I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck.
The following are in roughly chronological order.
- Sufjan Stevens songs are mentioned in What Is a Dog? by Chloe Shaw and After the Storm by Emma Jane Unsworth.
- There’s a character with two different coloured eyes in The Mothers by Brit Bennett and Painting Time by Maylis de Kerangal.
- A description of a bathroom full of moisturizers and other ladylike products in The Mothers by Brit Bennett and The Interior Silence by Sarah Sands.
- A description of having to saw a piece of furniture in half to get it in or out of a room in A Braided Heart by Brenda Miller and After the Storm by Emma Jane Unsworth.
- The main character is named Esther Greenwood in the Charlotte Perkins Gilman short story “The Unnatural Mother” in the anthology Close Company and The Bell Jar by Sylvia Plath. Indeed, it seems Plath may have taken her protagonist’s name from the 1916 story. What a find!
- Reading two memoirs of being in a coma for weeks and on a ventilator, with a letter or letters written by the hospital staff: Many Different Kinds of Love by Michael Rosen and Coma by Zara Slattery.
- Reading two memoirs that mention being in hospital in Brighton: Coma by Zara Slattery and After the Storm by Emma Jane Unsworth.
- Reading two books with a character named Tam(b)lyn: My Cousin Rachel by Daphne du Maurier and Coma by Zara Slattery.
- A character says that they don’t miss a person who’s died so much as they miss the chance to have gotten to know them in Featherhood by Charlie Gilmour and In by Will McPhail.
- A man finds used condoms among his late father’s things in The Invention of Solitude by Paul Auster and Featherhood by Charlie Gilmour.
- An absent husband named David in Open House by Elizabeth Berg and Ruby by Ann Hood.
- The murder of Thomas à Becket featured in Murder in the Cathedral by T.S. Eliot (read in April) and Heavy Time by Sonia Overall (read in June).
- Adrienne Rich is quoted in (M)otherhood by Pragya Agarwal and Heavy Time by Sonia Overall.
- A brother named Danny in Immediate Family by Ashley Nelson Levy and Saint Maybe by Anne Tyler.
- The male lead is a carpenter in Early Morning Riser by Katherine Heiny and Saint Maybe by Anne Tyler.
- An overbearing, argumentative mother who is a notably bad driver in Early Morning Riser by Katherine Heiny and Blue Shoe by Anne Lamott.
- That dumb 1989 movie Look Who’s Talking is mentioned in (M)otherhood by Pragya Agarwal and Early Morning Riser by Katherine Heiny.
- In the same evening, I started two novels that open in 1983, the year of my birth: The Other Black Girl by Zakiya Dalila Harris and Malibu Rising by Taylor Jenkins Reid.
- “Autistic” is used as an unfortunate metaphor for uncontrollable or fearful behavior in Open House by Elizabeth Berg and Blue Shoe by Anne Lamott (from 2000 and 2002, so they’re dated references rather than mean-spirited ones).
- A secondary character mentions a bad experience in a primary school mathematics class as being formative to their later life in Blue Shoe by Anne Lamott and Saint Maybe by Anne Tyler (at least, I think it was in the Tyler; I couldn’t find the incident when I went back to look for it. I hope Liz will set me straight!).
- The panopticon and Foucault are referred to in Great Circle by Maggie Shipstead and I Live a Life Like Yours by Jan Grue. Specifically, Jeremy Bentham’s panopticon is the one mentioned in the Shipstead, and Bentham appears in The Cape Doctor by E.J. Levy.
What’s the weirdest reading coincidence you’ve had lately?
In advance of Father’s Day, I picked out a few short memoirs from my shelves that explore the bonds between fathers and their children.
The Invention of Solitude by Paul Auster (1982)
This was the nonfiction work of Auster’s I was most keen to read, and I thoroughly enjoyed its first part, “Portrait of an Invisible Man,” which includes a depiction of his late father, a discussion of his relationship with his son, and a brief investigation into his grandmother’s murder of his grandfather, which I’d first learned about from Winter Journal. Auster finds himself unable to cry and has to deal with all his father’s possessions. “There is nothing more terrible, I learned, than having to face the objects of a dead man … everything from a set of barbels to a broken toaster.” A personalized family photo album he finds is blank inside. That and the cover image, a trick photograph taken of his father at Atlantic City in the 1940s, feel like perfect symbols of an elusive heritage. I didn’t connect with the second, slightly longer half, though: “The Book of Memory” is more like Auster’s novels, describing the exploits of a lightly fictionalized character named “A.” and full of copious allusions to the likes of Flaubert, Freud and Tolstoy.
Fatherhood by Karl Ove Knausgaard (2009; 2013)
[Translated from the Norwegian by Don Bartlett]
I assumed this was a stand-alone from Knausgaard; when it popped up during an author search on Awesomebooks.com and I saw how short it was, I thought why not? As it happens, this Vintage Minis paperback is actually a set of excerpts from A Man in Love, the second volume of his huge autofiction project, My Struggle (I’ve only read the first book, A Death in the Family). Knausgaard takes readers along on a few kiddie-oriented outings: a dinky circus, a children’s party, and baby rhyme time at the public library. His trademark granular detail gives a clear sense of all the characters involved. With him are his wife Linda and the three children they had by then, Vanja, Heidi and John; his friend Geir is his chief confidant.
