Last year I reviewed Tenth of December by George Saunders on its title date; this year I couldn’t resist rereading one of my favorites from 2014 for today’s date (which just so happens to be Bloomsday, made famous by James Joyce’s Ulysses), The Sixteenth of June.
I responded to the novel at length when it first came out. No point in reinventing the wheel, so here are mildly edited paragraphs of synopsis from my review for The Bookbag:
Maya Lang’s playful and exquisitely accomplished debut novel, set on the centenary of the original Bloomsday, transplants many characters and set pieces from Ulysses to near-contemporary Philadelphia. Don’t fret, though – even if, like me, you haven’t read Ulysses, you’ll have no trouble following the thread. In fact, Lang dedicates her book to “all the readers who never made it through Ulysses (or haven’t wanted to try).” (Though if you wish to spot parallels, pull up any online summary of Ulysses; there is also a page on Lang’s website listing her direct quotations from Joyce.)
On June 16, 2004, brothers Leopold and Stephen Portman have two major commitments: their grandmother Hannah’s funeral is happening at the local synagogue in the morning; and their parents’ annual Bloomsday party will take place at their opulent Delancey Street home in the evening. Around those two thematic poles – the genuine emotions of grief and regret on the one hand, and the realm of superficial entertainment on the other – the novel expands outward to provide a nuanced picture of three ambivalent twenty-something lives.
The third side of this atypical love triangle is Nora, Stephen’s best friend from Yale – and Leo’s fiancée. Nora, a trained opera singer, is still reeling from her mother’s death from cancer one year ago. She’s been engaging in self-harming behavior, and Leo – a macho, literal-minded IT consultant – just wants to fix her. Nora and Stephen, by contrast, are sensitive, artistic souls who seem better suited to each other. Stephen, too, is struggling to find a meaning in death, but also to finish his languishing dissertation on Virginia Woolf.
Literature is almost as potent a marker of upper-class status as money here: some of the Portmans might not have even read Joyce’s masterpiece, but that doesn’t stop them name-dropping and maintaining the pretense of being well-read. While Lang might not mimic the extremes of Joyce’s stream-of-consciousness style, she prioritizes interiority over external action by using a close third-person voice that shifts between her main characters’ points of view. Their histories and thoughts are revealed mostly through interior monologues and conversations. Lang’s writing is full of mordant shards of humor; one of my favorite lines was “No one in a eulogy ever said, She watched TV with the volume on too loud.”
During my rereading, I was captivated more by the portraits of grief than by the subtle intellectual and class differences. I appreciated the characterization and the Joycean peekaboo, and the dialogue and shifts between perspectives still felt fresh and effortless. I could relate to Stephen and Nora’s feelings of being stuck and unsure how to move on in life. And the ending, which I’d completely forgotten, was perfect. I didn’t enjoy this quite as much the second time around, but it’s still a treasured signed copy on my shelf.
My original rating (June 2014):
My rating now:
Readalikes: Writers & Lovers by Lily King and The Emperor’s Children by Claire Messud (my upcoming Doorstopper of the Month).
(See also my review of Lang’s recent memoir, What We Carry.)
Alas, I’ve also had a couple of failed rereading attempts recently…
Everything Is Illuminated by Jonathan Safran Foer (2002)
I remembered this as a zany family history quest turned into fiction. A Jewish-American character named Jonathan Safran Foer travels to (fictional) Trachimbrod, Ukraine to find the traces of his ancestors and, specifically, the woman who hid his grandfather from the Nazis. I had totally forgotten about the comic narration via letters from Jonathan’s translator/tour guide, Alexander, who fancies himself a ladies’ man and whose English is full of comic thesaurus use (e.g. “Do not dub me that,” “Guilelessly yours”). This was amusing, but got to be a bit much. I’d also forgotten about the dense magic realism of the historical sections. As with A Visit from the Goon Squad, what felt dazzlingly clever on a first read (in January 2011) failed to capture me a second time. [35 pages]
Interestingly, Foer’s mother, Esther, released a memoir earlier this year, I Want You to Know We’re Still Here. It’s about the family history her son turned into quirky autofiction: a largely fruitless trip he took to Ukraine to research his maternal grandfather’s life for his Princeton thesis, and a more productive follow-up trip she took with her older son in 2009. Esther Safran Foer was born in Poland and lived in a German displaced persons camp until she and her parents emigrated to Washington, D.C. in 1949. Her father committed suicide in 1954, making him almost a belated victim of the Holocaust. The stories she hears in Ukraine – of the slaughter of entire communities; of moments of good luck that allowed her parents to, separately, survive and find each other – are remarkable, but the book’s prose, while capable, never sings. Plus, she references her son’s novel so often that I wondered why someone would read her book when they could read his instead.
