We’re back from our weekend in Bristol and Exeter to hang out with university friends and attend our goddaughter’s dedication service. On the way (ish) down, we stopped at Bookbarn International, one of my favorite places to look for secondhand books. The shop is always coming up with new ideas and ventures – a rare books room, a café, stationery and store-brand merchandise, new stock alongside the used books, and so on – and has recently been doing some renovating of the main shop space. I contributed to a crowdfunder for this and got to pick up my rewards while I was there, including the items at right and a £10 store voucher, which, along with the small balance of my vendor account, more than covered my purchases that day.
We arrived around noon so started with a café lunch of all-day veggie cooked breakfasts plus cakes and coffee. Delicious! Then it was time for some dedicated browsing. All of the books on the main shop floor are £1 each; they’re working on restocking this area after the refurbishment. I found 12 books here, and ordered another two (the Janet Frame biography and Gail Godwin’s nonfiction book Heart) from the warehouse for £2 each.
From my book haul, I’m particularly pleased with:
- The sequel to another Robertson Davies novel I own
- The Frame biography – I loved her three-part autobiography and have also been dipping into her fiction; it will be fascinating to learn the ‘truth’ behind how she presented her life in memoir and autofiction. This copy looks to be in new condition, too.
- The Tulip by Anna Pavord, which I’ve long meant to read
- Another Carolyn Parkhurst novel – I loved The Dogs of Babel and Harmony
- Another Wendy Perriam novel – I read my first last year and have been hoping to find more
I also bought copies of two of my favorite memoirs, And When Did You Last See Your Father? and Journal of a Solitude (though I own a copy in America, I’d like it to be part of my rereading project this year). I now own two unread novels each by Candia McWilliam and Michèle Roberts and three by Rose Tremain, so I’ll need to be sure I read one from each author this year. I also have a bad habit of hoarding biographies but not reading them, so I want to at least read the Frame one before the year is out.
Between Bristol’s charity shops and Book-Cycle in Exeter, I bought another five novels during the weekend, including the Vann to reread and several by authors I want to increase my familiarity with. (Smug points for not buying the £2.50 copy of Boyle’s The Women at Bookbarn and then finding it at Book Cycle for 50 pence instead.) Total weekend spend on 19 books: £2.12.
Picked up any good secondhand bargains recently?
Just a short post this time. I call it serendipitous when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such incidents. I post these occasional reading coincidences on Twitter. What’s the weirdest one you’ve had lately? (The following are in rough chronological order.)
- Characters sit for a portrait in The Confession by Jessie Burton and The Hoarder by Jess Kidd.
- An obsession with saints in Fifth Business by Robertson Davies and The Hoarder by Jess Kidd.
- A mention of the urban myth regarding why our fingertips prune in water (something about an outdated evolutionary strategy for gripping underwater) in The Body by Bill Bryson and Humiliation: Stories by Paulina Flores.
- Memories of childhood trips to Martha’s Vineyard in Chances Are by Richard Russo and The Dearly Beloved by Cara Wall.
- The River Thames is the setting for Mudlarking by Lara Maiklem and Once Upon a River by Diane Setterfield.
- Mentions of pelicans being clubbed to death in God Unbound: Theology in the Wild by Brian McLaren and Autumn Across America by Edwin Way Teale.
- A character who speaks and writes backwards words in The Poisonwood Bible and The Robber Bride.
- Epigraphs containing folk names for the hare, and soon enough a dead hare, in Ring the Hill by Tom Cox and Starve Acre by Andrew Michael Hurley.
- An unexpected THIRD set of conjoined twins encountered this year (after Cutting for Stone and The Girls) in Fall on Your Knees by Ann-Marie Macdonald.
- The song “Oh My Darling, Clementine” is quoted in The Robber Bride and Fall on Your Knees.
- Warming an orphaned lamb in a low oven in Moral Disorder by Margaret Atwood and The Dig by Cynan Jones.
- A character is presumed incapable of laughter in Agatha by Anne Cathrine Bomann and Bowlaway by Elizabeth McCracken.
