Book Serendipity, Early 2021
I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents.
Josh Cohen’s How to Live. What to Do, a therapist’s guide to literature, explains why this might happen:
More than one writer – the French poet Stéphane Mallarmé, the Argentinian writer Jorge Luis Borges – has advanced the exhilarating idea that each book is an infinitesimally small piece of one single, endless Book. I’ve always felt that this idea, unlikely as it might sound, makes perfect sense if you read enough novels [also nonfiction, for me]. The incidents, descriptions, phrases and images in the book you’re reading will always recall the incidents in another, and those in turn will call up the incidents in another, so that even as you’re reading one book, you’re reading countless others.
The following are in roughly chronological order.
- Mother‒baby swimming sessions in Some Body to Love by Alexandra Heminsley and The Still Point of the Turning World by Emily Rapp.
- [I think it would be a spoiler to even name them, but two novels I read simultaneously in January featured 1) a marriage / close relationship between a man and a woman – even though the man is gay; and 2) a character who beat his wife and then died in a convenient ‘accident’. One was published in 1997 and the other in 2020.]
- Stomas appeared in Dazzling Darkness by Rachel Mann and First Time Ever by Peggy Seeger late in my 2020 reading, and then in early 2021 in Pain: The Science of the Feeling Brain by Abdul-Ghaaliq Lalkhen and Love’s Work by Gillian Rose.
- An account of the author’s experience of ovarian hyperstimulation syndrome in Hormonal by Eleanor Morgan and I Miss You when I Blink by Mary Laura Philpott.
- Salmon fishing takes place in Snow Falling on Cedars by David Guterson and Kings of the Yukon by Adam Weymouth.
- The medical motto “see one, do one, teach one” appears in Breathtaking by Rachel Clarke and Complications by Atul Gawande.
- Filipino medical staff feature in America Is Not the Heart by Elaine Castillo and Breathtaking by Rachel Clarke.
- Twin Peaks is mentioned in The Fragments of My Father by Sam Mills and the anthology Trauma: Essays on Art and Mental Health; a different essay in the latter talks about Virginia Woolf’s mental health struggle, which is a strand in the former.
- St. Teresa of Ávila is mentioned in Heart by Gail Godwin and Sanatorium by Abi Palmer.
- The same Rachel Long poem appears in her debut collection, My Darling from the Lions, and The Emma Press Anthology of Love – but under different titles (“Portent” vs. “Delayed Gratification”).
- There’s a matriarch named Dot in Unsettled Ground by Claire Fuller and The Magician’s Assistant by Ann Patchett.
- There’s an Alaska setting in The Quality of Silence by Rosamund Lupton and Kings of the Yukon by Adam Weymouth.
- Becoming a mother is described as a baptism in Sanctuary by Emily Rapp Black and The Fragments of My Father by Sam Mills.
- While reading America Is Not the Heart by Elaine Castillo, I saw Castillo mentioned in the Acknowledgements of My Darling from the Lions by Rachel Long.
- Polar explorers’ demise is discussed in Ex Libris by Anne Fadiman and The Still Point by Amy Sackville.
- “Butterfingers” / “butter-fingered” is used in America Is Not the Heart by Elaine Castillo and The Clock Winder by Anne Tyler.
- There’s a mention of someone eating paper torn from books (the horror!) in Ex Libris by Anne Fadiman and The Clock Winder by Anne Tyler.
- I was reading three pre-releases at once, each of 288 pages: Milk Fed by Melissa Broder, Unsettled Ground by Claire Fuller, and A Town Called Solace by Mary Lawson.
- The Jewish golem myth is the overarching metaphor of Milk Fed by Melissa Broder and Golem Girl by Riva Lehrer.
- There’s a ceremony to pay respects to those who donated their bodies for medical school dissection in Maybe You Should Talk to Someone by Lori Gottlieb and Golem Girl by Riva Lehrer.
- An old woman with dementia features in The Living Sea of Waking Dreams by Richard Flanagan, Keeper by Andrea Gillies, and The Clock Winder by Anne Tyler.
- A mother dies of cancer on Christmas Day in This Party’s Dead by Erica Buist and The Fragments of My Father by Sam Mills.
- The main character does stand-up comedy in Milk Fed by Melissa Broder and This Party’s Dead by Erica Buist.
- Winning a goldfish at a carnival in The Air Year by Caroline Bird, A Feather on the Breath of God by Sigrid Nunez, and Anna Vaught’s essay in the Trauma anthology.
- ECT (electroconvulsive therapy) is mentioned in Adventures in Human Being by Gavin Francis and Woman on the Edge of Time by Marge Piercy.
- There’s a father who is non-medical hospital staff in The Push by Ashley Audrain (a cleaner) and A Feather on the Breath of God by Sigrid Nunez (a kitchen worker).
- There’s a character named Hart in The Wild Laughter by Caoilinn Hughes and The Birth House by Ami McKay.
- Cannibalism is a point of reference, a major metaphor, or a (surreal) reality in Mother for Dinner by Shalom Auslander, Eat or We Both Starve by Victoria Kennefick, and Light Perpetual by Francis Spufford.
- Infertility and caring for animals were two big themes shared by Brood by Jackie Polzin and Catalogue Baby by Myriam Steinberg. This became clearer when I interviewed both authors in February. Also, both women have shocks of pink hair in their publicity photos!
- A young woman works at a hotel in The Distance between Us by Maggie O’Farrell and My Dark Vanessa by Kate Elizabeth Russell (and The Glass Hotel by Emily St. John Mandel, which I read late last year).
