How Not to Be Afraid (of Everything): Gareth Higgins and Jane Wong
I’ve done a couple of other dual review posts this year (and I have another planned for Friday) where the books’ titles are so similar that I couldn’t resist discussing them together, even if the books themselves were extremely different. First I featured two books called Ex Libris; later I reviewed The Still Point with The Still Point of the Turning World. This time I have two 2021 releases: How Not to Be Afraid, Gareth Higgins’s self-help/theology book about resisting despair and living in faith; and Chinese American poet Jane Wong’s collection How to Not Be Afraid of Everything, which draws on her family history. Together the titles seemed like a perfect antidote to R.I.P. (more coming up for that on Halloween!).
How Not to Be Afraid: Seven Ways to Live When Everything Seems Terrifying by Gareth Higgins
I saw Higgins at the online Church Times Festival of Faith and Literature in April, after which I promptly ordered all the speakers’ books; I’m still reading the other three. He grew up in Northern Ireland in the waning days of the Troubles and has been involved in peacemaking projects as well as in artistic expressions of progressive Christianity such as Wild Goose Festival, which he co-founded, and The Porch, an online magazine he edits. Fear was ingrained in him from his upbringing and reinforced by the bullying he experienced over his sexuality. He writes that it took him decades to learn that fear is a story, one often based on false assumptions about our powerlessness, and that we can change the story.
There’s a psychological/self-help bent to the book as Higgins invites readers, through the exercises at the end of each chapter, to ponder what myths about the true self and its possibilities are limiting their lives. The “seven” of the subtitle actually refers to seven main types of fear, each addressed in turn, such as “fear of having done something that can’t be fixed,” “fear of not having enough,” and “fear of a meaningless life.” There’s a good mix of memoir, theory, anecdotes and therapy speak (though it’s never jargon-y), and while the perspective is Christian, the content is not so religious as to turn off anyone – unless they’re dead set against faith. Many passages hit me right in the solar plexus and made me long to work out how my life can be bigger and part of telling a better story. Particularly recommended to fans of Barbara Brown Taylor, Brian McLaren and Richard Rohr. (New purchase) 
How to Not Be Afraid of Everything by Jane Wong
Wong is an assistant professor of creative writing at Western Washington University. The centerpiece of her second collection is “When You Died,” a 20-page epic about her grandparents’ experience during China’s “Great Leap Forward,” a 1950s–60s Maoist campaign of agricultural reform that led to severe famine. Her grandfather survived it and her mother was born at the tail end of it. Wong was born to immigrant parents in New Jersey and the atmosphere and imagery she uses to describe her living situation there reminded me of Qian Julie Wang’s in her memoir Beautiful Country.
Foodstuffs provide the figurative palette, with decay never far behind. I most enjoyed the multi-part poem “The Frontier” (“The frontier arranges itself / around me like a moat. / The frontier drops fruit / upon my head. I break open, / hot cantaloupe in winter. / I wobble around, spilling fruit / everywhere. All day, fruit flies / pay their respects.”) and “The Cactus,” about her spiky self-preservation instincts. This is the theme of the title poem as well:
How to not punch everyone in the face.
How to not protect everyone’s eyes from
my own punch. I have been practicing
my punch for years, loosening my limbs.
My jaw unhinged creates a felony I refuse
to go to court for.
There are many unusual metaphors and word choices, and a lot of the alliteration I love. Opening poem “Mad” is playfully set up like a Mad Libs game with all the key words as blanks. But at the same time, there are loads of prose poems – never my favourite thing to come across in a collection – and some long ones that I kept getting lost in. 
Released by Alice James Books on the 12th. With thanks to Nectar Literary for the free e-copy for review.
20 Books of Summer, #12–13, BLUE: Johnson & MacMahon
Blue has been the most common colour in my themed summer reading, showing up in six out of the 20 titles. In the two books I’m reviewing today, it’s used somewhat ironically, with a YA memoir subverting its association with conventional masculinity and a Women’s Prize-longlisted novel contrasting idyllic holiday weather with the persistence of grief.
All Boys Aren’t Blue: A Memoir-Manifesto by George M. Johnson (2020)
“you sometimes can’t see yourself if you can’t see other people like you existing, thriving”
Growing up in New Jersey in the late 1980s and early 1990s, Johnson knew he was different. He preferred Double-Dutch to football, called his classmates “Honeychild,” and begged for a pair of cowboy boots instead of the sneakers everyone else coveted. His effeminate ways earned the expected epithets. Even though he had plenty of LGBT precedents in his own family – a gay older half-brother, a lesbian aunt, a trans cousin – and his beloved Nanny assured him he was loved for who he was, he didn’t publicly confess his identity until he got to college and felt accepted as part of a fraternity. In fact, there are three instances in the book when, as a teenager, he’s asked directly if he’s gay and he denies it. (Do you hear a rooster?)
Johnson is a warm, earnest storyteller and deftly chooses moments when he became aware of the social disadvantages inherent to his race and sexuality. His memoir is marketed to teens, who should find a lot to relate to here, such as dealing with bullies and realizing that what you’ve been taught is comforting myth. In the “‘Honest Abe’ Lied to Me” chapter, he discovers in middle school that Lincoln didn’t actually support racial equality and questions whether landmark achievements by Black people are just conciliatory tokens – “symbolism is a threat to actual change—it’s a chance for those in power to say, ‘Look how far you have come’ rather than admitting, ‘Look how long we’ve stopped you from getting here.’”
