Brother by David Chariandy
Canadian author David Chariandy’s second novel was longlisted for the Giller Prize and won the Rogers Writers’ Trust Fiction Prize. Narrator Michael and his older brother Francis grew up in the early 1980s in The Park, a slightly dodgy area of Toronto. Their single mother, Ruth, is a Trinidadian immigrant who worked long shifts as a cleaner to support the family after their father left early on. From the first pages we know that Francis is an absence, but don’t find out why until nearly the end of the book. The short novel is split between the present, as Michael and Ruth try to proceed with normal life, and vignettes from the past, culminating in the incident that took Francis from them 10 years ago.
The title is literal, of course, but also street slang for friends or comrades. Michael looked up to street-smart Francis, who fell in with a gang of “losers and neighbourhood schemers” and got expelled from school at age 18. Francis tried to teach his little brother how to carry himself: “You’ve got to be cooler about things, and not put everything out on your face all the time.” Yet the more we hear about Francis staying with friends at a barber shop and getting involved with preparations for a local rap DJ competition, the more his ideal of aloof masculinity starts to sound ironic, if not downright false.
I came into the book with pretty much no idea of what it was about. It didn’t fit my narrow expectations of Canadian fiction (sweeping prairie stories or hip city ones); instead, it reminded me of The Corner by David Simon, We, the Animals by Justin Torres, and Another Day in the Death of America by Gary Younge. It undoubtedly gives a powerful picture of immigrant poverty and complicated grief. Yet the measured prose somehow left me cold.
Brother was published in the UK by Bloomsbury on March 8th. My thanks to the publisher for the free copy for review.
Sharp by Michelle Dean
“People have trouble with women who aren’t ‘nice,’ … who have the courage to sometimes be wrong in public.” In compiling 10 mini-biographies of twentieth-century women writers and cultural critics who weren’t afraid to be unpopular, Dean (herself a literary critic) celebrates their feminist achievements and insists “even now … we still need more women like this.” Her subjects include Rebecca West, Mary McCarthy, Susan Sontag, Joan Didion, Nora Ephron and Renata Adler. She draws on the women’s correspondence and published works as well as biographies to craft concise portraits of their personal and professional lives.
You’ll get the most out of this book if a) you know nothing about these women and experience this as a taster session; or b) you’re already interested in at least a few of them and are keen to learn more. I found the Dorothy Parker and Hannah Arendt chapters most interesting because, though I was familiar with their names, I knew very little about their lives or works. Parker’s writing was pulled from a slush pile in 1914 and she soon replaced P.G. Wodehouse as Vanity Fair’s drama critic. Her famous zingers masked her sadness over her dead parents and addict husband. “This was her gift,” Dean writes: “to shave complex emotions down to a witticism that hints at bitterness without wearing it on the surface.”
Unfortunately, such perceptive lines are few and far between, and the book as a whole lacks a thesis. Chance meetings between figures sometimes provide transitions, but the short linking chapters are oddly disruptive. In one, by arguing that Zora Neale Hurston would have done a better job covering a lynching than Rebecca West, Dean only draws attention to the homogeneity of her subjects: all white and middle-class; mostly Jewish New Yorkers. I knew too much about Sontag and Didion to find their chapters interesting, but enjoyed reading more about Ephron. I’ll keep the book to refer back to when I finally get around to reading Mary McCarthy. It has a terrific premise, but I found myself asking what the point was.
Sharp was published in the UK by Fleet on May 3rd. My thanks to the publisher for a proof copy for review.
The Valley at the Centre of the World by Malachy Tallack
I’d previously enjoyed Malachy Tallack’s two nonfiction books, Sixty Degrees North and The Undiscovered Islands. In his debut novel he returns to Shetland, where he spent some of his growing-up and early adult years, to sketch out a small community and the changes it undergoes over about ten months. Sandy has lived in this valley for three years with Emma, but she left him the day before the action opens. Unsure what to do now, he sticks around to help her father, David, butcher the lambs. After their 90-year-old neighbor, Maggie, dies, Sandy takes over her croft. Other valley residents include Ryan and Jo, a troubled young couple; Terry, a single dad; and Alice, who moved here after her husband’s death and is writing a human and natural history of the place, The Valley at the Centre of the World. (This strand reminded me of Annalena McAfee’s Hame.)
The prose is reminiscent of the American plain-speaking style of books set in the South or Appalachia – Richard Ford, Walker Percy, Ron Rash and the like. We dive deep into this tight-knit community and its secrets. It’s an offbeat blend of primitive and modern: the minimalism of the crofting life contrasts with the global reach of Facebook, for instance. When Ryan and Jo host a housewarming party, all the characters are brought together at about the halfway point, and some relationships start to shift. Overall, though, this is a slow and meandering story. Don’t expect any huge happenings, just some touching reunions and terrific scenes of manual labor. David is my favorite character, an almost biblical patriarch who seems “to live in a kind of eternal present, looking neither forward nor backward but always, somehow, towards the land.”
Tallack has taken a risk by writing in phonetic Shetland dialect. David’s speech is particularly impenetrable. The dialect does rather intrude; the expository passages are a relief. I’ve been to Shetland once, in 2006. This quiet story of belonging versus being an outsider is one to reread there some years down the line: I reckon I’d appreciate it more on location.