On Beauty by Zadie Smith (2005)
This was an all-time favorite when it first came out. I remembered a sophisticated homage to E.M. Forster’s Howards End, featuring a biracial family in Cambridge, Mass. I remembered no specifics beyond a giant music store and (embarrassingly) an awkward sex scene. Howard Belsey’s long-distance rivalry with a fellow Rembrandt scholar gets personal when the Kipps family relocates from London to the Boston suburbs for Monty to be the new celebrity lecturer at the same college. Howard is in the doghouse with his African-American wife, Kiki, after having an affair. The Belsey boy and Kipps girl have an awkward romantic history. Zora Belsey is smitten with a lower-class spoken word poet she meets after a classical concert in the park when they pick up each other’s Discmans by accident (so dated!). All of the portraits felt like stereotypes to me, and there was so much telling, so much backstory, so many unnecessary secondary characters. Before I would have said this was my obvious Women’s Prize winner of winners, but now I have no idea what I’ll vote for. [107 pages]
Currently rereading: Watership Down by Richard Adams, Ella Minnow Pea by Mark Dunn, Dreams from My Father by Barack Obama
To reread soon: Heaven’s Coast by Mark Doty & Animal, Vegetable, Miracle by Barbara Kingsolver
Done any rereading lately?
For this second half of the year I chose just 15 of the new releases I was most excited about. Limiting myself in that way has been helpful for focusing the mind: I’ve already read six of my most anticipated books, I’m currently reading another, and I have several more awaiting me. Had I chosen 30 or more titles, I would likely be feeling overwhelmed by now, but as it is I have a good chance of actually getting to all these books before the end of the year. These five September releases, while very different – their topics range from cancer and dead bodies to archaeological digs and family inheritance – all lived up to my expectations:
The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care by Anne Boyer
(Coming from Farrar, Straus and Giroux [USA] on the 17th and Allen Lane [UK] on October 3rd)
In 2014, Boyer, then a 41-year-old poet and professor at the Kansas City Art Institute (and a single mother) was diagnosed with triple-negative breast cancer. The book’s subtitle gives you clues to the sort of practical and emotional territory that’s covered here. Although she survived this highly aggressive cancer, she was not unscathed: the chemotherapy she had is so toxic it leads to lasting nerve damage and a brain fog that hasn’t completely lifted.
All the more impressive, then, that Boyer has been able to put together this ferociously intellectual response to American cancer culture. Her frame of reference ranges from ancient Greece – Aelius Aristides, who lived in a temple, hoping the gods would reveal the cure to his wasting illness via dreams, becomes an offbeat hero for her – to recent breast cancer vloggers. She is scathing on vapid pink-ribbon cheerleading that doesn’t substantially improve breast cancer patients’ lives, and on profit-making healthcare schemes that inevitably discriminate against poor women of color and send people home from the hospital within a day or two of a double mastectomy. Through her own experience, she reflects on the pressure women are under to be brave, to be optimistic, to go to work as normal, and to look as beautiful as ever when they are in excruciating pain and beyond exhaustion.
Impossible to avoid comparisons to Susan Sontag’s Illness as Metaphor, but this book has a personal power I don’t remember finding in Sontag’s more detached, academic-level work. Boyer sees herself as one in a long lineage of women writing about their cancer – from Fanny Burney to Audre Lorde – and probes the limits of language when describing pain. I was reminded of another terrific, adjacent book from this year, Constellations by Sinéad Gleeson, especially where Boyer describes her imagined 10-part pain scale (Gleeson has a set of 20 poems based on the McGill Pain Index).
I could quote excellent passages all day, but here are a few that stood out to me:
“People with breast cancer are supposed to be ourselves as we were before, but also better and stronger and at the same time heart-wrenchingly worse. We are supposed to keep our unhappiness to ourselves but donate our courage to everyone.”
“The moral failure of breast cancer is not in the people who die: it is in the world that makes them sick, bankrupts them for a cure that also makes them sick, then blames them for their own deaths.”
“If suffering is like a poem, I want mine to be lurid, righteous, and goth.”
My thanks to FSG for the proof copy for review.
