March has been a huge month for new releases. With so many authors feeling let down about book tours and events being cancelled, it’s a great time for bloggers to step in and help. I attended two virtual book launches on Twitter on the 19th and have another one coming up on the 31st. I also have three more March releases on order from my local indie bookstore: Greenery by Tim Dee, tracking the arrival of spring; Footprints by David Farrier, about the fossil traces modern humans will leave behind; and The Bass Rock by Evie Wyld, a novel about violence against women set on the Scottish coast in three different time periods.
Today I have short reviews of five March releases I recommend (plus a bonus one now out in paperback): a Victorian pastiche infused with Scottish folklore, an essay collection about disparate experiences of motherhood, a thriller about victims of domestic violence, poems in graphic novel form, a novel about natural and personal disasters in Australia, and a lovely story of friendship and literature changing a young man’s life forever. All:
The Ninth Child by Sally Magnusson
(Published by Two Roads on the 19th)
Like Hannah Kent’s The Good People and Sarah Perry’s The Essex Serpent, this is an intense, convincing work of fiction that balances historical realism with magical elements. In mid-1850s Britain, in the wake of a cholera epidemic, there is a drive to ensure clean water. Alexander Aird, hired as the on-site physician for the Glasgow waterworks, moves to the Loch Katrine environs with his wife, Isabel, who has had eight miscarriages or stillbirths. With no living babies requiring her care, Isabel spends her days wandering the hills and meets a strange scarecrow of a man, Reverend Robert Kirke … who died in 1692.
A real-life Episcopalian minister, Kirke wrote a book about fairies and other Celtic supernatural beings and, legend has it (as recounted by Sir Walter Scott and others), was taken into the faery realm after his death and continued to walk the earth looking for rest. It takes a while for Isabel to learn the truth about Kirke – though her servant, Kirsty McEchern, immediately intuits that something isn’t right about the man – and longer still to understand that he wants something from her. “Whatever else, Robert Kirke could be relied on to ruffle this mind of hers that was slowly opening to experience again, and to thinking, and to life.”
This was a rollicking read that drew me in for its medical elements (premature birth, a visit to Joseph Lister, interest in Florence Nightingale’s nursing methods) as well as the plot. It often breaks from the omniscient third-person voice to give testimonies from Kirsty and from Kirke himself. There are also amusing glimpses into the Royal household when Victoria and Albert stay at Balmoral and return to open the waterworks during the “heaviest, windiest, most umbrella-savaging, face-slashing deluge that Scotland had experienced in twenty years.” Best of all, it gives a very different picture of women’s lives in the Victorian period.
My thanks to the publisher for the proof copy for review.
The Best Most Awful Job: Twenty Writers Talk Honestly about Motherhood, edited by Katherine May
(Published by Elliott & Thompson on the 19th)
These are essays for everyone who has had a mother – not just everyone who has been a mother. I enjoyed every piece separately, but together they form a vibrant collage of women’s experiences. Care has been taken to represent a wide range of situations and attitudes. The reflections are honest about physical as well as emotional changes, with midwife Leah Hazard (author of Hard Pushed) kicking off with an eye-opening rundown of the intimate scarring some mothers will have for the rest of their lives. We hear from a mother of six who’s “addicted” to pregnancy (Jodi Bartle), but also from a woman who, after an ectopic pregnancy, realized “there are lots of ways to mother, even if your body won’t let you” (Peggy Riley, in one of my two favorite pieces in the book).
Women from BAME communities recount some special challenges related to cultural and family expectations, but others that are universal. An autistic mother (Joanne Limburg) has to work out how to parent a neurotypical child; queer parents (including author Michelle Tea) wonder how to raise a son at a time of toxic masculinity. There are also several single mothers, one of them disabled (Josie George – hers was my other favorite essay; do follow her on Twitter via @porridgebrain if you don’t already).
