The 2020 Booker Prize will be announced on Thursday the 19th. (Delayed from the 17th, the date on my commemorative bookmark, so as not to be overshadowed by the release of the first volume of Barack Obama’s presidential memoirs.) After I reviewed Burnt Sugar and correctly predicted half of the shortlist in this post, I’ve managed to finish another two of the novels on the shortlist, along with two more from the longlist. As sometimes happens with prize lists – thinking also of the Women’s Prize race in 2019 – this year’s shortlist fell into rough pairs: two stark mother–daughter narratives, two novels set in Africa, and two gay coming-of-age stories.
The New Wilderness by Diane Cook
In a striking opening to a patchy novel, Bea goes off to the woods to give birth alone to a stillborn daughter. It’s such a different experience to when she birthed Agnes in a hospital eight years ago. Now, with coyotes and buzzards already circling, there’s no time for sentimentality; she turns her back on the baby and returns to the group. Bea is part of a wilderness living experiment that started out with 20 volunteers, but illness and accidents have since reduced their number.
Back in the toxic, overcrowded City, Bea was an interior decorator and her partner a professor of anthropology. Bea left to give Agnes a better chance at life; like so many other children, she had become ill from her polluted surroundings. Now she is a bright, precocious leader in the making, fully participating in the community’s daily chores. Settlement tempts them, but the Rangers enforce nomadism. Newcomers soon swell their numbers, and there are rumors of other groups, too. Is it even a wilderness anymore if so many people live in it?
The cycles of seasons and treks between outposts make it difficult to get a handle on time’s passing. It’s a jolt to realize Agnes is now of childbearing age. Only when motherhood is a possibility can she fully understand her own mother’s decisions, even if she determines to not repeat the history of abandonment. The blurb promised a complex mother–daughter relationship, but this element of the story felt buried under the rigor of day-to-day survival.
It is as if Cook’s primary interest was in how humans would react to being returned to primitive hunter–gatherer conditions – she did a lot of research into Native American practices, for instance, and she explores the dynamics of sex and power and how legends arise. As a child I was fascinated by Native cultures and back-to-the-land stories, so I enjoyed the details of packing lists, habits, and early rituals that form around a porcelain teacup.
But for me some nuts and bolts of storytelling were lacking here: a propulsive plot, a solid backstory, secondary characters that are worthwhile in their own right and not just stereotypes and generic roles. The appealing description induced me to overcome my usual wariness about dystopian novels, but a plodding pace meant it took me months to read. A lovely short epilogue narrated by Agnes made me wonder how much less tedious this chronicle might have been if told in the first person by Bea and Agnes in turn. I’ll try Cook’s story collection, Man V. Nature, to see if her gifts are more evident in short form.
My thanks to Oneworld for the free copy for review.
Real Life by Brandon Taylor
Over the course of one late summer weekend, Wallace questions everything about the life he has built. As a gay African American, he has always been an outsider at the Midwestern university where he’s a graduate student in biochemistry. Though they vary in background and include several homosexuals, some partnered and some unattached, most of his friends are white, and he’s been so busy that he’s largely missed out on evening socializing by the lake – and skipped his father’s funeral (though there are other reasons for that as well).
Tacit prejudice comes out into the open in ugly ways in these few days. When he finds his nematode experiments sabotaged, a female colleague at his lab accuses him of misogyny, brandishing his identity as a weapon against him: “you think that you get to walk around because you’re gay and black and act like you can do no wrong.” Then, in a deliciously awkward dinner party scene, an acquaintance brings up Wallace’s underprivileged Alabama upbringing as if it explains why he’s struggling to cope in his academic career.
Meanwhile, Wallace has hooked up with a male – and erstwhile straight – friend, and though there is unwonted tenderness in this relationship, there is also a hint of menace. The linking of sexuality and violence echoes the memories of abuse from Wallace’s childhood, which tumble out in the first-person stream of consciousness of Chapter 5. Other male friends, too, are getting together or breaking apart over mismatched expectations. Kindness is possible, but built-in injustice and cruelty, whether vengeful or motiveless, too often take hold.
There are moments when Wallace seems too passive or self-pitying, but the omniscient narration emphasizes that all of the characters have hidden depths and that emotions ebb and flow. What looks like despair on Saturday night might feel like no big deal come Monday morning. I so admired how this novel was constructed: the condensed timeframe, the first and last chapters in the past tense (versus the rest in the present tense), the contrast between the cerebral and the bodily, and the thematic and linguistic nods to Virginia Woolf. A very fine debut indeed.