- Marilynne Robinson’s Housekeeping is mentioned in The River Capture by Mary Costello and Surrender by Joanna Pocock.
I call it serendipitous when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such incidents. I post these occasional reading coincidences on Twitter. What’s the weirdest one you’ve had lately? (The following are in rough chronological order.)
- Two novels in which a character attempts to glimpse famous mountains out of a train window but it’s so rainy they can barely be seen: The Unchangeable Spots of Leopards by Kristopher Jansma and The Pine Islands by Marion Poschmann.
- Ex-husbands move from England to California and remarry younger women in The Stillness The Dancing by Wendy Perriam and Heat Wave by Penelope Lively.
- References to Edgar Allan Poe in both Timbuktu by Paul Auster and The Unchangeable Spots of Leopards by Kristopher Jansma.
- An account of Percy Shelley’s funeral pyre in both The Unchangeable Spots of Leopards by Kristopher Jansma and Frankissstein by Jeanette Winterson.
- Mentions of barn owls being killed by eating poisoned rats in Owl Sense by Miriam Darlington and Homesick by Catrina Davies.
- Miriam Rothschild is mentioned in Irreplaceable by Julian Hoffman and An Obsession with Butterflies by Sharman Apt Russell.
- Gorse is thrown on bonfires in Homesick by Catrina Davies and The Stillness The Dancing by Wendy Perriam.
- A character has a nice cup of Ovaltine in Some Tame Gazelle by Barbara Pym and The Stillness The Dancing by Wendy Perriam.
- I started two books with “Bloom” in the title on the same day.
- Two books I finished about the same time conclude by quoting or referring to the T. S. Eliot lines about coming back to the place where you started and knowing it for the first time (Owl Sense by Miriam Darlington and This Is Not a Drill, the Extinction Rebellion handbook).
- Three books in which the narrator wonders whether to tell the truth slant (quoting Emily Dickinson, consciously or not): The Unchangeable Spots of Leopards by Kristopher Jansma, The Poisonwood Bible by Barbara Kingsolver and The Hiding Game by Naomi Wood.
- On the same day, I saw mentions of crullers in both On Chapel Sands by Laura Cumming and The Dutch House by Ann Patchett.
- There are descriptions of starling murmurations over Brighton Pier in both Irreplaceable by Julian Hoffman and Expectation by Anna Hope. (Always brings this wonderful Bell X1 song to mind!)
- I was reading The Outermost House by Henry Beston and soon after found an excerpt from it in Irreplaceable by Julian Hoffman; later I started The Easternmost House by Juliet Blaxland, whose title is a deliberate tip of the hat to Beston.
- At a fertility clinic, the author describes a pair of transferred embryos as “two sequins of light” (in On Chapel Sands by Laura Cumming) and “two points of light” (in Expectation by Anna Hope).
- Mentions of azolla ferns in Time Song by Julia Blackburn and Bloom (aka Slime) by Ruth Kassinger.
- Incorporation of a mother’s brief memoir in the author’s own memoir in On Chapel Sands by Laura Cumming and All Things Consoled by Elizabeth Hay.
- Artist mothers in On Chapel Sands by Laura Cumming, All Things Consoled by Elizabeth Hay, and Expectation by Anna Hope.
- Missionary fathers in The Poisonwood Bible by Barbara Kingsolver and The Wind that Lays Waste by Selva Almada.
- Twins, one who’s disabled from a birth defect and doesn’t speak much, in Golden Child by Claire Adam and The Poisonwood Bible by Barbara Kingsolver.
- An Irish-American family in a major East Coast city where the teenage boy does construction work during the summers in Ask Again, Yes by Mary Beth Keane and The Dutch House by Ann Patchett.
- SPOILERS: A woman with terminal cancer refuses treatment so she can die on her own terms and is carried out into her garden in Expectation by Anna Hope and A Reckoning by May Sarton.
- A 27-year-old professor has a student tearfully confide in her in Crow Lake by Mary Lawson and The Small Room by May Sarton.
- Reading The Yellow House by Sarah M. Broom at the same time as The Dutch House by Ann Patchett.