The manifesto element of the book lies in its investigation of the intersection of Blackness and queerness. Johnson is an activist and wants queer Black kids to have positive role models. He knows he was lucky to have family support and middle-class status; many have it harder, getting thrown out and ending up homeless. Multiple chapters are devoted to his family members, some in the form of letters. The structure didn’t always feel intuitive to me, with direct address to his cousin or grandmother coming seemingly out of nowhere. The language is informal, but that doesn’t excuse “me and so-and-so” constructions or referring to “people that” instead of “who”; young adult readers need to have good grammar reinforced.
I also questioned whether the author needed to be so sexually explicit in describing his molestation at the hands of an older male cousin (he has about a zillion cousins) and losing his virginity at age 20. Then again, today’s teens are probably a lot more sexually knowledgeable than I was 20+ years ago. All in all, I wondered if Johnson is more successful as a motivational speaker than a writer. I think his occasional bravado (he closes his introduction with “This is the story of George Matthew Johnson. This is a story for us all.”) would come across better in person than in print. Still, considering I couldn’t be much further from the target audience, I found this a sweet and engaging read. (Public library) 
Nothing but Blue Sky by Kathleen MacMahon (2020)
“Incongruous, the situations we found ourselves in. To be talking about such sorrow against the backdrop of a Mediterranean summer.”
SPOILERS in the following; otherwise it would be difficult to say anything other than that this novel is a deeply touching look at loss and what comes next. When I read a synopsis, I thought it would be Sue Miller’s Monogamy with the roles reversed, but that’s because the blurb makes it sound like there were secrets in David and Mary Rose’s marriage that only emerge after her death in a plane crash. I was on the alert for something sordid and earth-shattering, but in fact this is a quiet novel about what goes unsaid in any marriage.
David, a foreign correspondent on Dublin’s television news, always put his career first, his sophistication and wicked humour masking the wounds of an emotionally chilly upbringing. Mary Rose, a hospital midwife, was the perfect foil, deflating his pomposity and calling him out on any unfeeling quips. Her loving nature was the soul of their relationship. Now that’s she gone, David regrets that he didn’t take more seriously her desperation to have children, a desire he didn’t share. His voice, even flattened and numbed by grief, is a delight. For instance, here’s how he describes Irish seaside holidays: “Summer to us was freezing your arse off on a windswept beach, with a trip to the ice-cream shop if you were lucky. Of course, they never had the ice-cream you wanted.”
The novel is set in Aiguaclara, a hidden gem on Spain’s Costa Brava where David and Mary Rose holidayed every summer for 20 years. Against his friends’ advice, he’s decided to come back alone this year. Although most of the book remembers their life together and their previous vacations here, there is also a present storyline running underneath. Initially subtle, it offers big surprises later on. These I won’t spoil; I’ll only say that David’s cynical belief that he’ll never experience happiness again is proven wrong. Grief, memory, fate: some of my favourite themes, elegantly treated. This reminded me of Three Junes and also, to a lesser extent, The Heart’s Invisible Furies. (Public library) 
Coming up next: Pairs of green and red titles.
Would you be interested in reading one of these?
Women’s Prize Longlist Reviews (Leilani, Lockwood, and Lyon) & Predictions
Tomorrow, Wednesday the 28th, the Women’s Prize shortlist will be revealed. I have read just over half of the longlist so far and have a few more of the nominees on order from the library – though I may cancel one or two of my holds if they don’t advance to the shortlist. Also, my neighbourhood book club has applied to be one of six reading groups shadowing the shortlist this year via a Reading Agency initiative. If I do say so myself, I think we put in a rather strong application. We’ll hear later this week if we’ve been chosen – fingers crossed!
The three longlisted novels I’ve read most recently were all by L authors:
Luster by Raven Leilani
Edie’s voice is immediately engaging: cutting, funny, pithy. It reminded me of Ava’s in a fellow Women’s Prize nominee, Exciting Times, and both novels even employ a near-identical metaphor: “I wondered if Victoria was a real person or three Mitford sisters in a long coat” (Dolan) versus “all the kids stacked underneath my trench coat rejoice” (Leilani). They are also both concerned with how young women negotiate a confusing romantic landscape and look for meaning beyond a dead-end career. The African-American Edie’s entry-level work for a New York City publisher barely covers her rent at a squalid shared apartment. She’s shagged every male in the office and is now on to one she met online: Eric, a white, middle-aged archivist with an open marriage and a Black adopted daughter.
As Edie insinuates herself into Eric’s suburban New Jersey life in peculiar and sometimes unwitting ways, we learn more about her traumatic past: Both of her parents are dead, one by suicide, and she had an abortion at age 16. Along with sex, her main escape is her painting, which is described in tender detail. There are a number of amusing scenes set at off-the-wall locations, like a theme park, a clown school, and Comic Con. Leilani has a knack for capturing an entire realm of experience in just a few pages, as when she satirizes current publishing trends or encapsulates what it’s like to be a bicycle delivery person.