What I most appreciated is that these authors aren’t saying what they think they should say about motherhood; they’re willing to admit to boredom, disappointment and rage: “motherhood is an infinite, relentless slog from which there is no rest or recuperation … a ceaseless labour, often devoid of acknowledgment, recognition and appreciation” (Javaria Akbar); “I step barefoot on a rogue piece of Lego and it’s game over. I scream” (Saima Mir). These are punchy, distinctive slices of life writing perfectly timed for Mother’s Day. I plan to pass the book around my book club; mothers or not, I know everyone will appreciate it.
My thanks to the publisher for the proof copy for review.
Keeper by Jessica Moor
(Published by Viking/Penguin on the 19th)
Val McDermid and Jeanette Winterson are among the fans of this, Penguin’s lead debut title of 2020. When a young woman is found drowned at a popular suicide site in the Manchester area, the police plan to dismiss the case as an open-and-shut suicide. But the others at the women’s shelter where Katie Straw worked aren’t convinced, and for nearly the whole span of this taut psychological thriller readers are left to wonder if it was suicide or murder.
The novel alternates between chapters marked “Then” and “Now”: in the latter story line, we follow the police investigation and meet the women of the refuge; in the former, we dive into Katie’s own experience of an abusive relationship back in London. While her mother was dying of cancer she found it comforting to have a boyfriend who was so attentive to her needs, but eventually Jamie’s obsessive love became confining.
I almost never pick up a mystery, but this one was well worth making an exception for. I started suspecting the twist at maybe the two-thirds point, but that didn’t detract from my enjoyment. Based on Moor’s year working in the violence against women sector, it’s a gripping and grimly fascinating story of why women stay with their abusers and what finally drives them to leave.
I picked up a proof copy at a Penguin Influencers event.
Poems to See by: A Comic Artist Interprets Great Poetry by Julian Peters
(To be published by Plough Publishing House on the 31st)
Peters is a comics artist based in Montreal. Here he has chosen 24 reasonably well-known poems by the likes of e.e. cummings, Emily Dickinson, Robert Frost, Seamus Heaney, Langston Hughes, Edgar Allan Poe, Christina Rossetti and W.B. Yeats and illustrated each one in a markedly different fashion. From black-and-white manga to a riot of color and music, from minimalist calligraphy-like Japanese watercolor to imitations of Brueghel, there is such a diversity of style here that at first I presumed there were multiple artists involved (as in one of my favorite graphic novels of last year, ABC of Typography, where the text was written by one author but each chapter had a different illustrator). But no, this is all Peters’ work; I was impressed by his versatility.
The illustrations range from realistic to abstract, with some more obviously cartoon-like. A couple of sequences reminded me of the style of Raymond Briggs. For “Caged Bird” by Maya Angelou, lines are inlaid on the squares of a painted patchwork quilt. Other sets look to have been done via wood engraving, or with old-fashioned crayons. You could quibble with the more obvious poetry selections, but I encountered a few that were new to me, including “Buffalo Dusk” by Carl Sandburg and “Conscientious Objector” by Edna St. Vincent Millay. Peters has grouped them into six thematic categories: self, others, art, nature, time and death. Teenagers, especially, will enjoy the introduction to a variety of poets and comics styles.
I read an e-copy via NetGalley.
The Inland Sea by Madeleine Watts
(Published by ONE/Pushkin on the 5th)
“Emergency police fire, or ambulance?” The young female narrator of this debut novel lives in Sydney and works for Australia’s emergency call service. Over her phone headset she gets appalling glimpses into people’s worst moments: a woman cowers from her abusive partner; a teen watches his body-boarding friend being attacked by a shark. Although she strives for detachment, her job can’t fail to add to her anxiety – already soaring due to the country’s flooding and bush fires.
Against that backdrop of natural disasters, a series of minor personal catastrophes play out. The narrator is obsessed with a rape/murder case that’s dominating the television news, and narrowly escapes sexual assault herself. She drinks to excess, keeps hooking up with her ex-boyfriend, Lachlan, even after he gets a new girlfriend, and seems to think abortion and the morning after pill are suitable methods of birth control. Irresponsible to the point of self-sabotage, she’s planning a move to London but in the meantime is drifting through life, resigned to the fact that there is no unassailable shelter and no surefire way to avoid risk.
