Tag: Newbury

Jane Eyre at the Newbury Corn Exchange

This is the second theatre adaptation of Jane Eyre that I’ve reviewed since I started my blog (and my second trip to Newbury’s Corn Exchange within two weeks). The previous one was just over four years ago, of the celebrated touring production that I saw at London’s National Theatre (review here). In comparing my notes from last night with my write-up from four years ago, I’ve discovered that the two productions were fairly similar in approach, with a bare-bones collection of wooden structures and furniture creating the set, and a handful of actors covering all the parts. Last night’s was even more stripped-back, with just a few blackened planks and a partial staircase representing the ruin of Thornfield Hall and serving as the backdrop for all the other settings. And here there were only five cast members, as compared to the NT’s 10: three actresses and two actors, with all bar one (Jane) revolving through the roles via simple costume changes like donning a bonnet or a waistcoat.

Probably my favorite aspect of this production was the live music. An antique piano stood at stage left and all the actors took turns playing it for background music or as part of a specific scene. Other instruments were also taken up occasionally: fiddle, cello, guitar, harmonium and recorder. Whereas the NT production made anachronistic use of pop songs, this production stuck to folk music that seemed appropriate to the time period. St. John Rivers’s pompous piety was exaggerated for comic effect, with Mrs. Fairfax another particularly amusing character. As in the NT show, one actor even briefly played Pilot the dog.

There were a few decisions that were less than successful for me, though. An eight-year jump between Helen’s death at Lowood School and Jane’s arrival at Thornfield Hall feels like a jolt. Jane wears the same dress throughout and nothing indicates her aging. She narrates her story as if she is revisiting her life in her mind. At a few points these explanations from the front of the stage slow down the action. Meanwhile, the strong Yorkshire accent the actress used was so much like Daisy’s in Downton Abbey that I struggled to take her seriously – it’s too much of a contrast with the Queen’s English most of the other characters speak. Is what we think of as a Yorkshire accent now actually how people spoke at that time?

But the chief transgression was omitting the pivotal scene in which Jane hears Rochester calling out to her and knows she has to return to Thornfield. Instead, Jane just makes a rational decision to “go home” after St. John leaves for India. Did the director think that modern audiences would find the mild supernatural content too unbelievable? Or was it just a practical matter in that the actor portraying Rochester happened to be playing the piano at that point? Surely a way could have been found around that.

In any case, it was a pleasant way to pass a few hours on a squally October night.

My rating:

 

There is more information on the play, including photographs and a video trailer, on the Corn Exchange website.

 

What’s the last thing you saw at the theatre?

Booker Prize and Birthday Goings-On

The Booker Prize was announced last night in a live feed I watched over a glass of wine between my yoga class and birthday dessert. As chair of judges Peter Florence recapped each book, he said the most, and most effusively, about Ducks, Newburyport, so I thought Ellmann had it in the bag. Then, when it became clear there would be joint winners, I thought maybe Ellmann and Evaristo would share the Prize. But that’s not how things panned out…

I don’t have much to add to the conversation after yesterday’s Twitter storm; I remain entirely uninterested in reading The Testaments, an unnecessary sequel and, by all accounts, subpar Atwood work that didn’t need more buzz than it’s already attracted. Atwood won the Booker in 2000 for a brilliant novel, The Blind Assassin, one of my absolute favorites, and while she’s enough of a legend to be among the few authors to have won the Prize twice (along with Peter Carey, J.M. Coetzee and Hilary Mantel), maybe not for this book?

I am, however, delighted for Evaristo. If you haven’t yet picked up Girl, Woman, Other, I’d urge you to give it a try. I’m 1/3 into it now. Through a giveaway on Eric’s blog I won a copy plus two tickets to see Evaristo in conversation with Jennifer Nansubuga Makumbi (author of Manchester Happened, which I’ll be covering for the Ake Book Festival blog tour later this month) at the London Literature Festival on the 20th, but I couldn’t wait until I pick up my copy from the Southbank Centre so have been reading a library copy in the meantime.