It’s evident that he loves his children and delights in their individual personalities, but at the same time he feels his intellect assailed by the tedium of the repetitive tasks involved in parenting. He demands an hour to himself each afternoon to read and smoke in a café – even though he knows his wife doesn’t get such an allowance. Specifically, he writes that he feels feminized by carrying a baby or pushing a buggy. Recounting the children’s party, he recalls an earlier party when a heavily pregnant Linda got locked in a bathroom and not even a locksmith could get her out. He felt unmanned when a fellow guest (who happened to be a boxer) had to break down the door to free her. I didn’t know quite what to make of the fragile masculinity on display here, but was grateful to get some highlights from the second book.
Home Game: An Accidental Guide to Fatherhood by Michael Lewis (2009)
This was expanded from an occasional series of essays Lewis published in Slate in the 2000s, responding to the births of his three children, Quinn, Dixie and Walker, and exploring the modern father’s role, especially “the persistent and disturbing gap between what I was meant to feel and what I actually felt.” It took time for him to feel more than simply mild affection for each child; often the attachment didn’t arrive until after a period of intense care (as when his son Walker was hospitalized with RSV and he stayed with him around the clock). I can’t seem to find the exact line now, but Jennifer Senior (author of All Joy and No Fun) has said something to the effect of: you don’t take care of your children because you love them; you love them because you take care of them. And that indeed seems to encapsulate Lewis’s experience.
The family lived in Paris when Quinn was tiny, and the pieces on adjusting to the French parenting style reminded me of Pamela Druckerman’s French Children Don’t Throw Food / Bringing Up Bébé. His parenting adventures take him everywhere from the delivery room to a New Orleans racetrack at Mardi Gras to a Disneyland campground. He also, intriguingly, writes about a visit paid to Roald Dahl in the writer’s later years. Even when he’s exasperated, his writing is warm and funny. I especially laughed at the account of his post-Walker vasectomy. This maybe doesn’t break any new ground in terms of gender roles and equal responsibility for children’s needs, but I expect it’s still true to the experience of a lot of hapless males, and it was an entirely entertaining read.
[Postscript: My timing on this one was pretty ironic: I read it on the plane to the USA to visit my family and then handed it off to my brother-in-law as I think he’ll enjoy it too. My sister looked at the cover and said, “wait, didn’t his daughter just die in a car crash?!” She’d seen it on her phone’s news feed just hours earlier. I couldn’t believe that the sweet little girl with the squinchy face on the middle of the cover was gone! (Dixie, aged 19.)]
If you read just one … Make it Home Game.
Fathers seem to be a big theme in my recent and upcoming reading. There was Featherhood by Charlie Gilmour, a rare 5-star read for me, last month, and I have review copies of the thematically similar Will This House Last Forever? by Xanthi Barker as well as the essay collection DAD. I even pulled out another trio of father-themed memoirs from my shelves, but ended up running out of time to do a second set of three. There’s always next year!
My top ‘discoveries’ of the year: Chimamanda Ngozi Adichie (4 books), Octavia E. Butler, Tim Dee (3 books each, read or in progress), and Louise Erdrich (2 books, one in progress).
Also the publisher Little Toller Books: I read four of their releases this year and they were fantastic.
The authors I read the most by this year: Carol Shields tops the list at 6 books (3 of these were rereads) thanks to my buddy reads with Buried in Print, followed by Paul Auster with 5 due to Annabel’s reading week in February, then Chimamanda Ngozi Adichie with 4, and finally Anne Lamott with 3 comfort rereads.
Debut authors whose next work I’m most looking forward to: Naoise Dolan, Bess Kalb, Dara McAnulty, Mary South, Brandon Taylor, and Madeleine Watts
My proudest reading achievement: 16 rereads, which must be a record for me. Also, I always say I’m not really a short story person … and yet somehow I’ve read 19 collections of them this year (and one stand-alone story, plus another collection currently on the go)!
My proudest (non-reading) bookish achievement: Conceiving of and coordinating the Not the Wellcome Prize blog tour.
Five favorite blog posts of the year: Love, Etc. – Some Thematic Reading for Valentine’s Day; Polio and the Plague: Epidemics in Fiction; Thinking about the Future with David Farrier & Roman Krznaric (Hay Festival); Three Out-of-the-Ordinary Memoirs: Kalb, Machado, McGuinness; Asking What If? with Rodham by Curtis Sittenfeld (I had a lot of fun putting the current post together, too!)
The bookish experience that most defined my year: Watching the Bookshop Band’s live shows from their living room. Between their Friday night lockdown performances and one-offs for festivals and book launches, I think I saw them play 33 times in 2020!
Biggest book read this year: Going by dimensions rather than number of pages, it was the oversize hardback The Lost Words by Robert Macfarlane and Jackie Morris.
Smallest book read this year: Pocket-sized and only about 60 pages: No One Is Too Small to Make a Difference by Greta Thunberg.
Oldest author read this year: Peggy Seeger was 82 when her memoir First Time Ever was published. I haven’t double-checked the age of every single author, but I think second place at 77 is a tie between debut novelist Arlene Heyman for Artifact and Sue Miller for Monogamy. (I don’t know how old Michael McCarthy, Jeremy Mynott and Peter Marren, the joint authors of The Consolation of Nature, are; Mynott may actually be the oldest overall, and their combined age is likely over 200.)
Youngest author read this year: You might assume it was 16-year-old Dara McAnulty with Diary of a Young Naturalist, which won the Wainwright Prize (as well as the An Post Irish Book Award for Newcomer of the Year, the Books Are My Bag Reader Award for Non-Fiction, and the Hay Festival Book of the Year!) … or Thunberg, above, who was 16 when her book came out. They were indeed tied for youngest until, earlier in December, I started reading The House without Windows (1927) by Barbara Newhall Follett, a bizarre fantasy novel published when the child prodigy was 12.