But, as a Goodreads acquaintance put it, all this sharp writing is rather wasted on the plot. I found the direction of the book in its second half utterly unrealistic, and never believed that Edie would have found Eric attractive in any way. (His interest in her is beyond creepy, really.) What I found most intriguing, along with the painting hobby, were Edie’s interactions with other Black characters, such as a publishing company colleague and Eric’s adopted daughter – there’s an uncomfortable sense that they should have a natural camaraderie and/or that Edie should be some kind of role model. I might have liked more of that dynamic, instead of the unbearable awkwardness of temporary instalment in a white neighbourhood. Other readalikes: Queenie, Here Is the Beehive, and On Beauty.
No One Is Talking About This by Patricia Lockwood
Priestdaddy is one of my absolute favourite books, so Lockwood’s debut novel was one of the 2021 releases I was most looking forward to reading. It took me a while to warm to, but ultimately did not disappoint. It probably helped that I was familiar with the author’s iconoclastic sense of humour. This is a work of third-person autofiction – much more so than I’d realized before I read the Acknowledgments – and to start with it feels like a flippant skewering of modern life, which for some is all about online personality and performance. A woman who became a social media star by tweeting quips like “Can a dog be twins?” reflects on life on “the portal” and under “the dictator.”
Midway through the book, she receives a wake-up call in the form of texts from her mother summoning her back to the Midwest for a family emergency. “It was a marvel how cleanly and completely this lifted her out of the stream of regular life.” Shit just got real, as they say. But “Would it change her?” she asks herself. Apparently, this very thing happened to Lockwood’s own family, which accounts for how heartfelt the second half is – still funny, but with an ache behind it, the same that I sensed and loved in Priestdaddy.
It is the about-face that makes this novel, forcing readers to question the value of a digital existence based on glib pretence. As the protagonist tells her students at one point, “Your attention is holy,” and with life so fragile there is no time to waste. What Lockwood is trying to do here is even bigger than that, though, I think. She mocks the whole idea of plot yet takes up the mantle of the “social novel,” as if creating a new format for the Internet-age novel in short, digestible sections. I’m not sure this is as earth-shattering as all that, but it is entertaining and deceptively deep. It also feels like a very current book, playing the role that Weather did in last year’s Women’s Prize race. (See my Goodreads review for more quotes, spoiler-y discussion, and why this book held personal poignancy for me.)
Consent by Annabel Lyon
I’m always drawn to stories of sisters and this was an intriguing one, though the jacket text sets it up to be more of a thriller than it actually is. After their mother’s death, Sara, a medical ethicist, looks after Mattie, her intellectually disabled sister. When Mattie is lured into eloping, Sara’s protective instinct goes into overdrive. Meanwhile, Saskia, a graduate student in French literature, feels obliged to put her twin sister Jenny’s needs first after a car accident leaves Jenny in a coma. There are two decades separating the sets of sisters, but aspects of their experiences reverberate, with fashion, perfume, and alcoholism appearing as connecting elements even before a more concrete link emerges.
For much of the novel, Lyon bounces between the two storylines. I occasionally confused Sara and Saskia, but I think that’s part of the point (why else would an author select two S-a names?) – their stories overlap as they find themselves in the position of making decisions on behalf of an incapacitated sister. The title invites deliberation about how control is parcelled out in these parallel situations, but I’m not sure consent was the right word to encapsulate the whole plot; it seems to give too much importance to some fleeting sexual relationships.
At times I found Lyon’s prose repetitive or detached, but I enjoyed the overall dynamic and the medical threads. There are some stylish lines that land perfectly, like “There she goes … in her lovely coat, that cashmere-and-guilt blend so few can afford. That lovely perfume she trails, lilies and guilt.” The Vancouver setting and French–English bilingualism, not things I often encounter in fiction, were also welcome, and the last few chapters are killer.
The other nominees I’ve read, with ratings and links to reviews, are:
The Vanishing Half by Brit Bennett
Piranesi by Susanna Clarke
Exciting Times by Naoise Dolan
Transcendent Kingdom by Yaa Gyasi
Burnt Sugar by Avni Doshi
Unsettled Ground by Claire Fuller
The rest of the longlist is:
- Small Pleasures by Clare Chambers – I might read this from the library.
- The Golden Rule by Amanda Craig – I’d thought I’d give this one a miss, but I recently found a copy in a Little Free Library. My plan is to read it later in the year as part of a Patricia Highsmith kick, but I’ll move it up the stack if it makes the shortlist.
- Because of You by Dawn French – Not a chance. Right? Please!
- How the One-Armed Sister Sweeps Her House by Cherie Jones – A DNF; I would only try it again from the library if it was shortlisted.
- Nothing but Blue Sky by Kathleen MacMahon – I might read this from the library.
- Detransition, Baby by Torrey Peters – I will definitely read this from the library.
- Summer by Ali Smith – I struggle with her work and haven’t enjoyed this series; I would only read this if it was shortlisted and my book club was assigned it!
My ideal shortlist (a wish list based on my reading and what I still want to read):
- The Vanishing Half by Brit Bennett
- Piranesi by Susanna Clarke
- Exciting Times by Naoise Dolan
- Transcendent Kingdom by Yaa Gyasi
- No One Is Talking About This by Patricia Lockwood
- Detransition, Baby by Torrey Peters
vs.
