Tag: Rob Bell

Three Theology Books for Easter

 If you’ve been celebrating Passover or gearing up for Easter this past week, you might be interested in picking up one of these three recent (or forthcoming) theology titles I’ve encountered. (See also the more extensive Easter reading list I compiled two years ago.)


Misfit Faith: Confessions of a Drunk Ex-Pastor, Jason J. Stellman

Stellman is a former pastor who runs a podcast called “Drunk Ex-Pastors” with his best friend and agnostic cohost, Christian Kingery. His book suffers a bit, I think, from an unclear aim: it started off as an apologia for his conversion to Catholicism after an unchurched upbringing and fervently Evangelical teen years. What it turned into is more of a theological ramble about how to see God and the world anew. For instance, God is Father, but also flesh, so we don’t need to condemn the secular: “embracing a Christianity that reflects the Incarnation by validating the physical world rather than vilifying it.”

With (dated, geeky) pop culture references, Stellman encourages a rejection of xenophobia and an embrace of narrative and ritual, which Roman Catholicism perhaps makes more space for than your average Protestant tradition. The last few lines of the book are a wonderful plea for openness, hearkening back to the very definition of ‘catholic’ – broad and inclusive:

Is misfit faith about love or suffering? Feasting or fasting? Divinity or humanity? Heaven or earth? The answer is yes, to all of it. And yeah, I want it all: the now and the later, the spirit and the flesh, the head, the heart, and the stations of the cross. I would rather embrace way too much than way too little, because something tells me that as wide as I can open my arms and heart, God’s are always open wider.

I’d recommend this to readers of David Dark and Rob Bell.

My rating:

I received this e-book from Blogging for Books (via Edelweiss) for this review.

 

What Is the Bible? How an Ancient Library of Poems, Letters, and Stories Can Transform the Way You Think and Feel about Everything, Rob Bell

Speaking of Rob Bell…this is one of his stronger books. Not as fresh and vibrant as Velvet Elvis, but it will have a big impact on teens and twentysomethings starting to question the narrow interpretations of the Bible they’ve grown up with in conservative churches. Bell stresses the importance of reading the Bible literately rather than literally: always looking deeper than surface facts to see what’s really going on here; striving to understand the background of Jewish practice and Roman occupation at the time of Jesus.

Bell emphasizes that the Bible is a disparate set of books written by fallible people who were defined by their own historical context, yet if you ask why they wrote down these stories of their interactions with the divine in this way – why they mattered to them then – you might get a glimpse of why they might still matter to us now. The “haphazard humanity” of the Bible, then is for him stronger evidence of its reliability than some rigid perfection would be.

He chooses a number of the more unusual incidents in the Bible to illuminate with a closer reading, such as Jesus writing in the dust, Ehud assassinating tubby King Eglon, and the Book of Revelation. Part 4 is usefully structured around FAQs (e.g. “So how would you define the word of God? The creative action of God speaking in and through the world, bringing new creation and new life into being”). This is like listening to a really good sermon series. (Releases May 16th.)

My rating:

 

My Jewish Year: 18 Holidays, One Wondering Jew, Abigail Pogrebin

One thing Bell stresses is that Jesus was Jewish, so you can’t understand the stories about him apart from their Jewish context. This bighearted, open-minded book strikes me as a perfect model for how any person of faith should engage with their tradition: not just offering lip service and grudgingly showing up to a few services a year, but knowing what you believe and practice, and why.

Like many an American Jew, Pogrebin marked a limited set of holidays: Hanukkah, the Passover seder, Rosh Hashanah, Yom Kippur, and Shabbat. She circumcised her son, and hosted bar/bat mitzvahs for him and her daughter. Yet she had a nagging feeling that she had never genuinely locked into her own religion, and longed to go beyond the beginner stage.

