Tag Archives: novellas

Novellas in November 2022: That’s a Wrap!

This was Cathy’s and my third year co-hosting Novellas in November. We’ve done our best keeping up with your posts, which Cathy has collected as links on her master post.

The challenge seemed doomed at points, what with my bereavement and Cathy catching Covid a second time, but we persisted! At last count, we had 42 bloggers who took part this year, contributing just over 150 posts covering some 170+ books.

Ten of us read our chosen buddy read, Foster by Claire Keegan (with four bloggers reading Keegan’s Small Things Like These also/instead). I’ve gathered the review links here.

Our next most popular novella was a recent release, Maureen [Fry and the Angel of the North] by Rachel Joyce, which was reviewed four times. Other books highlighted more than once were Follow the Rabbit-Proof Fence, Mrs Caliban, The Swimmers, The Time Machine, Winter in Sokcho, Ti Amo, Body Kintsugi, Notes on Grief, and Another Brooklyn.

Thank you all for being so engaged with #NovNov22! We’ll see you back here next year.

Five Final Novellas: Adichie, Glück, Jhabvala, Victory for Ukraine, Woodson (#NovNov22)

We’ll wrap up Novellas in November and give some final statistics tomorrow. Today, I have mini reviews of another five novellas I read this month: one short nonfiction reread and then fiction ranging from India in the 1920s to short stories in comics about the war in Ukraine.

 

Notes on Grief by Chimamanda Ngozi Adichie (2021)

[85 pages]

This came out in May last year – I pre-ordered it from Waterstones with points I’d saved up, because I’m that much of a fan – and it’s rare for me to reread something so soon, but of course it took on new significance for me this month. Like me, Adichie lived on a different continent from her family and so technology mediated her long-distance relationships. She saw her father on their weekly Sunday Zoom on June 7, 2020 and he appeared briefly on screen the next two days, seeming tired; on June 10, he was gone, her brother’s phone screen showing her his face: “my father looks asleep, his face relaxed, beautiful in repose.”

My experience of my mother’s death was similar: everything was sudden; my sister was the one there at the hospital, while all I could do was wait by the phone/laptop for news. So these details were particularly piercing, but the whole essay resonated with me as she navigates the early days of grief and remembers what she most admires about her father, including his piety, record-keeping and pride in her. (How lucky I am that Covid travel restrictions were no longer a factor; they delayed his memorial service.) My original review is here. Cathy also reviewed it. If you wish, you can read the New Yorker piece it arose from here.

 

Marigold and Rose: A Fiction by Louise Glück (2022)

[52 pages]

The first (and so far only) fiction by the poet and 2020 Nobel Prize winner, this is a curious little story that imagines the inner lives of infant twins and closes with their first birthday. Like Ian McEwan’s Nutshell, it ascribes to preverbal beings thoughts and wisdom they could not possibly have. Marigold, the would-be writer of the pair, is spiky and unpredictable, whereas Rose is the archetypal good baby.

Marigold did not like people. She liked Mother and Father; everyone else had not yet been properly inspected. Rose did like people and she intended them to like her. … Everyone understood that Marigold lived in her head and Rose lived in the world.

 

Now every day was like the days when the twins did not perform well at naptime. Then Mother and Father would begin to look tired and harassed. Mother explained that babies got tired too; often, they cried because they were tired. I don’t cry because I’m tired, Marigold thought. I cry because something has disappointed me.

As a psychological allegory, this tracks personality development and the growing awareness of Mother and Father as separate people with their own characteristics, some of which each girl replicates. But I failed to find much of a point.

With thanks to Carcanet Press for the free e-copy for review.

 

Heat and Dust by Ruth Prawer Jhabvala (1975)

[181 pages]

A lesser-known Booker Prize winner that we read for our book club’s women’s classics subgroup. My reading was interrupted by the last-minute trip back to the States, so I ended up finishing the last two-thirds after we’d had the discussion and also watched the movie. I found I was better able to engage with the subtle story and understated writing after I’d seen the sumptuous 1983 Merchant Ivory film: the characters jumped out for me much more than they initially had on the page, and it was no problem having Greta Scacchi in my head.

