybrid work that manages to combine several of my favorite forms: a novella, flash fiction and linked short stories. The content is also an intriguing blend, of the horrific and the magical. After her brother-in-law’s defection, Alina and her husband Liviu come under extra scrutiny in Communist Romania. Bursts of magic realism and a delightful mixture of narrative styles (lists and letters; alternating between the first and third person) make all this material bearable.
Did not particularly enjoy (2)
- Freshwater by Akwaeke Emezi: Magic realism and mental illness fuel a swirl of disorienting but lyrical prose. Much of the story is told by the ọgbanje (an Igbo term for evil spirits) inhabiting Ada’s head. The conflation of the abstract and the concrete didn’t quite work for me, and the whole is pretty melodramatic. Although I didn’t enjoy this as much as some other inside-madness tales I’ve read, I can admire the attempt to convey the reality of mental illness in a creative way.
Normal People by Sally Rooney: This book’s runaway success continues to baffle me. I kept waiting for more to happen, skimming ahead to see if there would be anything more to it than drunken college parties and frank sex scenes. It is appealing to see into these characters’ heads and compare what they think of themselves and each other with their awareness of what others think. But page to page it is pretty tedious, and fairly unsubtle. 
Attempted but couldn’t get through (3)
- Remembered by Yvonne Battle-Felton: A historical novel marked by the presence of ghosts, this is reminiscent of the work of Cynthia Bond, Toni Morrison and Jesmyn Ward. It’s the closest thing to last year’s Sing, Unburied, Sing. I only read the first 36 pages as neither the characters nor the prose struck me as anything special.
Swan Song by Kelleigh Greenberg-Jephcott: Full of glitzy atmosphere contrasted with washed-up torpor. I have no doubt the author’s picture of Truman Capote is accurate, and there are great glimpses into the private lives of his catty circle. I always enjoy first person plural narration, too. However, I quickly realized I don’t have sufficient interest in the figures or time period to sustain me through nearly 500 pages. I read the first 18 pages and skimmed to p. 35.
- Number One Chinese Restaurant by Lilian Li: Vague The Nest vibes, but the prose felt flat and the characters little more than clichés (especially scheming ‘Uncle’ Pang). I grew up in Silver Spring, Maryland so was expecting there to be more local interest for me, but this could be taking place anywhere. Reviews from trusted Goodreads friends suggested that the plot and characterization don’t significantly improve as the book goes on, so I gave up after the first two chapters.
Not interested (6)
(Don’t you go trying to change my mind!)
- The Silence of the Girls by Pat Barker: Updated Greek classics are so not my bag.
- My Sister, the Serial Killer by Oyinkan Braithwaite: Meh.
- Milkman by Anna Burns: Nah.
- Lost Children Archive by Valeria Luiselli: I’ll try something else by Luiselli.
- Praise Song for the Butterflies by Bernice L. McFadden: The setting of a fictional African country and that title already have me groaning.
- Circe by Madeline Miller: See the note on Barker above.
The shortlist will be announced on Monday the 29th. Broder and Moss will most likely make the cut. I’d love to see the van Llewyn make it through, as it’s my favorite of what I’ve read from the longlist, but I think it will probably be edged out by more high-profile releases. Either Evans or Jones will advance; Jones probably has the edge with more of an issues book. One of the Greek myth updates is likely to succeed. Luiselli is awfully fashionable right now. Emezi’s is an interesting book and the Prize is making a statement by supporting a non-binary author. Rooney has already won or been nominated for every prize going, so I don’t think she needs the recognition. Same for Burns, having won the Booker.
So, quickly pulling a combination of wanted and expected titles out of the air would give this predicted shortlist:
The Silence of the Girls by Pat Barker
The Pisces by Melissa Broder
Freshwater by Akwaeke Emezi
An American Marriage by Tayari Jones
Lost Children Archive by Valeria Luiselli
Ghost Wall by Sarah Moss
Eleanor, Eric, Laura and Rachel have been posting lots of reviews and thoughts related to the Women’s Prize. Have a look at their blogs!
Fun with Titles
I’m certainly not the first to notice these rather similar titles – both of which appear on this year’s Folio Prize and Women’s Prize longlists. I preferred Diana Evans’s Ordinary People (), which I just finished earlier this week, to Sally Rooney’s Normal People (). The two novels look at fairly average situations – two Black couples with children in South London and the Surrey suburbs; a pair of university students in Ireland – and probe the emotional intricacies.
Michelle Obama’s Becoming is now set to become the bestselling memoir of all time. I enjoyed it as much as any memoir-loving fan of the Obamas would (), but after I found out that it was ghostwritten I couldn’t get that little fact out of my mind. By contrast, Anuradha Bhagwati’s Unbecoming is the memoir of a bisexual U.S. Marine captain and tells of the racism and sexism she experienced. It came out last week and has only six ratings on Goodreads, so it’s as under-the-radar as Becoming is overexposed.
Just one letter separates the titles of these two books. I’ve been slowly making my way through All the Lives We Ever Lived, Katharine Smyth’s elegant bibliomemoir about her father’s death and the comfort she found in rereading To the Lighthouse. I don’t know much about All the Lives We Never Lived by Anuradha Roy, just that it’s set in 1930s India and Bali and has been longlisted for the Walter Scott Prize for historical fiction. Her previous novel, Sleeping on Jupiter (2015), was shortlisted for the Man Booker Prize.
Which of the books from these pairs would tempt you?
Knausgaard for the Sally Rooney Generation: Stubborn Archivist by Yara Rodrigues Fowler
I would have loved to see this debut novel on the Women’s Prize longlist the other week. It’s such a hip, fresh approach to fiction – the last book to have struck me as truly ‘novel’ in the same way was Lincoln in the Bardo.
Broadly speaking, this is autofiction: like the author, the protagonist was born in London to a Brazilian mother and an English father. In the tradition of Karl Ove Knausgaard, Yara Rodrigues Fowler audaciously includes the mundane details of everyday life – things like a friend coming for Sunday roast, struggling with IBS, packing for a trip to Brazil, and trying to be grateful for having half-decent work and a place to live with her parents in Tooting. She also recounts lots of conversations, some momentous – as when she confronts an ex about a non-consensual sexual encounter – but most pretty inane; all conveyed with no speech marks.
