Winter Reads, Part I: Patrick Gale & Tove Jansson (#NordicFINDS23)
This winter has been a disappointment: it’s bloody cold, but with no snow. It’s impossible to keep our house warm, even with extra loft insulation and new double-glazed windows (home ownership is boring and overrated), so I’m ready for signs of spring. Maybe by the time I review a second batch of seasonal reads in February, winter will truly be on its way out.
A Place Called Winter by Patrick Gale (2015)
This was our January book club read. We’d had good luck with Gale before: his Notes from an Exhibition received our joint highest rating ever. As he’s often done in his fiction, he took inspiration from family history: here, the story of his great-grandfather Harry Cane, who emigrated to the Canadian prairies to farm in the most challenging of conditions. Because there is some uncertainty as to what precipitated his ancestor’s resettlement, Gale has chosen to imagine that Harry, though married and the father of a daughter, was in fact gay and left England to escape blackmailing and disgrace after his affair with a man was discovered.
There are very evocative descriptions of the pioneer life, lightened for Harry by his relationship with his closest neighbours, siblings Petra and Paul. The novel covers the First World War and the start of the Spanish flu epidemic, which provide much fodder for melodrama, but somehow I don’t mind it from Gale. Harry himself is so diffident as to seem blank, but that means he is free to become someone else in a new land. My other main criticism would be that the villain is implausibly evil. Some of our book club members also thought there were too many coincidences. Gale really makes you feel for these characters and their suffering, though. Sexuality and mental health, both so misunderstood at that time, are the two main themes and he explores them beautifully. In that both are historical fiction where homosexuality is simply a fact of life, not a titillating novelty, this reminded me a lot of Days Without End by Sebastian Barry. (Free from mall bookshop)
A Winter Book: Selected Stories by Tove Jansson (2006)
[Translated from the Swedish by Silvester Mazzarella, David McDuff and Kingsley Hart]
A brief second review for Nordic FINDS. It’s the third time I’ve encountered some of these autofiction stories: this was a reread for me, and 13 of the pieces are also in Sculptor’s Daughter, which I skimmed from the library a few years ago. And yet I remembered nothing; not a single one was memorable. Most of the pieces are impressionistic first-person fragments of childhood, with family photographs interspersed. In later sections, the protagonist is an older woman, Jansson herself or a stand-in. I most enjoyed “Messages” and “Correspondence,” round-ups of bizarre comments and requests she received from readers. Of the proper stories, “The Iceberg” was the best. It’s a literal object the speaker alternately covets and fears, and no doubt a metaphor for much else. This one had the kind of profound lines Jansson slips into her children’s fiction: “Now I had to make up my mind. And that’s an awful thing to have to do” and “if one doesn’t dare to do something immediately, then one never does it.” A shame this wasn’t a patch on The Summer Book. (Free from a neighbour)
Original rating in 2012:
And a DNF:
Winter’s Tale by Mark Helprin (1983)
Laila (Big Reading Life) and I attempted this as a buddy read, but we both gave up on it. I got as far as page 53 (in the 600+-page pocket paperback). The premise was alluring, with a magical white horse swooping in to rescue Peter Lake from a violent gang. I also appreciated the NYC immigration backstory, but not the adjective-heavy wordiness, the anachronistic exclamations (“Crap!” and “Outta my way, you crazy midget” – this is presumably set some time between the 1900s and 1920s) or the meandering plot. It was also disturbing to hear about Peter’s sex life when he was 12. From a Little Free Library (at Philadelphia airport) it came, and to a LFL (at the Bar Convent in York) it returned. Laila read a little further than me, enough to tell the library patron who recommended it to her that she’d given it a fair try.
Any snowy or icy reading (or weather) for you lately?
Book Serendipity, Mid-October to Mid-December 2022
The last entry in this series for the year. Those of you who join me for Love Your Library, note that I’ll host it on the 19th this month to avoid the holidays. Other than that, I don’t know how many more posts I’ll fit in before my year-end coverage (about six posts of best-of lists and statistics). Maybe I’ll manage a few more backlog reviews and a thematic roundup.
I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every few months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.