In 1923, Olivia is a bored young officer’s wife in India who becomes infatuated with the Nawab, an Indian prince involved in some dodgy dealings. In the novel’s present day, Olivia’s step-granddaughter (never named; in the film she’s called Anne, played by Julie Christie and changed to a great-niece for some reason) is also in India, enjoying the hippie freedom and rediscovering Olivia’s life through the letters she wrote to her sister. Both novel and film cut quickly and often between the two time periods to draw increasingly overt parallels between the women’s lives, culminating in unexpected pregnancies and difficult decisions to be made. I enjoyed the atmosphere (see also The Painted Veil and China Room) and would recommend the film, but I doubt I’ll seek out more by Jhabvala. (Public library)

 

PEREMOHA: Victory for Ukraine (2022)

[96 pages]

Various writers and artists contributed these graphic shorts, so there are likely to be some stories you enjoy more than others. “The Ghost of Kyiv” is about a mythical hero from the early days of the Russian invasion who shot down six enemy planes in a day. I got Andy Capp vibes from “Looters,” about Russian goons so dumb they don’t even recognize the appliances they haul back to their slum-dwelling families. (Look, this is propaganda. Whether it comes from the right side or not, recognize it for what it is.) In “Zmiinyi Island 13,” Ukrainian missiles destroy a Russian missile cruiser. Though hospitalized, the Ukrainian soldiers involved – including a woman – can rejoice in the win. “A pure heart is one that overcomes fear” is the lesson they quote from a legend. “Brave Little Tractor” is an adorable Thomas the Tank Engine-like story-within-a-story about farm machinery that joins the war effort. A bit too much of the superhero, shoot-’em-up stylings (including perfectly put-together females with pneumatic bosoms) for me here, but how could any graphic novel reader resist this Tokyopop compilation when a portion of proceeds go to RAZOM, a nonprofit Ukrainian-American human rights organization? (Read via Edelweiss)

 

Another Brooklyn by Jacqueline Woodson (2016)

[175 pages]

August looks back on her coming of age in 1970s Bushwick, Brooklyn. She lived with her father and brother in a shabby apartment, but friendship with Angela, Gigi and Sylvia lightened a gloomy existence: “as we stood half circle in the bright school yard, we saw the lost and beautiful and hungry in each of us. We saw home.” As in Very Cold People, though, this is not an untroubled girlhood. Male threat is everywhere, and if boyfriends bring sexual awakening they are also a constant goad to do more than girls are ready for. In short, flitting paragraphs, Woodson explores August’s past – a childhood in Tennessee, her uncle who died in the Vietnam War, her father’s growing involvement with the Nation of Islam. What struck me most, though, was August’s coming to terms with her mother’s death, a fact she doesn’t even acknowledge at first, and the anthropological asides about other cultures’ death rituals. This was my second from Woodson after the Women’s Prize-longlisted Red at the Bone, and I liked them about the same. A problem for me was that Brown Girls, which, with its New York City setting and focus on friendships between girls of colour, must have at least partially been inspired by Another Brooklyn, was better. (Public library)

 

In total, I read 17 novellas this November, though if you add in the ones I’d read in advance and then reviewed over the course of the month, I managed 24. All things considered, I think that’s a great showing. The 5-star stand-outs for me were The Hero of This Book and Body Kintsugi, but Up at the Villa was also a great read.

For Thy Great Pain… and Ti Amo for #NovNov22

On Friday evening we went to see Aqualung give his first London show in 12 years. (Here’s his lovely new song “November.”) I like travel days because I tend to get loads of reading done on my Kindle, and this was no exception: I read both of the below novellas, plus two-thirds of a poetry collection. Novellas aren’t always quick reads, but these were.

