This Being/Becoming/Asking the Expert week of the month-long Nonfiction November challenge is hosted by Rennie of What’s Nonfiction.
I’m also counting this as the first entry in my new “Three on a Theme” series, where I’ll review three books that have something significant in common and tell you which one to pick up if you want to read into the topic for yourself. I have another medical-themed one lined up for this Friday as a second ‘Being the Expert’ entry.
I never set out to read several memoirs of women’s experience of postpartum depression this year; it sort of happened by accident. I started with the graphic memoir and then chanced upon a recent pair of traditional memoirs published in the UK – in fact, I initially pitched them as a dual review to the TLS, but they’d already secured a reviewer for one of the books.
Inferno: A Memoir by Catherine Cho
I was delighted to see this prediction of mine make the Sunday Times Young Writer of the Year Award shortlist. Coincidentally, I was already halfway through the book on my Kindle (via NetGalley) at that point, but its nomination gave me the push to finish in a timely manner. Cho, a Korean American literary agent based in London, experienced stress-induced postpartum psychosis after the birth of her son, Cato. She and her husband James had gone back to the USA when Cato was two months old to introduce him to friends and family, ending with a big Korean 100-day celebration for him at her in-laws’ home in New Jersey. Almost as soon as they got to her in-laws’, though, she started acting strangely: she was convinced there were cameras watching their every move, and Cato’s eyes were replaced with “devil’s eyes.” She insisted they leave for a hotel, but soon she would be in an emergency room, followed by a mental health ward.
Cho alternates between her time on the New Bridge ward – writing in a notebook, trying to act normal whenever James visited, expressing milk from painfully swollen breasts, and interacting with her fellow patients with all their quirks – and a rundown of the rest of her life before the breakdown. Her Kentucky childhood was marked by her mathematician father’s detachment and the sense that she and her brother were together “in the trenches,” pitted against the world. In her twenties she worked in a New York City corporate law firm and got caught up in an abusive relationship with a man she moved to Hong Kong to be with. All along she weaves in her family’s history and Korean sayings and legends that explain their values.
Twelve days. That was the length of her hospitalization in early 2018, but Cho so painstakingly depicts her mindset that readers are fully immersed in an open-ended purgatory – a terrifying time when she questioned her sanity and whether she was cut out for motherhood. “Koreans believe that happiness can only tempt the fates and that any happiness must be bought with sorrow,” she writes. She captures both extremes, of suffering and joy, in this vivid account.
What Have I Done? An honest memoir about surviving postnatal mental illness by Laura Dockrill
Dockrill is a British children’s author. Her style reminded me of others of her contemporaries who do a good line in light, witty, warts-and-all, here’s-what-it’s-really-like-to-be-a-woman books: Dolly Alderton, Caitlin Moran and the like. From a labor that quickly deviated from her birth plan due to an emergency Caesarean to the usual post-baby blues to full-blown psychosis, Dockrill recreates her experience with fluid dialogue and italicized passages of her paranoid imaginings. Her memoir resembles Cho’s in its broad strokes but also in certain particulars, like imagining surveillance cameras and hearing a voice in her head telling her she is a bad mum. I skimmed this one because of a library deadline and because of an overload on similar content. I had a greater affinity for Cho’s literary style compared to the more between-girlfriends, self-help bent of this memoir. With the glossary and resources at the end, though, I’d say this one would be more useful for someone going through the same thing.
Dear Scarlet: The Story of My Postpartum Depression by Teresa Wong (2019)
Memoir as letter and as graphic novel. Wong narrates the traumatic birth of her first child and her subsequent postpartum depression in black-and-white sketches that manage to feel breezy and fun despite the heavy subject matter. “I felt lost. I had no maternal instincts and no clue how I was supposed to take care of a baby,” she writes to Scarlet. “Your first two months in the world were the hardest two months of my life.”
For Wong, a combination of antidepressants, therapy, a postnatal doula, an exercise class, her mother’s help, and her husband’s constant support got her through, and she knows she’s lucky to have had a fairly mild case and to have gotten assistance early on. I loved the “Not for the Faint of Heart” anatomical spreads and the reflections on her mother’s tough early years after arriving in Canada from China.
The drawing and storytelling style is similar to that of Sarah Laing and Debbie Tung. The writing is more striking than the art, though, so I hope that with future work the author will challenge herself to use more color and more advanced designs (from her Instagram page it looks like she is heading that way).
My thanks to publicist Beth Parker for the free e-copy for review.