The title comes from the quest of John Oxley (presented here as the narrator’s ancestor), who in 1817 searched for a water body in the Australian interior. Quotations from his journals and discussions of the work of Patrick White, the subject of Lachlan’s PhD thesis, speak to the search for an Australian identity. But the inland sea is also the individual psyche, contradictory and ultimately unknowable. Like a more melancholy version of Jenny Offill’s Weather or a more cosmic autofiction than Yara Rodrigues Fowler’s Stubborn Archivist, this is a timely, quietly forceful story of how women cope with concrete and existential threats.
My thanks to the publisher for the PDF copy for review.
And a bonus…
The Offing by Benjamin Myers (2019)
(Paperback published by Bloomsbury on the 5th)
With the Second World War only recently ended and nothing awaiting him apart from the coal mine where his father works, sixteen-year-old Robert Appleyard sets out on a journey. From his home in County Durham, he walks southeast, doing odd jobs along the way in exchange for food and lodgings. One day he wanders down a lane near Robin Hood’s Bay and gets a surprisingly warm welcome from a cottage owner, middle-aged Dulcie Piper, who invites him in for tea and elicits his story. Almost accidentally, he ends up staying for the rest of the summer, clearing scrub and renovating her garden studio.
Dulcie is tall, outspoken and unconventional – I pictured her as (Meryl Streep as) Julia Child in the movie Julie & Julia. She introduces Robert to whole new ways of thinking: that not everyone believes in God, that Germans might not be all bad, that life can be about adventure and pleasure instead of duty. “The offing” is a term for the horizon, as well as the title of a set of poems Robert finds in the dilapidated studio, and both literature and ambition change his life forever. Bright, languid and unpredictable, the novel delights in everyday sensual pleasures like long walks with a dog, dips in the ocean and an abundance of good food. I can’t think of another book I’ve read that’s quite like it – how refreshing is that?
I pre-ordered the paperback using a Waterstones voucher I got for Christmas.
What recent releases can you recommend?
Even though we aren’t big on Valentine’s Day (we went out to a “Flavours of Africa” supper club last weekend and are calling it our celebration meal), for the past three years I’ve ended up doing themed posts featuring books that have “Love” or a similar word in the title or that consider romantic or familial love in some way. (Here are my 2017, 2018 and 2019 posts.) These seven selections, all of them fiction, sometimes end up being more bittersweet or ironic than straightforwardly romantic, but see what catches your eye anyway.
Shotgun Lovesongs by Nickolas Butler (2014)
Four childhood friends from Little Wing, Wisconsin; four weddings (no funeral – though there are a couple of close calls along the way). Which bonds will last, and which will be strained to the breaking point? Henry is the family man, a dairy farmer who married his college sweetheart, Beth. Lee* is a musician, the closest thing to a rock star Little Wing will ever produce. He became famous for Shotgun Lovesongs, a bestselling album he recorded by himself in a refurbished chicken coop for $600, and now lives in New York City and hobnobs with celebrities. Kip gave up being a Chicago commodities trader to return to Little Wing and spruce up the old mill into an events venue. Ronny lived for alcohol and rodeos until a drunken accident ended his career and damaged his brain.
The friends have their fair share of petty quarrels and everyday crises, but the big one hits when one guy confesses to another that he’s in love with his wife. Male friendship still feels like a rarer subject for fiction, but you don’t have to fear any macho stylings here. The narration rotates between the four men, but Beth also has a couple of sections, including the longest one in the book. This is full of nostalgia and small-town (especially winter) atmosphere, but also brimming with the sort of emotion that gets a knot started in the top of your throat. All the characters are wondering whether they’ve made the right decisions. There are a lot of bittersweet moments, but also some comic ones. The entire pickled egg sequence, for instance, is a riot even as it skirts the edge of tragedy.