So from September 2014 to September 2015, she celebrated all the holidays in the Jewish calendar, seeking to move beyond clichés and simplistic interpretations; interviewing rabbis and scholars of every stripe and reading Torah commentaries to discover meanings she’d missed before. Yom Kippur isn’t just a day of atonement; it’s for pondering the fact of your own death, taking stock of your life and asking what must change. Hanukkah, uncomfortably, is not just about persecution but about Jew-on-Jew violence.

There are opposite strands running through the Jewish ritual year: gratitude for survival (Purim) versus sorrow at tragedies (Holocaust Remembrance Day); feasting versus fasting. I was consistently impressed by how Pogrebin draws thematic connections and locates the resonance of religious ritual in her daily life.

Favorite lines:

“[I]t’s a quintessential Jewish act: seeking, grappling. If you’re reaching, it’s because you believe there’s something to grab hold of.”

“I’m beginning to think that Judaism is obsessed with brevity and instability. But rather than finding the message depressing, it’s clarifying.”

“Judaism is always asking us to apply epic stories to everyday decisions.”

“Judaism reminds us not to run from transitions, but to consecrate them.”

My rating:

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My Life in Book Quotes

I keep an ongoing Word file with details on my year’s reading: books finished with the date, number of pages, and source – similar information to what’s recorded on Goodreads – plus any quotations that particularly stood out to me. It occurred to me that by looking back through these annual book lists for the quotes that meant the most to me I could probably narrate my recent years. So here are the 2015–2016 quotes that tell my story.

IMG_8908


Career

 

“I’m learning that what’s important is not so much what I do to make a living as who I become in the process. … the heroine, when at a juncture, makes her own choice—the nonheroine lets others make it for her.”

(A Year by the Sea: Thoughts of an Unfinished Woman, Joan Anderson)

 

“The dishes. The dishes! The goddamn dishes! No wonder women don’t succeed.”

(The author’s mother’s explosion in The Year My Mother Came Back, Alice Eve Cohen)

 

“Success says, What more can I get?

Craft says, Can you believe I get to do this?

(How to Be Here: A Guide to Creating a Life Worth Living, Rob Bell)

 

“Amateurs look for inspiration; the rest of us just get up and go to work.”

(Everyman, Philip Roth)


Finding a Home

 

“In Orcadian, ‘flitting’ means ‘moving house’. I can hear it spoken with a tinge of disapproval or pity: the air-headed English couple who couldn’t settle.”

(The Outrun, Amy Liptrot)

 

“Where, after we have made the great decision to leave the security of childhood and move on into the vastness of maturity, does anybody ever feel completely at home?”

(A Circle of Quiet, Madeleine L’Engle)

 

“there is no such thing / as the right route or a clear passage / no matter where you start, / or how you plan it.”

(from “Aneurysm,” Selected Poems, Kate Clanchy)


Life vs. Books

 

“He had accepted that if you were a bookish person the events in your life took place in your head.”

(Golden Age, Jane Smiley)

 

“my way of seeing has always been different, shyer. To see the world I’ve always opened a book.”

(The Violet Hour: Great Writers at the End, Katie Roiphe)

“Other people’s lives, and the lives I read about in books, seem richer, mine seems so threadbare.”

(The Past, Tessa Hadley)


Overthinking

 

“She remembered finding her first white hair somewhere near her thirtieth birthday and it had sent her on a tailspin for half a day. It’s starting, she’d thought then. The follicle that produced that hair is dying. I’ve reached the tipping point and from now on it’s nothing but slow decline.”

(Dog Run Moon: Stories, Callan Wink)

 

“All the most terrifying Ifs involve people. All the good ones do as well.”

(A Little Life, Hanya Yanagihara)

 

“I wished then, and still do, that there was something in me also that would march steadily in one road, instead of down here or there or somewhere else, the mind running a net of rabbit-paths that twisted and turned and doubled on themselves, pursued always by the hawk-shadow of doubt.”