My predicted shortlist and reasoning:
The Vanishing Half by Brit Bennett – A dead cert. I’ve said so since I reviewed it in June 2020.- Burnt Sugar by Avni Doshi – Others don’t seem to fancy Doshi’s chances, and it’s true that she was already shortlisted for the Booker, but I feel like this could be more unifying a choice for the judges than, e.g. Clarke or Lockwood.
- Transcendent Kingdom by Yaa Gyasi – Another definite.
- Luster by Raven Leilani – Not as strong as the Dolan, in my opinion, but it seems to have a lot of love from these judges (especially Vick Hope, who emphasized how perfectly it captured what it’s like to be young today), and from critics generally.
- Detransition, Baby by Torrey Peters – Ordinarily I would have said the Prize is too staid to shortlist a trans author, but after all the online abuse that has been directed at Peters, I think the judges will want to make a stand in support of her legitimacy.
- Summer by Ali Smith – The most establishment author on the list, and not one I generally care for, but this would be a way of recognizing the four-part Seasons opus and her work in general. Of the middle-aged white cohort, she seems most likely.
I will happily accept some mixture of my wished-for and predicted titles, and would be surprised if any of the five books I have not mentioned is shortlisted. (Though quite a few others are predicting that Claire Fuller will advance; I’d have no problem with that.) I don’t think my book club would get a say in which of the six titles we’d be sent to read for the shadowing project, which is risky as I may have already read it and not want to reread, or it may be a surprise nominee that I don’t want to read, but I’ll cross that bridge if we come to it.
Callum, Eric, Laura and Rachel have been posting lots of reviews and thoughts related to the Women’s Prize. Have a look at their blogs!
Rachel also produced a priceless spreadsheet of all the Prize nominees by year, so you can tick off the ones you’ve read. I’m up to 150 now!
Polio and the Plague: Epidemics in Fiction
Back in January I had the idea to catch up as much as I can on previous Wellcome Book Prize long- and shortlists while the Prize is on hiatus. I decided to start with a pair of novels about polio from my public library system: The Golden Age by Joan London and Nemesis by Philip Roth. The latter, especially, has taken on new significance due to its evocation of a time of panic over a public health crisis (see this article, but beware spoilers). On a fellow book reviewer’s recommendation, I also took Year of Wonders by Geraldine Brooks off the shelf and read it at the same time as the Roth.
The Golden Age by Joan London (2014)
[First published in the UK in 2016; on the Wellcome Book Prize 2017 longlist]
The Golden Age was a real children’s polio hospital in Western Australia, but London has peopled it with her own fictional cast. In 1953–4, Frank Gold and Elsa Briggs, polio patients aged 12 going on 13, fall in love in the most improbable of circumstances: “The backs of their hands brushed as they walked side by side on their crutches. Their bloodstreams recharged by exercise and fresh air, they experienced a fiery burst of pleasure.”
Frank is much the more vibrant character thanks to his family’s wartime past in Hungary and his budding vocation as a poet, which was spurred on by his friendship with Sullivan, a fellow inmate at his previous rehabilitation center. The narrative spends time with the nurses, parents and other patients but keeps coming back to Frank and Elsa. However, Chapter 7, with Frank and his mother Ida still back in Budapest, was my favorite.
I was reminded of Tracy Farr’s work (The Life and Loves of Lena Gaunt), especially the look back from decades later. This has a strong premise and some great lines, but for me there was something slightly lacking in the execution.
Favorite lines:
There was beauty everywhere, strange beauty, even—especially?—in a children’s polio hospital.
Polio is like love, Frank says … Years later, when you think you have recovered, it comes back.
My rating: 
Nemesis by Philip Roth (2010)
[On the Wellcome Book Prize 2011 shortlist]
In the summer of 1944 Newark, New Jersey is hit hard by polio. As a local playground director, 23-year-old Bucky Cantor is distressed when several of his charges become ill; a couple of them even die within a matter of days.
At first Bucky, whose poor eyesight kept him out of the War, sees his job as his own field of duty, but gradually fear and helplessness drive him away. He escapes to the Pocono Mountains to join his fiancée, Marcia, as a summer camp counselor, but soon realizes the futility of trying to outrun a virus. Unable to accept the randomness of bad luck, he blames God – and himself – for the epidemic’s spread.
Despite our better general understanding of epidemiology today, there were still many passages in this novel that rang true for me as they picture life proceeding as normal until paranoia starts to take hold:
Despite polio’s striking in the neighborhood, the store-lined main street was full of people out doing their Saturday grocery shopping…
(Bucky) Look, you mustn’t be eaten up with worry … What’s important is not to infect the children with the germ of fear. We’ll come through this, believe me. We’ll all do our bit and stay calm and do everything we can to protect the children, and we’ll all come through this together.
The important thing, he said, was always to wash your hands after you handled paper money or coins. What about the mail, someone else said … What are you going to do, somebody retorted, suspend delivering the mail? The whole city would come to a halt. Six or seven weeks ago they would have been talking about the war news.
Roth really captures the atmosphere of alarm and confusion, but doesn’t always convey historical and medical information naturally, sometimes resorting to paragraphs of context and representative conversations like in the last quote above. I also wasn’t sure about the use of a minor character (revealed on page 108 to be one of Bucky’s playground kids and a polio patient) as the narrator. This seemed to me to make Bucky more of a symbolic hero than a genuine character. Still, this was a timely and riveting read.