- Tom Swifties (a punning joke involving the way a quotation is attributed) in Savage Tales by Tara Bergin (“We get a lot of writers in here, said the rollercoaster operator lowering the bar”) and one of the stories in Birds of America by Lorrie Moore (“Would you like a soda? he asked spritely”).
- Prince’s androgynous symbol was on the cover of Dickens and Prince by Nick Hornby and is mentioned in the opening pages of Shameless by Nadia Bolz-Weber.
- Clarence Thomas is mentioned in one story of Birds of America by Lorrie Moore and Encore by May Sarton. (A function of them both dating to the early 1990s!)
- A kerfuffle over a ring belonging to the dead in one story of Shoot the Horses First by Leah Angstman and Motherthing by Ainslie Hogarth.
- Excellent historical fiction with a 2023 release date in which the amputation of a woman’s leg is a threat or a reality: one story of Shoot the Horses First by Leah Angstman and The House Is on Fire by Rachel Beanland.
- More of a real-life coincidence, this one: I was looking into Paradise, Piece by Piece by Molly Peacock, a memoir I already had on my TBR, because of an Instagram post I’d read about books that were influential on a childfree woman. Then, later the same day, my inbox showed that Molly Peacock herself had contacted me through my blog’s contact form, offering a review copy of her latest book!
- Reading nonfiction books titled The Heart of Things (by Richard Holloway) and The Small Heart of Things (by Julian Hoffman) at the same time.
- A woman investigates her husband’s past breakdown for clues to his current mental health in The Fear Index by Robert Harris and Motherthing by Ainslie Hogarth.
- “Tomorrow and tomorrow and tomorrow” is a repeated phrase in Another Brooklyn by Jacqueline Woodson, as it was in Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin.
- Massive, much-anticipated novel by respected author who doesn’t publish very often, and that changed names along the way: John Irving’s The Last Chairlift (2022) was originally “Darkness as a Bride” (a better title!); Abraham Verghese’s The Covenant of Water (2023) started off as “The Maramon Convention.” I plan to read the Verghese but have decided against the Irving.
- Looting and white flight in New York City in Feral City by Jeremiah Moss and Another Brooklyn by Jacqueline Woodson.
- Two bereavement memoirs about a loved one’s death from pancreatic cancer: Ti Amo by Hanne Ørstavik and Crying in H Mart by Michelle Zauner.
- The Owl and the Pussycat of Edward Lear’s poem turn up in an update poem by Margaret Atwood in her collection The Door and in Anna James’s fifth Pages & Co. book, The Treehouse Library.
- Two books in which the author draws security attention for close observation of living things on the ground: Where the Wildflowers Grow by Leif Bersweden and The Lichen Museum by A. Laurie Palmer.
- Seal and human motherhood are compared in Zig-Zag Boy by Tanya Frank and All of Us Together in the End by Matthew Vollmer, two 2023 memoirs I’m enjoying a lot.
- Mystical lights appear in Animal Life by Auður Ava Ólafsdóttir (the Northern Lights, there) and All of Us Together in the End by Matthew Vollmer.
- St Vitus Dance is mentioned in Zig-Zag Boy by Tanya Frank and Robin by Helen F. Wilson.
- The history of white supremacy as a deliberate project in Oregon was a major element in Heaven Is a Place on Earth by Adrian Shirk, which I read earlier in the year, and has now recurred in The Distance from Slaughter County by Steven Moore.
What’s the weirdest reading coincidence you’ve had lately?
Women’s Prize Shadowing & Men Reading Books by Women
Back in April I announced that my book club was one of six selected to shadow this year’s Women’s Prize shortlist by reading and discussing one of the finalists. Our assigned title was one I’d already read, but I skimmed back through it before our meet-up and enjoyed getting reacquainted with Martha Friel. Here’s our group’s review:
Sorrow and Bliss by Meg Mason
Can’t Put It Down: 4.5/5
Total = 18.5/20
Our joint highest rating, and one of our best discussions – taking in mental illness and its diagnosis and treatment, marriage, childlessness, alcoholism, sisterhood, creativity, neglect, unreliable narrators and loneliness. For several of us, these issues hit close to home due to personal or family experience. We particularly noted the way that Mason sets up parallels between pairs of characters, accurately reflecting how family dynamics can be replicated in later generations.