What I learned:
All three authors emphasize that motherhood does not always come naturally; “You might not instantly love your baby,” as Dockrill puts it. There might be a feeling of detachment –from the baby and/or from one’s new body. They all note that postpartum depression is common and that new mothers should not be ashamed of seeking help from medical professionals, baby nurses, family members and any other sources of support.
These two passages were representative for me:
Cho: “I don’t feel a rush of love or an overwhelming weight of responsibility, emotions that I’d been expecting. Instead, I felt curious, like I’d just been introduced to a stranger. He was a creature, an idea, not even human yet, just a being, a life. … I’d thought I would reclaim my body after birth, but instead, it was now a tool, something to sustain life.”
Dockrill: “If childbirth and motherhood are the most natural, universal, common things in the world, the things that women have been doing since the beginning of time, then why does nobody tell us that there’s a good chance that you might not feel like yourself after you have a baby? That you might even lose your head? That you might not ever come back?”
Nobody Told Me by Hollie McNish, one of my current bedside books, also deals with complicated pregnancy emotions and the chaotic early months of motherhood.
If you read just one, though… Make it Inferno by Catherine Cho.
Can you see yourself reading any of these books?
Stephen Fabes is an emergency room doctor at St Thomas’s Hospital, London. Not exciting enough for you? Well, he also spent six years of the past decade cycling six continents (so, all bar Antarctica). His statistics are beyond impressive: 53,568 miles, 102 international borders, 1000+ nights of free camping, 26 bicycle tires, and 23 journals filled with his experiences. A warm-up was cycling the length of Chile with his brother at age 19. After medical school in Liverpool and starting his career in London, he found himself restless and again longing for adventure. The round-the-world cycle he planned fell into four sections: London to Cape Town, the West Coast of the Americas, Melbourne to Mumbai, and Hong Kong to home.
Signs of Life is a warm-hearted and laugh-out-loud funny account of Fabes’ travels, achieving a spot-on balance between major world events, the everyday discomforts of long-distance cycling and rough camping, and his humanitarian volunteering. He is a witness to the Occupy movement in Hong Kong, the aftermath of drought and tribal conflict in Africa, and the refugee crisis via the “Jungle” migrant camp in Calais. The desperate situations he saw while putting his medical expertise to good use in short bursts – e.g., at a floating clinic on a Cambodian lake, a malaria research center in Thailand, a leper hospital in Nepal, and a mental health rehabilitation clinic in Mumbai – put into perspective more minor annoyances like fire ants in El Salvador, Indonesian traffic, extreme cold in Mongolia, and camel spiders.
Wherever he went, Fabes met with kindness from strangers, even those who started off seeming hostile – having pitched his tent by a derelict cabin in Peru, he was alarmed to awake to a man pointing a gun at him, but the illicit gold miner soon determined he was harmless and offered him some soup. (Police officers and border guards were perhaps a bit less hospitable.) He also had occasional companions along the route, including a former housemate and a one-time girlfriend. Even limited shared language was enough to form common ground with a stranger-turned-fellow cyclist for a week or so. We get surprising glimpses of how Anglo-American culture permeates the developing world: For some reason, in the ‒Stans everyone’s point of reference when he introduced himself was Steven Seagal.
At nearly 400 pages, the memoir is on the long side, though I can see that it must have felt impossible to condense six years of adventures any further. I was less interested in the potted histories of other famous cyclists’ travels and would have appreciated a clearer sense to the passing of time, perhaps in the form of a date stamp at the head of each chapter. One of my favorite aspects of the book, though, was the use of medical metaphors to link geography to his experiences. Most chapters are titled after health vocabulary; for instance, in “Membranes” he ponders whether country borders are more like scars or cell membranes.
Fabes emphasizes, in a final chapter on the state of the West upon his return in early 2016, that, in all the most important ways, people are the same the world over. Whether in the UK or Southeast Asia, he sees poverty as the major factor in illness, perpetuating the inequality of access to adequate healthcare. Curiosity and empathy are his guides as he approaches each patient’s health as a story. Reflecting on the pandemic, which hit just as he was finalizing the manuscript, he prescribes global cooperation and innovation for this time of uncertainty.
We’re all armchair travelers this year, but this book is especially for you if you enjoy Bill Bryson’s sense of humor, think Dervla Murphy was a badass in Full Tilt, and enjoyed War Doctor by David Nott and/or The Crossway by Guy Stagg. It’s one of my top few predictions for next year’s Wellcome Book Prize – fingers crossed it will go ahead after the 2020 hiatus.
With thanks to Dr Fabes and Profile Books for the free copy for review.
I’ve been gearing up for Novellas in November with a few short autumnal reads, as well as some picture books bedecked with fallen leaves, pumpkins and warm scarves.