Most As on a book cover: Americanah by Chimamanda Ngozi Adichie
Most Zs on a book cover: The Hiding Place by Trezza Azzopardi. I haven’t read it yet, but a neighbor passed on a copy she was getting rid of. It was nominated for both the Booker Prize and the Orange Prize.
The book that made me laugh the most: Kay’s Anatomy by Adam Kay
Books that made me cry: Writers and Lovers by Lily King, Monogamy by Sue Miller, First Time Ever by Peggy Seeger, and Catalogue Baby: A Memoir of (In)fertility by Myriam Steinberg (coming out in March 2021)
The book that put a song in my head every single time I looked at it, much less read it: I Am an Island by Tamsin Calidas (i.e., “I Am a Rock” by Simon and Garfunkel, which, as my husband pointed out, has very appropriate lyrics for 2020: “In a deep and dark December / I am alone / Gazing from my window to the streets below … Hiding in my room / Safe within my womb / I touch no one and no one touches me.”)
Best book club selections: Notes from an Exhibition by Patrick Gale and The Wife by Meg Wolitzer tied for our highest score ever and gave us lots to talk about.
Most unexpectedly apt lines encountered in a book: “People came to church wearing masks, if they came at all. They’d sit as far from each other as they could.” (Gilead by Marilynne Robinson. Describing not COVID-19 times but the Spanish flu.)
Most ironic lines encountered in a book: “September 12—In the ongoing hearings, Senator Joseph Biden pledges to consider the Bork nomination ‘with total objectivity,’ adding, ‘You have that on my honor not only as a senator, but also as the Prince of Wales.’ … October 1—Senator Joseph Biden is forced to withdraw from the Democratic presidential race when it is learned that he is in fact an elderly Norwegian woman.” (from the 1987 roundup in Dave Barry’s Greatest Hits – Biden has been on the U.S. political scene, and mocked, for 3.5+ decades!)
Best first line encountered this year: “And then there was the day when Addie Moore made a call on Louis Waters.” (Our Souls at Night by Kent Haruf)
Best last lines encountered this year:
- “my childhood falls silently to the bottom of my memory, that library of the soul from which I will draw knowledge and experience for the rest of my life.” (Childhood by Tove Ditlevsen)
- “What I want to say is: I misremember all this so vividly it’s as if it only happened yesterday.” (Other People’s Countries: A Journey into Memory by Patrick McGuinness)
- “these friends would forever be her stitches, her scaffold, her ballast, her home.” (The Dearly Beloved by Cara Wall)
My favorite title and cover combo of the year: A Registry of My Passage Upon the Earth by Daniel Mason
The book I wish had gotten a better title and cover: Tennis Lessons by Susannah Dickey – I did enjoy this second-person novel about a young woman who is her own worst enemy, to the tune of 3.5 stars, but the title says nothing about it and the cover would have been a turnoff had I not won a signed copy from Mslexia.
The most unfortunate typos I found in published works: In English Pastoral by James Rebanks, “sewn” where he meant “sown” (so ironic in a book about farming!) versus, in Mr Wilder & Me by Jonathan Coe, “sown” in place of “sewn.” Also “impassible” where it should read “impassable” in Apeirogon by Colum McCann. This is what proofreaders like myself are for. We will save you from embarrassing homophone slips, dangling modifiers, and more!
The 2020 books that everybody else loved, but I didn’t: The Mirror and the Light by Hilary Mantel, Hamnet by Maggie O’Farrell, and Shuggie Bain by Douglas Stuart
The year’s biggest disappointments: I don’t like to call anything “worst” (after all, I didn’t read anything nearly as awful as last year’s Jonathan Livingston Seagull), but my lowest ratings went to A Traveller at the Gates of Wisdom by John Boyne and At Hawthorn Time by Melissa Harrison, and I was disappointed that When the Lights Go Out by Carys Bray was misleadingly marketed.
The downright strangest books I read this year: Enter the Aardvark by Jessica Anthony, A Traveller at the Gates of Wisdom by John Boyne, The House Without Windows by Barbara Newhall Follett, and The Child in Time by Ian McEwan
The people and themes that kept turning up in my reading: Rachel Carson and Henry David Thoreau; curlews and plagues; how we define and relate to history; childhood memoirs (seven of them).
Some statistics on my 2020 reading:
(Fiction reigned supreme this year! Last year my F:NF ratio was roughly 1:1. Poetry was down by ~5% this year compared to 2019.)
Male author: 34.1%
Female author: 63.8%
Nonbinary author: 0.3% (= 1 author, Jay Bernard)
Multiple genders (anthologies): 1.8%
(Women dominated by an extra ~5% this year over 2019. I’ve said this for four years now: I find it intriguing that female authors significantly outweigh male authors in my reading because I have never consciously set out to read more books by women; it must be a matter of being interested in the kinds of stories women tell and how they capture their experiences in nonfiction.)
Print books: 89.4%
(Almost exactly the same as last year. My e-book reading has been declining, partially because I’ve cut back on the reviewing gigs that involve only reading e-books and partially because I’ve done less traveling. Increasingly, I prefer to sit down with a big stack of print books.)
Books by BIPOC: 14.7%
Literature in translation: 6.6%
(Down from last year’s 7.2%; how did this happen?! This will be something to address in 2021.)