The Valley at the Centre of the World was published by Canongate on May 3rd. My thanks to the publisher for the free copy for review.
So you think you’d like to run a bookshop? Here’s a book to tempt and deter you in equal measure. In 2001 Shaun Bythell acquired The Book Shop, the flagship bookstore in Wigtown, the Book Town in Galloway in the southwest of Scotland. Here he gives a one-year snapshot of life at the shop, from February 2014 to February 2015. At the start you can feel the winter chill in the old granite building, and as months pass you sense mounting excitement at preparations for the annual Book Festival (going on now) and the Scottish referendum. It’s a pleasure to spend a vicarious year at the shop. This would make a great bedside book for a bookish type to parcel out 5–10 pages at a time (another Christmas gift idea?).
Bythell frequently ventures out to buy book collections in auctions and from estates, and occasionally goes fishing with his father or friends. But mostly we see what daily life is like for a bookshop owner. He can’t afford full-time staff, so gets sporadic help from university-age gals; his most “reliable” part-timer is Nicky, a ski suit-wearing, Dumpster-diving Jehovah’s Witness who blithely ignores much of what he asks her to do.
Every entry opens and closes with statistics on the day’s takings and online orders. Profits range from £5 to £500 a day, rising in the summer and peaking around £1200 during the festival. Also listed is the number of customers who make purchases, which represents only one-fifth of daily footfall. Nowadays most bookstores sell online too, and The Book Shop reluctantly partners with Amazon as a marketplace seller. There’s also ABE and eBay; as a last-ditch option, some outfits take books in bulk, even if just to recycle them. Alongside online sales, it’s essential for bookstores to have sidelines. Bythell does video production and sells furniture, antiques and walking sticks carved by “Sandy, the tattooed pagan.”
As with Wendy Welch’s The Little Bookstore of Big Stone Gap, I enjoyed the nitty-gritty details about acquiring and pricing books, especially the serendipitous moments of coming across real treasures, like a book signed by Sir Walter Scott and a 1679 edition of the Decameron with an interesting provenance. The book is also full of quirky customer behavior, the kind of stuff that fills The Book Shop’s Facebook feed. Bythell cultivates a curmudgeonly persona – he once shot a broken Kindle and mounted it on the bookshop wall – and maintains a tone that’s somewhere between George Orwell (excerpts from whose “Bookshop Memories” serve as monthly epigraphs) and Jen Campbell (Weird Things Customers Say in Bookshops et al.). Here’s a few of the best encounters:
a whistling customer with a ponytail and what I can only assume was a hat he’d borrowed from a clown bought a copy of Paolo Coelho’s The Alchemist, I suspect deliberately to undermine my faith in humanity and dampen my spirits further.
A man smelling of TCP [antiseptic] was the only customer in the shop for the first hour of opening, during which time I attempted to put out fresh stock. He had an uncanny ability to be standing in front of every shelf to which I needed access, regardless of the subject or where in the shop the relevant shelves were.
While I was repairing a broken shelf in the crime section, I overheard an elderly customer confusing E. L. James and M. R. James while discussing horror fiction with her friend. She is either going to be pleasantly surprised or deeply shocked when she gets home with the copy of Fifty Shades of Grey she bought.
I’ve been to Hay-on-Wye six times now but haven’t made it to Wigtown yet. It’s high on my bookish wish list. I had two additional reasons for wanting to read this particular book: I’d read Three Things You Need to Know about Rockets, a memoir by Bythell’s former partner, the American Jessica Fox (here known as “Anna”; in her book he’s “Ewan”), about coming to Scotland on a whim and falling in love with a bookshop owner; and I’m awfully fond of The Bookshop Band, a folky husband–wife musical duo who this year relocated from Bath to Wigtown. It was such fun to read about their first time playing in Wigtown and their stay as the inaugural guests/temporary store managers via The Open Book Airbnb project.I’ve written that the bookseller’s life is both appealing and daunting. When Bythell is lugging heavy boxes from a house clearance into his van and sorting through them only to find he’s acquired mostly rubbish, or when he comes across a browser who’s brazenly looking up books on Amazon on her laptop to see if she can get them cheaper, you wonder who’d do this for a living. But then there are times when he’s sitting by the fire with an excellent book recommended by a customer, or the town is bustling with festival events, or he’s watching spring come to rural Scotland, and you think: what could be better? In one of his last entries Bythell writes, “whatever is required to keep the ship afloat will be done. This life is infinitely preferable to working for someone else.” I wish him well, and hope to visit soon.
The Book Shop trivia:
- December is by far the quietest month. (“The few people who give second-hand books as gifts for Christmas are usually eccentric” – count me as one of them!)
- Railway books sell best.
- Terry Pratchett, John Buchan, P.G. Wodehouse and E.F. Benson books are also perennial best sellers.
- You’ll be amazed at how many customers try to haggle over prices. It’s a shop, not a rummage sale, for goodness’ sake! I can’t imagine ever having the cheek to offer less than the advertised price.
The Diary of a Bookseller was released in the UK on September 28th. My thanks to Profile Books for the free review copy.