I also read two more of the longlisted novels from the library:
Such a Fun Age by Kiley Reid
Such a fun book! I’d read the first chapter earlier in the year and set it aside, thinking it was too hip for me. I’m glad I decided to try again – it was a great read, so assured and contemporary. Once I got past a slightly contrived first chapter, I found it completely addictive. The laser-precision plotting and characterization reminded me of Jennifer Egan, Jonathan Franzen and Zadie Smith at their peak, but the sassy voice is all Reid’s own. There are no clear villains here; Alix Chamberlain could easily have filled that role, but I felt for her and for Kelley as much as I did for Emira. The fact that I didn’t think anyone was completely wrong shows how much nuance Reid worked in. The question of privilege is as much about money as it is about race, and these are inextricably intertwined.
Love and Other Thought Experiments by Sophie Ward
An intriguing set of linked short stories that combine philosophy and science fiction. Rachel and Eliza are preparing to have a baby together when an ant crawls into Rachel’s eye and she falls ill. Eliza wants to believe her partner but, as a scientist, can’t affirm something that doesn’t make sense (“We don’t need to resort to the mystical to describe physical processes,” she says). Other chapters travel to Turkey, Brazil and Texas – and even into space. It takes 60+ pages to figure out, but you can trust all the threads will converge around Rachel and her son, Arthur, who becomes an astronaut. I was particularly taken by a chapter narrated by the ant (yes, really) as it explores Rachel’s brain. Each section is headed by a potted explanation of a thought experiment from philosophy. I wasn’t entirely sure what to make of the alternative future of the two final chapters. Still, I was impressed with the book’s risk-taking and verve. It’s well worth making a rare dip into sci-fi for this one.
Back in September I still thought Hilary Mantel would win the whole thing, but since her surprise omission from the shortlist I’ve assumed the prize will go to Shuggie Bain by Douglas Stuart. This was a DNF for me, but I’ll try it again next year in case it was just a matter of bad timing (like the Reid and The Go-Between – two books I attempted a second time this year and ended up loving). Given that it was my favorite of the ones I read, I would be delighted to see Real Life win, but I think it unlikely. My back-up prediction is The Shadow King by Maaza Mengiste, which I would consider reserving from the library if it wins.
Have you read anything from the Booker shortlist?
Which book do you expect to win?
I’m attempting to get through all my 2019 review books before the end of the year, so expect another couple of these roundups. Today I’m featuring a work of poetry about one of Picasso’s mistresses, a thorough yet accessible introduction to how the human body works, a memoir of personal and environmental change in the American West, Scandinavian autofiction about the sudden loss of a partner, and a novel about kids who catch on fire. You can’t say I don’t read a variety! See if one or more of these tempts you.
The Woman Who Always Loved Picasso by Julia Blackburn
Something different from Blackburn: biographical snippets in verse about Marie-Thérèse Walter, one of Pablo Picasso’s many mistress-muses. When they met she was 17 and he was 46. She gave birth to a daughter, Maya – to his wife Olga’s fury. Marie-Thérèse’s existence was an open secret: he rented a Paris apartment for her to live in, and left his home in the South of France to her (where she committed suicide three years after his death), but unless their visits happened to overlap she was never introduced to his friends. “I lived in the time I was born into / and I kept silent, / acquiescing / to everything.”
In Marie-Thérèse’s voice, Blackburn depicts Picasso as a fragile demagogue: in one of the poems that was a highlight for me, “Bird,” she describes how others would replace his caged birds when they died, hoping he wouldn’t notice – so great was his horror of death. I liked getting glimpses into a forgotten female’s life, and appreciated the whimsical illustrations by Jeffrey Fisher, but as poems these pieces don’t particularly stand out. (Plus, there are no page numbers! which doesn’t seem like it should make a big difference but ends up being annoying when you want to refer back to something. Instead, the poems are numbered.)
With thanks to Carcanet Press for the free copy for review. Published today.
The Body: A Guide for Occupants by Bill Bryson
Shelve this next to Being Mortal by Atul Gawande in a collection of books everyone should read – even if you don’t normally choose nonfiction. Bryson is back on form here, indulging his layman’s curiosity. As you know, I read a LOT of medical memoirs and popular science. I’ve read entire books on organ transplantation, sleep, dementia, the blood, the heart, evolutionary defects, surgery and so on, but in many cases these go into more detail than I need and I can find my interest waning. That never happens here. Without ever being superficial or patronizing, the author gives a comprehensive introduction to every organ and body system, moving briskly between engaging anecdotes from medical history and encapsulated research on everything from gut microbes to cancer treatment.