The book opens with fragmentary, titled pieces that look almost like poems in stanzas. That experimentation with how the words are set out on the page continues throughout the book. Some pages contain just a few lines, or a single short paragraph that reads like a prose poem. Even where there are more conventional sections of a few pages, Fowler deliberately eschews commas and hyphens to create a sort of breathless, run-on pace. This makes the text feel artless, like a pure stream of memory and experience has been channeled directly onto the page, and yet you can be sure that a lot of hard work was involved.
The perspective moves smoothly between the third and the second person, referring to the protagonist by turns as “she” and “you.” Sometimes she’s “the baby,” going grocery shopping with Vovó (Grandmother) Cecília in Brazil and asking for bedtime stories, or observing Aunt Ana Paula’s relationship with a classmate when she comes to live with them in London for a time. This stubborn archivist is equally convinced of the value of her family history and of her twentysomething life of relationships, parties, and a good-enough job.
I love the U.S. cover!
Navigating two cultures (and languages), being young and adrift, and sometimes seeing her mother in herself: there’s a lot to sympathize with in the main character. If you’re a fan of Sally Rooney’s work (especially Conversations with Friends), you’ll want to pick this up as soon as you can, even if you don’t expect to relate to someone of Fowler’s generation. Stubborn Archivist impressed me enough to earn the first entry on my “Best of 2019” shelf.
My rating:
Stubborn Archivist was published in the UK by Fleet on February 21st. My thanks to the publisher for the free copy for review. It will be published in the USA by Mariner Books on July 16th.
Other 2018 Superlatives and Some Early 2019 Recommendations
My Best Discoveries of the Year: Neil Ansell, James Baldwin, Janet Frame, Rohinton Mistry, Blake Morrison, Dani Shapiro, Sarah Vowell; Roald Dahl’s work for adults
The Author I Read the Most By: Anne Tyler (four novels)
My Proudest Reading Achievement: Getting through a whole Rachel Cusk book (it was my third attempt to read her).
The 2018 Books Everybody Else Loved but I Didn’t: Melmoth by Sarah Perry and Normal People by Sally Rooney
The Year’s Biggest Disappointments: The Travelling Cat Chronicles by Hiro Arikawa and Sabrina by Nick Drnaso
The Funniest Books I Read This Year: Fox 8 by George Saunders and Calypso by David Sedaris
Books that Made Me Cry: Leaving Before the Rains Come by Alexandra Fuller and The Long Goodbye by Meghan O’Rourke
The Downright Strangest Books I Read This Year: The Bus on Thursday by Sheila Barrett, The Pisces by Melissa Broder and I Love Dick by Chris Kraus
The Debut Authors Whose Next Work I’m Most Looking Forward To: Julie Buntin, Lisa Ko and R.O. Kwon
The Best First Line of the Year: “Dust and ashes though I am, I sleep the sleep of angels.” (from The Western Wind by Samantha Harvey)
Some Early 2019 Recommendations
(in release date order)
Book Love by Debbie Tung: Bookworms will get a real kick out of these cartoons, which capture everyday moments in the life of a book-obsessed young woman (perpetually in hoodie and ponytail). She reads anything, anytime, anywhere. Even though she has piles of books staring her in the face everywhere she looks, she can never resist a trip to the bookstore or library. The very idea of culling her books or finding herself short of reading material makes her panic, and she makes a friend sign a written agreement before he can borrow one of her books. Her partner and friends think she’s batty, but she doesn’t care. I found the content a little bit repetitive and the drawing style not particularly distinguished, but Tung gets the bibliophile’s psyche just right. (Out January 1.) 
When Death Becomes Life: Notes from a Transplant Surgeon by Joshua D. Mezrich: In this debut memoir a surgeon surveys the history of organ transplantation, recalling his own medical education and the special patients he’s met along the way. In the 1940s and 1950s patient after patient was lost to rejection of the transplanted organ, post-surgery infection, or hemorrhaging. Mezrich marvels at how few decades passed between transplantation seeming like something out of a science-fiction future and becoming a commonplace procedure. His aim is to never lose his sense of wonder at the life-saving possibilities of organ donation, and he conveys that awe to readers through his descriptions of a typical procedure. One day I will likely need a donated kidney to save my life. How grateful I am to live at a time when this is a possibility. (Out January 15.) 
Inheritance: A Memoir of Genealogy, Paternity, and Love by Dani Shapiro: Shapiro was used to strangers’ comments about her blond hair and blue eyes. How could it be that she was an Orthodox Jew? people wondered. It never occurred to her that there was any truth to these hurtful jokes. On a whim, in her fifties, she joined her husband in sending off a DNA test kit. It came back with alarming results. Within 36 hours of starting research into her origins, Shapiro had found her biological father, a sperm donor whom she calls Dr. Ben Walden, and in the year that followed, their families carefully built up a relationship. The whole experience was memoirist’s gold, for sure. This is a moving account of her emotional state as she pondered her identity and what her sense of family would be in the future. (Out January 15.)
Constellations: Reflections from Life by Sinéad Gleeson: Perfect for fans of I Am, I Am, I Am by Maggie O’Farrell, this is a set of trenchant autobiographical essays about being in a female body, especially one wracked by pain. As a child Gleeson had arthritis that weakened her hip bones, and eventually she had to have a total hip replacement. She ranges from the seemingly trivial to life-and-death matters as she writes about hairstyles, blood types, pregnancy, the abortion debate in Ireland and having a rare type of leukemia. In the tradition of Virginia Woolf, Frida Kahlo and Susan Sontag, Gleeson turns pain into art, particularly in a set of 20 poems based on the McGill Pain Index. The book feels timely and is inventive in how it brings together disparate topics to explore the possibilities and limitations of women’s bodies. (Out April 4.)