Where my books came from for the whole year:
- Free print or e-copy from publisher: 25.6%
- Public library: 25.6%
- Free (giveaways, The Book Thing of Baltimore, the free mall bookshop, etc.): 14.9%
- Secondhand purchase: 11.6%
- Downloaded from NetGalley, Edelweiss or Project Gutenberg: 6.7%
- New purchase (sometimes at a bargain price): 6.3%
- Gifts: 5.5%
- University library: 3.8%
I promised to scale back on review copies this year, and I did: last year they accounted for nearly 37% of my reading. My library reading was higher than last year’s, despite the challenges of lockdowns; my e-book reading decreased in general. I bought more than twice as many new books as usual this year, and read lots that I either bought secondhand or got for free.
Number of unread print books in the house: 435
At the end of last year this figure was at 440 after lots of stock-ups from the free mall bookshop, which has since closed. So even though it might look like I have only read five books of my own, I have in fact read loads from my shelves this year … but also acquired many more books, both new and secondhand.
In any case, the overall movement has been downward, so I’m calling it a win!
If your household is anything like mine, stressful days and nights of lost sleep are ceding to relief after the U.S. election result was finally announced. We celebrated with whoopie pies (a Pennsylvania specialty) and Prosecco.
And look: I happened to pass 270 yesterday as well!
I’d taken part in the Six Degrees of Separation meme every month since February, but this time I had no inspiration. I was going to start with these two apple covers…
…but that’s as far as I got. Never mind! I’ll be back next month, when we all start with the YA classic Are You There God? It’s Me, Margaret by Judy Blume.
Instead, I’m catching up with this past week’s Nonfiction November prompt: Your Year in Nonfiction. It was hosted by Leann of Shelf Aware.
What topics have been prominent in your year’s nonfiction reading?
I’ve read a lot of nature and popular science, probably more than in an average year. Greenery by Tim Dee has been an overall highlight. I managed to read 12 books from the Wainwright Prize longlists, and I’m currently reading four books of nature-themed essays or journals. Thoughtful as well as consoling.
The popular science material has focused on environmentalism and current events, which has inevitably involved politics and long-term planning (Annabel called this category “The State We’re In”): e.g. Losing Eden, Footprints, The Good Ancestor, and Notes from an Apocalypse.
Thanks to the food and drink theme I set for my 20 Books of Summer, I read a number of foodie memoirs. The best one was Heat by Bill Buford, but I also really enjoyed Kitchen Confidential by Anthony Bourdain and My Berlin Kitchen by Luisa Weiss.
Since the Wellcome Book Prize didn’t run this year, I’ve read fewer health-related books, although I did specially read Not the Wellcome Prize shortlistee The Remarkable Life of the Skin by Monty Lyman, and Dear Life by Rachel Clarke, a palliative care doctor, has been one of my overall best nonfiction reads of the year.
Not very well represented in my nonfiction reading this year were biographies and travel books. I can struggle with the depth and dryness of some books from these genres, but I’d like to find some readable options to get stuck into next year.
What are your favorite nonfiction books you’ve read so far?
I’m a huge memoir junkie. Some of the most memorable ones this year have been Winter Journal by Paul Auster, Traveling Mercies by Anne Lamott (a reread), and A Three Dog Life by Abigail Thomas (another reread).
An incidental theme in the life writing I’ve read in 2020 is childhood (Childhood by Tove Ditlevsen, Cider with Rosie by Laurie Lee, Oleander, Jacaranda by Penelope Lively, Period Piece by Gwen Raverat); I hope to continue reading around this topic next year.
What books have you recommended the most to others?
I’ve mentioned the Clarke (above) in any discussions of books about illness and death.
I recommended the memoir Are You Somebody? by Nuala O’Faolain more than once following Reading Ireland Month.
Entangled Life, Merlin Sheldrake’s enthusiastic book about fungi, is one I can imagine suggesting to readers who don’t often pick up nonfiction.
And Signs of Life by Dr. Stephen Fabes has generated a fair bit of interest among my Goodreads friends.
How has your nonfiction reading been going this year?
Recently I have found myself drawn to memoirs that experiment with form. I’ve read so many autobiographical narratives at this point that, if it’s to stand out for me, a book has to offer something different, such as a second-person point-of-view or a structure of linked essays. Here are a few such that I’ve read this year but not written about yet. All have strong themes of memory and the creation of the self or the family.
Nobody Will Tell You This But Me: A True (As Told to Me) Story by Bess Kalb (2020)
You know from the jokes: Jewish (grand)mothers are renowned for their fiercely protective, unconditional love, but also for their tendency to nag. Both sides of a stereotypical matriarch are on display in this funny and heartfelt family memoir, narrated in the second person – as if straight to Kalb from beyond the grave – by her late grandmother, Barbara “Bobby” Bell.
Bobby gives her beloved Bessie a tour through four generations of strong women, starting with her own mother, Rose, and her lucky escape from a Belarus shtetl. The formidable émigré ended up in a tiny Brooklyn apartment, where she gave birth to five children on the dining room table. Bobby and her husband, a real estate entrepreneur and professor, had one daughter, Robin, who in turn had one daughter, Bess. Bobby and Robin had a fraught relationship, but Bess’s birth seemed to reset the clock. Grandmother and granddaughter had a special bond: Bobby was the one to take her to preschool and wait outside the door until she was sure she’d be okay, and always the one to pick her up from sleepovers gone wrong.
Kalb is a Los Angeles-based writer for Jimmy Kimmel Live! With her vivid scene-setting and comic timing, you can see why she’s earned a Writers Guild Award and an Emmy nomination. But she also had great material to work with: Bobby’s e-mails and verbatim voicemail messages are hilarious. Kalb dots in family photographs and recreates in-person and phone conversations, with her grandmother forthrightly questioning her fashion choices and non-Jewish boyfriend. As the title phrase shows, Bobby felt she was the only one who would come forward with all this (unwanted but) necessary advice. Kalb keeps things snappy, alternating between narrative chapters and the conversations and covering a huge amount of family history in just 200 pages. It gets a little sentimental towards the end, but with her grandmother’s death still fresh you can forgive her that. This was a real delight.