Bryson delights in our physical oddities, and his sense of wonder is infectious. He loves a good statistic, and while this book is full of numbers and percentages, they are accessible rather than obfuscating, and will make you shake your head in amazement. It’s a persistently cheerful book, even when discussing illness, scientists whose work was overlooked, and the inevitability of death. Yet what I found most sobering was the observation that, having conquered many diseases and extended our life expectancy, we are now overwhelmingly killed by lifestyle, mostly a poor diet of processed and sugary foods and lack of exercise.
With thanks to Doubleday for the free copy for review.
Surrender: Mid-Life in the American West by Joanna Pocock
Prompted by two years spent in Missoula, Montana and the disorientation felt upon a return to London, this memoir-in-essays varies in scale from the big skies of the American West to the smallness of one human life and the experience of loss and change. Then in her late forties, Pocock had started menopause and recently been through the final illnesses and deaths of her parents, but was also mother to a fairly young daughter. She explores personal endings and contradictions as a kind of microcosm of the paradoxes of the Western USA.
It’s a place of fierce independence and conservatism, but also mystical back-to-the-land sentiment. For an outsider, so much of the lifestyle is bewildering. The author attends a wolf-trapping course, observes a Native American buffalo hunt, meets a transsexual rewilding activist, attends an ecosexuality conference, and goes foraging. All are attempts to reassess our connection with nature and ask what role humans can play in a diminished planet.
This is an elegantly introspective work that should engage anyone interested in women’s life writing and the environmental crisis. There are also dozens of black-and-white photographs interspersed in the text. In 2018 Pocock won the Fitzcarraldo Editions Essay Prize for this work-in-progress. It came to me as an unsolicited review copy and hung around on my shelves for six months before I picked it up; I’m glad I finally did.
With thanks to Fitzcarraldo Editions for the free copy for review.
Let’s Hope for the Best by Carolina Setterwall
[Trans. from the Swedish by Elizabeth Clark Wessel]
Although this is fiction, it very closely resembles the author’s own life. She wrote this debut novel to reflect on the sudden loss of her partner and how she started to rebuild her life in the years that followed. It quickly splits into two parallel story lines: one begins in April 2009, when Carolina first met Aksel at a friend’s big summer bash; the other picks up in October 2014, after Aksel’s death from cardiac arrest. The latter proceeds slowly, painstakingly, to portray the aftermath of bereavement. In the alternating timeline, we see Carolina and Aksel making their life together, with her always being the one to push the relationship forward.
Setterwall addresses the whole book in the second person to Aksel. When the two story lines meet at about the two-thirds point, it carries on into 2016 as she moves house, returns to work and resumes a tentative social life, even falling in love. This is a wrenching story reminiscent of In Every Moment We Are Still Alive by Tom Malmquist, and much of it resonated with my sister’s experience of widowhood. There are many painful moments that stick in the memory. Overall, though, I think it was too long by 100+ pages; in aiming for comprehensiveness, it lost some of its power. Page 273, for instance (the first anniversary of Aksel’s death, rather than the second, where the book actually ends), would have made a fine ending.
With thanks to Bloomsbury UK for the proof copy for review.
Nothing to See Here by Kevin Wilson
I’d read a lot about this novel while writing a synopsis and summary of critical opinion for Bookmarks magazine – perhaps too much, as it felt familiar and offered no surprises. Lillian, a drifting twentysomething, is offered a job as a governess for her boarding school roommate Madison’s stepchildren. Madison’s husband is a Tennessee senator in the running for the Secretary of State position, so it’s imperative that they keep a lid on the situation with his 10-year-old twins, Bessie and Roland.
You see, when they’re upset these children catch on fire; flames destroy their clothes and damage nearby soft furnishings, but leave the kids themselves unharmed. Temporary, generally innocuous spontaneous combustion? Okay. That’s the setup. Wilson writes so well that it’s easy to suspend your disbelief about this, but harder to see a larger point, except perhaps creating a general allegory for the challenges of parenting. This was entertaining enough, mostly thanks to Lillian’s no-nonsense narration, but for me it didn’t soar.
With thanks to Text Publishing UK for the PDF for review. This came out in the States in October and will be released in the UK on January 30th.
Would you be interested in reading one or more of these?
I’m very stingy with my 5-star ratings, so when I give one out you can be assured that a book is truly special. These three are all backlist reads – look out for my Classic of the Month post next week for a fourth that merits 5 stars – that are well worth seeking out. Out of the 50 books I’ve read so far this year, these are far and away the best.