An Event in Autumn by Henning Mankell (2004)
[Translated from the Swedish by Laurie Thompson, 2014]
My first and probably only Mankell novel; I have a bad habit of trying mystery series and giving up after one book – or not even making it through a whole one. This was written for a Dutch promotional deal and falls chronologically between The Pyramid and The Troubled Man, making it #9.5 in the Wallander series. It opens in late October 2002. After 30 years as a police officer, Kurt Wallander is interested in living in the countryside instead of the town-center flat he shares with his daughter Linda, also a police officer. A colleague tells him about a house in the country owned by his wife’s cousin and Wallander goes to have a look.
Of course things aren’t going to go smoothly with this venture. You have to suspend disbelief when reading about the adventures of investigators; it’s like they attract corpses. So it’s not much of a surprise that while he’s walking the grounds of this house he finds a human hand poking out of the soil, and eventually the remains of a middle-aged couple are unearthed. The rest of the book is about finding out what happened on the property at the time of the Second World War. Wallander says he doesn’t believe in ghosts, but victims of wrongful death are as persistent as ghosts: they won’t be ignored until answers are found.
This was a quick and easy read, but nothing about it (setting, topics, characterization, prose) made me inclined to read further in the author’s work.
The Pumpkin Eater by Penelope Mortimer (1962)
(Classic of the Month, #1)
Like a nursery rhyme gone horribly wrong, this is the story of a woman who can’t keep it together. She’s the woman in the shoe, the wife whose pumpkin-eating husband keeps her safe in a pumpkin shell, the ladybird flying home to find her home and children in danger. Aged 31 and already on her fourth husband, the narrator, known only as Mrs. Armitage, has an indeterminate number of children. Her current husband, Jake, is a busy filmmaker whose philandering soon becomes clear, starting with the nanny. A breakdown at Harrods is the sign that Mrs. A. isn’t coping, and she starts therapy. Meanwhile, they’re building a glass tower as their countryside getaway, allowing her to contemplate an escape from motherhood.
An excellent 2011 introduction by Daphne Merkin reveals how autobiographical this seventh novel was for Mortimer. But her backstory isn’t a necessary prerequisite for appreciating this razor-sharp period piece. You get a sense of a woman overwhelmed by responsibility and chafing at the thought that she’s had no choice in what life has dealt her. Most chapters begin in medias res and are composed largely of dialogue, including with Jake or her therapist. The book has a dark, bitter humor and brilliantly recreates a troubled mind. I was reminded of Janice Galloway’s The Trick Is to Keep Breathing and Elizabeth Hardwick’s Sleepless Nights. If you’re still looking for ideas for Novellas in November, I recommend it highly.
Snow in Autumn by Irène Némirovsky (1931)
[Translated from the French by Sandra Smith, 2007]
(Classic of the Month, #2)
I have a copy of Suite Française, Némirovsky’s renowned posthumous classic, in a box in America, but have never gotten around to reading it. This early tale of the Karine family, forced into exile in Paris after the Russian Revolution, draws on the author’s family history. The perspective is that of the family’s old nanny, Tatiana Ivanovna, who guards the house for five months after the Karines flee and then, joining them in Paris after a shocking loss, longs for the snows of home. “Autumn is very long here … In Karinova, it’s already all white, of course, and the river will be frozen over.” Nostalgia is not as innocuous as it might seem, though. This gloomy short piece brought to mind Gustave Flaubert’s story “A Simple Heart.” I wouldn’t say I’m taken by Némirovsky’s style thus far; in fact, the frequent ellipses drove me mad! The other novella in my paperback is Le Bal, which I’ll read next month.
Plus a quartet of children’s picture books from the library:
Pumpkin Soup by Helen Cooper: A cat, a squirrel and a duck live together in a teapot-shaped cabin in the woods. They cook pumpkin soup and make music in perfect harmony, each cheerfully playing their assigned role, until the day Duck decides he wants to be the one to stir the soup. A vicious quarrel ensues, and Duck leaves. Nothing is the same without the whole trio there. After some misadventures, when the gang is finally back together, they’ve learned their lesson about flexibility … or have they? Adorably mischievous.
Moomin and the Golden Leaf by Richard Dungworth: Beware: this is not actually a Tove Jansson plot, although her name is, misleadingly, printed on the cover (under tiny letters “Based on the original stories by…”). Autumn has come to Moominvalley. Moomin and Sniff find a golden leaf while they’re out foraging. He sets out to find the golden tree it must have come from, but the source is not what he expected. Meanwhile, the rest are rehearsing a play to perform at the Autumn Ball before a seasonal feast. This was rather twee and didn’t capture Jansson’s playful, slightly melancholy charm.
