Tag: philosophy

Classic of the Month: Under the Net (#IMReadalong)

I plan to dip in and out of Liz Dexter’s two-year Iris Murdoch readalong project to increase my familiarity with Murdoch and get through some of the paperbacks I happen to own. Even though I don’t own it, I decided to join in with Under the Net (1954) to see how her fiction career began. My university library copy is a rebound 1960s Penguin paperback, so – alas! – has a generic cover. See Liz’s introductory post for the different cover images and to get a peek at some of the recurring Murdochian themes that make their first appearance here.

Under the Net is narrated by Jake Donoghue, a translator who arrives back in London after a trip to France to find that he’s being kicked out of the flat where he’s been living for free with his friend Finn. In his desultory search for where to go next he takes readers along to Mrs Tinckham’s cat-filled shop, his Jewish philosopher friend Dave’s place, and the theatre where a former girlfriend, Anna Quentin, is in charge of props. (One of my favorite scenes has him accidentally locked into the theatre overnight; he has to sleep among the costumes.)

Anna’s sister Sadie, an actress, offers Jake a role as her bodyguard; she has a stalker of sorts, fireworks manufacturer and film studio owner Hugo Belfounder – whom, it turns out, Jake already knows. Together they were guinea pigs for an experiment on the common cold, and Jake secretly worked up Hugo’s conversations into a poorly received book called The Silencer. “Hugo was my destiny,” Jake muses; even though he’s embarrassed to see Hugo again, he gets drawn back into a connection with him.

One of the central themes of the novel, playing out with various characters, is the difficulty of seeing people clearly rather than resting with the image of them you’ve built up in your mind. I enjoyed Jake’s contrasting of physical and intellectual work, and his (sometimes contradictory) reflections on solitude and introversion:

I sometimes feel that Finn has very little inner life. I mean no disrespect to him in saying this; some have and some haven’t. I connect this too with his truthfulness. Subtle people, like myself, can see too much ever to give a straight answer.

I hate solitude, but I am afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction. The company which I need is the company which a pub or a café will provide.

If like myself you are a connoisseur of solitude, I recommend to you the experience of being alone in Paris on the fourteenth of July.

Many readers probably expect Murdoch’s books to be dense and difficult, bogged down with philosophical ideas. But what I most noticed about this first novel is how humorous it is: it’s even madcap in places, with some coming and going via windows and Mister Mars, the film star dog, playing dead to get Jake out of a sticky situation. Over at Liz’s blog we’ve been discussing whether Murdoch is a typical ‘woman writer’; if her books had been published anonymously or under her initials, would it have been assumed that she was a man? I think so, given her success in creating a male narrator and her focus on the world of work and less traditional domestic arrangements.

This is my sixth Murdoch book. I didn’t enjoy Under the Net as much as the Booker Prize-winning The Sea, The Sea or The Bell (), but liked it more than The Black Prince and An Unofficial Rose () [I’ve also read one of her philosophy books, The Fire and the Sun (; I could make neither head nor tail of it)], so it falls in the middle for me so far at a solid . I’m looking forward to participating with several more of the readalong books next year, starting with A Severed Head in March.

Another favorite line, spoken by Hugo: “One must just blunder on. Truth lies in blundering on.”

 


Have you read anything by Iris Murdoch? Do you enjoy her work?

Join us for one or more of the readalong books!

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A Recommendation for August

Each month I aim to preview two to four books to be released in the next month that I have already read and can recommend. It’s looking thin on the ground for August because two of my most anticipated reads of the year were disappointments, and another August release I left unfinished; I give mini write-ups of these below. However, I’ve very much enjoyed What It Means When a Man Falls from the Sky, the debut story collection by Lesley Nneka Arimah, which came out in America in April but releases on the 24th over here; I’ll be reviewing it for Shiny New Books shortly. Also, I’m 20% into The Education of a Coroner by John Bateson (releases August 15th), a fascinating set of sometimes gory true crime case studies.

