Annabel and I did a buddy read of The Amazing Adventures of Kavalier & Clay by Michael Chabon; at 636 pages, it worked out to roughly 21 pages a day for the whole month of May. As I went along I summarized each day’s reading on Twitter, so to make things super-easy for myself, especially while I’m away in the States, I’ve put this post together as a collection of tweets.
There’s a lot of plot summary here, and perhaps some spoilers, so if you plan to read the novel you might not want to read too closely. I’ve set out my more general reactions in bold.
6:12 am – 1 May 2019
Kavalier & Clay, #1: Oct. 1939. Teen cousins Sam (American) and Josef (Czech) meet up in Brooklyn. Both dream of fame and fortune, Josef through drawing; Sam through any old scheme. Lots of ref’s to illusionists. Great adjectives and metaphors. Reminds me of The Invisible Bridge.
(Coincidentally, while I was at the Wellcome Collection yesterday I browsed their current exhibit on magic and illusions and there was a vintage Houdini poster advertising one of his famous escapes.)
K&C, #2: Flashback to Josef’s illusionist training under Bernard Kornblum c. 1935. Goaded by his little brother, Thomas, Josef practiced a Houdini-style underwater escape after jumping off a bridge tied up in a laundry bag. Disaster nearly ensued. Madcap and sobering all at once.
K&C, #3: Josef escapes Prague in a coffin housing a golem [animated humanoid figure made of clay]. He has a premonition of the horror to come for the Jews. Close shaves, but he makes it to Brooklyn — as we already know. Looking forward to getting back to NYC and Sam in Part II.
K&C, #4: Brief history of comics in America. Superman was a watershed in 1938. Sam pitches an idea to half-dressed boss Sheldon Anapol and shows Joe’s quick sketch of a golem-like hero. Though skeptical, he decides to give them the weekend to come up with a complete 12-page comic.
K&C, #5: Sam enlists the Glovsky brothers to work for him. We get the story of his late father, a vaudeville strong man named ‘The Mighty Molecule’. Joe breaks into locked premises with a flourish, inspiring The Escapist. Over 1/6 through! Hankering for a proper female character.
K&C, #6: Well, we got a female, Rosa Luxembourg Saks, but so far she hasn’t said a word and is only an object of the male gaze. J draws her nude for $3. My interest waned in Ch. 8 as S and J develop a backstory for The Escapist. He is to free the oppressed with his Golden Key.
K&C, #7: With 5 helpers, S&J pull all-nighters to piece together a 1st issue of Masked Men with mult. 12-pp stories. J draws the Escapist punching Hitler for the cover. Anapol makes them a good offer but wants a new cover. It’s a deal breaker; S&J walk out. Great period dialogue.
K&C, #8: Part III, Oct. 1940. Empire Comics is a phenomenon. Anapol is now so rich he bought a house in FL. Joe toils away at his violent, audacious scenes and pesters the German consulate re: his family. After some bad news, he decides to move to Montreal so he can join the RAF.
K&C, #9: Joe has 2nd thoughts re: RAF. He now seems to cross paths with every pugilistic German in the city. He stumbles on the offices of the “Aryan-American League,” breaks in and learns that he has in Carl Ebling a fan in spite of himself. Sure I’ve heard that name before…
K&C, #10: Joe is so confident a ‘bomb’ on 25th fl. of Empire State Bldg is a bluff by his nemesis, Ebling, that he chains himself to his desk to keep working. S&J realize how foolish it was to sell rights to the Escapist: they won’t make a penny on the upcoming radio adaptation.
K&C, #11: S&J attend a party at which Salvador Dali is in a breathing apparatus. Rosa reappears, saying the F word. She’s empathetic re: J’s family. J plays the hero and saves Dali when he runs out of oxygen. Rosa invites him up to see her paintings (not a euphemism — I think!).
K&C, #12 (catch-up): Rosa paints still lifes and has a room full of moths, a sort of family plague. She sets Joe’s dislocated finger and, via her work for the Transatlantic Rescue Agency, may be able to help him save his brother. They share a kiss before Sam interrupts them.
K&C, #13: Rosa’s boss agrees to help Joe if he pays 3x the regular fare for Thomas … and is the magician for his son’s bar mitzvah. Joe’s new idea for a sexy female superhero is inspired by a Luna moth. He and Sam try to bargain for a greater share of the rights to their work.