My thanks to Zoe Hood and Kimberley Nyamhondera of Little, Brown (Virago) for the free PDF copy for review.
In the Dream House: A Memoir by Carmen Maria Machado (2019)
I’m stingy with 5-star ratings because, for me, giving a book top marks means a) it’s a masterpiece, b) it’s a game/mind/life changer, and/or c) it expands the possibilities of its particular genre. In the Dream House fits all three criteria. (Somewhat to my surprise, given that I couldn’t get through more than half of Machado’s acclaimed story collection, Her Body and Other Parties, and only enjoyed it in parts.)
Much has been written about this memoir of an abusive same-sex relationship since its U.S. release in November. I feel I have little to add to the conversation beyond my deepest admiration for how it prioritizes voice, theme and scenes; gleefully does away with the chronology and (not directly relevant) backstory – in other words, the boring bits – that most writers would so slavishly detail; and engages with history, critical theory and the tropes of folk tales to constantly interrogate her experiences and perceptions.
Most of the book is, like the Kalb, in the second person, but in this case the narration is not addressing a specific other person; instead, it’s looking back at the self that was caught in this situation (“If, one day, a milky portal had opened up in your bedroom and an older version of yourself had stepped out and told you what you know now, would you have listened?”), as well as – what the second person does best – putting the reader right into the narrative.
The “Dream House” is the Victorian house where Machado lived with her ex-girlfriend in Bloomington, Indiana for two years while she started an MFA course. It was a paradise until it wasn’t; it was a perfect relationship until it wasn’t. No one, least of all her, would have believed the perky little blonde writer she fell for would turn sadistic. A lot of it was emotional manipulation and verbal and psychological abuse, but there was definitely a physical element as well. Fear and self-doubt kept her trapped in a fairy tale that had long since turned into a nightmare. Writing it all out seven years later, the trauma was still there. Yet there was no tangible evidence (a police report, a restraining order, photos of bruises) to site her abuse anywhere outside of her memory. How fleeting, yet indelible, it had all been.
The book is in relatively short sections headed “Dream House as _________” (fill in the blank with everything from “Time Travel” to “Confession”), and the way that she pecks at her memories from different angles is perfect for recreating the spiral of confusion and despair. She also examines the history of our understanding of queer domestic violence: lesbian domestic violence, specifically, wasn’t known about until 30-some years ago.
The story has a happy ending in that Machado is now happily married. The bizarre twist, though, is that her wife, YA author Val Howlett, was the girlfriend of the woman in the Dream House when they first met. To start with, it was an “open relationship” (or at least the blonde told her so) that Machado reluctantly got in the middle of, before Val drifted away. That the two of them managed to reconnect, and got past their mutual ex, is truly astonishing. (See some super-cute photos from their wedding here.)
Some favorite lines:
“Clarity is an intoxicating drug, and you spent almost two years without it, believing you were losing your mind”
“That there’s a real ending to anything is, I’m pretty sure, the lie of all autobiographical writing. You have to choose to stop somewhere. You have to let the reader go.”
I read an e-copy via NetGalley.
Other People’s Countries: A Journey into Memory by Patrick McGuinness (2014)
This is a wonderfully atmospheric tribute to Bouillon, Belgium, a Wallonian border town with its own patois. However, it’s chiefly a memoir about the maternal side of the author’s family, which had lived there for generations. McGuinness grew up spending summers in Bouillon with his grandparents and aunt. Returning to the place as an adult, he finds it half-derelict but still storing memories around every corner.
It is as much a tour through memory as through a town, reflecting on how our memories are bound up with particular sites and objects – to the extent that I don’t think I would find McGuinness’s Bouillon even if I went back to Belgium. “When I’m asked about events in my childhood, about my childhood at all, I think mostly of rooms. I think of times as places, with walls and windows and doors,” he writes. The book is also about the nature of time: Bouillon seems like a place where time stands still or moves more slowly, allowing its residents (including his grandfather, and Paprika, “Bouillon’s laziest man, who held a party to celebrate sixty years on the dole”) a position of smug idleness.
The book is in short vignettes, some as short as a paragraph; each is a separate piece with a title that remembers a particular place, event or local character. Some are poems, and there are also recipes and an inventory. The whole is illustrated with frequent period or contemporary black-and-white photographs. It’s an altogether lovely book that overcomes its narrow local interest to say something about how the past remains alive for us.
Some favorite lines:
“that hybrid long-finished but real-time-unfolding present tense … reflects the inside of our lives far better than those three stooges, the past, present and future”
a fantastic last line: “What I want to say is: I misremember all this so vividly it’s as if it only happened yesterday.”
I read a public library copy.
Other unusual memoirs I’ve loved and reviewed here:
Notes Made while Falling by Jenn Ashworth (essays, experimental structures)
Winter Journal by Paul Auster (second person)
This Really Isn’t about You by Jean Hannah Edelstein (nonchronological)
Traveling with Ghosts by Shannon Leone Fowler (short sections and time shifts)
The Lost Properties of Love by Sophie Ratcliffe (nonchronological essays)
Any offbeat memoirs you can recommend?