What’s the weirdest reading coincidence you’ve had lately?
Three Hours by Rosamund Lupton (Blog Tour Review)
It can’t happen here. Or can it? That’s a question Rosamund Lupton asks with her novel about a siege at a progressive school in rural England. When out in public with my copy of the book, I was asked a few times what I was reading. I would explain that it was about a school shooting in Somerset, and the reply was always “In the UK?!” Guns are difficult to come by in this country thanks to firearms legislation that was passed following a couple of high-profile massacres in the 1980s and 90s. So, to an extent, you’ll have to suspend your disbelief about the perpetrators getting access to automatic weapons and bombs. And you should, because the story that unfolds is suspenseful and timely.
Cliff Heights School is in the midst of a surprise November blizzard. It’s also under attack. At 9:16 the headmaster, Matthew Marr, is shot twice. Students bundle him into the library, barricade the doors and tend to his head and foot injuries as best they can. He recognized the shooter, but the damage to his brain means he’s incapable of telling anyone who it was.
At 8:15 Rafi Bukhari, a Syrian refugee pupil, had seen an IED explode on the school grounds and alerted Marr, who promptly evacuated the junior school. But the institution is based across several buildings, with some students in the theatre for a dress rehearsal, more in the pottery hut for art class – and now a few trapped in the library.
Lupton toggles between these different locations, focusing on a handful of staff and students and the relationships between them. Hannah, who’s doing her best to help Mr. Marr, is Rafi’s girlfriend. Rafi is concerned for his little brother, Basi, who’s still traumatized after their escape from Syria. Mr. Marr sponsored the boys’ move to England. Could it be that anti-Muslim sentiment has made the Bukhari boys – and thus the school they attend – a target?
We also spend time behind the scenes with police investigators as they pursue leads and worried parents as they await news of their children. I found the book most gripping when the situation was still a complete unknown; as the options narrow down and it becomes clear who’s responsible, things feel a bit more predictable. However, there are still unexpected turns to come.
A few elements that stood out for me were the use of technology (FaceTime, WhatsApp and drones weren’t available at the time of Columbine), the Syrian boys’ history, and the student production of Macbeth, whose violence ironically comments on the school’s crisis. While not my usual fare, I found this well worth reading and will look into Lupton’s back catalogue, too.
Readalikes: Bloomland by John Englehardt and A Mother’s Reckoning by Sue Klebold
My rating:
Three Hours will be published by Penguin Viking on the 9th. My thanks to the publisher for the free copy for review.
My pal Annabel has also reviewed the book today.
Penguin Influencers Event & 2020 Releases to Look Out For
Just a quick one to report on an event I attended in London last night – thanks to Annabel for asking if she could invite me along. This Penguin Influencers evening was held at sofa.com, a furniture showroom nestled beneath a railway arch near Southwark station. It was a slightly odd venue, but at least there were lots of comfy places to sit. Displays of proof copies were arranged on coffee tables so we could go around and fill our free Tana French tote bags with what caught our eye. There were a few dozen of us there: just one bloke; and mostly women younger than me.
It was good to meet some bloggers I recognized from Twitter and Facebook groups, including Rachel Gilbey (one of whose blog tours I’ve participated in) and Linda Hill (one of whose blog competitions I’ve won); I also spotted a couple more familiar faces, even though I didn’t get to say hello: Ova from Excuse My Reading and Umut from Umut Reviews. It was especially nice to see Beth Bonini, the Bookstagram queen, again. She used to live near me, though we didn’t realize that until just as she was moving from Newbury to London; she gave me her gorgeous bookcase.
As to the book acquisitions…
The Wych Elm by Tana French is now out in paperback. I’ve not read anything by French, but have meant to for a long time because many trusted bloggers think she’s terrific, even if (like me) they don’t ordinarily read crime. This just exceeds 500 pages, so I think I’ll make it my doorstopper for next month, and it will also tie in with the R.I.P. challenge.
I’d already read Olive, Again by Elizabeth Strout on my Kindle via a NetGalley download, but it’s great to now own one of my favorite releases of the year in print. (I found it difficult to go back through the e-book when writing my review because it didn’t have a proper table of contents and I’d forgotten all the chapter/story titles as I went along.)
Three Hours by Rosamund Lupton is coming out on January 9th. It’s a tense school shooting novel set in Somerset, and the publicist told us that if we don’t agree with her in all those clichés – ‘I couldn’t put it down; I stayed up all night reading it’ – we can sue her!
Dear Edward by Ann Napolitano is coming out on February 27th. Edward is the only survivor after a plane bound from New York City to Los Angeles crashes in Colorado. The novel is about how he rebuilds his life afterwards; the publicist warned us to bring tissues.
Keeper by Jessica Moor is Penguin’s lead debut title of 2020, coming out on March 19th. When a young woman is found dead at a popular suicide site, the police dismiss it as an open-and-shut case of suicide. But the others at the women’s shelter where Katie Straw worked aren’t convinced. We meet five very different women from the refuge and hear their stories, in the process learning about some of the major threats that face women today. There are already words of praise in from Val McDermid and Jeanette Winterson.
It probably won’t be until later in December that I start reading 2020 titles and reporting back on what I’ve read, plus listing the other releases I’m most looking forward to.
Though I might have hoped for a few more free books to make the cost of my train ticket into London feel worthwhile, I enjoyed connecting with fellow bloggers, hearing about some 2020 releases, and briefly fooling myself that I’m an influencer in the book world. At the very least, I’m now on a Penguin mailing list so might be invited to some future events or sent some proofs.