Little Owl’s Orange Scarf by Tatyana Feeney: Ungrateful Little Owl thinks the orange scarf his mother knit for him is too scratchy. He tries “very hard to lose his new scarf” and finally manages it on a trip to the zoo. His mother lets him choose his replacement wool, a soft green. I liked the color blocks and the simple design, and the final reveal of what happened to the orange scarf is cute, but I’m not sure the message is one to support (pickiness vs. making do with what you have).
Christopher Pumpkin by Sue Hendra and Paul Linnet: The witch of Spooksville needs help preparing for a big party, so brings a set of pumpkins to life. Something goes a bit wrong with the last one, though: instead of all things ghoulish, Christopher Pumpkin loves all things fun. He bakes cupcakes instead of stirring gross potions and strums a blue ukulele instead of inducing screams. The witch threatens to turn Chris into soup if he can’t be scary. The plan he comes up with is the icing on the cake of a sweet, funny book delivered in rhyming couplets. Good for helping kids think about stereotypes and how we treat those who don’t fit in.
Have you read any autumn-appropriate books lately?
Today I have a biography-cum-cultural history of America’s wild foods and a novel about beekeeping and mental illness.
Twain’s Feast: Searching for America’s Lost Foods in the Footsteps of Samuel Clemens by Andrew Beahrs (2010)
(20 Books of Summer, #15) In 1879, Mark Twain, partway through the Grand Tour immortalized in A Tramp Abroad, was sick of bland, poor-quality European food and hankering for down-home American cooking. He drew up a list of 80 foodstuffs he couldn’t wait to get back to: everything from soft-shell crabs to proper ice water. “The menu shouts of a joyous abundance,” Beahrs writes. “It testifies to a deep bond in Twain’s mind between eating and tasting and celebrating … rooted food that would live forever in his memory.”
Beahrs goes in search of some of those trademark dishes and explores their changes in production over the last 150 years. In some cases, the creatures and their habitats are so endangered that we don’t eat them anymore, like Illinois’ prairie chickens and Maryland’s terrapins, but he has experts show him where remnant populations live. In San Francisco Bay, he helps construct an artificial oyster reef. He meets cranberry farmers in Massachusetts and maple tree tappers in Vermont. At the Louisiana Foodservice EXPO he gorges on “fried oysters and fried shrimp and fries. I haven’t had much green, but I’ve had pecan waffles with bacon, and I’ve inserted beignets and café au lait between meals with the regularity of an Old Testament prophet chanting ‘begat.’”
But my favorite chapter was about attending a Coon Supper in Arkansas, a local tradition that has been in existence since the 1930s. Raccoons are hunted, butchered, steamed in enormous kettles, and smoked before the annual fundraising meal attended by 1000 people. Raccoon meat is greasy and its flavor sounds like an acquired taste: “a smell like nothing I’ve smelled before but which I’ll now recognize until I die (not, I hope, as a result of eating raccoon).” Beahrs has an entertaining style and inserts interesting snippets from Twain’s life story, as well as recipes from 19th-century cookbooks. There are lots of books out there about the country’s increasingly rare wild foods, but the Twain connection is novel, if niche.
Source: A remainder book from Wonder Book (Frederick, Maryland)
The Honey Thief by Elizabeth Graver (1999)
(20 Books of Summer, #16) Ever since I read The End of the Point (which featured in one of my Six Degrees posts), I’ve meant to try more by Graver. This was her second novel, a mother-and-daughter story that unearths the effects of mental illness on a family. Eleven-year-old Eva has developed a bad habit of shoplifting, so her mother Miriam moves them out from New York City to an upstate farmhouse for the summer. But in no time Eva, slipping away from her elderly babysitter’s supervision and riding her bike into the countryside, is stealing jars of honey from a roadside stand. She keeps going back and strikes up a friendship with the middle-aged beekeeper, Burl, whom she seems to see as a replacement for her father, Francis, who died of a heart attack when she was six.
Alternating chapters look back at how Miriam met Francis and how she gradually became aware of his bipolar disorder. This strand seems to be used to prop up Miriam’s worries about Eva (since bipolar has a genetic element); while it feels true to the experience of mental illness, it’s fairly depressing. Meanwhile, Burl doesn’t become much of a presence in his own right, so he and the beekeeping feel incidental, maybe only included because Graver kept/keeps bees herself. Although Eva is an appealingly plucky character, I’d recommend any number of bee-themed novels, such as The Secret Life of Bees by Sue Monk Kidd, The History of Bees by Maja Lunde, and even Generation A by Douglas Coupland, over this one.