Will My Cat Eat My Eyeballs?: Big Questions from Tiny Mortals about Death by Caitlin Doughty
(Coming from W.W. Norton [USA] on the 10th and W&N [UK] on the 19th)
This is the third book by the millennial mortician, and I’ve taken perverse glee in reading them all. Smoke Gets in Your Eyes explains cremation and combats misconceptions about death; From Here to Eternity surveys death rituals from around the world. This new book seems to be aimed at (morbid) children, but for me it was more like one of those New Scientist books (Why Don’t Penguins’ Feet Freeze?) or Why Do Men Have Nipples?
Some of the questions are more serious than others, but with her usual punning wit and pop culture references Doughty gives biologically sound answers to them all. For instance, she explains what might happen to a corpse in space, why the hair and fingernails of a cadaver appear to keep growing, and why the quantity of ashes from a cremation is about the same no matter the dead person’s girth (all the fat burns away; what would make your ashes weigh more is being taller and thus having longer bones). I was most interested in the chapter on why conjoined twins generally die at roughly the same time.
Doughty also discusses laws relating to the dead, such as “abuse of corpse” regulations and whether or not deaths at a property have to be reported to potential buyers (it depends on what state or country you live in); and what happens in countries that are literally running out of space for burials. In highly population-dense places like Singapore, but also in countries such as Germany, one is considered to ‘rent’ grave space, which is then recycled after 15 years and the previous set of remains cremated. Or graves might get stacked vertically.
This is good fun, and features lots of cartoonishly gruesome black-and-white illustrations by Dianné Ruz. If you’ve got a particularly curious niece or nephew who might appreciate a dark sense of humor, this would make a good Christmas gift for one who is an older child or young teen.
My thanks to W&N for the free copy for review.
Bloomland by John Englehardt
(Coming from Dzanc Books [USA only] on the 10th)
“you wonder if the scariest thing about all this is not that life can’t return to normal, but that it already has”
Especially after Gilroy and El Paso, I wasn’t sure I’d have the heart to pick up Bloomland, a novel about a mass shooting at (fictional) Ozarka University, Arkansas. But I’m very glad I did. Crucially, Englehardt’s debut doesn’t a) make easy assignments of guilt, b) resort to lurid scenes for shock value, or c) employ the cut-and-dried language of cause and effect. It’s a subtle and finely crafted piece of literary fiction. The second-person narration is an effective means of drawing the reader into the action, and inviting ‘you’ to extend sympathy to three very different characters: Rose, an Ozarka student who becomes romantically involved with one of the injured; Eddie, a professor whose wife dies in the massacre; and Eli, the shooter.
Both Rose and Eli lost their mothers when they were 11 years old. Six years before starting a poultry science course at Ozarka, Rose was caught up in a tornado that killed her grandmother and fractured her skull. The fact that her upbringing was even more traumatic than Eli’s is, I think, meant to discredit the lazy argument that dysfunctional families produce killers. In his early days at university we see Eli befriending a drug dealer named Gordon, whose hunting rifle he soups up to use in the shooting at the campus library in finals week. Englehardt also tests out another couple of predictors of violence: cruelty towards animals (au contraire, Eli can’t stand more than one day of debeaking chickens at a poultry factory and even takes one home as a pet) and violent, video-game-fueled fantasies (the story he writes for creative writing class is average for a teenage male so doesn’t raise any alarm bells).
Gradually we learn that there is an “I” behind this triple-stranded narrative: Dr. Steven Bressinger, an Ozarka creative writing professor. Although Rose, Eddie and Eli are all fully realized characters, we are also left to wonder how this Bressinger is able to access their memories and emotions. To what extent can he really put himself into their situations? And how much of the rest is made up? But then, that’s what the novelist does anyway: imagine what it’s like to be inside a character’s experience, especially when they’ve made unimaginable decisions.
So this novel within a novel thoroughly convinced me, especially as it moves into the future to examine how the campus and the wider community address issues of guilt and vengeance. Its timeliness is obvious, and Englehardt writes a gorgeous sentence, even when it’s about the homogeneity of the American suburb: e.g., “You start driving down MLK, past the mass grave of dollar stores, under the even clouds converging like one stoic slab of ice.”
My thanks to the publisher for the proof copy for review.
Surfacing by Kathleen Jamie
(Coming from Sort Of Books [UK] on the 19th and Penguin Books [USA] on the 24th)
I’m a big fan of Kathleen Jamie’s work, prose and poetry. Like her two previous essay collections, Sightlines and Findings, both of which I read in 2012, this fuses autobiography with nature and travel writing – two genres that are too often dominated by males. Jamie has a particular interest in birds, islands, archaeology and the oddities of the human body, all subjects that intrigue me, too.