- “I was nineteen years old and an idiot” (City of Girls, Elizabeth Gilbert); “I was fifteen and generally an idiot” (The Dutch House, Ann Patchett).
- Mentions of a conjuring tricks book in Time Song by Julia Blackburn and Fifth Business by Robertson Davies.
- A teen fleeces their place of employment in Sweet Sorrow by David Nicholls and Who Will Run the Frog Hospital? by Lorrie Moore.
- A talking parrot with a religious owner in The Poisonwood Bible by Barbara Kingsolver and Olive Kitteridge by Elizabeth Strout.
- Pictorial book serendipity: three books I was reading, and another waiting in the wings, had a red, black and white color scheme.
- Kripalu (a Massachusetts retreat center) is mentioned in Fleishman Is in Trouble by Taffy Brodesser-Akner and Once More We Saw Stars by Jayson Greene.
- The character of Netty Quelch in Robertson Davies’s The Manticore reminds me of Fluffy in Ann Patchett’s The Dutch House.
- The artist Chardin is mentioned in How Proust Can Change Your Life by Alain de Botton and Varying Degrees of Hopelessness by Lucy Ellmann.
- A Czech grand/father who works in a plant nursery in the opening story of Andrea Barrett’s Ship Fever and Patricia Hampl’s The Florist’s Daughter.
- The author was in Eva Le Gallienne’s NYC theatre company (Madeleine L’Engle’s Two-Part Invention and various works by May Sarton, also including a biography of her).
- Gillian Rose’s book Love’s Work is mentioned in both Notes Made while Falling by Jenn Ashworth and My Year Off by Robert McCrum. (I will clearly have to read the Rose!)
- Sarah Baartman (displayed in Europe as the “Hottentot Venus”) is mentioned in Shame on Me by Tessa McWatt and Hull by Xandria Phillips.
I’m grateful to Lory (of The Emerald City Book Review) for hosting this past week’s Robertson Davies readalong, which was my excuse to finally try him for the first time. Of course, Canadians have long recognized what a treasure he is, but he’s less known elsewhere. I do remember that Erica Wagner, one of my literary heroes (an American in England; former books editor of the London Times, etc.), has expressed great admiration for his work.
I started with what I had to hand: Fifth Business (1970), the first volume of The Deptford Trilogy. In the theatre world, the title phrase refers to a bit player who yet has importance to the outcome of a drama, and that’s how the narrator, Dunstan Ramsay, thinks of himself. I was reminded right away of the opening of Charles Dickens’s David Copperfield: “Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.” In the first line Ramsay introduces himself in relation to another person: “My lifelong involvement with Mrs. Dempster began at 5.58 o’clock p.m. on 27 December 1908, at which time I was ten years and seven months old.”
Specifically, he dodged a snowball meant for him – thrown by his frenemy, Percy Boyd Staunton – and it hit Mrs. Dempster, wife of the local Baptist minister, in the back of the head, knocking her over and 1) sending her into early labor with Paul, who also plays a major role in the book; and 2) permanently compromising her mental health. Surprisingly, given his tepid Protestant upbringing, Ramsay becomes a historian of Christian saints, and comes to consider Mrs. Dempster part of his personal pantheon for a few incidents he thinks of as miracles – not least his survival during First World War service. And this is despite Mrs. Dempster being caught in a situation that seriously compromises her standing in Deptford.
The novel is presented as a long, confessional letter Ramsay writes, on the occasion of his retirement, to the headmaster of the boys’ school where he taught history for 45 years. Staunton, later known simply as “Boy,” becomes a sugar magnate and politician; Paul becomes a world-renowned illusionist known by various stage names. Both Paul and Ramsay are obsessed with the unexplained and impossible, but where Paul manipulates appearances and fictionalizes the past, Ramsay looks for miracles. The Fool, the Saint and the Devil are generic characters we’re invited to ponder; perhaps they also have incarnations in the novel?