Source: Secondhand copy from Beltie Books, Wigtown
Just three weeks remain in this challenge. I’m reading another four books towards it, and have two more to pick up during our mini-break to Devon and Dorset this coming weekend. A few of my choices are long and/or slow-moving reads, though, so I have a feeling I’ll be reading right down to the wire…
Today I have another two memoirs linked by France and its cuisine.
Tender at the Bone: Growing Up at the Table by Ruth Reichl (1998)
(20 Books of Summer, #13) I’ve read Reichl’s memoirs out of order, starting with Garlic and Sapphires (2005), about her time as a New York Times food critic, and moving on to Comfort Me with Apples (2001), about her involvement in California foodie culture in the 1970s–80s. Whether because I’d been primed by the disclaimer in the author’s note (“I have occasionally embroidered. I learned early that the most important thing in life is a good story”) or not, I sensed that certain characters and scenes were exaggerated here. Although I didn’t enjoy her memoir of her first 30 years as much as either of the other two I’d read, it was still worth reading.
The cover image is a genuine photograph taken by Reichl’s German immigrant father, book designer Ernst Reichl, in 1955. Early on, Reichl had to fend for herself in the kitchen: her bipolar mother hoarded discount food even it was moldy, so the family quickly learned to avoid her dishes made with ingredients that were well past their best. Like Eric Asimov and Anthony Bourdain, whose memoirs I’ve also reviewed this summer, Reichl got turned on to food by a top-notch meal in France. Food was a form of self-expression as well as an emotional crutch in many situations to come: during boarding school in Montreal, her rebellious high school years, and while living off of trendy grains and Dumpster finds at a co-op in Berkeley.
Reichl worked with food in many ways during her twenties. She was a waitress during college in Michigan, and a restaurant collective co-owner in California; she gave cooking lessons; she catered parties; and she finally embarked on a career as a restaurant critic. Her travels took her to France (summer camp counselor; later, wine aficionado), Morocco (with her college roommate), and Crete (a honeymoon visit to her favorite professor). Raised in New York City, she makes her way back there frequently, too. Overall, the book felt a bit scattered to me, with few if any recipes that I would choose to make, and the relationship with a mentally ill mother was so fraught that I will probably avoid Reichl’s two later books focusing on her mother.
Educating Alice: Adventures of a Curious Woman by Alice Steinbach (2004)
(20 Books of Summer, #14) Steinbach makes a repeat appearance in my summer reading docket: her 2000 travel book Without Reservations was one of my 2018 selections. In that book, she took a sabbatical during her 50s to explore Paris, England, and Italy. Here she continues her efforts at lifelong learning by taking up some sort of lessons everywhere she goes. The long first section sees her back in Paris, enrolling at the Hotel Ritz’s Escoffier École de Gastronomie Française. She’s self-conscious about having joined late, being older than the other students and having to rely on the translator rather than the chef’s instructions, but she’s determined to keep up as the class makes omelettes, roast quail and desserts.
Full disclosure: I’ve only read the first chapter for now as it’s the only one directly relevant to food – in others she takes dance lessons in Japan, studies art in Cuba, trains Border collies in Scotland, etc. – but I was enjoying it and will go back to it before the end of the year.
Source: Free bookshop
Although over 100 books from the second half of the year are already on my radar, I’ve limited myself here to the 15 July to November releases that I’m most excited about.
The modest number is a cheat in that I’ve already read seven books from this period in advance (plus I’m currently reading another three), and I haven’t listed any that I already have access to via proofs, promised finished copies, NetGalley, Edelweiss, or library preorders. Some of these that I intend to read are A Traveler at the Gates of Wisdom by John Boyne, D (A Tale of Two Worlds): A Modern-Day Dickensian Fable by Michel Faber, Bringing Back the Beaver by Derek Gow, Just Like You by Nick Hornby, How to Fly (poems) by Barbara Kingsolver, Vesper Flights by Helen Macdonald, Utopia Avenue by David Mitchell, Summerwater by Sarah Moss, Lake Life by David James Poissant, Dear Reader by Cathy Rentzenbrink, Jack by Marilynne Robinson and The Wild Silence by Raynor Winn.
(Meanwhile, two of my overall most anticipated 2020 releases have been pushed back to 2021, at least in the UK: Transcendent Kingdom by Yaa Gyasi and The Anthill by Julianne Pachico.)
The following are in release date order, within sections by genre; the quoted descriptions are from the publisher blurbs on Goodreads. For most I’ve added a note on why I want to read it. Nonfiction dominates: this seems to be the way of 2020 for me. Lots of flora and fauna on the covers and in the themes. Look out for antlers x 2.