K&C, #14-15 (somehow got ahead!): 1941. S&J so rich they don’t know what to do with the $. Sharing apt. with Rosa, who keeps trying to find S a girlfriend. J is performing magic at parties; S is writing a novel, takes a radio actor auditioning for Escapist home to Shabbos dinner.
Some general thoughts at the halfway point, while I’m ahead: delighted to have a solid female character in Rosa, and more interiority with Sam in Part IV. (There are also intriguing hints about his sexuality.) Chabon is an exuberant writer; the novel could definitely be shorter.
K&C, #16: Joe is carrying around an unopened letter from his mother. At one of his bar mitzvah magician gigs, Ebling attacks him with an explosive and both incur minor injuries. The letter mysteriously disappears…
K&C, #17: Sam is a volunteer plane spotter for the war effort, giving him a vantage point high above NYC. Actor Tracy Bacon surprises him by joining him up there at 1 a.m. one day. Literal sparks fly.
K&C, #18: Sam meets Orson Welles, whose “Citizen Kane” is a huge influence on the lads’ work — they want to write for adults more than kids now. Tracy accompanies Sam to his favorite place in NYC: the site of the former World’s Fair. (Traveling tomorrow but will catch up soon.)
Sigh. I hugely lost momentum after we arrived in the States on Sunday. I’ve caught up, but (confession time) have had to do a lot of skimming. I find the dialogue a lot more engaging than the expository prose, unfortunately.
K&C #19-25: Awful news about the ship bearing Joe’s brother. Both Joe and Rosa decide to take drastic action. Carl Ebling is imprisoned for 12 years for the bar mitzvah bombing. J is stationed near the Antarctic as a radioman. JUMP to 1954, with S raising a 12yo kid named Tommy.
K&C, #26: We realize Sam and Rosa have formed an unusual family with her child Tommy, who’s learning magic tricks from Joe, who makes a failed jump…
K&C wrap-up: Joe’s living in the Empire State Building, writing a novel about a golem. Anapol kills off the Escapist. In ’54, Sam appears at a televised hearing about whether comic books create delinquents. He decides to start over in CA, leaving Joe, Rosa and Tommy a family of 3
K&C wrap-up (cont.): I did occasional skimming starting at ~p. 120 and mostly skimmed from p. 400 onwards, so I’ve marked the whole thing as ‘skimmed’ rather than ‘read’. Slightly disappointed with myself for lacking staying power, but I do think the book overlong.
The action should have been condensed, rather than sprawling over 15 years. I often lost patience with the expository prose and wanted more scenes and dialogue. It took too long for Rosa to appear, and too long to get initiated into Sam’s private life.
However, Chabon does have some wonderful turns of phrase. Here’s a few faves. “The view out the windows was pure cloud bank, a gray woolen sock pulled down over the top of the building.”
“Orderly or chaotic, well inventoried and civil or jumbled and squabbling, the Jews of Prague were dust on the boots of the Germans, to be whisked off with an indiscriminate broom.”
“Sammy felt that he was standing on the border of something wonderful, a land where wild cataracts of money and the racing river of his own imagination would, at last, lift his makeshift little raft and carry it out to the boundless freedom of the open sea.”
My favorite passage of all: “Dinner was a fur muff, a dozen clothespins, and some old dish towels boiled up with carrots. The fact that the meal was served with a bottle of prepared horseradish enabled Sammy to conclude that it was intended to pass for braised short ribs of beef”
I also discovered that Chabon coined a word in the novel: “aetataureate,” meaning related to a golden age. It’s a good indication of the overall tone.
The other doorstopper I finished reading this month was Mary Ann Sate, Imbecile by Alice Jolly, which I reviewed for Nudge. I had heard about this Unbound release before, but my interest was redoubled by its shortlisting for the Rathbones Folio Prize and the RSL Ondaatje Prize. Although I was initially intimidated by the heft of the 600+-page hardback that came through my door for review, I found that I could easily settle into the rhythm and – provided I had no distractions – read 40 or 50 pages of it at a sitting.
As an elderly woman in Gloucestershire in the 1880s, Mary Ann Sate looks back at the events of the 1820s and 1830s, a time of social turmoil and upheaval in the family for whom she worked as a servant. Writing is a compulsion and a form of confession for her. The book has no punctuation, not even apostrophes, and biblical allusions, spelling errors, archaisms and local pronunciation (such as “winder” for window and “zummer” for summer) make it feel absolutely true to the time period and to the narrator’s semi-literate status.