The bulk of Surfacing is given over to three long pieces set in Alaska, Orkney and Tibet. She was drawn to Quinhagak, Alaska, a village that’s about the farthest you can go before crossing the Bering Sea into Russia, by her fascination with the whaling artifacts found along the UK’s east coast. Here she helped out on a summer archaeological dig and learned about the language and culture of the Yup’ik people. Alarmingly, the ground here should have been frozen most of the way to the surface, forcing the crew to wear thermals; instead, the ice was a half-meter down, and Jamie found that she never needed her cold-weather gear.
On Westray, Orkney (hey, I’ve been there!), there was also evidence of environmental degradation in the form of rapid erosion. This Neolithic site, comparable to the better-known Skara Brae, leads Jamie to think about deep time and whether we’re actually much better off than people in the Bronze Age were. Prehistory fits the zeitgeist, as seen in two entries from the recent Wainwright Prize shortlist: Time Song by Julia Blackburn and Underland by Robert Macfarlane. It’s a necessary corrective to the kind of short-term thinking that has gotten us into environmental crisis.
A cancer biopsy coincides with a dream memory of being bitten by a Tibetan dog, prompting Jamie to get out her notebook from a trip to China/Tibet some 30 years ago. Xiahe was technically in China but ethnically and culturally Tibetan, and so the best they could manage at that time since Tibet was closed to foreigners. There’s an amazing amount of detail in this essay given how much time has passed, but her photos as well as her notebook must have helped with the reconstruction.
The depth and engagement of the long essays are admirable, yet I often connected more with the few-page pieces on experiencing a cave, spotting an eagle or getting lost in a forest. Jamie has made the interesting choice of delivering a lot of the memoir fragments in the second person. My favorite piece of all is “Elders,” which in just five pages charts her father’s decline and death and marks her own passage into unknown territory: grown children and no parents; what might her life look like now?
There is beautiful nature writing to be found in this volume, as you might expect, but also relatable words on the human condition:
What are you doing here anyway, in the woods? … You wanted to think about all the horror. The everyday news … No, not to think about it exactly but consider what to do with the weight of it all, the knowing … You are not lost, just melodramatic. The path is at your feet, see? Now carry on.
My thanks to Sort Of Books for the free copy for review.
The Dutch House by Ann Patchett
(Coming from Bloomsbury [UK] and Harper [USA] on the 24th)
Maeve and Danny Conroy are an inseparable brother-and-sister pair. Their mother left when Danny was little, so his older sister played a maternal role, too. And when their father dies, they become like Hansel and Gretel (or Cinderella and her little brother): cast out into the wilds by an evil stepmother who takes possession of the only home they’ve ever known, a suburban Philadelphia mansion built on the proceeds of the VanHoebeeks’ cigarette empire.
It’s interesting to see Patchett take on a male perspective in this novel; she does it utterly convincingly. I also loved the medical threads running through: Maeve is diagnosed with diabetes as a teenager, and Danny spends many years in medical training even though his only ambition is to follow in his father’s footsteps as a property developer. There was a stretch in the middle of the book – something like 46% to 58% – when I was really bored with Danny’s dithering (‘but I don’t want to be a doctor … but I don’t want to marry Celeste’), and the chronology is unnecessarily complicated by flashbacks, though this is, I think, meant to convey Danny’s desultory composition of his memoirs.
In the end I didn’t like this quite as much as Commonwealth, but it’s a memorable exploration of family secrets and memories. As the decades pass you see how what happened to Maeve and Danny has been turned into myth: a story they repeat to themselves about how they were usurped, until this narrative has more power than the reality. Readers, meanwhile, are invited to question the people and places we base our security on, and to imagine what it would mean to forgive and forget and start living in a different way.
Patchett is always so good on the psychology of complicated families, and her sharp prose never fails to hit the nail on the head. The Goldfinch comes to mind as a readalike – not least because of the significance of a piece of art: the cover depicts a painting made of Maeve when she was 10 – as well as Nick Hornby’s How to Be Good.
I read an electronic proof copy via Edelweiss.
Have you read any September releases that you would recommend? Which of these tempt you?