The Hot Young Widows Club: Lessons on Survival from the Front Lines of Grief by Nora McInerny: In June 2016 I read It’s Okay to Laugh (Crying Is Cool Too), McInerny’s memoir about losing her father and her husband to cancer and her second child to a miscarriage – all within a few weeks – when she was 31. In this short book, an expansion of her TED talk, she argues that we are all incompetent when it comes to grief. There’s no rule book for how to do it well or how to help other people who are experiencing a bereavement, and comparing one loss to another doesn’t help anyone. I especially appreciated her rundown of the difference between pity and true empathy. “Pity keeps our hearts closed up, locked away. Empathy opens our heart up to the possibility that the pain of others could one day be our own pain.” (Out April 30.)
Coming tomorrow: Library Checkout & Final statistics for the year
Have you read any 2019 releases you can recommend?
Last-Minute Thoughts on the Booker Longlist
Tomorrow, the 20th, the Man Booker Prize shortlist will be announced. This must be my worst showing for many years: I’ve read just two of the longlisted books, and both were such disappointments I had to wonder why they’d been nominated at all. I have six of the others on request from the public library; of them I’m most keen to read The Overstory and Sabrina, the first graphic novel to have been recognized (the others are by Gunaratne, Johnson, Kushner and Ryan, but I’ll likely cancel my holds if they don’t make the shortlist). I’d read Robin Robertson’s novel-in-verse if I ever managed to get hold of a copy, but I’ve decided I’m not interested in the other four nominees (Bauer, Burns, Edugyan, Ondaatje*).
The Water Cure by Sophie Mackintosh
(Excerpted from my upcoming review for New Books magazine’s Booker Prize roundup.)
The first word of The Water Cure may be “Once,” but what follows is no fairy tale. Here’s the rest of that sentence: “Once we have a father, but our father dies without us noticing.” The tense seems all wrong; surely it should be “had” and “died”? From the very first line, then, Sophie Mackintosh’s debut novel has the reader wrong-footed, and there are many more moments of confusion to come. The other thing to notice in the opening sentence is the use of the first person plural. That “we” refers to three sisters: Grace, Lia and Sky. After the death of their father, King, it’s just them and their mother in a grand house on a remote island.
There are frequent flashbacks to times when damaged women used to come here for therapy that sounds more like torture. The sisters still engage in similar sadomasochistic practices: sitting in a hot sauna until they faint, putting their hands and feet in buckets of ice, and playing the “drowning game” in the pool by putting on a dress laced with lead weights. Despite their isolation, the sisters are still affected by the world at large. At the end of Part I, three shipwrecked men wash up on shore and request sanctuary. The men represent new temptations and a threat to the sisters’ comfort zone.
This is a strange and disorienting book. The atmosphere – lonely and lowering – is the best thing about it. Its setup is somewhat reminiscent of two Shakespeare plays, King Lear and The Tempest. With the exception of a few lines like “we look towards the rounded glow of the horizon, the air peach-ripe with toxicity,” the prose draws attention to itself in a bad way: it’s consciously literary and overwritten. In terms of the plot, it is difficult to understand, at the most basic level, what is going on and why. Speculative novels with themes of women’s repression are a dime a dozen nowadays, and the interested reader will find a better example than this one.
My rating: 
Normal People by Sally Rooney
Conversations with Friends was one of last year’s sleeper hits and a surprise favorite of mine. You may remember that I was part of an official shadow panel for the 2017 Sunday Times Young Writer of the Year Award, which I was pleased to see Sally Rooney win. So I jumped at the chance to read her follow-up novel, which has been earning high praise from critics and ordinary readers alike as being even better than her debut. Alas, though, I was let down.
Normal People is very similar to Tender – which for some will be high praise indeed, though I never managed to finish Belinda McKeon’s novel – in that both realistically address the intimacy between a young woman and a young man during their university days and draw class and town-and-country distinctions (the latter of which might not mean much to those who are unfamiliar with Ireland).
The central characters here are two loners: Marianne Sheridan, who lives in a white mansion with her distant mother and sadistic older brother Alan, and Connell Waldron, whose single mother cleans Marianne’s house. Connell doesn’t know who his father is; Marianne’s father died when she was 13, but good riddance – he hit her and her mother. Marianne and Connell start hooking up during high school in Carricklea, but Connell keeps their relationship a secret because Marianne is perceived as strange and unpopular. At Trinity College Dublin they struggle to fit in and keep falling into bed with each other even though they’re technically seeing other people.
The novel, which takes place between 2011 and 2015, keeps going back and forth in time by weeks or months, jumping forward and then filling in the intervening time with flashbacks. I kept waiting for more to happen, skimming ahead to see if there would be anything more to it than drunken college parties and frank sex scenes. The answer is: not really; that’s mostly what the book is composed of.
I can see what Rooney is trying to do here (she makes it plain in the next-to-last paragraph): to show how one temporary, almost accidental relationship can change the partners for the better, giving Connell the impetus to pursue writing and Marianne the confidence to believe she is loveable, just like ‘normal people’. It is appealing to see into these characters’ heads and compare what they think of themselves and each other with their awareness of what others think. But page to page it is pretty tedious, and fairly unsubtle.
I was interested to learn that Rooney was writing this at the same time as Conversations, and initially intended it to be short stories. It’s possible I would have appreciated it more in that form.
My rating:
My thanks to Faber & Faber for the free copy for review.
*I’ve only ever read the memoir Running in the Family plus a poetry collection by Ondaatje. I have a copy of The English Patient on the shelf and have felt guilty for years about not reading it, especially after it won the “Golden Booker” this past summer (see Annabel’s report on the ceremony). I had grand plans of reading all the Booker winners on my shelf – also including Carey and Keneally – in advance of the 50th anniversary celebrations, but didn’t even make it through the books I started by the two South African winners; my aborted mini-reviews are part of the Shiny New Books coverage here. (There are also excerpts from my reviews of Bring Up the Bodies, The Sellout and Lincoln in the Bardo here.)
Last year I’d read enough from the Booker longlist to make predictions and a wish list, but this year I have no clue. I’ll just have a look at the shortlist tomorrow and see if any of the remaining contenders appeal.
What have you managed to read from the Booker longlist? Do you have any predictions for the shortlist?