There are no rhymes in this free verse epic, but occasionally Mary Ann comes out with some alliteration, perhaps incidental, or particularly poetic lines (“The road ahead unravel / Like a spool of canary thread / Taking me always away”) that testify to her gifts for storytelling and language, even though she made her living by manual labor for some seven decades.
The manner of the telling makes this a unique work of historical fiction, slightly challenging but very worthwhile. I would particularly recommend it to fans of Jane Harris’s The Observations.
Next month’s plan: The Stillness The Dancing by Wendy Perriam, passed on to me by Liz Dexter.
April was something of a lackluster case for my two monthly challenges: two slightly disappointing books were partially read (and partially skimmed), and two more that promise to be more enjoyable were not finished in time to review in full.
Wise Blood by Flannery O’Connor (1952)
When Hazel Motes, newly released from the Army, arrives back in Tennessee, his priorities are to get a car and to get laid. In contrast to his preacher grandfather, “a waspish old man who had ridden over three counties with Jesus hidden in his head like a stinger,” he founds “The Church Without Christ.” Heaven, hell and sin are meaningless concepts for Haze; “I don’t have to run from anything because I don’t believe in anything,” he declares. But his vociferousness belies his professed indifference. He’s particularly invested in exposing Asa Hawkes, a preacher who vowed to blind himself, but things get complicated when Haze is seduced by Hawkes’s 15-year-old illegitimate daughter, Sabbath – and when his groupie, eighteen-year-old Enoch Emery, steals a shrunken head from the local museum and decides it’s just the new Jesus this anti-religion needs. O’Connor is known for her very violent and very Catholic vision of life. In a preface she refers to this, her debut, as a comic novel, but I found it bizarre and unpleasant and only skimmed the final two-thirds after reading the first 55 pages.
In progress: Cider with Rosie by Laurie Lee (1959) – I love to read ‘on location’ when I can, so this was a perfect book to start during a weekend when I visited Stroud, Gloucestershire for the first time.* Lee was born in Stroud and grew up there and in the neighboring village of Slad. I’m on page 65 and it’s been a wonderfully evocative look at a country childhood. The voice reminds me slightly of Gerald Durrell’s in his autobiographical trilogy.
*We spent one night in Stroud on our way home from a short holiday in Devon so that I could see The Bookshop Band and member Beth Porter’s other band, Marshes (formerly Beth Porter and The Availables) live at the Prince Albert pub. It was a terrific night of new songs and old favorites. I also got to pick up my copy of the new Marshes album, When the Lights Are Bright, which I supported via an Indiegogo campaign, directly from Beth.
The Resurrection of Joan Ashby by Cherise Wolas (2017)
Joan Ashby’s short story collection won a National Book Award when she was 21 and was a bestseller for a year; her second book, a linked story collection, was nominated for a Pulitzer Prize. In contravention of her childhood promise to devote herself to her art, she marries Martin Manning, an eye surgeon, and is soon a mother of two stuck in the Virginia suburbs. Two weeks before Daniel’s birth, she trashes a complete novel. Apart from a series of “Rare Babies” stories that never circulate outside the family, she doesn’t return to writing until both boys are in full-time schooling. When younger son Eric quits school at 13 to start a computer programming business, she shoves an entire novel in a box in the garage and forgets about it.
Queasy feelings of regret over birthing parasitic children – Daniel turns out to be a fellow writer (of sorts) whose decisions sap Joan’s strength – fuel the strong Part I, which reminded me somewhat of Doris Lessing’s The Golden Notebook in that the protagonist is trying, and mostly failing, to reconcile the different parts of her identity. However, this debut novel is indulgently long, and I lost interest by Part III, in which Joan travels to Dharamshala, India to reassess her relationships and career. I skimmed most of the last 200 pages, and also skipped pretty much all of the multi-page excerpts from Joan’s fiction. At a certain point it became hard to sympathize with Joan’s decisions, and the narration grew overblown (“arc of tragedy,” “tortured irony,” etc.) [Read instead: Forty Rooms by Olga Grushin]
Page count: 523
In progress: Mary Ann Sate, Imbecile by Alice Jolly, a 613-page historical novel in verse narrated by a semi-literate servant from Stroud, then a cloth mill town. I’d already committed to read it for a Nudge/New Books magazine review, having had my interest redoubled by its shortlisting for the Rathbones Folio Prize, but it was another perfect choice for a weekend that involved a visit to that part of Gloucestershire. Once you’re in the zone, and so long as you can guarantee no distractions, this is actually a pretty quick read. I easily got through the first 75 pages in a couple of days.