Back in January I had the idea to catch up as much as I can on previous Wellcome Book Prize long- and shortlists while the Prize is on hiatus. I decided to start with a pair of novels about polio from my public library system: The Golden Age by Joan London and Nemesis by Philip Roth. The latter, especially, has taken on new significance due to its evocation of a time of panic over a public health crisis (see this article, but beware spoilers). On a fellow book reviewer’s recommendation, I also took Year of Wonders by Geraldine Brooks off the shelf and read it at the same time as the Roth.
The Golden Age by Joan London (2014)
[First published in the UK in 2016; on the Wellcome Book Prize 2017 longlist]
The Golden Age was a real children’s polio hospital in Western Australia, but London has peopled it with her own fictional cast. In 1953–4, Frank Gold and Elsa Briggs, polio patients aged 12 going on 13, fall in love in the most improbable of circumstances: “The backs of their hands brushed as they walked side by side on their crutches. Their bloodstreams recharged by exercise and fresh air, they experienced a fiery burst of pleasure.”
Frank is much the more vibrant character thanks to his family’s wartime past in Hungary and his budding vocation as a poet, which was spurred on by his friendship with Sullivan, a fellow inmate at his previous rehabilitation center. The narrative spends time with the nurses, parents and other patients but keeps coming back to Frank and Elsa. However, Chapter 7, with Frank and his mother Ida still back in Budapest, was my favorite.
I was reminded of Tracy Farr’s work (The Life and Loves of Lena Gaunt), especially the look back from decades later. This has a strong premise and some great lines, but for me there was something slightly lacking in the execution.
There was beauty everywhere, strange beauty, even—especially?—in a children’s polio hospital.
Polio is like love, Frank says … Years later, when you think you have recovered, it comes back.
Nemesis by Philip Roth (2010)
[On the Wellcome Book Prize 2011 shortlist]
In the summer of 1944 Newark, New Jersey is hit hard by polio. As a local playground director, 23-year-old Bucky Cantor is distressed when several of his charges become ill; a couple of them even die within a matter of days.
At first Bucky, whose poor eyesight kept him out of the War, sees his job as his own field of duty, but gradually fear and helplessness drive him away. He escapes to the Pocono Mountains to join his fiancée, Marcia, as a summer camp counselor, but soon realizes the futility of trying to outrun a virus. Unable to accept the randomness of bad luck, he blames God – and himself – for the epidemic’s spread.
Despite our better general understanding of epidemiology today, there were still many passages in this novel that rang true for me as they picture life proceeding as normal until paranoia starts to take hold:
Despite polio’s striking in the neighborhood, the store-lined main street was full of people out doing their Saturday grocery shopping…
(Bucky) Look, you mustn’t be eaten up with worry … What’s important is not to infect the children with the germ of fear. We’ll come through this, believe me. We’ll all do our bit and stay calm and do everything we can to protect the children, and we’ll all come through this together.
The important thing, he said, was always to wash your hands after you handled paper money or coins. What about the mail, someone else said … What are you going to do, somebody retorted, suspend delivering the mail? The whole city would come to a halt. Six or seven weeks ago they would have been talking about the war news.
Roth really captures the atmosphere of alarm and confusion, but doesn’t always convey historical and medical information naturally, sometimes resorting to paragraphs of context and representative conversations like in the last quote above. I also wasn’t sure about the use of a minor character (revealed on page 108 to be one of Bucky’s playground kids and a polio patient) as the narrator. This seemed to me to make Bucky more of a symbolic hero than a genuine character. Still, this was a timely and riveting read.
Year of Wonders by Geraldine Brooks (2001)
In 1665, with the Derbyshire village of Eyam in the grip of the Plague, the drastic decision was made to quarantine it. A benevolent landowner arranged for regular deliveries of food and other supplies to just outside the parish boundaries. The villagers made an oath that no one would leave until the pestilence was eradicated. One year later, two-thirds of its residents were dead. Brooks imagines that the “plague seeds” came to the village in a bolt of cloth that was delivered from London to the tailor George Viccars, who lodged with widow Anna Frith. Viccars is the first victim and the disease quickly spreads outward from Anna’s home.
Anna barely has time to grieve her own losses before she’s called into service: along with the minister’s wife, Elinor Mompellion, she steps in as a midwife, herbal healer and even a miner. The village succumbs to several sobering trajectories. Suspicion of women’s traditional wisdom leads some to take vigilante action against presumed witches. Unscrupulous characters like Anna’s father, who sets up as a gravedigger, try to make a profit out of others’ suffering. Frustration with the minister’s apparent ineffectuality attracts others to forms of religious extremism. Like Bucky, people cannot help but see the hand of God here.
Perhaps what I was most missing in the London and Roth novels (and in Hamnet, which bears such striking thematic similarities to Year of Wonders) was intimate first-person narration, which is just what you get here from Anna. The voice and the historical recreation are flawless, and again there were so many passages that felt apt:
Stay here, in the place that you know, and in the place where you are known. … Stay here, and here we will be for one another.
the current times did seem to ask us all for every kind of sacrifice
(once they start meeting for church in a meadow) We placed ourselves so that some three yards separated each family group, believing this to be sufficient distance to avoid the passing of infection.
Yet it is a good day, for the simple fact that no one died upon it. We are brought to a sorry state, that we measure what is good by such a shortened yardstick.
I’ve docked a half-star only because of a far-fetched ending that reminded me of that to The Wonder by Emma Donoghue. Apart from that, this is just what I want from my historical fiction.
Are you doing any reading about epidemics?
Although we got plenty of cold, damp weather and gray skies, it feels like we were cheated out of winter in my part of England this year. We had just one snow flurry on the 27th of February; that will have to suffice as my only taste of proper winter for the year. Not to worry, though: I’ve been getting my fix of snow and ice through my reading, starting with two animal tales and moving on to a few travel and adventure books.