Certain American States: Stories by Catherine Lacey
The loneliness of certain American states is enough to kill a person if you look too closely
I come from a certain American state: Maryland. Before I first came to England 15 years ago, I’d never lived anywhere else. It’s the ninth-smallest state but has a little bit of everything – mountains, lakes and farmland; coast and bayfront; rough cities and pleasant towns; plus proximity to the nation’s capital – which is why it’s nicknamed “America in Miniature.” Brits say Merry-Land (it’s more like the name Marilyn, with a faint D on the end) and more than once when asked where I’m from I’ve heard in reply,“like the cookies?” No, not like the cookies!
Anyway, the characters in Catherine Lacey’s short story collection move through various states – Texas, North Dakota, Virginia, Montana – but the focus is more on their emotional states. Ten of the 12 stories are in the first person, giving readers a deep dive into the psyches of damaged or bereaved people. I particularly liked “ur heck box,” in which the narrator, troubled by the death of her brother and wary of her mother joining her in New York City, starts getting garbled messages from a deaf man. Whether a result of predictive text errors or mental illness, these notes on his phone echo her confusion at what’s become of her life.
Two other favorites were “Touching People,” in which a sixty-something woman takes a honeymooning couple to see her ex-husband’s grave, and “Small Differences,” about a woman who’s cat-sitting for her on-and-off boyfriend and remembers the place faith used to have in her life. Both dramatize the divide between youth and age; in the latter the cat is named Echo, a reminder that the past still resonates. Another standout is “Learning,” about a painting teacher with a crumbling house and marriage whose deadbeat college friend has become a parenting guru. (This one reminded me of Curtis Sittenfeld’s “The Prairie Wife.”)
Many of the stories question the possibility of ‘getting over’ what’s happened and posit, instead of total healing, a stoic determination to just keep going. In the title story, the narrator goes to see her godfather, Leonard, on his deathbed. She still doesn’t like him much; the trip isn’t about achieving closure but doing the right thing when you can. The same is true in “Family Physics”: Bridget had an explosive falling-out with her family when they came to see her accept her college Physics Award. Now that she’s back in touch with them everything isn’t perfect, but she sees how family life is always a mixture of entropy and rebuilding.
I prefer this U.S. cover. How about you?
There isn’t as much variety to the narration as I often like from a set of stories, but Lacey uses a range of storytelling techniques (or gimmicks, if one was being unkind) to keep things interesting. The first story, “Violations,” about a man whose ex-wife has published a story drawing on their life together, features run-on sentences that go over the page; “ur heck box” nests parentheses inside parentheses, up to three layers; “Because You Have To,” about a woman who’s counting her blessings even though she’s newly single and surrounded by feral pets, is in short sections separated by asterisks; and “The Four Immeasurables and Twenty New Immeasurables,” narrated by a woman who’s sleeping with a Buddhist monk, is in list form. Lacey also uses no speech marks, setting out dialogue in italics instead.
It can be tough to assess a story collection as a whole because the parts can range from hard-hitting to instantly forgettable. I didn’t always feel that each of the parts was necessary here; perhaps I would have been better off just sampling a few of the best stories? The problem, of course, is that you never know which those would be for you before you open up the book. There were quite a number of lines that rang true for me in Lacey’s work, but no more than a few stories that I can imagine myself recalling or ever going back to in the future. The book feels very much of the moment, though. If you’ve enjoyed recent work by Julie Buntin, R. O. Kwon, Sally Rooney or Sittenfeld, you might want to spend time in Certain American States.
Favorite lines:
“I don’t know what to do now, a state I am so familiar with it feels like my only true home.” (from “Because You Have To”)
“Anyone can visit a graveyard, no matter what they think, and every graveyard has been seen so many times there is nothing left in them for anyone to see and that is why we all must go and look, to see again what’s been seen again” (from “Touching People”)
“I no longer understand the state I was in back then (heartsick over the idea of Jesus the way that other girls were heartsick over the idea of River Phoenix)” (from “Small Differences”)
My rating: 
Certain American States was published in the UK by Granta on September 6th; it came out in the USA on August 7th from Farrar, Straus and Giroux. My thanks to the publisher for the free copy for review.
My Most Anticipated Releases of the Second Half of 2018
Here are 30 books that are on my radar for the months of July through November (I haven’t heard about any December titles yet), plus one bonus book that I’ve already read. This is by no means a full inventory of what’s coming out, or even of what I have available through NetGalley and Edelweiss; instead, think of it as a preview of the books I actually intend to read, in release date order. The quoted descriptions are from the publisher blurbs on Goodreads. If I already have access to the book in some way, I’ve noted that.
The first half of the year seemed to be all about plants. This time around I have plenty of memoirs, some medical and some bookish; birds and watery imagery; and some religious and philosophical themes.
[By the way, here’s how I did with my most anticipated releases of the first half of the year:
- 17 out of 30 read; of those 8 were at least somewhat disappointing (d’oh!)
- 5 unfinished
- 1 currently reading
- 1 lost interest in
- 1 I still intend to read
- 5 I didn’t manage to find]
The upcoming titles I happen to own in print.
July
No One Tells You This: A Memoir by Glynnis MacNicol [July 10, Simon & Schuster]: “If the story doesn’t end with marriage or a child, what then? This question plagued Glynnis MacNicol on the eve of her 40th birthday. … Over the course of her fortieth year, which this memoir chronicles, Glynnis embarks on a revealing journey of self-discovery that continually contradicts everything she’d been led to expect.” (NetGalley download)
The Lost Chapters: Finding Recovery and Renewal One Book at a Time by Leslie Schwartz [July 10, Blue Rider Press]: “Leslie Schwartz’s powerful, skillfully woven memoir of redemption and reading, as told through the list of books she read as she served a 90-day jail sentence. … Incarceration might have ruined her, if not for the stories that comforted her while she was locked up.”
The Bumblebee Flies Anyway: Gardening and Surviving Against the Odds by Kate Bradbury [July 17, Bloomsbury Wildlife]: “Finding herself in a new home in Brighton, Kate Bradbury sets about transforming her decked, barren backyard into a beautiful wildlife garden. She documents the unbuttoning of the earth and the rebirth of the garden, the rewilding of a tiny urban space.”