Even the minor characters are fully rounded, and although Martha is not always pleasant to spend time with, her voice is impressively rendered. The picture of mental illness from the inside feels authentic, including the fact that Martha uses it as an excuse for her bad behaviour, becoming self-absorbed and not seeing how she is affecting others around her. Our main point of disagreement was about Mason’s decision not to name the mental illness Martha is suffering from. It seemed clear to several of us that it was meant to be bipolar disorder, so we wondered if it was a copout not to identify it as such.
We also thought about the meaning of the term “literary fiction”, and whether this has the qualities of a prize winner and will stand the test of time.
We had to fill out a feedback questionnaire about our experience of shadowing, and most of us sent in individual blurbs in response to the book. Some ended up in the final Reading Agency article. Here was mine:
“This deceptively light novel was a perfect book club selection, eliciting deep discussion about mental illness, family relationships and parenthood. Martha’s (unreliable) narration is a delight, wry and deadpan but also with moments of wrenching emotion. Mason masterfully controls the tone to create something that is witty and poignant all at once.”
Probably the main reason we were chosen for this opportunity is that we have a man – my husband, that is! – who attends regularly. This year the prize has been particularly keen to get more men reading books by women (see more below). So, he was responsible for giving The Male Response to the novel. No pressure, right? Luckily, he enjoyed it just as much as the rest of us. From the cover and blurb, it didn’t necessarily seem like the sort of book that he would pick up to read for himself, but he was fully engaged with the themes of mental illness, family relationships, and the question of whether or not to have children, and was so compelled that he read over half of it in a day.
I’m not sure who I expect to be awarded the Women’s Prize tomorrow. We of West Fields Readers would be delighted if it went to Meg Mason for Sorrow and Bliss, but I’d also be happy with a win for Louise Erdrich or Ruth Ozeki – though I wasn’t taken with their latest works compared with earlier ones I’ve read, they are excellent authors who deserve recognition. I don’t think The Bread the Devil Knead has a chance; I’d be disappointed in a win by Elif Shafak in that I would feel obligated to try her novel – the kind that gives magic realism a bad name – again; and, while I’m a Maggie Shipstead fan in general and admire the ambition of Great Circle, it would be galling for a book I DNFed twice to take the title!
Who are you rooting for/predicting?
I’d like to mock you with that thought,
jeer at the man
who won’t read novels
written by women –
at least not if they’re still alive
~from The Poet by Louisa Reid
Maybe you’ve seen on social media that the Women’s Prize has been canvassing opinion on the books by women that all men should read. This was prompted by some shocking statistics suggesting that even bestselling female authors can only attract a 20% male readership, whereas the best-known male authors are almost equally popular with men and women. They solicited 60 nominations from big names and ran a public poll. I voted for these 10:
Half of a Yellow Sun (Chimamanda Ngozi Adichie)
Possession (A.S. Byatt)
Homegoing (Yaa Gyasi)
The Poisonwood Bible (Barbara Kingsolver)
The Sea, The Sea (Iris Murdoch)
The Stone Diaries (Carol Shields)
We Need to Talk about Kevin (Lionel Shriver)
Olive Kitteridge (Elizabeth Strout)
The Goldfinch (Donna Tartt)
Orlando (Virginia Woolf)
*If I could have added to that list, though, my top recommendations for all men to read would be Station Eleven by Emily St. John Mandel and Bring Up the Bodies by Hilary Mantel (and probably a different Octavia E. Butler novel from the one nominated).
Three of my selections were among the 10 essential reads announced on the WP website. Their list was headed by Margaret Atwood’s The Handmaid’s Tale, though of her works I’d be more likely to direct men to Oryx and Crake.
I’ve seen discussions on Twitter about why men don’t read novels (at all, prioritizing nonfiction), or specifically not ones by women. Do you have any theories?
What one book by a woman do you think all men should read?