The Snow Goose by Paul Gallico (1941)
Philip Rhayader is a lonely bird artist on the Essex marshes by an abandoned lighthouse. “His body was warped, but his heart was filled with love for wild and hunted things. He was ugly to look upon, but he created great beauty.” One day a little girl, Fritha, brings him an injured snow goose and he puts a splint on its wing. The recovered bird becomes a friend to them both, coming back each year to spend time at Philip’s makeshift bird sanctuary. As Fritha grows into a young woman, she and Philip fall in love (slightly creepy), only for him to leave to help with the evacuation of Dunkirk. This is a melancholy and in some ways predictable little story. It was originally published in the Saturday Evening Post in 1940 and became a book the following year. I read a lovely version illustrated by Angela Barrett. It’s the second of Gallico’s animal fables I’ve read; I slightly preferred The Small Miracle.
The Snow Cat by Holly Webb (2016)
My second from Holly Webb, and while I enjoyed it a lot, if not quite as much as Frost, I probably don’t need to read any more by her now because these two were so similar as to reveal a clear formula: a young girl of about nine years old who plays alone (because she’s an only child or left out of her siblings’ games) goes for an outdoor adventure and meets a cute animal who leads her back into the past. For a time it’s unclear whether she’s dreaming or really experiencing the history, but at the end there’s some physical token that proves she has been time travelling.
In this case, Bel goes to play in the snowy garden of her grandmother’s retirement complex and meets a white cat named Snow who belongs to Charlotte, the daughter of the family who owned this manor house 150 years ago. Bel has to protect Snow from a threatening dog so the cat can be brought in to visit Charlotte’s sister Lucy, who lies ill with influenza. For me the Victorian setting wasn’t quite as authentic or interesting as the seventeenth-century frost fair was in Frost, but I can see how it’s a good way of introducing kids to what was different in the past: everything from clothing and speech to the severity of illness.
The Snow Tourist by Charlie English (2008)
“A Search for the World’s Purest, Deepest Snowfall” reads the subtitle on the cover. English set out from his home in London for two years of off-and-on travel in snowy places, everywhere from Greenland to Washington State. In Jericho, Vermont, he learns about Wilson Bentley, an amateur scientist who was the first to document snowflake shapes through microscope photographs. In upstate New York, he’s nearly stranded during the Blizzard of 2006. He goes skiing in France and learns about the deadliest avalanches – Britain’s worst was in Lewes in 1836. In Scotland’s Cairngorms, he learns how those who work in the ski industry are preparing for the 60–80% reduction of snow predicted for this century. An appendix dubbed “A Snow Handbook” gives some technical information on how snow forms, what the different crystal shapes are called, and how to build an igloo, along with whimsical lists of 10 snow stories (I’ve read six), 10 snowy films, etc.
I found all of the science and history interesting, but especially liked a chapter on depictions of snow in art, such as Pieter Bruegel the Elder’s The Hunters in the Snow. The author also subtly threads in his own story, noting that this quest probably began with the 1960s photograph of himself on skis at a snowy Austrian resort that his father gave him a few weeks before he committed suicide. Twelve years later, it feels like this book doesn’t go far enough in cautioning about all that will be lost with climate change. I was left with the sense that nature is majestic and unpredictable, and we pay the price for not respecting it.
[Breaking from alphabetical order to include this one as a footnote to the previous book.]
The Library of Ice by Nancy Campbell (2018)
This has a very similar format and scope to The Snow Tourist, with Campbell ranging from Greenland and continental Europe to the USA in her search for the science and stories of ice. For English’s chapter on skiing, substitute a section on ice skating. I only skimmed this one because – in what I’m going to put down to a case of reader–writer mismatch – I started it three times between November 2018 and now and could never get further than page 60. See these reviews from Laura and Liz for more enthusiasm.
My thanks to Scribner UK for the free copy for review.
Winterdance: The Fine Madness of Running the Iditarod by Gary Paulsen (1994)
Paulsen’s name was familiar to me from his children’s books – a tomboy, I spent my childhood fascinated by Native American culture, survival skills and animals, and Hatchet was one of my favorite novels. I had no idea he had written books for adults, including this travelogue of competing in the Iditarod sled dog race across the frozen Alaska wilderness. Nearly half the book is devoted to his preparations, before he ever gets to Alaska. He lived in Minnesota and took time assembling what he thought of as a perfect team of dogs, from reliable Cookie, his lead dog, to Devil, whose name says it all. He even starts sleeping in the kennel with the dogs to be fully in tune with them.
The travails of his long trial runs with the dogs – the sled flipping over, having to walk miles after losing control of the dogs, being sprayed in the face by multiple skunks – sound bad enough, but once the Iditarod begins the misery ramps up. The course is nearly 1200 miles, over 17 days. It’s impossible to stay warm or get enough food, and a lack of sleep leads to hallucinations. At one point he nearly goes through thin ice. At another he’s run down by a moose. He also watches in horror as a fellow contestant kicks a dog to death.
Paulsen concludes that you would have to be insane to run the Iditarod, and there’s an appropriately feverish intensity running through the book. The way he describes the bleak beauty of the landscape, you can see how attractive and forbidding it was all at the same time. This is just the kind of adventurous armchair traveling I love (see also This Cold Heaven) – someone else did this, so now I don’t have to!
(Note: The author completed two races and was training for his third when a diagnosis of coronary heart disease ended his Iditarod career in his mid-forties. More than the obsession, more than the competition, he knows that he’ll miss the constant company of dogs. In fact, his last line is “How can it be to live without the dogs?”)