You probably know that Girl, Woman, Other is a linked short story collection about 12 characters (mostly Black women) navigating twentieth-century and contemporary Britain, balancing external and internal expectations and different interpretations of feminism to build lives of their own. I’ve been surprised by the structure and style, however. It’s in four long chapters, each divided between three characters. These are almost like musical suites, with the three stories interlocking (I’m not in far enough to know if there is overlap between the suites). The prose is mostly uncapitalized and unpunctuated, with only a handful of full stops closing sections. This makes it more like poetry: a wry, radical stream of consciousness. I’d compare it, content-wise, to Homegoing by Yaa Gyasi and The Female Persuasion by Meg Wolitzer.

This is the third tie in Booker history – though after a 1992 tie the rules were changed so that it shouldn’t have happened again. As Gaby Wood, literary director of the Booker Prize Foundation, puts it, “The thinking was it just doesn’t work—it sort of detracts attention from both, rather than drawing attention to either.” So while it’s wonderful that Evaristo is the first Black woman to win the Booker, there is something almost sinister about the fact that, due to the tie, she gets just £25,000 in prize money rather than the full £50,000. However, both she and Atwood were extremely graceful in their acceptance speeches (Atwood sheepish and apologetic at the same time), so I will try to be as well. It’s a turn-up for the books, anyway!

 


Yesterday was also my 36th birthday. A dismally wet Monday may not be ideal for a birthday, but I’d had the whole previous weekend for celebrating so can’t really complain. Saturday was a very Newbury day of volunteer gardening in the drizzle; an excellent lunch at Henry & Joe’s, a reasonably new restaurant with small plates of seasonal food, exquisitely presented – on the way to Michelin star quality; an early evening showing of Downton Abbey in the intimate upstairs theatre at the Corn Exchange; and a wander around the Fire Garden art installation, which features giant candles and automata. On Sunday I helped out at a fun and chaotic pet blessing service at church, followed by cake, presents and a homemade feast.

One of the best parts of preparing for my birthday is finding recipes for my husband to make for me. This year I picked a Chocolate Orange Truffle Cake from Perfect Chocolate Desserts (which includes photographs of every step), a veganized Chicken Jackfruit Mole with Red Cabbage Slaw and flatbreads from Pip & Nut: The Nut Butter Cookbook, and A Rum of One’s Own (aka hot buttered rum) from the Tequila Mockingbird literary cocktails book. All amazingly rich and delicious; by nightcap time, I could only manage a sip or two of the rum.

I gave myself the Monday off work (the nice thing about being a freelancer, even if I don’t get paid) and spent much of it reading in comfy spots around the house and looking out at the rain. I also picked out a pile of books I’ve been meaning to reread, but only got around to starting the Thomas. I hadn’t read it since it came out in 2006 yet I remember it so well, even particular phrasing. It was one of the first memoirs to make a really big impression on me.

It won’t surprise you that my wish list contained only books this year, so with the exception of a mug mat, puffin socks and notecards, a couple of CDs, some chocolate and the perfect pin badge (“Bookish”), I received 14 books as presents: two novels and the rest nonfiction, mostly memoirs. I get much of my fiction from the library or from NetGalley/Edelweiss (particularly the American releases I can’t find elsewhere), but there are lots of nonfiction authors whose work I can’t find other than secondhand. I know where I’ll start with this pile: the Houston and McCracken are 2019 releases, so I want to read them before the end of the year in case they make a Best Of list. After that, I’ll let whimsy be my guide. A great haul!

Any additional Booker thoughts?

What caught your eye from my birthday stacks?

A Keeper of Records: What’s Worth Saving?

It’s safe to say that book bloggers love lists: not only do we keep a thorough list of everything we read in a year, but we also leap to check out every new top 5/10/50/100 or thematic book list that’s posted so we can see how many of them we’ve read. And then, at the end of any year, most of us put together our own best-of lists, often for a number of categories.