*Apparently based on Bon Iver (Justin Vernon), whose first album was a similarly low-budget phenomenon recorded in Wisconsin. I’d never heard any Bon Iver before and expected something like the more lo-fi guy-with-guitar tracks on the Garden State soundtrack. My husband has a copy of the band’s 2011 self-titled album, so I listened to that and found that it has a very different sound: expansive, trance-like, lots of horns and strings. (But NB, the final track is called “Beth/Rest.”) For something more akin to what Lee might play, try this video.
Mr Loverman by Bernardine Evaristo (2013)
Barry came to London from Antigua and has been married for 50 years to Carmel, the mother of his two adult daughters. For years Carmel has been fed up with his drinking and gallivanting, assuming he has lots of women on the side. Little does she know that Barry’s best friend, Morris, has also been his lover for 60 years. Morris divorced his own wife long ago, and he’s keen for Barry to leave Carmel and set up home with him, maybe even get a civil partnership. When Carmel goes back to Antigua for her father’s funeral, it’s Barry’s last chance to live it up as a bachelor and pluck up his courage to tell his wife the truth.
Barry’s voice is a delight: a funny mixture of patois and formality; slang and Shakespeare quotes. Cleverly, Evaristo avoids turning Carmel into a mute victim by giving her occasional chapters of her own (“Song of…” versus Barry’s “The Art of…” chapters), written in the second person and in the hybrid poetry style readers of Girl, Woman, Other will recognize. From these sections we learn that Carmel has her own secrets and an equal determination to live a more authentic life. Although it’s sad that these two characters have spent so long deceiving each other and themselves, this is an essentially comic novel that pokes fun at traditional mores and includes several glittering portraits.
Mariette in Ecstasy by Ron Hansen (1991)
Set in an upstate New York convent mostly in 1906–7, this is a story of religious fervor, doubt and jealousy. Mariette Baptiste is a 17-year-old postulant; her (literal) sister, 20 years older, is the prioress here. Mariette is given to mystical swoons and, just after the Christmas mass, also develops the stigmata. Her fellow nuns are divided: some think Mariette is a saint who is bringing honor to their organization; others believe she has fabricated her calling and is vain enough to have inflicted the stigmata on herself. A priest and a doctor both examine her, but ultimately it’s for the sisters to decide whether they are housing a miracle or a fraud.
The short sections are headed by the names of feasts or saints’ days, and often open with choppy descriptive phrases that didn’t strike me as quite right for the time period (versus Hansen has also written a Western, in which such language would seem appropriate). Although the novella is slow to take off – the stigmata don’t arrive until after the halfway point – it’s a compelling study of the psychology of a religious body, including fragments from others’ testimonies for or against Mariette. I could imagine it working well as a play.
Bizarre Romance by Audrey Niffenegger and Eddie Campbell (2018)
Most of these pieces originated as text-only stories by Niffenegger and were later adapted into comics by Campbell. By the time they got married, they had been collaborating long-distance for a while. Some of the stories incorporate fairies, monsters, ghosts and other worlds. A young woman on her way to a holiday party travels via a mirror to another land where she is queen; a hapless bar fly trades one fairy mistress for another; Arthur Conan Doyle’s father sketches fairies in an asylum; a middle-aged woman on a cruise decides to donate her remaining years to her aged father.
My favorite of the fantastical ones was “Jakob Wywialowski and the Angels,” a story of a man dealing with an angel infestation in the attic; it first appeared as a holiday story on the Amazon homepage in 2003 and is the oldest piece here, with the newest dating from 2015. I also liked “Thursdays, Six to Eight p.m.,” in which a man goes to great lengths to assure two hours of completely uninterrupted reading per week. Strangely, my two favorite pieces were the nonfiction ones: “Digging up the Cat,” about burying her frozen pet with its deceased sibling; and “The Church of the Funnies,” a secular sermon about her history with Catholicism and art that Niffenegger delivered at Manchester Cathedral as part of the 2014 Manchester Literary Festival.