The wedding of a college friend – who I calculated I’ve known at least half my life – was the excuse we needed to book a trip back to the States for the last two weeks of May. Along with the classy nuptials in the Fell’s Point area of Baltimore, we enjoyed a day’s sightseeing in Philadelphia, a couple of outings to watch birds and other wildlife on Cape May (a migration hotspot in New Jersey), two meet-ups with other friends, and plenty of relaxation time with my mom and sister, including a Memorial Day picnic at my mom’s retirement community and a tour of Antietam Battlefield. It was much hotter than anticipated, including some days in the high 80s or even 90s, and the hayfever, ticks and mosquitoes were bad, too, but we survived.
While back in Maryland I continued the intermittent downsizing process I’ve been going through for a while now. After being on the market for nearly a year, my family home finally sold and went to closing while we were over there. So that provided a scrap of closure, but my current estrangement from my father (we don’t even know where he’s living) means there’s a lot of continuing uncertainty.
In any case, I managed to reduce the number of boxes I’m storing with my sister from 29 to 20 by recycling lots of my old schoolwork, consolidating my mementos, reselling one box of books and donating another, donating a box of figurines and decorative bottles to a thrift store, displaying some at my mom’s place, giving away a few trinkets to a friend’s kids, and packing a bunch of stuff – photo albums and decorations as well as 64 books – in our various suitcases and hand luggage to take back to the UK.
And I also acquired more books, of course! A whopping 46 of these were free: eight review copies were waiting for me at my mom’s place; three were from the outdoor free bin at 2nd & Charles, a secondhand bookstore; one was found in a Little Free Library near our friends’ place in New Jersey (Emerald City by Jennifer Egan, not pictured); and the rest were from The Book Thing of Baltimore, a legendary volunteer-run free bookshop. I mostly raided the biography section for an excellent selection of women’s life writing; the fiction is unalphabetized so harder to find anything in, but I picked up a few novels, too. My only purchases were new (remainder) copies of one novel and one memoir from Dollar Tree. Total book spending on the trip: just $2.12.
What I Read:
Two that I’d already started but finished on the plane ride over:
- The Florist’s Daughter by Patricia Hampl: (As featured in my spring reading list.) “Love and flowers, death and flowers.” Poetic writing about small-town Minnesota life, a tense relationship with her late mother, and her late father’s flower shop.
- The Girls by Lori Lansens: I love reading about sister relationships, and the Darlen girls’ situation is an extreme case of love and jealousy given that they literally can’t get away from each other. Not as good as the two other conjoined-twin novels I’ve read, Chang and Eng by Darin Strauss and Cutting for Stone by Abraham Verghese, but I would read more from Lansens, a solid Oprah Book Club sort of author.
Three review books that will be featuring here in the near future:
- Goulash by Brian Kimberling
- Sorry I’m Late, I Didn’t Want to Come: An Introvert’s Year of Living Dangerously by Jessica Pan
- Mother Ship by Francesca Segal
A few quick reads:
- A Certain Loneliness: A Memoir by Sandra Gail Lambert: (A proof copy passed on by an online book reviewing friend.) A memoir in 29 essays about living with the effects of severe polio. Most of the pieces were previously published in literary magazines. While not all are specifically about the author’s disability, the challenges of life in a wheelchair seep in whether she’s writing about managing a feminist bookstore or going on camping and kayaking adventures in Florida’s swamps. I was reminded at times of Constellations by Sinéad Gleeson.
- No Happy Endings: A Memoir by Nora McInerny: (Borrowed from my sister.) I didn’t appreciate this as much as the author’s first memoir, It’s Okay to Laugh, though it’s in the same style: lots of short, witty but bittersweet essays reflecting on life’s losses. Within a year of being widowed by cancer, she met a new partner and soon was – surprise! – pregnant with his baby. Together they formed a blended family of four children ranging from 0 to 15 and two wounded adults. McInerny also writes about her newfound spirituality and feminism. The problem with the essay format is that she cycles through aspects of the same stories multiple times.
- Native Guard by Natasha Trethewey: (Free from 2nd & Charles.) Trethewey writes beautifully disciplined verse about her mixed-race upbringing in Mississippi, her mother’s death and the South’s legacy of racial injustice. She occasionally rhymes, but more often employs forms that involve repeated lines or words. The title sequence concerns a black Civil War regiment in Louisiana. Two favorites from this Pulitzer-winning collection by a former U.S. poet laureate were “Letter” and “Miscegenation”; stand-out passages include “In my dream, / the ghost of history lies down beside me, // rolls over, pins me beneath a heavy arm” (from “Pilgrimage”) and “I return / to Mississippi, state that made a crime // of me — mulatto, half-breed” (from “South”).