My rating:
A period warning about polio reprinted at the back of Paul Auster’s Report from the Interior.
Year of Wonders by Geraldine Brooks (2001)
In 1665, with the Derbyshire village of Eyam in the grip of the Plague, the drastic decision was made to quarantine it. A benevolent landowner arranged for regular deliveries of food and other supplies to just outside the parish boundaries. The villagers made an oath that no one would leave until the pestilence was eradicated. One year later, two-thirds of its residents were dead. Brooks imagines that the “plague seeds” came to the village in a bolt of cloth that was delivered from London to the tailor George Viccars, who lodged with widow Anna Frith. Viccars is the first victim and the disease quickly spreads outward from Anna’s home.
Anna barely has time to grieve her own losses before she’s called into service: along with the minister’s wife, Elinor Mompellion, she steps in as a midwife, herbal healer and even a miner. The village succumbs to several sobering trajectories. Suspicion of women’s traditional wisdom leads some to take vigilante action against presumed witches. Unscrupulous characters like Anna’s father, who sets up as a gravedigger, try to make a profit out of others’ suffering. Frustration with the minister’s apparent ineffectuality attracts others to forms of religious extremism. Like Bucky, people cannot help but see the hand of God here.
Perhaps what I was most missing in the London and Roth novels (and in Hamnet, which bears such striking thematic similarities to Year of Wonders) was intimate first-person narration, which is just what you get here from Anna. The voice and the historical recreation are flawless, and again there were so many passages that felt apt:
Stay here, in the place that you know, and in the place where you are known. … Stay here, and here we will be for one another.
the current times did seem to ask us all for every kind of sacrifice
(once they start meeting for church in a meadow) We placed ourselves so that some three yards separated each family group, believing this to be sufficient distance to avoid the passing of infection.
Yet it is a good day, for the simple fact that no one died upon it. We are brought to a sorry state, that we measure what is good by such a shortened yardstick.
I’ve docked a half-star only because of a far-fetched ending that reminded me of that to The Wonder by Emma Donoghue. Apart from that, this is just what I want from my historical fiction.
My rating:
Are you doing any reading about epidemics?
America Reading & Book Haul, Etc.
The wedding of a college friend – who I calculated I’ve known at least half my life – was the excuse we needed to book a trip back to the States for the last two weeks of May. Along with the classy nuptials in the Fell’s Point area of Baltimore, we enjoyed a day’s sightseeing in Philadelphia, a couple of outings to watch birds and other wildlife on Cape May (a migration hotspot in New Jersey), two meet-ups with other friends, and plenty of relaxation time with my mom and sister, including a Memorial Day picnic at my mom’s retirement community and a tour of Antietam Battlefield. It was much hotter than anticipated, including some days in the high 80s or even 90s, and the hayfever, ticks and mosquitoes were bad, too, but we survived.
While back in Maryland I continued the intermittent downsizing process I’ve been going through for a while now. After being on the market for nearly a year, my family home finally sold and went to closing while we were over there. So that provided a scrap of closure, but my current estrangement from my father (we don’t even know where he’s living) means there’s a lot of continuing uncertainty.
In any case, I managed to reduce the number of boxes I’m storing with my sister from 29 to 20 by recycling lots of my old schoolwork, consolidating my mementos, reselling one box of books and donating another, donating a box of figurines and decorative bottles to a thrift store, displaying some at my mom’s place, giving away a few trinkets to a friend’s kids, and packing a bunch of stuff – photo albums and decorations as well as 64 books – in our various suitcases and hand luggage to take back to the UK.
And I also acquired more books, of course! A whopping 46 of these were free: eight review copies were waiting for me at my mom’s place; three were from the outdoor free bin at 2nd & Charles, a secondhand bookstore; one was found in a Little Free Library near our friends’ place in New Jersey (Emerald City by Jennifer Egan, not pictured); and the rest were from The Book Thing of Baltimore, a legendary volunteer-run free bookshop. I mostly raided the biography section for an excellent selection of women’s life writing; the fiction is unalphabetized so harder to find anything in, but I picked up a few novels, too. My only purchases were new (remainder) copies of one novel and one memoir from Dollar Tree. Total book spending on the trip: just $2.12.
What I Read:
Two that I’d already started but finished on the plane ride over:
The Florist’s Daughter by Patricia Hampl: (As featured in my spring reading list.) “Love and flowers, death and flowers.” Poetic writing about small-town Minnesota life, a tense relationship with her late mother, and her late father’s flower shop. - The Girls by Lori Lansens: I love reading about sister relationships, and the Darlen girls’ situation is an extreme case of love and jealousy given that they literally can’t get away from each other. Not as good as the two other conjoined-twin novels I’ve read, Chang and Eng by Darin Strauss and Cutting for Stone by Abraham Verghese, but I would read more from Lansens, a solid Oprah Book Club sort of author.