Six Degrees of Separation: From Sorrow and Bliss to Weather
This month we begin with Sorrow and Bliss by Meg Mason. (See also Kate’s opening post.) This is my personal favourite from the Women’s Prize shortlist and couldn’t be a better pick for the Six Degrees starter this month because I’ll be skimming back through the novel this weekend in advance of my book club’s discussion of it on Monday. (We’re one of this year’s six book groups shadowing the Women’s Prize through a Reading Agency initiative, so we then have to give semi-official feedback on our experience of the book by Wednesday.)
#1 Sorrow and Bliss is a terrific tragicomedy about sisterhood and mental health – as is All My Puny Sorrows by Miriam Toews, with which it shares a loaded title word as well.
#2 Toews grew up in a Canadian Mennonite community, which leads me to my second choice, Mennonite in a Little Black Dress by Rhoda Janzen, a set of droll autobiographical essays that I read on a USA trip in 2017.
#3 During the same trip, I read Dear American Airlines by Jonathan Miles, a witty novel about Bennie Ford’s rather miserable life, presented in the form of his longwinded complaint letter to the airline that has treated him to an unexpected overnight layover in Chicago.
#4 Another laugh-out-loud book in the form of unlikely letters: Dear Committee Members by Julie Schumacher, in which Jason Fitger, an irascible middle-aged English professor in the Midwest, writes ambivalent letters of recommendation for students and colleagues.
#5 One more “Dear” book of letters – I just can’t get enough of the epistolary form: Dear Fahrenheit 451 by Annie Spence. As the subtitle states, it’s a librarian’s love letters and breakup notes to books she’s adored and loathed. Casual and amusing, with good book recs.
#6 I’ll finish with Weather by Jenny Offill, one of my favourites from 2020, which is also voiced by a librarian. Through Lizzie, Offill captures modern anxiety about Trump-era politics, the climate crisis and making meaningful use of time.
I have read all the books in this month’s chain (the links above are to my Goodreads reviews), and in a time of relentless bad news have chosen to prioritize humour and keep my descriptions short and light. These are all books that made me laugh, sometimes despite their weighty content, and half of them are built around letters. I’ve also looped from one Women’s Prize-shortlisted title to another.
Where will your chain take you? Join us for #6Degrees of Separation! (Hosted on the first Saturday of each month by Kate W. of Books Are My Favourite and Best.) Next month’s starting point will be Wintering by Katherine May – though it’s summer here, it’s winter where Kate is in Australia!
Have you read any of my selections? Tempted by any you didn’t know before?
Women’s Prize Longlist Reviews (Erdrich, Mendelson, Ozeki) & Predictions
Tomorrow the Women’s Prize shortlist will be revealed. I’ve become much more invested in this prize over the past few years and will be following the 2022 race especially closely – look out for a related announcement soon. In recent years the nominees have tended to cluster thematically, which can feel redundant. This longlist has a notably high ghost quotient. Two novels I review below feature unquiet spirits, an appearance by the author, and the magical powers of books. The third is a straightforward contemporary dysfunctional family story.
The Sentence by Louise Erdrich
My second from Erdrich (I gave Love Medicine, her first novel, 5 stars in 2020). I will be revisiting this in June because it is our first pick for my tenure in the Literary Wives online book club. For that post I’ll focus on the relationship between Tookie and Pollux, which I won’t mention in this more general response. I was worried that a take on very recent events – this is set in Minneapolis between 2019 and 2020 and covers the first six months of the pandemic plus local protests following George Floyd’s murder – would seem either rushed or dated. I’m still unsure how I feel about encountering Covid-19 in fiction (vs. I’ve read 20 or more nonfiction records now), but I think this novel functions as a sturdy time capsule.
Tookie, the narrator, has a tough exterior but a tender heart. When she spent 10 years in prison for a misunderstanding-cum-body snatching, books helped her survive, starting with the dictionary. Once she got out, she translated her love of words into work as a bookseller at Birchbark Books, Louise Erdrich’s Minnesota independent bookshop (Louise herself is an occasional character). Bibliophiles are sure to enjoy the mentions of the books she presses into customers’ hands; there’s also a fun appendix of recommendations on particular topics.