Artifact by Arlene Heyman [July 9, Bloomsbury] “A sweeping debut novel about love, sex, motherhood, and ambition that follows a gifted and subversive scientist’s struggle to reach beyond cultural constraints for the life she wants. … Artifact is an intimate and propulsive portrait of a whole woman.” Susan of A life in books put me onto this one; here’s her review.
Sisters by Daisy Johnson [Aug. 13, Jonathan Cape / Aug. 25, Riverhead] “After a serious case of school bullying becomes too much to bear, sisters July and September move across the country with their mother to a long-abandoned family home. … With its roots in psychological horror, Sisters is a taut, powerful and deeply moving account of sibling love.” I loved Johnson’s Booker-shortlisted debut, Everything Under.
Piranesi by Susanna Clarke [Sept. 15, Bloomsbury] “Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless. … For readers of Neil Gaiman’s The Ocean at the End of the Lane … Piranesi introduces an astonishing new world.” It feels like forever since we had a book from Clarke. I remember devouring Jonathan Strange & Mr Norrell during a boating holiday on the Norfolk Broads in 2006. But whew: this one is only 272 pages.
The Swallowed Man by Edward Carey [Nov. 5, Gallic / Oct. 27, Riverhead] “A beautiful and haunting imagining of the years Geppetto spends within the belly of a sea beast. Drawing upon the Pinocchio story while creating something entirely his own, Carey tells an unforgettable tale of fatherly love and loss, pride and regret, and of the sustaining power of art and imagination.” His Little was one of my favorite novels of 2018.
Dearly: New Poems by Margaret Atwood [Nov. 10, Chatto & Windus / Ecco / McClelland & Stewart] “By turns moving, playful and wise, the poems … are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition … Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.”
Bright Precious Thing: A Memoir by Gail Caldwell [July 7, Random House] “In a voice as candid as it is evocative, Gail Caldwell traces a path from her west Texas girlhood through her emergence as a young daredevil, then as a feminist.” I’ve enjoyed two of Caldwell’s previous books, especially Let’s Take the Long Way Home. Also, I’ve been reading a lot of childhood memoirs and I like comparing them to see how authors capture that time of life.
The Fragments of My Father by Sam Mills [July 9, Fourth Estate] A memoir of being the primary caregiver for her father, who had schizophrenia; with references to F. Scott Fitzgerald and Leonard Woolf, who also found themselves caring for people struggling with mental illness. “A powerful and poignant memoir about parents and children, freedom and responsibility, madness and creativity and what it means to be a carer.”
Avoid the Day: A New Nonfiction in Two Movements by Jay Kirk [July 28, Harper Perennial] Transylvania, Béla Bartók’s folk songs, an eco-tourist cruise in the Arctic … “Avoid the Day is part detective story, part memoir, and part meditation on the meaning of life—all told with a dark pulse of existential horror.” It was Helen Macdonald’s testimonial that drew me to this: it “truly seems to me to push nonfiction memoir as far as it can go.”
World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments by Aimee Nezhukumatathil [Aug. 3, Milkweed Editions] “From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction—a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us. … Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship.” Who could resist that title or cover?
Antlers of Water: Writing on the Nature and Environment of Scotland, edited by Kathleen Jamie [Aug. 6, Canongate] Contributors include Amy Liptrot, musician Karine Polwart and Malachy Tallack. “Featuring prose, poetry and photography, this inspiring collection takes us from walking to wild swimming, from red deer to pigeons and wasps, from remote islands to back gardens … writing which is by turns celebratory, radical and political.”
The Good Ancestor: How to Think Long Term in a Short-Term World by Roman Krznaric [Aug. 27, W.H. Allen] “Drawing on radical solutions from around the world, Krznaric celebrates the innovators who are reinventing democracy, culture and economics so that we all have the chance to become good ancestors and create a better tomorrow.” I’ve been reading a fair bit around this topic. I got a sneak preview of this one from Krznaric’s Hay Festival talk.
Eat the Buddha: The Story of Modern Tibet through the People of One Town by Barbara Demick [Sept. 3, Granta / July 28, Random House] “Illuminating a culture that has long been romanticized by Westerners as deeply spiritual and peaceful, Demick reveals what it is really like to be a Tibetan in the twenty-first century, trying to preserve one’s culture, faith, and language.” I read her book on North Korea and found it eye-opening. I’ve read a few books about Tibet over the years; it is fascinating.
Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures by Merlin Sheldrake [Sept. 3, Bodley Head / May 12, Random House] “Entangled Life is a mind-altering journey into this hidden kingdom of life, and shows that fungi are key to understanding the planet on which we live, and the ways we think, feel and behave.” I like spotting fungi. Yes, yes, the title and cover are amazing, but also the author’s name!! – how could you not want to read this?