Three review books that will be featuring here in the near future:
- Goulash by Brian Kimberling
- Sorry I’m Late, I Didn’t Want to Come: An Introvert’s Year of Living Dangerously by Jessica Pan
- Mother Ship by Francesca Segal
A few quick reads:
A Certain Loneliness: A Memoir by Sandra Gail Lambert: (A proof copy passed on by an online book reviewing friend.) A memoir in 29 essays about living with the effects of severe polio. Most of the pieces were previously published in literary magazines. While not all are specifically about the author’s disability, the challenges of life in a wheelchair seep in whether she’s writing about managing a feminist bookstore or going on camping and kayaking adventures in Florida’s swamps. I was reminded at times of Constellations by Sinéad Gleeson. 
No Happy Endings: A Memoir by Nora McInerny: (Borrowed from my sister.) I didn’t appreciate this as much as the author’s first memoir, It’s Okay to Laugh, though it’s in the same style: lots of short, witty but bittersweet essays reflecting on life’s losses. Within a year of being widowed by cancer, she met a new partner and soon was – surprise! – pregnant with his baby. Together they formed a blended family of four children ranging from 0 to 15 and two wounded adults. McInerny also writes about her newfound spirituality and feminism. The problem with the essay format is that she cycles through aspects of the same stories multiple times. 
Native Guard by Natasha Trethewey: (Free from 2nd & Charles.) Trethewey writes beautifully disciplined verse about her mixed-race upbringing in Mississippi, her mother’s death and the South’s legacy of racial injustice. She occasionally rhymes, but more often employs forms that involve repeated lines or words. The title sequence concerns a black Civil War regiment in Louisiana. Two favorites from this Pulitzer-winning collection by a former U.S. poet laureate were “Letter” and “Miscegenation”; stand-out passages include “In my dream, / the ghost of history lies down beside me, // rolls over, pins me beneath a heavy arm” (from “Pilgrimage”) and “I return / to Mississippi, state that made a crime // of me — mulatto, half-breed” (from “South”).
I also read the first half or more of: The Music Shop by Rachel Joyce, my June book club book; Hungry by Jeff Gordinier, a journalist’s travelogue of his foodie journeys with René Redzepi of Noma fame, coming out in July; and the brand-new novel In West Mills by De’Shawn Charles Winslow – these last two are for upcoming BookBrowse reviews.
But the book I was most smug to have on my reading list for the trip was the recent novel Cape May by Chip Cheek. What could be more perfect for reading on location? I asked myself. Unfortunately, it stood out for the wrong reasons. In October 1957 a young pair of virgins, Effie and Henry, travel from Georgia to New Jersey for an off-season honeymoon in her uncle’s vacation home. They’re happy enough with each other but underwhelmed with the place (strangely, this matched my experience of Cape May), and even consider going home early until they fall in with Clara, a friend of Effie’s cousin; Clara’s lover, Max; and Max’s younger sister, Alma. Effie and Henry join the others for nightly drunken revelry.
[SPOILERS!] As the weeks pass Effie, ill and dejected, almost seems to disappear as Cheek delves into Henry’s besotted shenanigans, described in unnecessarily explicit sexual detail. When Effie makes a bid or two for her own sexual freedom late on, it only emphasizes the injustice of spending so much time foregrounding Henry’s perspective. Despite the strength of the period atmosphere and seaside location, this ends up being dull and dated. If you’re after a typically ‘trashy’ beach read and don’t mind lots of sex scenes, you may get on with it better than I did. 
Reading a few pages of Cape May over an ice-cold G&T at the wedding reception.
Bonus bookishness:
Vineland, New Jersey was on the way from our friends’ house to Cape May, so we stopped to take my proof copy of Barbara Kingsolver’s Unsheltered to its spiritual home. Alas, Vineland is an utterly boring small American town. However, Mary Treat at least appears on a painted mural on a building on the main street. The Historical Society, where Kingsolver did her research, was closed, but we photographed the outside.
What’s the last book you read ‘on location’? Did it work out well for you?
Barbara Kingsolver in Conversation about “Unsheltered”
Through a Faber & Faber Twitter giveaway, I won tickets to see Barbara Kingsolver speak about her new novel, Unsheltered, at the Royal Festival Hall in London on Monday the 12th. (Yes, this is the second lot of tickets I’ve won within a month. When all you have to do is reply to a tweet or retweet it, I don’t know why more people don’t enter these competitions!) It was great to meet up with fellow bloggers Clare and Laura – half of my Wellcome Prize shadow panel – to hear Kingsolver chat with Samira Ahmed of Radio 4 and BBC One.
In person Kingsolver was a delight – warm and funny, with a generic American accent that doesn’t betray her Kentucky roots. In her beaded caftan and knee-high oxblood boots, she exuded girlish energy despite the shock of white in her hair. Although her fervor for the scientific method and a socially responsible government came through clearly, there was a lightness about her that tempered the weighty issues she covers in her novel.
In case you are unfamiliar with it, Unsheltered is the story of two residents of Vineland, New Jersey: in the present day, fifty-something Willa Knox is trying to keep her enlarged nuclear family together in the face of underemployment, a crumbling house, divided political loyalties and serious illness. In a parallel story line set in the 1870s that unfolds in alternating chapters, science teacher Thatcher Greenwood butts heads with his principal over Darwin’s writings and is alarmed by the actions of the town’s dictator-like founder, Charles Landis.