Next month’s plan: As a doorstopper Annabel and I are going to read The Amazing Adventures of Kavalier & Clay by Michael Chabon (636 pages, or roughly 20 pages a day for the whole month of May). Join us if you like! I’m undecided about a classic, but might choose between George Eliot, William Faulkner, Robert Louis Stevenson and Emile Zola.
With Valentine’s Day on the way, I’ve been reading a bunch of books with “Love” in the title to round up in a mini-reviews post next week. One of them was What I Loved by Siri Hustvedt – my second taste of her brilliant fiction after The Blazing World. Yet I’ve not tried a one of her husband Paul Auster’s books. There’s no particular reason for that; I’ve even had his New York Trilogy out from the library in the past, but never got around to reading it.
How about some other literary power couples? Here’s some that came to mind, along with an inventory of what I’ve read from each half. It’s pretty even for the first two couples, but in most of the other cases there’s a clear winner.
Zadie Smith: 5
Nick Laird: 5 (= ALL)
I’ve read all of Zadie Smith’s work apart from NW; I only got a few pages into it when it first came out, but I’m determined to try again someday. To my surprise, I’ve read everything her husband Nick Laird has ever published, which includes three poetry collections and two fairly undistinguished ‘lad lit’ novels. I’m pleased to see that his new novel Modern Gods, coming out on June 27th, is about two sisters and looks like a stab at proper literary fiction.
Jonathan Safran Foer: 4 (= ALL)
Nicole Krauss: 3 (= ALL)
Alas, they’re now an ex-couple. In any case, they’re both on the fairly short list of authors I’d read anything by. Foer has published three novels and the nonfiction polemic Eating Animals. Krauss, too, has three novels to her name, but a new one is long overdue after the slight disappointment of 2010’s Great House.
Margaret Drabble: 5
Michael Holroyd: 0
Michael Holroyd is a biographer and general nonfiction dabbler. I have a few of his books on my TBR but don’t feel much compulsion to seek them out. By contrast, I’ve read four novels and a memoir by Margaret Drabble and am likely to devour more of her fiction in the future.
Claire Tomalin: 2
Michael Frayn: 1
Claire Tomalin’s masterful biographies of Charles Dickens and Thomas Hardy are pillars of my nonfiction collection, and I have her books on Nelly Ternan and Samuel Pepys on the shelf to read as well. From her husband, celebrated playwright Michael Frayn, however, I’ve only read the comic novel Skios. It is very funny indeed, though, about a case of mistaken identity at an academic conference on a Greek island.
Plus a few I only recently found out about:
Ian McEwan: 7 (+ an 8th in progress)
Annalena McAfee: 1 (I’ll be reviewing her novel Hame here on Thursday)
Katie Kitamura: 1 (I just finished A Separation yesterday)
Hari Kunzru: 0
Madeleine Thien: 1 (Do Not Say We Have Nothing)
Rawi Hage: 0
Michael Chabon: 1
Ayelet Waldman: 0
I loved Moonglow and am keen to try Michael Chabon’s other novels, but I also have a couple of his wife Ayelet Waldman’s books on my TBR.
Dave Eggers: 5
Vendela Vida: 0
I’ve read a decent proportion of Dave Eggers’s books, fiction and nonfiction, but don’t know anything by his wife and The Believer co-founder Vendela Vida.
David Foster Wallace: 2
Mary Karr: 1
I didn’t even know they were briefly a couple. From Wallace I’ve read the essay collection Consider the Lobster and the commencement address This Is Water. I’ve definitely got to get hold of Karr’s memoirs, having so far only read her book about memoir (The Art of Memoir).
And some classics:
Ted Hughes: 1 (Crow)
Sylvia Plath: 0
F. Scott Fitzgerald: 2 (The Great Gatsby and Tender Is the Night)
Zelda Fitzgerald: 0
How have you fared with these or other literary power couples? Do you generally gravitate towards one or the other from a pair?
Novels about Patricia Highsmith and a prison production of The Tempest; a true-life account of opening a secondhand bookstore; a faux memoir setting ancestors’ memories in the context of twentieth-century history; and an exposé of the happiness movement in America: these five very different books are all 4-star reads I can highly recommend.