Fifth Business ends with a mysterious death, and though there are clues that seem to point to whodunit, the fact that the story segues straight into a second volume, with a third to come, indicates that it’s all more complicated than it might seem. I was so intrigued that, thanks to my omnibus edition, I carried right on with the first chapter of The Manticore (1972), which is also in the first person but this time narrated by Staunton’s son, David, from Switzerland. Freudian versus Jungian psychology promises to be a major dichotomy in this one, and I’m sure that the themes of the complexity of human desire, the search for truth and goodness, and the difficulty of seeing oneself and others clearly will crop up once again.
This was a very rewarding reading experience. I’d recommend Davies to those who enjoy novels of ideas, such as Iris Murdoch’s. I’ll carry on with at least the second volume of the trilogy for now, and I’ve also acquired the first volume of another, later trilogy to try.
Some favorite lines:
“I cannot remember a time when I did not take it as understood that everybody has at least two, if not twenty-two, sides to him.”
“Forgive yourself for being a human creature, Ramezay. That is the beginning of wisdom; that is part of what is meant by the fear of God; and for you it is the only way to save your sanity.”
It’s also fascinating to see the contrast between how Ramsay sees himself, and how others do:
“it has been my luck to appear more literate than I really am, owing to a cadaverous and scowling cast of countenance, and a rather pedantic Scots voice”
“Good God, don’t you think the way you rootle in your ear with your little finger delights the boys? And the way you waggle your eyebrows … and those horrible Harris tweed suits you wear … And that disgusting trick of blowing your nose and looking into your handkerchief as if you expected to prophesy something from the mess. You look ten years older than your age.”
My August is looking chock-full of reading projects – many of them self-imposed, to be fair.
20 Books of Summer: I’ve finished a few more books and just need to write them up; I’m in the middle of another nine, including Tisala as my doorstopper for the month.
Summer theme: Books with summer/sun/shine in the title, and others set in summer, like The Go-Between by L.P. Hartley, my classic for the month.
Women in Translation month: I’ve started the Ferrante and also want to get to the Fenollera and start the Flores stories (all those Fs!), which are coming out from Oneworld in November. Also, in yesterday’s post I received a surprise copy of a forthcoming Fitzcarraldo Editions essay by Annie Ernaux about her mother’s dementia, so I will squeeze that in too.
Robertson Davies week: In the final week of August I’ll be joining in with Lory’s (The Emerald City Book Review) Robertson Davies readalong by starting Fifth Business, the first volume in The Deptford Trilogy.
May Sarton article: I’m writing a profile for Bookmarks magazine this month, and am currently in the throes of research: finishing the Margot Peters biography I started last year and set aside for ages; reading another novel or two by Sarton; skimming back through various of the journals, novels and poems I’ve read before; and exploring other external sources. Luckily, my husband was able to forage for loads from his university library for me.
What’s keeping you busy this month?
This is my second time taking part in Cathy’s 20 Books of Summer project. Once again I plan to focus solely on books that I own to try to get through a respectable number of them. For 2019 I’ve decided to read books that are about animals or have an animal in the title. I’ve set aside a few back-ups (the ones standing upright in the photos), and if I’m struggling I can cheat a bit by including books that happen to have an animal on the cover.
In the interest of statistics … last year I read eight nonfiction titles and 12 fiction – so that’s exactly what I’ve pulled out for this year. (For the record, I only intend to read the first of Updike’s Rabbit novels at this stage.) I have two re-reads set aside this time (Julian Barnes and Abigail Thomas) versus one last year. Last year I read one doorstopper; this year I don’t have any on the docket. In 2018 I was particularly proud of getting through two short story collections, so this year I’ve chosen one animal-themed one to read. Randomly, three of last year’s books were review copies from publishers or the author, and three were signed copies. This time I have none of either, unless I do some substituting.
Also interesting to note is that this year three of the books I’ve picked are by Canadian authors (André Alexis, Michael Crummey and Mary Lawson), and another has a Canadian setting (The Tenderness of Wolves). Canadian readers, rejoice!
Another project I might join in with this summer is the Robertson Davies reading week – I own his Deptford trilogy, and would at least read one of the books, if not attempt all three.