Between Light and Storm: How We Live with Other Species by Esther Woolfson [Sept. 3, Granta] “Woolfson considers prehistoric human‒animal interaction and traces the millennia-long evolution of conceptions of the soul and conscience in relation to the animal kingdom, and the consequences of our belief in human superiority.” I’ve read two previous nature books by Woolfson and have done some recent reading around deep time concepts. This is sure to be a thoughtful and nuanced take.
The Stubborn Light of Things: A Nature Diary by Melissa Harrison [Nov. 5, Faber & Faber] “Moving from scrappy city verges to ancient, rural Suffolk, where Harrison eventually relocates, this diary—compiled from her beloved “Nature Notebook” column in The Times—maps her joyful engagement with the natural world and demonstrates how we must first learn to see, and then act to preserve, the beauty we have on our doorsteps.” I love seeing her nature finds on Twitter. I think her writing will suit this format.
Which of these do you want to read, too?
What other upcoming 2020 titles are you looking forward to?
It feels like the whole world has changed in the past week, doesn’t it? I hope you all are keeping well and turning to books for comfort and escape. Reading Ireland Month is run each March by Cathy of 746 Books. I’m wishing you a happy (if subdued) St. Patrick’s Day with this post on the Irish books I’ve been perusing recently. Even before this coronavirus situation heated up, I’d been struggling with my focus, so only one of these was a proper read, while the rest ended up being skims. In the meantime, I’m trying out a new blog design and have been working to create more intuitive menu headings and helpful intro pages.
Are You Somebody? The Accidental Memoir of a Dublin Woman by Nuala O’Faolain (1996)
Before writing this landmark memoir, O’Faolain was a TV documentary producer and Irish Times columnist. Her upbringing in poverty is reminiscent of Frank McCourt’s: one of nine children, she had a violent father and an alcoholic mother who cheated on each other and never seemed to achieve happiness. Educated at a convent school and at university in Dublin (until she dropped out), she was a literary-minded romantic who bounced between relationships and couldn’t decide whether marriage or a career should be her highest aim. Though desperate not to become her mother – a bitter, harried woman who’d wanted to be a book reviewer – she didn’t want to miss out on a chance for love either.
O’Faolain feels she was born slightly too early to benefit from the women’s movement. “I could see sexism in operation everywhere in society; once your consciousness goes ping you can never again stop seeing that. But I was quite unaware of how consistently I put the responsibility for my personal happiness off onto men.” Chapter 16 is a standout, though with no explanation (all her other lovers were men) it launches into an account of her 15 years living with Nell McCafferty, “by far the most life-giving relationship of my life.”
Although this is in many respects an ordinary story, the geniality and honesty of the writing account for its success. It was an instant bestseller in Ireland, spending 20 weeks at number one, and made the author a household name. I especially loved her encounters with literary figures. For instance, on a year’s scholarship at Hull she didn’t quite meet Philip Larkin, who’d been tasked with looking after her, but years later had a bizarre dinner with him and his mother, both rather deaf; and David Lodge was a friend. The boarding school section reminded me of The Country Girls. Two bookish memoirs I’d recommend as readalikes are Ordinary Dogs by Eileen Battersby and Leave Me Alone, I’m Reading by Maureen Corrigan.
Skims (all: )
Actress by Anne Enright (2020)
The Green Road is among my most memorable reads of the past five years, so I was eagerly awaiting Enright’s new novel, which is on the Women’s Prize longlist. I read the first 30 pages and found I wasn’t warming to the voice or main characters. Norah is a novelist who, prompted by an interviewer, realizes the story she most needs to tell is her mother’s. Katherine O’Dell was “a great fake,” an actress who came to epitomize Irishness even though she was actually English. Her slow-burning backstory is punctuated by trauma and mental illness. “She was a great piece of anguish, madness and sorrow,” Norah concludes. I could easily see this making the Women’s Prize shortlist and earning a Booker nomination as well. It’s the sort of book I’ll need to come back to some years down the line to fully appreciate.
Cal by Bernard MacLaverty (1983)
As Catholics, Cal McCluskey and his father are a rarity in their community and fear attacks on their home. Resistant to join his father in working at the local abattoir, Cal spends his days doing odd jobs and lurking around the public library – he has a crush on a married librarian named Marcella. Aimless and impressionable, he’s easily talked into acting as a driver for Crilly and Skeffington, the kind of associates who have gotten him branded as “Fenian scum.” The novella reflects on the futility of cycles of violence (“If you’re not part of the solution, you’re part of the problem,” Crilly says, to which Cal replies, “But it all seems so pointless”), but is definitely a period piece. Cal is not the most sympathetic of protagonists. I didn’t enjoy this as much as the two other books I’ve read by MacLaverty.