 

For Thy Great Pain Have Mercy on My Little Pain by Victoria Mackenzie (2023)

Two female medieval mystics, Julian of Norwich and Margery Kempe, are the twin protagonists of Mackenzie’s debut. She allows each to tell her life story through alternating first-person strands that only braid together very late on when she posits that Margery visited Julian in her cell and took into safekeeping the manuscript of her “shewings.” I finished reading Julian’s Revelations of Divine Love earlier this year and, apart from a couple of biographical details (she lost her husband and baby daughter to an outbreak of plague, and didn’t leave her cell in Norwich for 23 years), this added little to my experience of her work.

I didn’t know Margery’s story, so found her sections a little more interesting. A married mother of 14, she earned scorn for preaching, prophesying and weeping in public. Again and again, she was told to know her place and not dare to speak on behalf of God or question the clergy. She was a bold and passionate woman, and the accusations of heresy were no doubt motivated by a wish to see her humiliated for claiming spiritual authority. But nowadays, we would doubtless question her mental health – likewise for Julian when you learn that her shewings arose from a time of fevered hallucination. If you’re new to these figures, you might be captivated by their bizarre life stories and religious obsession, but I thought the bare telling was somewhat lacking in literary interest. (Read via NetGalley) [176 pages]

Coming out on January 19th from Bloomsbury.

 

Ti Amo by Hanne Ørstavik (2020; 2022)

[Translated from the Norwegian by Martin Aitken; Archipelago Books]

Ørstavik wrote this in the early months of 2020 while she was living in Milan with her husband, Luigi Spagnol, who was her Italian publisher as well as a painter. They had only been together for four years and he’d been ill for half of that. The average life expectancy for someone who had undergone his particular type of pancreatic cancer surgery was 15–20 months; “We’re at fifteen months now.” Indeed, Spagnol would die in June 2020. But Ørstavik writes from that delicate in-between time when the outcome is clear but hasn’t yet arrived:

What’s real is that you’re still here, and at the same time, as if embedded in that, the fact that soon you’re going to die. Often I don’t feel a thing.

She knows, having heard it straight from his doctor’s lips, that her husband is going to die in a matter of months, but he doesn’t know. And now he wants to host a New Year’s Eve party, as is their annual tradition. Ørstavik skips between the present, the couple’s shared past, and an incident from her recent past that she hasn’t yet told anyone else: not long ago, while in Mexico for a literary festival, she fell in love with A., her handler. And while she hasn’t acted on that, beyond a kiss on the cheek, it’s smouldering inside her, a secret from the husband she still loves and can’t bear to hurt. Novels are where she can be most truthful, and she knows the one she needs to write will be healing.

There are many wrenching scenes and moments here, but it’s all delivered in a fairly flat style that left little impression on me. I wonder if I’d appreciate her fiction more. (Read via Edelweiss) [124 pages]

Miscellaneous Novellas: Jungle Nama, The Magic Pudding, Tree Glee (#NovNov22)

Here’s a random trio of short books I read earlier and haven’t managed to review until now. Novellas in November is a deliberately wide-ranging challenge, taking in almost any genre you care to read – here I have a retold fable, a bizarre children’s classic, and a self-help work celebrating our connection with trees. I’ll do a couple more of these miscellaneous round-ups before the end of the month.

 

Jungle Nama: A Story of the Sunderban by Amitav Ghosh (2021)

My first from Ghosh. It’s a retelling in verse of a local Indian legend about Dhona, a greedy merchant who arrives in the mangrove swamps to exploit their resources. To gain wealth he is willing to sacrifice his destitute cousin, Dhukey, to placate Dokkhin Rai, a jungle-dwelling demon that takes the form of a man-eating tiger.

However, Dhukey’s mother, distrustful of their cousin, prepared her son for trouble, telling him that if he calls on the goddess Bon Bibi in dwipodi-poyar (rhyming couplets of 24 syllables), she will rescue him. I loved this idea of poetry itself saving the day.

The legend is told, then, in that very Bengali verse style. The insistence on rhyme sometimes necessitates slightly silly word choices, but the text feels very musical. Beyond the fairly obvious messages of forgiveness—

But you must forgive him, rascal though he is;

to hate forever is to fall into an abyss.