(Now in November, Josephine Johnson – to be reviewed here within next couple weeks)

Reviews Roundup, February–March

One of my goals with this blog was to have one convenient place where I could gather together all my writing that appears in disparate online locations. To that end, once a month I provide links to all book reviews I’ve published elsewhere, with a rating (below each description) and a taster so you can decide whether to read more. A few exceptions: I don’t point out my Kirkus Indie, BlueInk or Publishers Weekly reviews since I don’t get a byline. Meanwhile, I’ve done my first article for the Los Angeles Review of Books – exciting!


The Bookbag

Empire State Building Amidst Modern Towers In City

Three-Martini Lunch by Suzanne Rindell: Brings the late 1950s, specifically the bustling, cutthroat New York City publishing world, to life through the connections between three young people who collide over a debated manuscript. The three first-person voices fit together like a dream. It’s an expert evocation of Beat culture and post-war paranoia over Communism and homosexuality. Walking into Eden’s office, especially, you’ll think you’ve landed on the set of Mad Men. This classy, well-plotted follow-up will win Rindell even more fans and tide us all over until the film version of The Other Typist – produced by and starring Keira Knightley – appears. Releases May 19th in the UK.

4.5 star rating

why we cameWhy We Came to the City by Kristopher Jansma: Five university friends strive to make their lives count against the indifferent backdrop of recession-era New York City. When one of them falls ill, they pull together like a family. The tone of the novel lies somewhere between A Little Life and the sitcom Friends (a Mexican version of which the characters watch obsessively). Even as his characters realize that they are not special and not in control of their lives, Jansma never lets his book descend too far into gloom. Narrowly misses out on 5 stars from me because the storyline loses momentum in Part Two. Rich with emotion and literary allusions (from Walden to The Iliad), this is my favorite novel of the year so far.

4.5 star rating

Waltzing in Viennawaltzing in vienna by C.G. Metts (& interview):   Three girlfriends – a singer staging a comeback, a psychology professor reawakening to sexuality after being widowed, and a socialite Southern Belle – are reunited in Charleston, South Carolina in their early forties. Remembering their wild college days, they wonder how to make midlife count. There’s a fun Sex and the City or Ya-Ya Sisterhood vibe to this recommended debut novel. I liked the mixture of nostalgia and gentle feminism, and I think this may also inspire readers to see South Carolina’s coastal landscape for themselves. The title phrase is the friends’ shorthand for smoking marijuana together.

4 star rating

cauliflowerThe Cauliflower® by Nicola Barker: Put simply, this is a fictionalized biography of the largely illiterate Hindu guru Sri Ramakrishna (1836–1886). That may sound dry as dust, but Barker makes it a playful delight by skipping around in time and interspersing aphorisms, imagined film scenes, questions and answers, and even a recipe with the narrative chapters. The kernel of the story – set in 1857 at the Dakshineswar Kali Temple, six miles north of Calcutta – is narrated in the first person by the guru’s nephew, Hriday. Scripture of all types (the Bible is also cited) is a relevant, joyful echo here rather than a dull set of rules. Bizarre but very readable. Releases April 21st.

4 star rating

tusk thatThe Tusk That Did the Damage by Tania James: This composite picture of the state of wildlife conservation in India is told from three perspectives: an elephant named the Gravedigger, a poacher, and a documentary filmmaker. James ably intersperses three voices as she explores how people fail to live up to their ideals and make harmful assumptions. Despite these attributes, it was one of those books I had to force myself through. Perhaps it was the environmental agenda: if a book is going to wear its message so openly, it has to live up to it in terms of the writing. I might have preferred it if the whole novel had been from Emma’s point of view, with one climactic encounter with the Gravedigger to make the poaching question immediate and not simply academic.

3.5 star rating


BookBrowse

Dog Run Moon: Storiesdog run moon by Callan Wink [subscription service]: Wink’s debut story collection, set mostly under Montana’s open skies, stars a motley cast of aimless young men, ranchers, Native Americans, and animals live and dead. He plays around with Western stereotypes in intriguing ways. A few of the tales are a bit less compelling, and I would have preferred more variety in narration (8 of 9 are third person), but the stand-outs more than make up for it. My two favorites were “Runoff” (there’s a double meaning to the title) and “Exotics,” in which all the characters are lured by the life they don’t currently have.