The Crime Writer
By Jill Dawson
Patricia Highsmith hated the term “crime writer”; she preferred to speak of her work as “suspense novels,” animated by the threat of danger. Dawson’s terrific pastiche is set in the early 1960s, when the nomadic Highsmith was living in a remote cottage in Suffolk, England. Beyond the barest biographical facts, though, Dawson has imagined the plot based on Highsmith’s own preoccupations: fear of a stalker, irksome poison-pen letters, imagining what it would be like to commit murder … and snails. In a combination of third- and first-person narration, she shows “Pat” succumbing to alcoholism and paranoia as she carries on affairs with Sam, a married woman, and Ginny, a young journalist who’s obsessed with her. You’re never quite sure as you’re reading what is actually happening in the world of the novel and what only occurs in Highsmith’s imagination; I’m sure that’s deliberate. This counts as one of the most gripping, compulsive books I’ve encountered this year.
The Little Bookstore of Big Stone Gap
By Wendy Welch
Everyone told Wendy Welch and her husband that they were crazy when they decided to open a used bookstore in a small Appalachian Coalfields town in the middle of a recession. They lived above the shop and initially stocked it with their own library plus books picked up cheap at yard sales – though Welch later learned to be much more choosy about what they added to their inventory and to tailor their selections to the tastes of country readers. Essentially, they were making it all up as they went along, but eight years later they’re still a community fixture in Big Stone Gap, Virginia. (I’d love to visit someday.) For the most part that’s because they branched out to fill other roles: hosting cultural events, murder mystery evenings, a writing group, a crafting circle, and regular Quaker meetings. I appreciated the details about the nitty-gritty of running a bookstore (like a chapter on pricing) more than the customer interactions. A warm and fuzzy book-lover’s delight.
Hag-Seed: The Tempest Retold
By Margaret Atwood
Margaret Atwood looks more like a good witch every year, and here she works her magic on The Tempest to produce the most satisfying volume of the Hogarth Shakespeare series yet. There’s a really clever play-within-the-play-within-the-play thing going on, and themes of imprisonment and performance resonate in multiple ways. It’s fun to see the disgraced Felix’s second act as a director of inmate plays at Fletcher Correctional – “I don’t care why you’re in here or what they say you’ve done: for this course the past is prologue.” Part V gets a little tedious/didactic as the cast hash out the characters’ afterlives, and at times (mainly the raps) you’re painfully aware that this is an old white lady trying to approximate how seasoned criminals might speak, but in general I thoroughly enjoyed this. Even though you see behind the scenes (e.g. my favorite chapter was about Felix wandering the streets of Toronto to buy props and costumes), you still get caught up in the magic. (See also Carolyn’s wonderful review at Rosemary and Reading Glasses.)
The Pursuit of Happiness: Why are we driving ourselves crazy and how can we stop?
By Ruth Whippman
I call this niche genre anti-self-help. (Two other great examples are Smile or Die by Barbara Ehrenreich and Promise Land by Jessica Lamb-Shapiro.) Whippman has a particularly interesting perspective as a British Jew who moved to California for her husband’s work. With sharp humor and natural British cynicism, she investigates various manifestations of the American obsession with happiness, including the cult-like Landmark Forum, Zappos shoes HQ, Facebook’s encouragement of shallow social interaction, and the positive psychology movement. I especially liked her visit to Mormons in Salt Lake City (the nation’s happiest group, it seems, but also the most highly medicated against depression), but the funniest chapter is on happiness-focused parenting. The basic message is that the happiness movement went wrong by making it a matter of personal responsibility, of mental and spiritual triumph over circumstances. It gives no easy answers, but it’s a very enjoyable book.
By Michael Chabon
Chabon’s seventh novel was inspired by his maternal grandfather’s deathbed confessions in 1989—or was it? A tongue-in-cheek author’s note refers to this as a “memoir,” and it’s narrated by “Mike Chabon,” but he and “Grandfather” (never named) are characters here in the same way that Jonathan Safran Foer and his ancestors are in Everything Is Illuminated. Space travel and explosives are Grandfather’s lifelong obsessions, but the chronology moves back and forth seemingly haphazardly, as if we are hearing this story exactly as it emerged. Chabon offers a rich meditation on how Jewishness and family secrets influence the creation of identity. With a seam of dark humor that brings to mind Jonas Jonasson’s The Hundred-Year-Old Man…, Moonglow inventively fuses family history and fiction but leaves cracks for happiness and meaning to shine through. (See my full review on the Pittsburgh Post-Gazette website.)