Crux: A Cross-Border Memoir by Jean Guerrero [July 17, One World]: “A daughter’s quest to find, understand, and save her charismatic, troubled, and elusive father, a self-mythologizing Mexican immigrant who travels across continents—and across the borders between imagination and reality; and spirituality and insanity—fleeing real and invented persecutors.”
The Incendiaries by R.O. Kwon [July 31, Riverhead]: “A shocking novel of violence, love, faith, and loss, as a young woman at an elite American university is drawn into acts of domestic terrorism by a cult tied to North Korea. … The Incendiaries is a fractured love story and a brilliant examination of the minds of extremist terrorists, and of what can happen to people who lose what they love most.” (Print ARC for blog review at UK release on Sept. 6 [Virago])
August
Bitter Orange by Claire Fuller [Aug. 2, Penguin Fig Tree]: I’ve loved Fuller’s two previous novels. This one is described as “a suspenseful story about deception, sexual obsession and atonement” set in 1969 in a run-down English country house. I don’t need to know any more than that; I have no doubt it’ll be brilliant in an Iris Murdoch/Gothic way. (Print ARC for blog review on release date)
If You Leave Me by Crystal Hana Kim [Aug. 7, William Morrow]: “An emotionally riveting debut novel about war, family, and forbidden love—the unforgettable saga of two ill-fated lovers in Korea and the heartbreaking choices they’re forced to make in the years surrounding the civil war that continues to haunt us today.” This year’s answer to Pachinko? And another botanical cover to boot! (Edelweiss download)
A River of Stars by Vanessa Hua [Aug. 14, Ballantine Books]: “In a powerful debut novel about motherhood, immigration, and identity, a pregnant Chinese woman makes her way to California and stakes a claim to the American dream. … an entertaining, wildly unpredictable adventure, told with empathy and wit” Sounds like The Leavers, which is a Very Good Thing.
The Shakespeare Requirement by Julie Schumacher [Aug. 14, Doubleday]: A sequel to the very funny epistolary novel Dear Committee Members! “Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes aim against a sea of troubles, personal and institutional.” (Edelweiss download)
Gross Anatomy: Dispatches from the Front (and Back) by Mara Altman [Aug. 21, G.P. Putnam’s Sons]: “By using a combination of personal anecdotes and fascinating research, Gross Anatomy holds up a magnifying glass to our beliefs, practices, biases, and body parts and shows us the naked truth—that there is greatness in our grossness.” (PDF from publisher; to review for GLAMOUR online)
Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters by Anne Boyd Rioux [Aug. 21, W. W. Norton Company]: This is the bonus one I’ve already read, as part of my research for my Literary Hub article on rereading Little Women at its 150th anniversary. (That’s also the occasion for this charming book.) Rioux unearths Little Women’s origins in Alcott family history, but also traces its influence through to the present day. She also makes a strong feminist case for it. My short Goodreads review is here. (Edelweiss download)
September
Lake Success by Gary Shteyngart [Sept. 4, Random House]: I read his memoir but am yet to try his fiction. “When his dream of the perfect marriage, the perfect son, and the perfect life implodes, a Wall Street millionaire takes a cross-country bus trip in search of his college sweetheart and ideals of youth. … [a] biting, brilliant, emotionally resonant novel very much of our times.” (Edelweiss download; for Pittsburgh Post-Gazette review)
In My Mind’s Eye: A Thought Diary by Jan Morris [Sept. 6, Faber & Faber]: One of my most admired writers. “A collection of diary pieces that Jan Morris wrote for the Financial Times over the course of 2017.” I have never before in my life kept a diary of my thoughts, and here at the start of my ninth decade, having for the moment nothing much else to write, I am having a go at it. Good luck to me.
Help Me!: One Woman’s Quest to Find Out if Self-Help Really Can Change Her Life by Marianne Power [Sept. 6, Picador]: “[F]or a year she vowed to test a book a month, following its advice to the letter, taking the surest road she knew to a perfect Marianne. As her year-long plan turned into a demented roller coaster where everything she knew was turned upside down, she found herself confronted with a different question: Self-help can change your life, but is it for the better?” (Print ARC)
Normal People by Sally Rooney [Sept. 6, Faber & Faber]: Much anticipated follow-up to Conversations with Friends. “Connell and Marianne both grow up in the same town in rural Ireland. The similarities end there; they are from very different worlds. But they both get places to study at university in Dublin, and a connection that has grown between them despite the social tangle of school lasts long into the following years.”
Mrs. Gaskell & Me by Nell Stevens [Sept. 6, Picador]: “In 2013, Nell Stevens is embarking on her PhD … and falling drastically in love with a man who lives in another city. As Nell chases her heart around the world, and as Mrs. Gaskell forms the greatest connection of her life, these two women, though centuries apart, are drawn together.” I was lukewarm on her previous book, Bleaker House, but I couldn’t resist the Victorian theme of this one! (Print ARC to review for Shiny New Books)
Heart: A History by Sandeep Jauhar [Sept. 18, Farrar, Straus and Giroux]: “Deftly alternating between key historical episodes and his own work, Jauhar tells the colorful and little-known story of the doctors who risked their careers and the patients who risked their lives to know and heal our most vital organ. … Affecting, engaging, and beautifully written.” (Edelweiss download)
To the Moon and Back: A Childhood under the Influence by Lisa Kohn [Sept. 18, Heliotrope Books]: “Lisa was raised as a ‘Moonie’—a member of the Unification Church, founded by self-appointed Messiah, Reverend Sun Myung Moon. … Told with spirited candor, [this] reveals how one can leave behind such absurdity and horror and create a life of intention and joy.”