4 star rating


paulina and franFor Books’ Sake

Interview with Rachel B. Glaser, author of Paulina & Fran [my review of which was in last month’s roundup]


Foreword Reviews

night ringingNight Ringing by Laura Foley: Foley’s strong fifth collection ruminates on romance and family via autobiographical free verse. One of the collection highlights is “In the Honda Service Area,” which unexpectedly unites modern technology with ancient literature. While a woman describes her impending hip replacement surgery to a friend, Foley tries to concentrate on Homer’s Iliad. The collection is dedicated to Foley’s partner, Clara Giménez, and lesbian romance is a subtle undercurrent. Especially recommended for fans of Jane Hilberry and Adrienne Rich.

 4 star rating

The Temple of Paris by Laura DeBruce: This second volume in Laura DeBruce’s Quicksilver Legacy trilogy is a fast-paced fantasy adventure novel. In the previous book, the author introduced the “Immortals,” centuries-old creatures who are impervious to disease and aging due to a magic elixir. If Hana, the teenage protagonist, can learn how to use the elixir in her possession correctly, she can save her mother from a potentially fatal blood disorder. Although the complicated plot might be challenging for those new to the series, older teens will appreciate the rollicking story and the chance for vicarious European sightseeing.

3 star rating

mon amieMon amie américaine by Michèle Halberstadt: After years of heavy smoking and migraines, a brain aneurysm plunges forty-year-old Molly into a coma. The novel is presented as Michèle’s confessional letter to her American friend Molly, addressed in the second person. During Molly’s coma and after she wakes up, Michèle ponders their unlikely friendship and also frets over her threatened marriage. The novella is like a cross between Jenny Offill’s Dept. of Speculation and Jean-Dominique Bauby’s The Diving-Bell and the Butterfly, and bears tantalizing traces of deliberate homage to Pedro Almodóvar’s coma-themed Talk to Her: an understated dual account of betrayal and disability.

3 star rating

specimenSpecimen: Stories by Irina Kovalyova: “People like to pretend that our genes define the truth for us. But I assure you that’s not the case,” a character insists in the title story. Diverse in setting and form, these nine stories, long-listed for the Frank O’Connor International Short Story Award, contrast the scientific understanding of genetics with deeper wisdom about the bonds of love and family. Nestling science into rich psychological narratives, Kovalyova’s work is reminiscent of that of Andrea Barrett and A. S. Byatt; in fact, the latter is directly referenced in one story. She also channels Anthony Marra and Adam Johnson by affirming love’s survival in spite of repressive situations.

4 star rating

Of Crime and Passion by Jonathan Harnisch: In this novella, a proud young man seeks to transcend his underprivileged upbringing by worming his way into the homes of the rich and seducing powerful women. At its heart, the book is about the ongoing conflict between economic and social classes. With the melodramatic action and old-fashioned dialogue, though, it is easy to imagine this coming-of-age tale working better in the form of a play.

3 star rating


Hakai Magazine

(a Canadian publication highlighting coastal ecosystems)

sealSeal by Victoria Dickenson: “It is hard to imagine a creature more distant from the human species in bodily form, habits, and habitat than the seal,” Dickenson writes in her introduction, “yet our mutual regard tells of a long, shared history of interaction.” Seal is the latest in the 80-strong Animal series from Reaktion Books. Like other volumes, this gives a brief discussion of the featured animal’s evolutionary biology, followed by an interdisciplinary survey of how it has entered human culture throughout history. In the final two chapters—the highlight of an occasionally dry book—Dickenson gives a balanced account of the history of hunting seals.