This Sunrise of Wonder: Letters for the Journey by Michael Mayne (1995)
I plucked this Wigtown purchase at random from my shelves and it ended up being just what I needed to lift me out of January’s funk. Mayne’s thesis is that experiencing wonder, “rare, life-changing moments of seeing or hearing things with heightened perception,” is what makes us human. Call it an epiphany (as Joyce did), call it a moment of vision (as Woolf did), call it a feeling of communion with the universe; whatever you call it, you know what he is talking about. It’s that fleeting sense that you are right where you should be, that you have tapped into some universal secret of how to be in the world.
Mayne believes poets, musicians and painters, in particular, reawaken us to wonder by encouraging us to pay close attention. His frame of reference is wide, with lots of quotations and poetry extracts; he has a special love for Turner, Monet and Van Gogh and for Rilke, Blake and Hopkins. Mayne was an Anglican priest and Dean of Westminster, so he comes at things from a Christian perspective, but most of his advice is generically spiritual and not limited to a particular religion. There are about 50 pages towards the end that are specifically about Jesus; one could skip those if desired.
The book is a series of letters written to his grandchildren from a chalet in the Swiss Alps one May to June. Especially with the frequent quotations and epigraphs, the effect is of a rich compendium of wisdom from the ages. I don’t often feel awake to life’s wonder – I get lost in its tedium and unfairness instead – but this book gave me something to aspire to.
A few of the many wonderful quotes:
“The mystery is that the created world exists. It is: I am. The mystery is life itself, together with the fact that however much we seek to explore and to penetrate them, the impenetrable shadows remain.”
“Once wonder goes; once mystery is dismissed; once the holy and the numinous count for nothing; then human life becomes cheap and it is possible with a single bullet to shatter that most miraculous thing, a human skull, with scarcely a second thought. Wonder and compassion go hand-in-hand.”
“this recognition of my true worth is something entirely different from selfishness, that turned-in-upon-myselfness of the egocentric. … It is a kind of blasphemy to view ourselves with so little compassion when God views us with so much.”
Body of Work: Meditations on Mortality from the Human Anatomy Lab by Christine Montross (2007)
When she was training to become a doctor in Rhode Island, Montross and her anatomy lab classmates were assigned an older female cadaver they named Eve. Eve taught her everything she knows about the human body. Montross is also a published poet, as evident in her lyrical exploration of the attraction and strangeness of working with the remnants of someone who was once alive. She sees the contrasts, the danger, the theatre, the wonder of it all:
“Stacked beside me on my sage green couch: this spinal column that wraps into a coil without muscle to hold it upright, hands and feet tied together with floss, this skull hinged and empty. A man’s teeth.”
“When I look at the tissues and organs responsible for keeping me alive, I am not reassured. The wall of the atrium is the thickness of an old T-shirt, and yet a tear in it means instant death. The aorta is something I have never thought about before, but if mine were punctured, I would exsanguinate, a deceptively beautiful word”
All through her training, Montross has to remind herself to preserve her empathy despite a junior doctor’s fatigue and the brutality of the work (“The force necessary in the dissections feels barbarous”), especially as the personal intrudes on her career through her grandparents’ decline and her plans to start a family with her wife – which I gather is more of a theme in her next book, Falling into the Fire, about her work as a psychiatrist. I get through a whole lot of medical reads, as any of my regular readers will know, but this one is an absolute stand-out for its lyrical language, clarity of vision, honesty and compassion.
There There by Tommy Orange (2018)
Had I finished this late last year instead of in the second week of January, it would have been vying with Lauren Groff’s Florida for the #1 spot on my Best Fiction of 2018 list.
The title – presumably inspired by both Gertrude Stein’s remark about Oakland, California (“There is no there there”) and the Radiohead song – is no soft pat of reassurance. It’s falsely lulling; if anything, it’s a warning that there is no consolation to be found here. Orange’s dozen main characters are urban Native Americans converging on the annual Oakland Powwow. Their lives have been difficult, to say the least, with alcoholism, teen pregnancy, and gang violence as recurring sources of trauma. They have ongoing struggles with grief, mental illness and the far-reaching effects of fetal alcohol syndrome.
The novel cycles through most of the characters multiple times, alternating between the first and third person (plus one second person chapter). As we see them preparing for the powwow, whether to dance and drum, meet estranged relatives, or get up to no good, we start to work out the links between everyone. I especially liked how Orange unobtrusively weaves in examples of modern technology like 3D printing and drones.
The writing in the action sequences is noticeably weaker, and I wasn’t fully convinced by the sentimentality-within-tragedy of the ending, but I was awfully impressed with this novel overall. I’d recommend it to readers of David Chariandy’s Brother and especially Sunil Yapa’s Your Heart Is a Muscle the Size of a Fist. It was my vote for the National Book Critics Circle’s John Leonard Prize (for the best first book, of any genre, published in 2018), and I was pleased that it went on to win.