—and not grasping for more than you need—

All you need do, is be content with what you’ve got;

to be always craving more, is a demon’s lot.

—I appreciated the idea of ordered verse replicating, or even creating, the order of nature:

Thus did Bon Bibi create a dispensation,

that brought peace to the beings of the Sundarban;

every creature had a place, every want was met,

all needs were balanced, like the lines of a couplet.

With illustrations by Salman Toor. (Public library) [79 pages]

 

The Magic Pudding by Norman Lindsay (1918)

This is one of the stranger books I’ve ever read. I happened to see it on Project Gutenberg and downloaded it pretty much for the title alone, without knowing anything about it. It’s an obscure Australian children’s chapter book peopled largely by talking animals. Bill Barnacle (a human), Bunyip Bluegum (a koala bear) and Sam Sawnoff (a penguin) come into possession of a magical pudding by the name of Albert. Cut into the puddin’ as often as you like for servings of steak and kidney pudding and apple dumpling – or your choice from a limited range of other comforting savoury and sweet dishes – and he simply regenerates.

Naturally, others want to get their hands on this handy source of bounteous food, and the characters have to fend off would-be puddin’-snatchers such as a possum and a wombat and even take their case before a judge. The four chapters are called “Slices,” there are lots of songs reminiscent of Edward Lear, and the dialogue often veers into the farcical:

“‘You can’t wear hats that high, without there’s puddin’s under them,’ said Bill. ‘That’s not puddin’s,’ said the Possum; ‘that’s ventilation. He wears his hat like that to keep his brain cool.’”

I did find it all amusing, but also inane, such that I don’t necessarily think it earns its place as a rediscovered classic. It didn’t help that I then borrowed a copy of the book from the library and found that it was a terribly reproduced “Alpha Editions” version in Comic Sans with distorted illustrations and no line breaks in the songs. (Public library) [169 pages]

 

Tree Glee: How and Why Trees Make Us Feel Better by Cheryl Rickman (2022)

This is a small-format coffee table self-help book for nature lovers. It affirms something that many of us know intuitively: being around trees improves our mood and our health. Rickman looks at this from a psychological and a cultural perspective, and talks about her own love of trees and how it helped her get through difficult times in life such as when she lost her mum when she was a teenager. She includes some practical ideas for how to spend more time in nature and how we can fight to preserve trees. Unfortunately, a lot of the information was very familiar to me from books such as Rooted by Lyanda Lynn Haupt and Losing Eden by Lucy Jones – for a long time, forest bathing was one of the themes that kept recurring across my reading – such that this felt like an unnecessary rehashing, illustrated with stock photographs that are nice enough to look at but don’t add anything. [182 pages]

With thanks to Welbeck for the free copy for review.

Two for #NovNov22 and #NonFicNov: Recipe and Shameless

Contrary to my usual habit of leaving new books on the shelf for years before actually reading them, these two are ones I just got as birthday gifts last month. They were great choices from my wish list from my best friend and reflect our mutual interests (foodie lit) and experiences (ex-Evangelicals raised in the Church).

 

Recipe by Lynn Z. Bloom (2022)

This is part of the Bloomsbury Object Lessons series of short nonfiction works (I’ve only read a few of the other releases, but I’d also recommend Fat by Hanne Blank). Bloom, an esteemed academic based in Connecticut, envisions a recipe as being like a jazz piece: it arises from a clear tradition, yet offers a lot of scope for creativity and improvisation.

A recipe is a paradoxical construct, a set of directions that specify precision but—baking excepted—anticipate latitude. A recipe is an introduction to the logic of a dish, a scaffold bringing order to the often casual process of making it.

A recipe supplies the bridge between hope and fulfilment, for a recipe offers innumerable opportunities to review, revise, adapt, and improve, to make the dish the cook’s and eater’s own.

She considers the typical recipe template, the spread of international dishes, how particular chefs incorporate stories in their cookbooks, and the role that food plays in celebrations. To illustrate her points, she traces patterns via various go-to recipes: for chicken noodle soup, crepes, green salad, mac and cheese, porridge, and melting-middle chocolate pots.