I also read the first half or more of: The Music Shop by Rachel Joyce, my June book club book; Hungry by Jeff Gordinier, a journalist’s travelogue of his foodie journeys with René Redzepi of Noma fame, coming out in July; and the brand-new novel In West Mills by De’Shawn Charles Winslow – these last two are for upcoming BookBrowse reviews.
But the book I was most smug to have on my reading list for the trip was the recent novel Cape May by Chip Cheek. What could be more perfect for reading on location? I asked myself. Unfortunately, it stood out for the wrong reasons. In October 1957 a young pair of virgins, Effie and Henry, travel from Georgia to New Jersey for an off-season honeymoon in her uncle’s vacation home. They’re happy enough with each other but underwhelmed with the place (strangely, this matched my experience of Cape May), and even consider going home early until they fall in with Clara, a friend of Effie’s cousin; Clara’s lover, Max; and Max’s younger sister, Alma. Effie and Henry join the others for nightly drunken revelry.
[SPOILERS!] As the weeks pass Effie, ill and dejected, almost seems to disappear as Cheek delves into Henry’s besotted shenanigans, described in unnecessarily explicit sexual detail. When Effie makes a bid or two for her own sexual freedom late on, it only emphasizes the injustice of spending so much time foregrounding Henry’s perspective. Despite the strength of the period atmosphere and seaside location, this ends up being dull and dated. If you’re after a typically ‘trashy’ beach read and don’t mind lots of sex scenes, you may get on with it better than I did.
Vineland, New Jersey was on the way from our friends’ house to Cape May, so we stopped to take my proof copy of Barbara Kingsolver’s Unsheltered to its spiritual home. Alas, Vineland is an utterly boring small American town. However, Mary Treat at least appears on a painted mural on a building on the main street. The Historical Society, where Kingsolver did her research, was closed, but we photographed the outside.
What’s the last book you read ‘on location’? Did it work out well for you?
Who knew Elizabeth Gilbert had it in her? I’ve read and loved all of her nonfiction (e.g. Big Magic), but my experience of her fiction was a different matter: Stern Men is simply atrocious. I’m so glad I took a chance on this 2013 novel anyway. Many friends had lauded it, and for good reason. It’s a warm, playful doorstopper of a book, telling the long and eventful story of Alma Whittaker, a fictional nineteenth-century botanist whose staid life in her father’s Philadelphia home unexpectedly opens outward through marriage, an adventure in Tahiti, and a brush with the theories of Charles Darwin and Alfred Russel Wallace.
The novel’s voice feels utterly natural, and though Gilbert must have done huge amounts of research about everything from bryophytes to Tahitian customs, nowhere does the level of historical detail feel overwhelming. There are truly terrific characters, including mystical orchid illustrator Ambrose Pike, perky missionary Reverend Welles, and a charismatic Polynesian leader named Tomorrow Morning.
We see multiple sides of Alma herself, like her enthusiasm for mosses and her sexual yearning. For a short time in her girlhood she’s part of a charming female trio with her adopted sister Prudence and their flighty friend Retta. I loved how Gilbert pins down these three very different characters through pithy (and sometimes appropriately botanical) descriptions: “Prudence’s nose was a little blossom; Alma’s was a growing yam,” while Retta is “a perfect little basin of foolishness and distraction.”
Gilbert also captures the delight of scientific discovery and the fecundity of nature in a couple of lush passages that are worth quoting in full:
(Looking at mosses on boulders) Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder where all the water pooled.
The cave was not merely mossy; it throbbed with moss. It was not merely green; it was frantically green. It was so bright in its verdure that the color nearly spoke, as though—smashing through the world of sight—it wanted to migrate into the world of sound. The moss was a thick, living pelt, transforming every rock surface into a mythical, sleeping beast.
Best of all, the novel kept surprising me. Every chapter and part took a new direction I never would have predicted. Like The Goldfinch, this is a big, rich novel I can imagine rereading.
One of my favorite parts of reviewing (e.g. for Kirkus and BookBrowse) is choosing “readalikes” that pick up on the themes or tone of the book in question. I’ve picked four for The Signature of All Things:
Lab Girl, Hope Jahren: An enthusiastic, wide-ranging memoir of being a woman in science. There’s even some moss! This was a really interesting one for me to be reading at the same time as the Gilbert novel. (See Naomi’s review at Consumed by Ink.)
The Paper Garden, Molly Peacock: This biography of Mary Delany, an eighteenth-century botanical illustrator, examines the options for women’s lives at that time and celebrates the way Delany beat the odds by seeking a career of her own in her seventies.