Ghost Wall by Sarah Moss [Sept. 20, Granta]: I’ve read Moss’s complete (non-academic) oeuvre; I’d read her on any topic. This novella sounds rather similar to her first book, Cold Earth, which I read recently. “Teenage Silvie is living in a remote Northumberland camp as an exercise in experimental archaeology. … Behind and ahead of Silvie’s narrative is the story of a bog girl, a sacrifice, a woman killed by those closest to her, and as the hot summer builds to a terrifying climax, Silvie and the Bog girl are in ever more terrifying proximity.” (NetGalley download)
Time’s Convert (All Souls Universe #1) by Deborah Harkness [Sept. 25, Viking]: I was a sucker for Harkness’s A Discovery of Witches and its sequels, much to my surprise. (The thinking girl’s Twilight, you see. I don’t otherwise read fantasy.) Set between the American Revolution and contemporary London, this fills in the backstory for some of the vampire characters.
October
All You Can Ever Know: A Memoir by Nicole Chung [Oct. 2, Catapult]: “Nicole Chung was born severely premature, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. … With warmth, candor, and startling insight, Chung tells of her search for the people who gave her up, which coincided with the birth of her own child.” (Edelweiss download)
Melmoth by Sarah Perry [Oct. 2, Serpent’s Tail]: Gothic fantasy / historical thriller? Not entirely sure. I just know that it’s the follow-up by the author of The Essex Serpent. (I choose to forget that her first novel exists.) Comes recommended by Eleanor Franzen and Simon Savidge, among others. (Edelweiss download)
The Ravenmaster: Life with the Ravens at the Tower of London by Christopher Skaife [Oct. 2, 4th Estate]: More suitably Gothic pre-Halloween fare! “Legend has it that if the Tower of London’s ravens should perish or be lost, the Crown and kingdom will fall. … [A]fter decades of serving the Queen, Yeoman Warder Christopher Skaife took on the added responsibility of caring for these infamous birds.” I briefly met the author when he accompanied Lindsey Fitzharris to the Wellcome Book Prize ceremony.
I Am Dynamite!: A Life of Friedrich Nietzsche by Sue Prideaux [Oct. 4, Faber & Faber]: “Friedrich Nietzsche’s work forms the bedrock of our contemporary thought, and yet a shroud of misunderstanding surrounds the philosopher behind these proclamations. The time is right for a new take on Nietzsche’s extraordinary life, whose importance as a thinker rivals that of Freud or Marx.” (For a possible TLS review?)
Almost Everything: Notes on Hope by Anne Lamott [Oct. 16, Riverhead]: I haven’t been too impressed with Lamott’s recent stuff, but I’ll still read anything she publishes. “In this profound and funny book, Lamott calls for each of us to rediscover the nuggets of hope and wisdom that are buried within us that can make life sweeter than we ever imagined. … Almost Everything pinpoints these moments of insight as it shines an encouraging light forward.”
The Library Book by Susan Orlean [Oct. 16, Simon & Schuster]: The story of a devastating fire at Los Angeles Public Library in April 1986. “Investigators descended on the scene, but over 30 years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who? Weaving her life-long love of books and reading with the fascinating history of libraries and the sometimes-eccentric characters who run them, … Orlean presents a mesmerizing and uniquely compelling story as only she can.” (Edelweiss download)
Unsheltered by Barbara Kingsolver [Oct. 18, Faber & Faber]: Kingsolver is another author I’d read anything by. “[T]he story of two families, in two centuries, who live at the corner of Sixth and Plum, as they navigate the challenges of surviving a world in the throes of major cultural shifts.” 1880s vs. today, with themes of science and utopianism – I’m excited! (Edelweiss download)
Nine Pints: A Journey through the Money, Medicine, and Mysteries of Blood by Rose George [Oct. 23, Metropolitan Books]: “Rose George, author of The Big Necessity [on human waste], is renowned for her intrepid work on topics that are invisible but vitally important. In Nine Pints, she takes us from ancient practices of bloodletting to modern ‘hemovigilance’ teams that track blood-borne diseases.”
November
The End of the End of the Earth: Essays by Jonathan Franzen [Nov. 13, Farrar, Straus and Giroux]: “[G]athers essays and speeches written mostly in the past five years … Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we’ve come to expect from Franzen.”
A River Could Be a Tree by Angela Himsel [Nov. 13, Fig Tree Books]: “How does a woman who grew up in rural Indiana as a fundamentalist Christian end up a practicing Jew in New York? … Ultimately, the connection to God she so relentlessly pursued was found in the most unexpected place: a mikvah on Manhattan’s Upper West Side. This devout Christian Midwesterner found her own form of salvation—as a practicing Jewish woman.”
Becoming by Michelle Obama [Nov. 13, Crown]: “In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her—from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world’s most famous address.”
Which of these do you want to read, too? What other upcoming 2018 titles are you looking forward to?
Iris Murdoch Readalong: A Severed Head
A strange but very readable satire on who you’re supposed to love versus who you actually do. My sixth Murdoch novel, and a very good one for book clubs or for newcomers to start with, I think, given how much it tackles in its just over 200 pages.
Love Triangle
As in Under the Net, we have a male narrator; here it’s Martin Lynch-Gibbon, 41, a wine merchant’s son who’s writing a work of military history. He’s been married to Antonia, five years his senior, for 11 years now. Martin also has a mistress, 26-year-old Georgie Hands. The thrill of the illicit, of possessing both these appealing women, is too much to resist, but he has a sense of being on the cusp – his delicately balanced life is about to go up in flames.
Love Quadrilateral
Antonia gets home from her psychoanalysis appointment and appears to be acting strangely. She soon confesses to Martin that she’s madly in love with her therapist, Palmer Anderson, who is half-American and has been Martin’s friend for years. They amicably agree to part. Martin goes to talk with Palmer, who lays on the Freudian patter and convinces Martin that Antonia is more of a mother figure for him because of their age gap. It’s all very civilized.
This awful cover image is a still from the 1970 film, presumably portraying Martin and Antonia in flagrante on Palmer’s therapy couch? Starring Lee Remick, Richard Attenborough and Ian Holm.
Love Hexagon?