I most enjoyed the sections on comfort food (“a platterful of stability in a turbulent, ever-changing world beset by traumas and tribulations”) and Thanksgiving – coming up on Thursday for Americans. Best piece of trivia: in 1909, President Taft, known for being a big guy, served a 26-pound opossum as well as a 30-pound turkey for the White House holiday dinner. (Who knew possums came that big?!)

Bloom also has a social conscience: in Chapters 5 and 6, she writes about the issues of food insecurity, and child labour in the chocolate production process. As important as these are to draw attention to, it did feel like these sections take away from the main focus of the book. Recipe also feels like it was hurriedly put together – with more typos than I’m used to seeing in a published work. Still, it was an engaging read. [136 pages]

 

Shameless: A Sexual Reformation by Nadia Bolz-Weber (2019)

“Shame is the lie someone told you about yourself.” ~Anaïs Nin

Bolz-Weber, founding Lutheran pastor of House for All Sinners and Saints in Denver, Colorado, was a mainstay on the speaker programme at Greenbelt Festival in the years I attended. Her main arguments here: people matter more than doctrines, sex (like alcohol, food, work, and anything else that can become the object of addiction) is morally neutral, and Evangelical/Religious Right teachings on sexuality are not biblical.

She believes that purity culture – familiar to any Church kid of my era – did a whole generation a disservice; that teaching young people to view sex as amazing-but-deadly unless you’re a) cis-het and b) married led instead to “a culture of secrecy, hypocrisy, and double standards.”

Purity most often leads to pride or to despair, not to holiness. … Holiness happens when we are integrated as physical, spiritual, sexual, emotional, and political beings.

A number of chapters are built around anecdotes about her parishioners, many of them queer or trans, and about her own life. “The Rocking Chair” is an excellent essay about her experience of pregnancy and parenthood, which includes having an abortion at age 24 before later becoming a mother of two. She knows she would have loved that baby, yet she doesn’t regret her choice at all. She was not ready.

This chapter is followed by an explanation of how abortion became the issue for the political right wing in the USA. Spoiler alert: it had nothing to do with morality; it was all about increasing the voter base. In most Judeo-Christian theology prior to the 1970s, by contrast, it was believed that life started with breath (i.e., at birth, rather than at conception, as the pro-life lobby contends). In other between-chapter asides, she retells the Creation story and proffers an alternative to the Nashville Statement on marriage and gender roles.

Bolz-Weber is a real badass, but it’s not just bravado: she has the scriptures to back it all up. This was a beautiful and freeing book. [198 pages]

Seven Cats I Have Loved by Anat Levit (Translated by Yardenne Greenspan) for #NovNov22

“Most of the cats I come across must be able to sense right away that I am nothing but a cat in human clothes.”

This short memoir could have fit next week’s nonfiction focus, but because it is translated from the Hebrew I’ve chosen to use it to round off our literature in translation week. Poet Anat Levit didn’t start off as a cat lady, yet in the year following her divorce she adopted five kittens. The first, Shelly, was a present for her small daughters, Daphna and Shlomit, and then another four fluffballs tempted her at the pet store: Afro, Lady, Mocha and Jesse. Add on Cleo, a beautiful Siamese she bought on impulse from a neighbour, and Mishely, a local stray she started to look after, and there you have it: the seven cats who took over her life.

This is a loose narrative filled with little observations on the differences in her cats’ appetites, mannerisms, and relationships to each other and to the author. As much as she loves them, Levit seems to find the animals a heavy emotional burden: she constantly wonders if she’s doing her best for them, treating them all the same (better than her children?), and so on.