3 star rating


Los Angeles Review of Books

“Rediscovering an Overlooked Woman Novelist”: A dual review of Constance Fenimore Woolson: Portrait of a Lady Novelist by Anne Boyd Rioux (4 star rating) and Miss Grief and Other Stories (3.5 star rating), a new selection of Woolson’s short fiction.

constance fenimore woolsonmiss griefConstance Fenimore Woolson (1840–1894) is most often remembered for her connection to male writers; her great-uncle was pioneering American novelist James Fenimore Cooper, and in her later years as an expatriate in Europe she associated with Henry James, fueling rumors of a romance between them. Deserving to be known in her own right, Woolson represents key junctures between realism and regionalism, and between American and European styles. Gives a remarkable picture of a bold, bright woman who paved the way for writers such as Edith Wharton, E. M. Forster, and Willa Cather, and who arguably might be hailed in the same breath as Henry James and George Eliot.


Nudge

My quick response to Instructions for a Heatwave, for a Maggie O’Farrell retrospective: Another spot-on tale of family and romantic relationships – O’Farrell always gets the emotional tenor just right. You may spot hints of Rachel Joyce’s The Unlikely Pilgrimage of Harold Fry or Bernhard Schlink’s The Reader, but the psychological and linguistic precision is all O’Farrell’s own. Her descriptive language is unfailingly elegant. I love how she opens with the heat as the most notable character: “It inhabits the house like a guest who has outstayed his welcome: it lies along corridors, it circles around curtains, it lolls heavily on sofas and chairs.”

4 star rating

Pretentiousness: Why It Matters by Dan Fox: This wide-ranging essay discusses pretentiousness as it relates to class, taste, and modern art. Fox grew up outside of Oxford but now lives in New York City, where he is the co-editor of frieze. From its Latin etymology we learn that pretentious means “to stretch before,” so to hold something in front of you like a mask. He thus starts off by talking about acting techniques and rhetoric, then broadens this out to themes of authenticity and self-discovery. The most interesting part of the book concerns class connotations. This is a somewhat meandering work, and though it has good individual lines it is not always riveting.

3 star rating


five riversThird Way magazine

I’ve reviewed books, mostly fiction, for them for the last 2.5 years; sadly, the April 2016 issue will be the final one. It’s a shame; the progressive Christian perspective on popular culture is a niche it will be hard to fill.

Five Rivers Met on a Wooded Plain by Barney Norris: Barney Norris is a playwright in his twenties, so it’s no surprise that there’s something a little staged to his debut novel. The lives of the book’s five narrators collide one night when a car hits a moped in Salisbury town center. We hear from each protagonist in turn as they reflect on their losses and wonder whether religion – represented by Salisbury Cathedral and the scripture and rituals of Christianity – might help. Rita is the liveliest and most engaging character, difficult as her expletive-strewn narrative might be to traverse. Like David Nicholls, Norris prizes emotional connection and delivers a theatrical plot. If he can avoid the more clichéd aspects of a novel like One Day, he could have a long career in fiction ahead of him. Releases April 21st.

3 star rating


I also post reviews of most of my casual reading and skimming on Goodreads:

 

mosquitolandMosquitoland by David Arnold: I don’t read a whole lot of YA, but the voice of this one captured me right away. Like Hazel in The Fault in Our Stars, Mim (Mary Iris Malone) is a lovably sarcastic oddball – she describes herself as “a young Ellen Page” à la Juno – with some hidden issues that come out over the course of the book. Here Mim’s journey takes the form of a road trip from Mississippi, where she lives with her father and new stepmother, back to Ohio to be with her sick mother. She meets a kooky cast of secondary characters along the way, narrowly escapes danger, and even gets a chance at romance.

4 star rating

A Change of World: Poems by Adrienne Rich: This is a forthcoming Norton reissue of Rich’s first collection from 1951. I’d always thought of her as a later, feminist poet, so it was jolting to see an introduction from W.H. Auden – that made it feel like a real generational crossover. It’s a very impressive debut, full of mannered, rhyme-rich verse. Two favorites were “Walden 1950” (“Thoreau, lank ghost, comes back to visit Concord, / Finds the town like all towns, much the same— / A little less remote, less independent”) and “The Innocents.” I’ll be interested to read some of her later work and see if she loosened up with form. Releases June 21st.