However, the central mystery about Flora, a dead customer who haunts the store until Tookie figures out why she died and how to exorcise her, struck me as silly. I only appreciated this storyline to the extent that it explores authenticity (Flora may have fabricated her Native heritage) and the inescapability of history. I preferred real life: Tookie getting locked down with her stepdaughter and baby grandson and filling book orders from a closed shop.
Erdrich weaves in Indigenous customs naturally and the banter between the characters, including young shop employees, makes this hip and lighthearted, even as it deals with serious subjects. I smiled at the bookish lingo, like Tookie’s division of her reading into a Lazy Stack and a Hard Stack (“books I would avoid reading until some wellspring of mental energy was uncapped” – my occasional and set-aside titles could comprise the latter) and the “cowbirds,” self-published titles secreted on the shelves that aren’t found until inventory day. There’s also an excellent passage on novellas that I’ll be bringing out in November.
Like a vintage armchair, this is a little overstuffed, but so comfortable you’ll want to stay a while. (See also Laura’s review.) (Public library)
The Exhibitionist by Charlotte Mendelson
~SPOILERS IN THIS ONE~
Artists, dysfunctional families, and limited settings (here, one crumbling London house and its environs; and about two days across one weekend) are irresistible elements for me, and I don’t mind a work being peopled with mostly unlikable characters. That’s just as well, because the narrative orbits Ray Hanrahan, a monstrous narcissist who insists that his family put his painting career above all else. His wife, Lucia, is a sculptor who has always sacrificed her own art to ensure Ray’s success. But now Lucia, having survived breast cancer, has the chance to focus on herself. She’s tolerated his extramarital dalliances all along; why not see where her crush on MP Priya Menon leads? What with fresh love and the offer of her own exhibition in Venice, maybe she truly can start over in her fifties.
Ray and Lucia’s three grown children, Leah, Patrick and Jess, are all home for Ray’s new exhibition. They’re mere sketches: Leah is Ray’s staunchest supporter and is infatuated with the no-show caterer; Patrick’s mental health is shaky, interfering with his job prospects; Jess, a teacher in Edinburgh, is pregnant but not sure she’s committed to her boyfriend long term. I wanted more depth from all the characters, but especially the offspring. I also expected a climactic late scene on Hampstead Heath to come to more.
Still, the build-up to the exhibit (followed by a laughably pitiful reveal) and Lucia’s inner life form an adequately strong foundation for Mendelson’s sardonic prose. The dialogue, full of interruptions, is true to life. This is her fifth novel and called to mind Jami Attenberg’s and Claire Fuller’s work. (Liz found shades of Iris Murdoch. Susan loved it, too.) I wouldn’t say I’m compelled to seek out more by Mendelson, but this was a solid read. (Public library)
The Book of Form and Emptiness by Ruth Ozeki
A Tale for the Time Being is one of my favourite novels of the century (and one of my most popular Goodreads reviews ever), My Year of Meats was a terrific backlist read a couple of summers ago, and I’m eager to catch up on All Over Creation. So I’d built up this fourth Ozeki novel in my head, thinking a library setting and magic realist elements presaged something deliciously Murakami-esque.
What I actually found, having limped through it off and on for seven months, was something of a disappointment. A frank depiction of the mental health struggles of the Oh family? Great. A paean to how books and libraries can save us by showing us a way out of our own heads? A-OK. The problem is with the twee way that The Book narrates Benny’s story and engages him in a conversation about fate versus choice.
When Kenji Oh, a jazz musician, is run over by a chicken truck, Annabelle finds herself a single mother to Benny, a troubled teen who starts to hear everyday objects speaking to him. His voices and Annabelle’s hoarding habit jeopardize the viability of their household: Benny spends time on a psychiatric hospital ward for minors and Annabelle is threatened with eviction. For Benny, the library and the acquaintances he makes there – a fellow pedi-psych patient named Alice who calls herself The Aleph, an Eastern European philosopher who goes by The Bottleman (= Slavoj Žižek?), even the Ozeki figure tapping away on her laptop – may be his salvation; for Annabelle, it could be the book Tidy Magic (modelled on Marie Kondo’s work), written by a Buddhist nun. But until then, their stories get very dark indeed.