Kingsolver revealed that she always starts with theme rather than character or setting. A novel arises from a compelling question she wants to wrestle with. When she started this one five years ago, she wanted to write about paradigm shift. She felt like the regular rules have failed us, that the world no longer provides the ‘shelter’ we expect – a good job after a degree, a pension at the end of a career, adequate health care, and so on. Consumption and growth, the economic tools we’ve always relied on, won’t work anymore. How will we cope with the end of the world as we know it? Looking for a time period when people were also asked to rise to the occasion upon a shift in worldview, she settled on the 1870s, the decade following the Civil War, when America was divided along nearly the same lines as today.
Darwin: “such a sweet guy!” said Kingsolver.
Initially she thought she might make Darwin himself a character, but that would have required setting the book at least partially in England, and she’s come to terms with the fact that she’s an American novelist. Instead, she researched the champions of Darwin in America, starting with Asa Gray. Things didn’t work out with Gray – “it was like dating,” she jokes – but then she came across Mary Treat, a self-taught ‘lady scientist’ who corresponded with Darwin, and made him Thatcher’s neighbour in Vineland.
In the scene Kingsolver read from the historical thread, Mary experiments at letting a carnivorous plant nibble at her finger. The other reading, from the contemporary section, pictured Willa – part of the “sandwich generation,” doing the unpaid labor of caring for an aging relative to make up for a shortfall in the services the state should be providing – facing a pile of bills. “Willa is the peanut butter trying to hold everything together,” Kingsolver said – a feeling familiar to her from when she and her sister cared for their dying mother.
At Ahmed’s leading, Kingsolver also discussed the modern anti-fact movement, female anger and the balance between honoring the past and erasing it (the example Ahmed gave was Laura Ingalls Wilder’s name being taken off of the ALA children’s book medal because she is now considered to have a backward attitude to race). Kingsolver described the novel as her “love letter to millennials” such as her two resilient twenty-something daughters who are having to creatively make up for the ways in which Baby Boomers have ruined the world.
It’s impossible to ignore the similarities between Landis, Vineland’s leader, and Donald Trump. There was much knowing laughter from the audience, in fact, as she described Landis and his megalomaniac behavior. Although she peppered in a few of the more explicit Trump allusions (e.g., “Lock him up!”) later on, she wrote the bulk of the book before his presidential run was ever a possibility. Kingsolver said that this is not the first time that she has anticipated rather than responded to world events: for The Poisonwood Bible she wrote a scene of the death of Mobutu two months before he died in real life.
I reviewed Unsheltered for BookBrowse (
) and have also been moderating their online book club discussion of it. It’s been fascinating to see the spread of opinions, especially in the thread asking readers to describe the novel in three words. Descriptors have ranged from “preachy,” “political” and “repressive” to “prophetic,” “hopeful” and “truth.” My own three-word summary was “Bold, complex, polarizing.” I sensed that Kingsolver was going to divide readers – American ones, anyway; British readers should be a lot more positive because even centrist politics here start significantly further left, and there is for the most part very little resistance to concepts like socialism and climate change. I have a feeling the site’s users are predominantly middle-class, middle-aged white ladies (which, to be fair, was also true of the London audience), and we know that they’re a bastion of Trump support.
My proof copy of Unsheltered: lots to think about.
It’s clear what Kingsolver’s political leanings would be, but she emphasized the importance of having conversations with family members and neighbors who voted a different way (for Brexit, perhaps) that don’t begin with “You idiot…” “As a novelist you have to generate that absolute empathy” for every character, she insisted, even Willa’s hateful, Fox News-blasting father-in-law, Nick, who’s an example of the ‘pull up the ladder’ type of first-generation immigrant. It’s important to remember that “it’s all coming from a place of fear,” she noted.
“We come to literature with our own nutritional needs,” Kingsolver remarked, and she loves that readers can take such different messages from her writing. Novels don’t give answers but bring you into conversation with yourself, she suggested. In asking “What is the human animal?” and “What can we do about it?” she hopes that she’s expanding our humanity. That is what she believes literary fiction should do, and she argued passionately on its behalf.
Being careful not to give any spoilers about her story lines’ endings during the question time, she said, “I promise I will not leave you in despair.” I hope that, if you haven’t already, you will all read Unsheltered, coming to it with an open mind. It’s one of the most important books of the year.
America Reading & Book Haul, Etc.
On Wednesday we got back from two weeks in the States. We were so busy catching up with family and friends we hadn’t seen in a year and a half or more that my reading really slowed down: aside from the three books I took on the plane and finished within my first week, I only read another two books (not counting two during the trip back). Alas, I seem to be in a bit of a rut: everything I read was 3 stars. I haven’t finished anything I’d rate higher than that since late May. I do hope I can break that pattern before June ends!
What I Read:
In Dear American Airlines by Jonathan Miles, Bennie Ford writes an extended letter during an unexpected overnight layover in Chicago, ostensibly to demand his $392.68 back, but really to tell his life story. His daughter is getting married in California tomorrow; it’s Bennie’s chance to make things right after years of estrangement. Will he make it to the wedding or not? The structure of the book means it doesn’t particularly matter, and I stopped caring a little bit as it went on. The sections of a novel Bennie is translating from the Polish felt irrelevant to me. Still, amusing, and a good one to read in the airport and on a plane.