We meet Martin’s brother Alexander and sister Rosemary when he goes to Rembers, the family estate in the Cotswolds, for the Christmas holidays. It seems Alexander’s always been somewhat in love with Antonia – he even sculpted her head. After lovely scenes of the snow seen from the train via Reading and a Christmas spent en famille, another player comes onto the scene: Palmer’s sister, Honor Klein, whom Martin picks up from Liverpool Street station. She’s cool and a bit domineering, and a dab hand with a samurai sword. Martin is smitten. But just wait until he goes to visit her in Cambridge…
As the members of this small group fall in and then out of love with each other, Murdoch explores any number of weighty ideas and themes. With a samurai sword around (as pictured on a couple of more recent Penguin covers), you have to wonder if, like Chekhov’s gun, it’s bound to be used in a violent way. At the very least it’s a phallic symbol, turning up in dreams along with blood, which itself is symbolized by the red wine so frequently consumed and sometimes spilled in the novel. I thought of the title as asking what happens when the mind and body become detached from each other and want different things. There are also plentiful references to ancient superstitions and taboos: the cuckold’s horns, the Oedipal impulse, and the rituals surrounding the oracular voice.
My back cover blurb. Sorry if you consider anything here a spoiler…
What with all the scenes of people bursting into a room and declaring their love for someone else now, and Martin moving his belongings back and forth, this is something like a comic play. It’s one of the few Murdoch novels to have been adapted for the theatre or cinema (it has also been a radio play), and you can see why: it has a theatrical, quick-moving story line, and Murdoch even deliberately references “actors in a play” and “the drama.” Martin’s sense of helplessness is also likened to feeling destined to play one role in life, whether he likes it or not. It’s a very visual novel, too, with objects (like the Audubon prints and the Meissen cockatoos decorating the Lynch-Gibbons’ place, or “we sat enlaced like a beautiful netsuke”) and colors taking on significance in a way that I’m sure must have influenced A.S. Byatt.
A couple of small things bothered me: the overkill in describing Honor’s features as Jewish, and the overall short shrift given to Georgie. But on the whole I really enjoyed this one, especially Martin’s three (increasingly informal and defensive) versions of the same apology letter, and the fact that Palmer almost always appears in his dressing gown. In one 2017 year-end recommendation for Sally Rooney’s Conversations with Friends, I saw it compared with A Severed Head, and I guess I can see why: the love quadrilateral, the blend of tragic and comic themes, and the perhaps recklessly optimistic ending. Both are well worth reading.
My favorite snippet of dialogue:
(Martin) “‘We’ve been happy. I want to go on being happy.’
‘Happy, yes,’ said Antonia. ‘But happiness is not the point. We aren’t getting anywhere. You know that as well as I do.’
‘One doesn’t have to get anywhere in a marriage. It’s not a public conveyance.’”
My rating:
I’m participating on and off in Liz Dexter’s two-year Iris Murdoch readalong project to get through some of the paperbacks I already own. See also her very interesting introductory post on A Severed Head. I have several more of the readalong books lined up for later in the year: The Italian Girl in June, The Nice and the Good in September, and An Accidental Man in December. Join us for one or more!
Have you read this or anything else by Iris Murdoch?
2017’s Runners-Up and Other Superlatives
The choices below are in alphabetical order by author, with any previously published reviews linked in (many of these books have already appeared on the blog in some way over the course of the year). You know the drill by now: to keep it simple for myself as well as for all of you who are figuring out whether you’re interested in these books or not, I’m limiting myself to two sentences per title. The first is a potted summary; the second tells you why you should read it. Across these three best-of posts (see also my Top Nonfiction and Best Fiction posts), I’ve spotlighted roughly the top 15% of my year’s reading.
Runners-Up:
As a God Might Be by Neil Griffiths: The themes and central characters were strong enough to keep me powering through this 600-page novel of ideas about encounters with God and the nature of evil. This turned out to be just my sort of book: big and brazen, a deep well of thought that will only give up its deeper meanings upon discussion and repeat readings.
Spaceman of Bohemia by Jaroslav Kalfař: The story of Jakub Procházka, a Czech astronaut who leaves his wife behind to undertake a noble research mission but soon realizes he can never escape his family history or the hazards of his own mind. A terrific blend of the past and the futuristic, Earth and space.
English Animals by Laura Kaye: A young Slovakian becomes a housekeeper for a volatile English couple and discovers a talent for taxidermy. A fresh take on themes of art, sex, violence and belonging, this is one of the more striking debut novels I’ve encountered in recent years.
Goodbye, Vitamin by Rachel Khong: Reeling from a broken engagement, Ruth Young returns to her childhood home in California for a year to help look after her father, who has Alzheimer’s. This is a delightfully quirky little book, but you may well read it with a lump in your throat, too.
Midwinter Break by Bernard MacLaverty: In MacLaverty’s quietly beautiful fifth novel, a retired couple faces up to past trauma and present incompatibility during a short vacation in Amsterdam. My overall response was one of admiration for what this couple has survived and sympathy for their current situation – with hope that they’ll make it through this, too. (Reviewed for BookBrowse.)
Conversations with Friends by Sally Rooney: An Irish college student navigates friendships and an affair with a married man. This is much more about universals than it is about particulars: realizing you’re stuck with yourself, exploring your sexuality and discovering sex is its own kind of conversation, and deciding whether ‘niceness’ is really the same as morality; a book I was surprised to love, but love it I did.
Lincoln in the Bardo by George Saunders: The residents of Georgetown cemetery limbo don’t know they’re dead – or at least won’t accept it. An entertaining and truly original treatment of life’s transience; I know it’s on every other best-of-year list out there, but it really is a must-read.
The Smell of Fresh Rain by Barney Shaw: Shaw travels through space, time and literature as he asks why we don’t have the vocabulary to talk about the smells we encounter every day. If you’re interested in exploring connections between smell and memory, discovering what makes the human sense of smell unique, and learning some wine-tasting-style tips for describing odors, this is a perfect introduction.
A Life of My Own by Claire Tomalin: Tomalin is best known as a biographer of literary figures including Mary Wollstonecraft, Samuel Pepys and Charles Dickens, but her memoir is especially revealing about the social and cultural history of the earlier decades her life covers. A dignified but slightly aloof book – well worth reading for anyone interested in spending time in London’s world of letters in the second half of the twentieth century.