Concern for the principal pair and their relationship kept me reading even though this is too long and I wearied of Ozeki’s habit of literalizing metaphors (books speaking to people; being crushed by one’s belongings; crows playing a protective role). I’m still sympathetic to Ozeki’s aims, even if she doesn’t quite pull it all off here. If I pit the rather similar The Sentence and The Book of Form and Emptiness against each other, Erdrich comes out ahead.
With thanks to Canongate for the proof copy for review.
I’ve gotten to six books from the longlist so far and have a few more on order at the library. The others I’ve read, with ratings and links to my reviews, are:
Build Your House around My Body by Violet Kupersmith
Sorrow and Bliss by Meg Mason
I’m also partway through The Final Revival of Opal & Nev by Dawnie Walton, which is enjoyable enough but, alas, suffers in comparison to Daisy Jones and the Six, whose format (a composite oral history of a fictional 1960s/70s musical act) it repeats. The addition of the race issue doesn’t feel sufficient to call it original.
I’ve also DNFed a few from the longlist, two of them multiple times, so I have my fingers crossed that they don’t advance!
- The Paper Palace by Miranda Cowley Heller
- The Island of Missing Trees by Elif Shafak
- Great Circle by Maggie Shipstead
My attitude to the rest of the longlist is…
- The Bread the Devil Knead by Lisa Allen-Agostini – No plans to read.
- Salt Lick by Lulu Allison – I might read this from the library. I’m leery of dystopias, but I’m there for a chorus of cows.
- Careless by Kirsty Capes – No plans to read.
- Remote Sympathy by Catherine Chidgey – I would happily read it if it’s shortlisted, but at over 500 pages I fear it’ll be too dense.
- Flamingo by Rachel Elliott – Maybe. Sounds like pretty standard Sarah Winman-type stuff, but it could go down well with a book club.
- This One Sky Day by Leone Ross – No plans to read.
- Creatures of Passage by Morowa Yejidé – I was actually pretty keen to read this one, so I have it on reserve at the library. Egyptian mythology makes a change from the overdone Greeks, and the Washington, D.C. setting is a big draw. Laura’s review has tempered my expectations, but I might still give it a go.
My ideal shortlist (a wish list based on my reading and what I still want to read):
The Sentence by Louise Erdrich
Build Your House around My Body by Violet Kupersmith
Sorrow and Bliss by Meg Mason
The Exhibitionist by Charlotte Mendelson
The Final Revival of Opal & Nev by Dawnie Walton
Creatures of Passage by Morowa Yejidé
My predicted shortlist:
Remote Sympathy by Catherine Chidgey
The Sentence by Louise Erdrich
Sorrow and Bliss by Meg Mason
The Exhibitionist by Charlotte Mendelson
This One Sky Day by Leone Ross
The Island of Missing Trees by Elif Shafak
An overall winner? Gosh, it’s too early to tell. But maybe The Sentence, Sorrow and Bliss or The Island of Missing Trees.
See also Laura’s shortlist predictions.
What have you read from the longlist so far?
Which of these books are calling to you?
March Releases by Rebecca Brown, Luis Carrasco, A.J. Lees et al.
As busy as I am with house stuff, I’m endeavouring to keep up with the new releases publishers have been kind enough to send. Today I have a collection of essays on the seasons and mental health, a novella inhabiting a homeless girl’s situation, and a memoir about how skills of observation have been invaluable to a neurologist’s career. (I also mention a few other March releases that I have written about elsewhere or will be reviewing soon.)
You Tell the Stories You Need to Believe: On the four seasons, time and love, death and growing up by Rebecca Brown
Brown has shown up twice now in my November novella reading (Excerpts from a Family Medical Dictionary in 2016 and the excellent The Gifts of the Body in 2018). I was delighted to learn from a recent Shelf Awareness newsletter that she had a new book, and its Didion-esque title intrigued me. These four essays, which were originally commissioned for The Stranger, Seattle’s alternative weekly, and appeared in print between 2014 and 2016, move methodically through the four seasons and through the weather of the heart, which doesn’t always follow nature’s cues. Depression can linger and mock by contrast the external signs of growth and happiness; it’s no wonder that spring is dubbed the “suicide season.”