The Nine-Chambered Heart by Janice Pariat (2017)
I find second-person narration intriguing, and I like the idea of various people’s memories of a character being combined to create a composite portrait (previous books that do this that I have enjoyed are The Life and Death of Sophie Stark and Kitchens of the Great Midwest). The protagonist here, never named, is a young Indian writer who travels widely, everywhere from the Himalayas to Tuscany. She also studies and then works in London, where she meets and marries a fellow foreigner. We get the sense that she is restless, eager for adventure and novelty: “You seem to be a woman to whom something is always about to happen.”
An issue with the book is that most of the nine viewpoints belong to her lovers, which would account for the title but makes their sections seem repetitive. By contrast, I most enjoyed the first chapter, by her art teacher, because it gives us the earliest account of her (at age 12) and so contributes to a more rounded picture of her as opposed to just the impulsive, flirtatious twentysomething hooking up on holidays and at a writers’ residency. I also wish Pariat had further explored the main character’s relationship with her parents. Still, I found this thoroughly absorbing and read it in a few days, steaming through over 100 pages on one.
Kinds of Love by May Sarton (1970)
Christina and Cornelius Chapman have been “summer people,” visiting Willard, New Hampshire each summer for decades, but in the town’s bicentennial year they decide to commit to it full-time. They are seen as incomers by the tough mountain people, but Cornelius’s stroke and their adjustments to his disability and older age have given them the resilience to make it through a hard winter. Sarton lovingly builds up pictures of the townsfolk: Ellen Comstock, Christina’s gruff friend; Nick, Ellen’s mentally troubled son, who’s committed to protecting the local flora and fauna; Jane Tuttle, an ancient botanist; and so on. Willard is clearly a version of Sarton’s beloved Nelson, NH. She’s exploring love for the land as well as love between romantic partners and within families.
It’s a meandering novel pleasant for its atmosphere and its working out of philosophies of life through conversation and rumination, but Part Three, “A Stranger Comes to Willard,” feels like a misstep. A college dropout turns up at Ellen’s door after his car turns over in a blizzard. Before he’s drafted into the Vietnam War, he has time to fall in love with Christina’s 15-year-old granddaughter, Cathy. There may only be a few years between the teens, but this still didn’t sit well with me.
I liked how each third-person omniscient chapter ends with a passage from Christina’s journal, making things personal and echoing the sort of self-reflective writing for which Sarton became most famous. The book could have been closer to 300 pages instead of over 460, though.
The Dearly Beloved by Cara Wall (2019)
An elegant debut novel about two couples thrown together in 1960s New York City when the men are hired as co-pastors of a floundering Presbyterian church. Nearly the first half is devoted to the four main characters’ backstories and how each couple met. It’s a slow, subtle, quiet story (so much so that I only read the first half and skimmed the second), and I kept getting Charles and James, and Lily and Nan confused.
So here’s the shorthand: Charles is the son of an atheist Harvard professor and plans to study history until a lecture gets him thinking seriously about faith. Lily has closed herself off to life since she lost her parents in a car accident; though she eventually accedes to Charles’s romantic advances, she warns him she won’t bend where it comes to religion. James grew up in a poor Chicago household with an alcoholic father, while Nan is a Southern preacher’s daughter who goes up to Illinois to study music at Wheaton.
James doesn’t have a calling per se, but is passionate about social justice. As co-pastor, his focus will be on outreach and community service, while Charles’s will be on traditional teaching and ministry duties. Nan is desperate for a baby but keeps having miscarriages; Lily has twins, one of whom is autistic (early days for that diagnosis; doctors thought the baby should be institutionalized). Although Lily remains prickly, Nan and James’s friendship is a lifeline for them. The “dearly beloved” term thus applies outside of marriage as well, encompassing all the ties that sustain us – in the last line, Lily thinks, “these friends would forever be her stitches, her scaffold, her ballast, her home.”