Sing, Unburied, Sing by Jesmyn Ward: The story of a mixed-race family haunted – both literally and figuratively – by the effects of racism, drug abuse and incarceration in Bois Sauvage, a fictional Mississippi town. Beautiful language; perfect for fans of Toni Morrison and Cynthia Bond.
I’ve really struggled with short stories this year, but here are four collections I can wholeheartedly recommend:
What It Means when a Man Falls from the Sky by Lesley Nneka Arimah (Reviewed for Shiny New Books.)- Unruly Creatures: Stories by Jennifer Caloyeras
- Bad Dreams and Other Stories by Tessa Hadley
- The Great Profundo and Other Stories by Bernard MacLaverty (1987)
The Best 2017 Books You Probably Never Heard of (Unless You Heard about Them from Me!):
The Education of a Coroner by John Bateson: The coroner’s career is eventful no matter what, but Marin County, California has its fair share of special interest, what with Golden Gate Bridge suicides, misdeeds at San Quentin Prison, and various cases involving celebrities (e.g. Harvey Milk, Jerry Garcia and Tupac) in addition to your everyday sordid homicides. Ken Holmes was a death investigator and coroner in Marin County for 36 years; Bateson successfully recreates Holmes’ cases with plenty of (sometimes gory) details.
Cork Dork by Bianca Bosker: Tasting notes: gleeful, ebullient, learned, self-deprecating; suggested pairings: Sweetbitter by Stephanie Danler; Top Chef, The Great British Bake Off. A delightful blend of science, memoir and encounters with people who are deadly serious about wine.
A Paris All Your Own: Bestselling Women Writers on the City of Light, edited by Eleanor Brown: A highly enjoyable set of 18 autobiographical essays that celebrate what’s wonderful about the place but also acknowledge disillusionment; highlights are from Maggie Shipstead, Paula McLain, Therese Anne Fowler, Jennifer Coburn, Julie Powell and Michelle Gable. If you have a special love for Paris, have always wanted to visit, or just enjoy armchair traveling, this collection won’t disappoint you.
Ashland & Vine by John Burnside: Essentially, it’s about the American story, individual American stories, and how these are constructed out of the chaos and violence of the past – all filtered through a random friendship that forms between a film student and an older woman in the Midwest. This captivated me from the first page.
Tragic Shores: A Memoir of Dark Travel, Thomas H. Cook: In 28 non-chronological chapters, Cook documents journeys he’s made to places associated with war, massacres, doomed lovers, suicides and other evidence of human suffering. This is by no means your average travel book and it won’t suit those who seek high adventure and/or tropical escapism; instead, it’s a meditative and often melancholy picture of humanity at its best and worst. (Reviewed for Nudge.)
The Valentine House by Emma Henderson: This is a highly enjoyable family saga set mostly between 1914 and 1976 at an English clan’s summer chalet in the French Alps near Geneva, with events seen from the perspective of a local servant girl. You can really imagine yourself into all the mountain scenes and the book moves quickly –a great one to take on vacation.
The year’s runners-up and superlatives that I happen to have around in print.
Various Superlatives, Good and Bad:
The 2017 Book Everybody Else Loved but I Didn’t: Eleanor Oliphant Is Completely Fine by Gail Honeyman. (See my Goodreads review for why.)
The Year’s Biggest Disappointments: All Grown Up by Jami Attenberg, Future Home of the Living God by Louise Erdrich, Between Them by Richard Ford and George and Lizzie by Nancy Pearl.
The Worst Book I Read This Year: Books by Charlie Hill (ironic, that). My only one-star review of the year.
The Downright Strangest Book I Read This Year: An English Guide to Birdwatching by Nicholas Royle.
My Best Discoveries of the Year: Beryl Bainbridge, Saul Bellow, Bernard MacLaverty and Haruki Murakami. I’ve read two books by each of these authors this year and look forward to trying more from them.
The Debut Authors Whose Next Work I’m Most Looking Forward to: Lesley Nneka Arimah, Laura Kaye, Carmen Marcus, Julianne Pachico and Sally Rooney.
The Best First Line of the Year: “History has failed us, but no matter.” (Pachinko, Min Jin Lee)
The Best Last Line of the Year: “If she was an instance of the goodness in this world then passing through by her side was miracle enough.” (Midwinter Break, Bernard MacLaverty)
Coming tomorrow: Some early recommendations for 2018.
Young Writer of the Year Award Ceremony
Yesterday evening all of us on the Sunday Times / Peters Fraser + Dunlop Young Writer of the Year Award shadow panel met up again for the official prize-giving ceremony at the London Library.
My train arrived late and then I got lost, twice (I don’t own a smartphone and hadn’t brought a map – foolish!), so I walked through the door just moments before the prize announcement, but as that was the most important part of the event it didn’t matter in the end. If you haven’t already heard, the prize went to Sally Rooney for Conversations with Friends. She’s the first Irish winner and the joint youngest along with Zadie Smith.
This did not really come as a surprise to the shadow panel, even though we unanimously chose Julianne Pachico’s The Lucky Ones as our winner.
Julianne Pachico is third from left.
Three of us had chosen Rooney’s novel as our runner-up, and when I saw it appear in the Times’ Books of the Year feature, I thought to myself that this was probably a clue. In the official press release, judge and Sunday Times literary editor Andrew Holgate writes, “for line by line quality, emotional complexity, sly sophistication and sheer brio and enjoyment, Sally Rooney’s Conversations with Friends really stood out.”
Judge Elif Shafak states, “I salute Rooney’s intelligent prose, lucid style, and fierce intensity.” Judge Lucy Hughes-Hallett says, “This book stood out for its glittering intelligence, its formal elegance and its capacity to grip the reader. At first reading I was looking forward to bus journeys so that I could read some more. Second time round I was still delighted by the sophistication of its erotic quadrille.”
Being a part of the shadow panel was a wonderful experience and one of the highlights of my literary year.
Bookish Beck = Rebecca Foster. An American transplant to England, I'm a full-time freelance proofreader and book reviewer.