See also these recent releases:
- Snow, Dog, Foot by Claudio Morandini, an avalanche novel set in the Italian Alps
- Two nonfiction books entitled Wintering: Katherine May’s is about depression and Stephen Rutt’s is about geese
And a snowy passage from Winter Journal by Paul Auster:
Snow, so much snow these past days and weeks that fifty-six inches have fallen on New York in less than a month. Eight storms, nine storms, you have lost track by now, and all through January the song heard most often in Brooklyn has been the street music made by shovels scraping against sidewalks and thick patches of ice. Intemperate cold (three degrees one morning), drizzles and mizzles, mist and slush, ever-aggressive winds, but most of all the snow, which will not melt, and as one storm falls on top of another, the bushes and trees in your back garden are all wearing ever-longer and heavier beards of snow. Yes, it seems to have turned into one of those winters, but in spite of the cold and discomfort and your useless longing for spring, you can’t help admiring the vigor of these meteorological dramas, and you continue to look at the falling snow with the same awe you felt when you were a boy.
Did you read any particularly wintry books this season?
Paul Auster Reading Week continues! Be sure to check out Annabel’s excellent post on why you should try Auster. On Monday I reviewed Winter Journal and the New York Trilogy. Adding in last year’s review of Timbuktu, I’ve now read six of Auster’s books and skimmed another one (the sequel to Winter Journal). It’s been great to have this project as an excuse to get more familiar with his work and start to recognize some of the recurring tropes.
Oracle Night (2003)
This reminded me most of The Locked Room, the final volume of the New York Trilogy. There’s even a literal locked room in a book within the book by the narrator, a writer named Sidney Orr. It’s 1982 and Orr is convalescing from a sudden, life-threatening illness. At a stationer’s shop, he buys a fine blue notebook from Portugal, hoping its beauty will inspire him to resume his long-neglected work. When he and his wife Grace go to visit John Trause, Grace’s lifelong family friend and a fellow novelist, Orr learns that Trause uses the same notebooks. Only the blue ones, mind you. No other color fosters the same almost magical creativity.
For long stretches of the novel, Orr is lost in his notebook (“I was there, fully engaged in what was happening, and at the same time I wasn’t there—for the there wasn’t an authentic there anymore”), writing in short, obsessive bursts. In one project, a mystery inspired by an incident from The Maltese Falcon, Nick Bowen, a New York City editor, has a manuscript called Oracle Night land on his desk. Spooked by a near-death experience, he flees to Kansas City, where he gets a job working on a cabdriver’s phone book archive, “The Bureau of Historical Preservation,” which includes a collection from the Warsaw ghetto. But then he gets trapped in the man’s underground bunker … and Orr has writer’s block, so leaves him there. Even though it’s fiction (within fiction), I still found that unspeakably creepy.
In the real world, Orr’s life accumulates all sorts of complications over just nine September days. Some of them are to do with Grace and her relationship with Trause’s family; some of them concern his work. There’s a sense in which what he writes is prescient. “Maybe that’s what writing is all about, Sid,” Trause suggests. “Not recording events from the past, but making things happen in the future.” The novel has the noir air I’ve come to expect from Auster, while the layering of stories and the hints of the unexplained reminded me of Italo Calvino and Haruki Murakami. I even caught a whiff of What I Loved, the novel Auster’s wife Siri Hustvedt published the same year. (It wouldn’t be the first time I’ve spotted similar themes in husband‒wife duos’ work – cf. Jonathan Safran Foer and Nicole Krauss; Zadie Smith and Nick Laird.)
This is a carefully constructed and satisfying novel, and the works within the work are so absorbing that you as the reader get almost as lost in them as Orr himself does. I’d rank this at the top of the Auster fiction I’ve read so far, followed closely by City of Glass.
Report from the Interior (2013)
This sequel to Winter Journal came out a year later. Again, the autobiographical rendering features second-person narration and a fragmentary style. I had a ‘been there, done that’ feeling about the book and only gave it a quick skim. It might be one to try another time.
In the first 100-page section Auster highlights key moments from the inner life of a child. For instance, he remembers that the epiphany that a writer can inhabit another mind came while reading Robert Louis Stevenson’s poetry, and he emulated RLS in his own first poetic attempts. The history and pop culture of the 1950s, understanding that he was Jewish, and reaping the creative rewards of boredom are other themes. I especially liked a final anecdote about smashing his seventh-grade teacher’s reading challenge and being driven to tears when the man disbelieved that he’d read so many books and accused him of cheating.
Other sections give long commentary on two films (something he also does in Winter Journal with 10 pages on the 1950 film D.O.A.), select from letters he wrote to his first wife in the late 1960s while living in Paris, and collect an album of black-and-white period images such as ads, film stills and newspaper photographs. There’s a strong nostalgia element, such that the memoir would appeal to Auster’s contemporaries and those interested in learning about growing up in the 1950s.
Ultimately, though, this feels unnecessary after Winter Journal. Auster repeats a circular aphorism he wrote at age 20: “The world is in my head. My body is in the world. You will stand by that paradox, which was an attempt to capture the strange doubleness of being alive, the inexorable union of inner and outer”. But I’m not sure that body and mind can be so tidily separated as these two works posit. I got more of an overall sense of Auster’s character from the previous book, even though it was ostensibly focused on his physical existence.
The library at the university where my husband works holds another four Auster novels, but I’ll wait until next year to dive back into his work. After reading other people’s reviews, I’m now most keen to try The Brooklyn Follies, Invisible and In the Country of Last Things.