When I was younger, though, I took the list-making to an extreme. As I was going back through boxes of mementos in America a few weeks ago, I found stacks of hand-written records I’d kept. Here’s a list of what I used to list:

  • every book I read
  • every movie I saw
  • dreams, recounted in detail
  • money I found on the ground
  • items I bought or sold on eBay
  • gifts given or received for birthdays and Christmas
  • transactions made through my mail-order music club
  • all my weekday outfits, with a special shorthand designating each item of clothing

Age 14 (1997-8) was the peak of my record-keeping, and the only year when I faithfully kept a diary. I cringe to look back at all this now. Most of the dreams are populated by my crushes of the time, names and faces that mean nothing to me now. And to think that I was so self-conscious and deluded to assume people at school might notice if I wore a shirt twice within a couple of weeks! My diary isn’t particularly illuminating from this distance, either; mostly it brings back how earnest and pious I was in my teens. It’s occasionally addressed in the second person, as if to an imaginary bosom friend who would know me as well as I knew myself.

What’s clear is that I was convinced that the minutiae of my life mattered. Between us, my mother and I had kept a huge cache of my schoolwork and craft projects from kindergarten right through graduate school. I was also a devoted collector – of stamps, coins, figurines, tea sets, shells, anything with puffins or llamas – so I obviously felt that physical objects had real importance, too. It’s a wonder I didn’t become an archivist or a museum curator.

Why did I save all this stuff in the first place? Even as a teen, was I imagining an illustrious career for myself and some future biographer who would gleefully mine my records and personal writings for clues to who I really was? I’m not sure whether to admire the confidence or deplore the presumption. We all want to believe we’re living lives of significance, but when I take a long view – if I never have a childif I never publish a book (though I think I will) … if human society does indeed collapse by 2050 (as some are predicting) – it’s hard to see what, if anything, will be preserved of my time on earth.

This is deeper than I usually get in a blog post, but these are the sorts of thoughts that preoccupy me when I’m not just drifting along in life’s routines. My nieces’ and nephews’ generation may be the last to inhabit this planet if we don’t take drastic and immediate action to deal with the environmental crisis. Many are working for change (my husband, a new Town Councillor, recently voted for the successful motion to declare a climate emergency and commit Newbury to going carbon-neutral by 2030), but some remain ignorant that there is any kind of problem and so consume and dispose like there is (literally) no tomorrow.

My home is a comfortable bubble I hardly ever leave, but more and more I feel that I need to become part of larger movements: first to ensure the continuation of human and non-human existence; then to improve the quality of human life, especially for those who have contributed least to climate change but will suffer the most from it. I have no idea what form my participation should take, but I know that focusing on outside causes will mean less time obsessing about myself and my inconsequential problems.

That’s not to say I won’t listen to the angst that’s telling me I’m not living my life as fully as I should, but I know that working with others, in whatever way, to tackle global issues will combat the lack of purpose that’s been plaguing me for years.

Appreciation for my past can only help with bolstering a healthy self-image, so I’ve kept a small selection of all those records, and a larger batch of school essays and assignments. Even if this archive is only ever for me, I like being able to look back at the well-rounded student I was – I used to get perfect scores on calculus tests and chemistry lab reports! I could write entire papers in French! – and see the seeds of the sincere, meticulous book lover I still am. As Eve Schaub writes in Year of No Clutter, “I’m not about to stop collecting my own life. It has been a source of pleasure for me ever since I can remember; it helps define me.”

 

A selection of favorite mementos I discovered back in the States:

In high school I started making my way through the American Film Institute’s list of Top 100 movies. I’ve now seen 89 of them.

I kept a list of new vocabulary words encountered in novels, especially Victorian ones. Note trumpery: (noun) attractive articles of little value or use; (adjective) showy but worthless – how apt!

As a high school senior, I waded through Ayn Rand’s The Fountainhead to write an essay that won me an honorable mention, a point of interest on my college applications. Though I find it formulaic now, it’s a precursor to a career partially devoted to writing about books.

I planned my every college paper via incredibly detailed outlines. (I’m far too lazy to do this for book reviews now!) Can you work out what these essays were about?

As a college sophomore I wrote weekly essays in what looks like pretty flawless French. This one was an imagined interview with Charles Dickens and Thomas Hardy about the autobiographical and religious influences on their fiction.

 

Are you a list keeper? Do you have a personal ‘archive’?

 

How do you balance a healthy self-regard with working for the good of the world?