As for the one August book I’m currently able to wholeheartedly recommend, that is…

 

The Futilitarians: Our Year of Thinking, Drinking, Grieving, and Reading by Anne Gisleson

(Coming from Little, Brown and Company on the 22nd)

One for angsty, bookish types. In 2012 Anne Gisleson, a New Orleans-based creative writing teacher, her husband, sister and some friends formed an Existential Crisis Reading Group (which, for the record, I think would have been a better title). Each month they got together to discuss their lives and their set readings – both expected and off-beat selections, everything from Kafka and Tolstoy to Kingsley Amis and Clarice Lispector – over wine and snacks.

One of their texts, Arthur Koestler’s The Act of Creation, proposed the helpful notion of the Trivial and Tragic Planes. The Trivial is where we live everyday; the Tragic is where we’re transported when something awful happens. Gisleson had plenty of experience with the latter: not just the suicides of her younger twin sisters, a year and a half apart, and her father’s death from leukemia, but also the collective loss of Hurricane Katrina. She returns again and again to these sources of grief in her monthly chapters structured around the book group meetings, elegantly interweaving family stories and literary criticism.

I found the long quotes from the readings a little much – you probably shouldn’t pick this up if you haven’t the least interest in philosophy and aren’t much troubled by life’s big questions – but in general this is a fascinating, personal look at what makes life worth living when it might be shattered any second. I particularly loved the chapter in which the book club members creatively re-enact the Stations of the Cross for Easter and the sections about her father’s pro bono work as an attorney for death row inmates at Angola prison. Sometimes it really is a matter of life and death.

Favorite passage:

“Generations of parents have put their children to bed in this house and even if I haven’t quite figured out the why and the how of living, others have found reasons to keep moving things forward. In quiet moments I can feel the collective push of these ghost-hands on my back, nudging me on.”

My rating:

 


And now for the ones I’m closer to lukewarm on…

(Reviews in the order in which I read the books.)

 

Mrs. Fletcher by Tom Perrotta

(Coming from Scribner on the 1st)

I enjoy Tom Perrotta’s novels: they’re funny, snappy, current and relatable; it’s no surprise they make great movies. I’ve somehow read seven of his nine books now, without even realizing it. Mrs. Fletcher is more of the same satire on suburban angst, but with an extra layer of raunchiness that struck me as unnecessary. It seemed something like a sexual box-ticking exercise. But for all the deliberately edgy content, this book isn’t really doing anything very groundbreaking; it’s the same old story of temptations and bad decisions, but with everything basically going back to a state of normality by the end. If you haven’t read any Perrotta before and are interested in giving his work a try, let me steer you towards Little Children instead. That’s his best book by far.

My rating:

 

Sour Heart by Jenny Zhang

(Coming from Lenny Books on the 1st [USA] and Bloomsbury Circus on the 10th [UK])

I read “We Love You Crispina” (13%), about the string of awful hovels a family of Chinese immigrants is forced to move between in early 1990s New York City. You’d think it would be unbearably sad reading about cockroaches and shared mattresses and her father’s mistress, but Zhang’s deadpan litanies are actually very funny: “After Woodside we moved to another floor, this time in my mom’s cousin’s friend’s sister’s apartment in Ocean Hill that would have been perfect except for the nights when rats ran over our faces while we were sleeping and even on the nights they didn’t, we were still being charged twice the cost of a shitty motel.” Perhaps I’m out of practice in reading short story collections, but after I finished this first story I felt absolutely no need to move on to the rest of the book.

My rating:

 

Forest Dark by Nicole Krauss

(Coming on the 24th from Harper [USA] and Bloomsbury [UK])

Impressive in scope and structure, but rather frustrating. If you’re hoping for another History of Love, you’re likely to come away disappointed: while that book touched the heart; this one is mostly cerebral. Metafiction, the Kabbalah, and some alternative history featuring Kafka are a few of the major elements, so think about whether those topics attract or repel you. Looking a bit deeper, this is a book about Jewish self-invention and reinvention. Now, when I read a novel with a dual narrative, especially when the two strands share a partial setting – here, the Tel Aviv Hilton – I fully expect them to meet up at some point. In Forest Dark that never happens. At least, I don’t think so.* I sometimes found “Nicole” (the author character) insufferably clever and inward-gazing. All told, there’s a lot to think about here: more questions than answers, really. Interesting, for sure, but not the return to form I’d hoped for.

*Hop over to my Goodreads review to read the marked spoilers and chip in with comments!

My rating:

 


What August books do you have on the docket?

Have you already read any that you can recommend?