4 star rating

shadow hourThe Shadow Hour by Kate Riordan: A clever dual-timeline novel with a pleasing Gothic flavor. In 1922 Grace Fairford takes up a governess position at Fenix House near Cheltenham, the very place where her grandmother, Harriet Jenner, worked in 1878. Every few chapters the perspective shifts from Grace (first person) to Harriet (third person). The novel is full of coincidences and the sense of history repeating itself. Riordan’s writing is capable, sometimes clichéd, but the echoes of Jane Eyre and The Turn of the Screw make this a delicious guilty-pleasure read.

 3.5 star rating

Life’s Too Short to Pretend You’re Not Religious by David Dark: Etymologically, the word “religion” means to bind together again. Simply put, Dark’s thesis is that we’re all connected: we are in relationship with the people around us and can’t pretend otherwise. What we need is a shared vision for our shared life, and that involves engaging with other people. No pie-in-the-sky theology here; Dark affirms Daniel Berrigan’s assertion that “the actual world is our only world,” so things like climate change, gun control, immigration, and foreign policy are religious issues because they affect us all in this life. Together we have to imagine another story that isn’t capitalism and American imperialism as usual.

4 star rating

Adios, Cowboyadios cowboy by Olja Savičević Ivančević: In summer 2009, Dada (aka Rusty) returns to her Croatian hometown to care for her mother. Going home facing up to the fact of her brother’s death – when he was 18 he threw himself under a train. “One has to sit down beside one’s demon and mollify it until it’s calm – that’s all, perhaps, that can be done,” she muses. Now for the title: Dada’s late father, brother, and friends (“the Iroquois Brothers”) were all big on cowboys and Indians. When news comes that a spaghetti western actor/director named Ned Montgomery will be passing through town, it causes Dada to think about her father and her brother and, what’s more, about the workings of her own memory.

3 star rating

Now Go Out There: (and Get Curious) by Mary Karr: There’s not much to this Syracuse University commencement speech. Leftovers of sob-story autobiography and clichéd advice cobbled together. Disappointing given how much I loved Karr’s recent The Art of Memoir. For a truly inspirational graduation address, I recommend David Foster Wallace’s This Is Water.

2 star rating

how to be hereHow to Be Here: A Guide to Creating a Life Worth Living by Rob Bell: Bell left his pastoral role to become a motivational speaker so, unsurprisingly, this book is closer to self-help than theology. He’s good pals with Elizabeth Gilbert, and this book would make a great companion piece to her Big Magic. It’s about how to find what gets you out of bed in the morning and live mindfully. As always, his formatting – bite-size paragraphs, stretching out phrases with line breaks – is slightly annoying. I didn’t learn a whole lot; it was more a case of being reminded of things I knew deep down. He prefaces most chapters with an anecdote about his creative ventures, some of which were utter failures.

3.5 star rating

 

And my highest recommendation goes to…

The Summer Guestsummer guest by Alison Anderson: The kernel of the novel is a true story: for two summers in the late 1880s, Chekhov stayed at the Lintvaryovs’ guest house in Luka, Ukraine. One strand of the narration is a journal kept during those years by Zinaida, the family’s eldest daughter, a doctor dying of a brain tumor. Zina’s story is offset by those of two contemporary women. Katya, a Russian émigré in London who’s trying to keep her failing publishing house afloat, sends the never-before-published diary to Ana, a translator based near the French border with Switzerland. There’s a touch of mystery here: where was the diary found? And what became of the novel Chekhov mentions he had in progress? Ana’s search for answers takes her to the Lintvaryov estate, even though Ukraine in 2014 is a hotbed of unrest. Having recently watched the BBC War & Peace miniseries with rapt interest and seen a Tchaikovsky symphony performance, it was the perfect time to get lost in an intricate, playful novel about how Russian literature still resonates. I’ll certainly be looking up Anderson’s other novels.

4 star rating