Gone: A Girl, a Violin, a Life Unstrung by Min Kym: I’m completely unmusical, so I enjoyed learning about what it’s like to be a violin virtuoso and a child prodigy, and what it means to fall in love with an instrument. Kym also puts things into the context of being a Korean immigrant to London. The central event of the book is having her Stradivarius, worth hundreds of thousands of pounds, stolen from a train station café in late 2010. It’s a brief and fairly immersive story, but the style is melodramatic and choppy at times.
Back When We Were Grown-ups was my fifth Anne Tyler novel. Rebecca is in her fifties and the pillar of the large Davitch family, even though she only married into it six years before her husband’s sudden death. The Davitches are always renting out their home for their party business, and Rebecca has over the years developed a joyous persona that she’s not sure is really her true self. What would life have been like if she hadn’t become a stepmother to Joe’s three girls but instead married her college sweetheart, Will? While this is funny and warm, and a cozy read in the best possible way, it didn’t really stand out for me.
Three Singles to Adventure by Gerald Durrell, first published in 1954, tells of his animal collecting in Guiana, South America. The highlight is pipa toad reproduction and birth.
Grief Cottage by Gail Godwin is a very atmospheric read, set on a South Carolina island with a haunted cottage where a family was swept away by a hurricane. However, I thought the rhythm of the young narrator’s languid summer days caring for his great-aunt became tedious, and I struggled to buy how self-aware he was meant to be of his fragile mental state at the age of 11. It’s reminiscent of John Irving (quirky secondary characters and so on) but without the same spark. I was sent a review copy for BookBrowse but found I couldn’t recommend it with 4 stars or higher.
To my surprise, I completely went off Kindle reading on this trip until the flight back, when I raced through Salmon Doubts by Adam Sacks, a sweet but inconsequential graphic novel about the salmon’s life cycle. I also started the poetry collection Fast by Jorie Graham but left it unfinished.
Two more DNFs from the trip were The Reluctant Fundamentalist by Mohsin Hamid and Between the World and Me by Ta-Nehisi Coates. I may try again with both in the future. Alas, library reading was a total wash: Hourglass by Dani Shapiro didn’t arrive in time, I abandoned the Coates, and I didn’t feel in the mood for advice letters so ended up not even starting Tiny Beautiful Things by Cheryl Strayed.
My enjoyable read on the long journey back was Mennonite in a Little Black Dress by Rhoda Janzen. Janzen gave the Mennonite tradition she’d forsaken a second look after her life fell apart in her early forties: her husband left her for Bob, whom he met on a gay dating site; and she was in a serious car accident. It’s more in the form of linked autobiographical essays than a straight memoir, so she keeps cycling round to some of the same themes, and it gets less laugh-out-loud funny as it goes on. Still, I was impressed by how the author has managed to pull what’s good from experiences most would consider disastrous. (I also read the first third of Hotel du Lac by Anita Brookner.)
Now that I’m home I’ve started a huge pile of review books and library books and instead of the 1–3 books at a time I was reading while we were away I’m back up to my more usual 14.
What I Bought:
Day 2: A stop at my parents’ local Dollar Tree to stock up on greetings cards for the year’s events (2 for $1!) also brought some unexpectedly good book finds. [Not pictured: a paperback of Jonathan Franzen’s Freedom, our favorite of his novels.] Total spend: $3.18.
Day 4: The obligatory visit to Wonder Book & Video in Frederick, Maryland, one of my happy places.
Day 5: A trip to bookstore chain 2nd & Charles in Hagerstown, MD. Total spend (minus my trade-in of various books and CDs): $5.19.
Day 6: A book of Mary Oliver poems from the Goodwill store in Westminster, MD.
Day 14: Some bargains from a thrift store in Rehoboth Beach, Delaware, where we met up with my friend and her family while they were on holiday. Total spend: $4.50.
I also managed to snag a couple of Crown ARCs that are not out until October.
The state of my closet back in the States (most of those boxes contain books):
Other Bookish Sightings:
A Little Free Library at my parents’ local organic supermarket. I dropped off a few proof copies before I left.
The Peabody Library of Johns Hopkins University in Baltimore.
A trip to Mermaid Books in Williamsburg, Virginia (overpriced – no purchases), where I spotted an amusing cover on Anne Tyler’s first novel – she still has the same hairdo!
Ephemera in two of my purchases.
Other highlights of the trip:
- Meeting my sister’s fiancé (!) and his kids.
- Going to an alpaca farm with my sister and nephews.
- Surprising my mom with her early 70th birthday gift: a mother–daughters trip to the Kennedy Center in Washington, D.C. for dinner and a showing of Shear Madness, a long-running improvisational murder mystery with audience participation.
- Exploring Williamsburg (and Jamestown Island) for the first time since I was a kid.
- A day trip to Cape May, New Jersey – a place to go back to, methinks.
- Plus all our meet-ups, however brief, with friends.
- Not forgetting the total of seven cats and two dogs we got to spend time with.
- Two weeks of doing absolutely no work. I didn’t miss it for a second.
One last book haul photo: These were the review copies (top two) and giveaway books awaiting me when I got back to the UK. (I won the Schaub from Liz’s blog; I’m on a great run with Goodreads giveaways at the moment: along with these Sedaris and Whittal titles, I have new books by Cathy Rentzenbrink and Anne de Courcy on the way.)
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.
Bookish Beck 