These Days

It’s mid-September and crunch time: my husband intends to hand in a complete draft of his PhD thesis next week. He’s been studying part time while working full time and technically has another year to submit, but this month is his self-imposed deadline before the frantic busyness of a new academic year. For weeks now, he’s been going to campus just once or twice a week, working mostly at home out of a makeshift office in our summer house, to which he reels an extension lead each morning so he can plug in his laptop and desk lamp. There’s no Internet signal that far from the house, so it’s a distraction-free zone – or at least the distractions are mostly pleasant ones like birdsong and the cat padding in and out. He’s been known to stay out there until well past 10 at night working on his writing and mapping.

It’s been nice for me to have a bit of company at home during the day (though it’s definitely for the best that we work in different spaces). We reconvene for morning coffee and afternoon tea and also break for lunch. Twice a day I’ll traipse out to the summer house with a tray of hot drinks and snacks and a tote bag of books over my shoulder to spend an hour or so relaxing before getting back to my proofreading or other work upstairs. I’ve tried to be kind and supportive through all the catastrophic announcements about the results being wrong, the statistics going screwy, and the project being basically impossible to finish.

On a practical level, I help out by preparing very simple meals – bean burgers from the freezer section at Aldi plus homemade coleslaw and corn-on-the-cob; fresh oven chips with a fried egg and steamed broccoli – or at least doing the sous chef chopping for complicated ones. My husband cooked for himself during his last two years of uni and enjoys improvising meals, so he’s done pretty much all the cooking for the 11+ years of our marriage. When I was in America I picked up a “Vidalia Chop Wizard” from Bed Bath & Beyond. Some will be thinking “what a pointless, cheaty device!” – but I knew without it I’d never get more involved in cooking, especially because I hate to have lingering savory smells on my fingers.

It’s been a stressful couple of months for my husband, and that stress has of course spilled over to me somewhat. Still, I’m trying not to wish these days away, even as I look forward to the relief of his thesis being finished. It’s never good to wish your life away. I even tried to do some peaceful sitting in nature (i.e., our garden) last week, which led to this short Guardian Country Diary-style piece. (However, you’d better believe I have plans for the post-PhD evenings and weekends. After all these weeks of letting my hubby off the hook, the chores have piled up. I envision a deep clean of the kitchen, tidying up all the little half-finished projects that are sitting around, gardening, banking, and much more.)

 

This past Saturday we gave ourselves the day off to attend Newbury Real Ale Festival. It’s held just across the canal from our house, so we could hardly pass up the opportunity to sample 146 beers and 118 ciders (my tipple of choice). The music was terrible but the weather stayed decent for much of the five hours we were there. Along with plenty of reading and snacking on crisps, I had the chance to try six ciders, which ranged from the almost undrinkable (beetroot and orange flavor sounded interesting!) to the sublime.

Appropriately enough, the best of the bunch was from Thistly Cross, a cider company based in Scotland: next Wednesday, to celebrate (we hope) the thesis being handed in, we’re off to Edinburgh for a long weekend. It’s something of a work trip for my husband – he’s traveling on to the Cairngorms for a two-day PhD student workshop while I stay behind at our Airbnb – but we’ll have a couple of days to enjoy the city together as well as two very long train rides on which to sink into books.

You’ll be unsurprised to learn that I started planning what books I’d pack weeks ago: some on a train theme; some by or about Scottish writers; some set in Scotland. I’ll also take at least one October review book (probably Barbara Kingsolver’s Unsheltered or Sarah Perry’s Melmoth) and one of the multiple library reservations that have arrived for me all at once (most likely John Boyne’s A Ladder to the Sky or Melissa Harrison’s All Among the Barley).

I’ve been to Edinburgh twice before, but both trips were brief and the most recent one was in 2005. What should I see and do? Where should I eat? (I’ll have to find at least one meal out in the city on my own.) I plan to visit the Writers’ Museum for the first time, and may drop into the National Gallery again. Since I was too skint to do so in my early twenties, I’ll probably also treat myself to a tour of the Castle (though, 17 quid – really?!). Any other recommendations of secondhand bookshops, cafés, free/inexpensive attractions and casual dining establishments will be much appreciated!