Unfortunately, I felt the most attention is paid to the cats’ various illnesses and vet visits, and especially the periods of decline leading to each one’s death. Pets only live a fraction as long as humans, so books about loving them often incorporate death, and some might argue that it’s an essential part of the story: that your care for an animal companion encompasses their whole life and includes the duty to ease their death. Fair enough. But it can be a downer to read about. So, cat lovers, think carefully about whether you can handle the content; if you’re after sweet anecdotes and antics, this is not that book. Something about either the writing or the translation meant that I found the tone either too matter-of-fact (recounting the physical facts of deterioration) or melodramatic, e.g.,

That evening, it dawned on me that I had to hurry up and release Cleo from the relics of existence that survived in his body. Sometimes, death dawdles for no reason. On the threshold of my cats’ demise, it prescribed the kind of suffering that seemed to have erased the sweetness of all their previous years at once.

– and not often finding a balance. Still, there are some sweet moments that pet owners will appreciate. (A similar read from last year: The Writer’s Cats by Muriel Barbery.)

[133 pages]

With thanks to Serpent’s Tail for the free copy for review.

Fair Play by Tove Jansson (#NovNov22 Translated Week)

Apart from A Winter Book and The Summer Book, I’m still new to Tove Jansson’s writing for adults, having become most familiar with her Moomins series over the last 11 years. This is a late work, first published in 1989 but not available in English translation (by Thomas Teal; published by Sort Of Books, with an introduction by Ali Smith) until 2007.

Rather like a linked short story collection, it presents vignettes from the lives of two female artists – Mari, a writer and illustrator; and Jonna, a visual artist and filmmaker – who are long-term, devoted partners. Of course, this cannot be read as other than autobiographical of Jansson and her partner of 45 years, Tuulikki Pietilä. There are other specific details drawn from life, too.

What the book does beautifully is recreate the rhythm of life lived alongside another person. The two women have studio space at either end of a large apartment building and meet to watch films (the subject of “Videomania”) and go on trips. Each other’s work is a background hum if no longer a daily keeping-to-task.

Not a lot happens, so not too much stood out; a couple of other favourite stories were “Wladyslaw,” about welcoming a Polish refugee friend, and “In the Great City of Phoenix,” about a stop at an Arizona hotel. The final piece, “The Letter,” however, does present an imminent change: one of the partners is invited on a foreign fellowship and love means a temporary letting go. (Public library)

[127 pages]

 


I also recently read a forthcoming artistic/biographical study of Tove Jansson for Shelf Awareness, to be released by Thames & Hudson on December 6th. As it is also novella-length, it’s a good link between our literature in translation week and next week’s nonfiction focus. Here’s an excerpt from my review:

 

Tove Jansson: The Illustrators by Paul Gravett

This potted biography of the author best known for the Moomins showcases the development of her artistic style and literary themes. Born at the start of World War I into a family of artists (her father a sculptor, her mother a graphic designer, her brother Lars a collaborator on her comics), Jansson wanted to paint but had limited opportunities as a woman. The book contains a wealth of illustrations – over 100, so nearly one per page – including photographs and high-quality reproductions, many in color and some in black and white, of Jansson’s comics, paintings and book covers. Gravett also probes the autobiographical influences on Jansson’s work, which are particularly clear in her 15 books for adults. A sensitive portrayal of Finland’s most widely translated author, this is itself a work of art.

[112 pages]

Novellas in November: A Change of Plans

I will be leaving Novellas in November in Cathy’s very capable hands this year. From tomorrow there will be a pinned post on her blog, 746 Books, where you can leave your links throughout the month.

We lost my mother yesterday evening, suddenly, and I’ll be flying out to the States in the next couple of days to help with arrangements and attend the funeral.

I happen to have read a few novellas already so will schedule in reviews of those, but won’t be able to read or write as much as I’d like. I might not manage to reply to comments or keep up with social media and your own blogs – forgive me.

I’ll be taking plenty of books with me, including lots of novellas. Perfect for travel days and moments stolen away from tedious admin tasks. And (books in general, of course) for distraction, comfort and good cheer. One thing I was sure to mention in the obituary I wrote this morning was that my mother passed on to me and to her many students her great love of reading.

Planning My Reading Stacks for Novellas in November (#NovNov22)

Just a couple of weeks until Novellas in November (#NovNov22) begins! I gathered up all of my potential reads for a photo shoot, including review copies, library loans, recent birthday gifts and books that have been languishing on my shelves for ages.