Full Tilt: Ireland to India with a Bicycle by Dervla Murphy (1965)
Murphy and her bike “Roz” set out on an epic Fermor-like journey in the first six months of 1963. She covered 60 to 100 miles a day, facing sunburn, punctured tires and broken ribs. She was relieved she brought a gun: it came in handy for fending off wolves, deterring a would-be rapist, and preventing bike thieves. For some reason travel books are slow, painstaking reads for me. I never got into the flow of this one, and was troubled by snap judgments about groups of people – “I know instinctively the temper of a place, after being five minutes with the inhabitants. … the Afghans are, on balance, much dirtier in clothes, personal habits and dwellings than either the Turks or Persians.” Murphy does have a witty turn of phrase, though, e.g. “I suppose I’ll get used to it but at the moment I wouldn’t actually say that camel’s milk is my favourite beverage.”
My Father’s Wake: How the Irish Teach Us to Live, Love and Die by Kevin Toolis (2017)
Toolis is a journalist and filmmaker from Dookinella, on an island off the coast of County Mayo. His father Sonny’s pancreatic cancer prompted him to return to the ancestral village and reflect on his own encounters with death. As a young man he had tuberculosis and stayed on a male chest ward with longtime smokers; despite a bone marrow donation, his older brother Bernard died from leukemia.
As a reporter during the Troubles and in Malawi and Gaza, Toolis often witnessed death, but at home in rural Ireland he saw a model for how it should be: accepted, and faced with the support of a whole community. People made a point of coming to see Sonny as he was dying. Keeping the body in the home and holding a wake are precious opportunities to be with the dead. Death is what’s coming for us all, so why not make its acquaintance? Toolis argues.
I’ve read so much around the topic that books like this don’t stand out anymore, and while I preferred the general talk of death to the family memoir bits, it also made very familiar points. At any rate, his description of his mother’s death is just how I want to go: “She quietly died of a heart attack with a cup of tea and a biscuit on a sunny May morning.”
What have you been picking up for Reading Ireland Month?
Who could resist the title of this Italian bestseller? A black comedy about a hermit in the Italian Alps, it starts off like Robert Seethaler’s A Whole Life and becomes increasingly reminiscent of Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead with its remote setting, hunting theme, and focus on an older character of dubious mental health.
Adelmo Farandola hasn’t washed in years. Why bother since he only sees fellow humans every six months when he descends to the valley to stock up on food and wine? When he arrives at the general store at the start of autumn, though, he gets a surprise. The shopkeeper laughs at him, saying he nearly cleared her out the week before. Yet he doesn’t remember having been there since April. Sure enough, when he gets back to the cabin he sees that his stable is full of supplies. He also finds an old dog that won’t go away and soon starts talking to him.
Estranged from his brother, who co-owns the property, and still haunted by the trauma of the war years, when he had to hide in a mine shaft, Adelmo is used to solitude and starvation rations. But now, with the dog around, there’s an extra mouth to feed. Normally Adelmo might shoot an occasional chamois for food, but a pesky mountain ranger keeps coming by and asking if Adelmo has a shotgun – and whether he has a license for it.
When winter sets in and heavy snowfall and then an avalanche trap Adelmo and the dog in the cabin, they are driven to the limits of their resilience and imagination. The long-awaited thaw reveals something disturbing: a blackened human foot poking out of a snowdrift. Each day Adelmo forgets about the corpse and the dog has to remind him that the foot has been visible for a week now, so they really should alert someone down in the village…
The hints of Adelmo’s dementia and mental illness accumulate gradually, making him a highly unreliable point-of-view character. This is a taut story that alternates between moments of humor and horror. I was so gripped I read it in one evening sitting, and would call it one of the top two Peirene books I’ve read (along with The Looking-Glass Sisters by Gøhril Gabrielsen).
Snow, Dog, Foot will be published in the UK on the 15th. It was translated from the Italian by J. Ockenden, who won the 2019 Peirene Stevns Translation Prize for the work in progress. With thanks to Peirene Press for the free copy for review.
Peirene Press issues its novellas in thematic trios. This is the first in 2020’s “Closed Universe” series, which will also include Ankomst by Gøhril Gabrielsen, about a Norwegian climatologist who has left her family to study seabird parenting and meet up with a lover; and The Pear Field by Nana Ekvtimishvili, set at a Georgian orphanage. (I’m especially keen on the former.)