 

Week One: Short Classics (= pre-1980)

 

Week Two: Novellas in Translation

I always struggle with this prompt the most. (The Sorrows of Young Werther by Johann Wolfgang Goethe would also be a token contribution to German Literature Month.)

 

Week Three: Short Nonfiction

This is probably (not so secretly) my favourite week of the month. Others may find it strange to consider nonfiction during a novellas month, but this challenge is really about celebrating the art of the short book in all its forms, and I love a work that can contribute something significant on a topic, or illuminate a portion of an author’s life, in under 200 pages.

 

Week Four: Contemporary Novellas (= post-1980)


I have a few other options on my e-readers as well, such as Marigold and Rose by Louise Glück, Foster by Claire Keegan (our buddy read for the month), and The Hero of This Book by Elizabeth McCracken.

I read 29 novellas last November; why not aim for one a day this time?! November is also Margaret Atwood Reading Month, so I’ve lined up one of her fairly recent poetry collections that I picked up from a Little Free Library. Apart from that, I do have a few review books I need to get to for Shelf Awareness, so it’ll be a jam-packed month.

Kate has already come up with her list of possible titles. Look out for Cathy’s today, too. If you’re struggling for ideas, here’s a long list of suitable authors and publishers I put together last year, or you might like to browse through the reviews from 2021.

Now to get reading!!

Do you have any novellas in mind to read next month?

Which options from my stacks should I prioritize?

Birthday Outing and Book Haul

I’m not quite sure why, but I’ve made it a habit of posting something about each birthday I’ve celebrated since I started blogging. Maybe because, otherwise, the years pass so quickly that I can’t remember from one to another what I did, ate, or received as presents! So, to follow on from my 2015, 2016, 2017, 2018, 2019, 2020, and 2021 posts, here’s this year’s rundown. (Oh dear, I realize I’ve read just one of the books I received last year!)

On Thursday, I treated myself to a charity shop crawl around Newbury (it’s a great place for thrift shopping, as is nearby Thatcham) and got two jumpers plus this small stack of secondhand books.

Then yesterday, my actual birthday, we took time off and went to Kelmscott Manor in West Oxfordshire/the Cotswolds (right on the border with Gloucestershire), where Victorian designer William Morris lived. We’re a fan of Morris’s floral-based wallpaper and textile designs and he was a progressive thinker, too, embracing socialism and environmentalism – I’ll get his utopian novel, News from Nowhere, out from the university library to read soon. Despite a drizzly start to the day, the place was packed with visitors. The tea shop’s cakes incorporate fruit from the manor’s own trees. Naturally, I had to sample two of their offerings, and still had room for a chocolate beetroot cupcake (with the requisite candle) once we got home.

On the way back, we stopped in Wantage for some secondhand book shopping. I’d found out about Regent market from Simon’s blog and he’s right – it’s huge, with an excellent stock and good prices (£2 or £2.50 for nearly everything I looked at, vs. when we were in Inverness I didn’t buy a thing at Leakey’s because even poor-condition paperbacks started at £4). I would happily have spent much longer there and acquired twice as much, but one must be restrained when there are further book hauls to come. I was pleased to find several books I’ve been interested in reading for a while, as well as a couple by authors I’ve enjoyed before.

I requested a vegan Chinese feast, inspired by a recent cookbook I’ve reviewed for Shelf Awareness’s upcoming gift books feature, The Vegan Chinese Kitchen by Hannah Che. My husband made a special trip to an Asian grocery superstore in Reading and the recipes were fairly involved, but the results – cabbage rolls, wontons and bao buns, most featuring tofu and mushrooms – were worth waiting for. We have leftovers for the weekend, along with a banoffee cheesecake from Nigella Lawson’s Kitchen still to come. (When are complicated dishes for if not for birthdays?)

Here are the books I received as birthday gifts, with more to come, I expect, plus a significant amount of birthday money that I may well spend on books. Some good options for #NovNov22 in here!