The relaxed collages of experience and research blend stories from childhood and later life with references to etymology, literature, music, mythology and poetry. Spring brings to mind the Persephone legend and Vivaldi’s compositions. Summer makes her think of riding bikes on dusty roads and a pregnant dog that turned up just before a storm. Autumn has always been for falling in or out of love. Winter is hard to trudge through, but offers compensatory blessings: “You stand inside the house of your friends and feel and see and everyone is in love and alive and you get to be here, grateful, too, however long, this time, the winter lasts.”
A danger with seasonal books is that, with nostalgia tingeing everything, you end up with twee, obvious reflections. Here, the presence of grief and mental health struggles creates a balanced tone, and while the book as a whole feels a little evanescent, it’s a lovely read.
Another favorite passage:
Maybe like how in the winter it’s hard to imagine spring, I forgot there was anything else besides despair. I needed—I need—to remember the seasons change. I need to remember the dark abates, that light and life return. This is a story I need to believe.
With thanks to Chatwin Books for the e-copy for review.
Ghosts of Spring by Luis Carrasco
Carrasco’s second novella (after 2018’s El Hacho) takes an intimate journey with a young woman who sleeps rough on the streets of a city in the west of England (Cheltenham? Gloucester?). Elemental concerns guide her existence: where can she shelter for the night? Where can she store her meagre belongings during the day? Does she have enough coins to buy a cup of tea from a café, and how long can she stretch out one drink so she can stay in the warm? The creeping advance of the winter (and the holiday season) sets up an updated Christmas Carol type of scenario where the have-nots are mostly invisible to the haves but rely on their charity:
Hidden in plain sight amongst them, in nooks and doorways and sitting with heads hanging against cold stone walls are huddled shapes, blanketed and inert, with faces of indifferent boredom. Too cold to fish for cash and pity[,] they sit with their faces wrapped in dirty scarves and stolen hats, working the empty corners of tobacco pouches and sucking cold coffee from yesterday’s cups. Ghosts of flesh, they are here and everywhere and nobody sees a thing.
With no speech marks, the narrative flows easily between dialogue and a third-person limited point of view. The protagonist, generally just called “the girl,” is friends with a group of prostitutes and tries out a night in a homeless hostel and sleeping in an allotment shed when she takes a bus to the suburbs. Carrasco is attentive to the everyday challenges she faces, such as while menstruating. We get hints of the family issues that drove her away, but also follow her into a new opportunity.
The book has an eye to her promising future but also bears in mind the worst that can happen to those who don’t escape poverty and abuse. At times underpowered, at others overwritten (as I found for my only other époque press read, What Willow Says), this succeeds as a compassionate portrait of extreme circumstances, something I always appreciate in fiction, and would make a good pairing with another story of homelessness, Kerstin Hensel’s Dance by the Canal from Peirene Press.
With thanks to époque press for the proof copy for review.
Brainspotting: Adventures in Neurology by A.J. Lees
Dr Andrew Lees is a professor of neurology at the National Hospital in London and a world-renowned Parkinson’s disease researcher. The essays in this short autobiographical volume emphasize the importance of listening and noticing. The opening piece, in fact, is about birdwatching, a boyhood hobby that first helped him develop this observational ability. In further chapters he looks back to his medical education and early practice in London’s East End and in Paris in the 1960s and 1970s. He profiles the hospitals he has known over the last five decades, and the neurologists who paved the way for the modern science, such as Jean-Martin Charcot and François Lhermitte.
The professors whose lessons have most stuck with him are those who insisted on weaving patient histories and symptoms into a story. Lees likens the neurologist’s work to Sherlock Holmes’s deductions – even the smallest signs can mean so much. Indeed, Arthur Conan Doyle, himself a doctor, is known to have modelled Holmes on Joseph Bell, a Scottish surgeon. I particularly liked the essay “The Lost Soul of Neurology,” about science versus spirituality. As a whole, this didn’t particularly stand out for me compared to many of my other medical reads, but I’d still liken it to the works of Gavin Francis and Henry Marsh.
With thanks to Notting Hill Editions for the free copy for review.
Plus a few more March releases I’ve read recently:
Reviewed for BookBrowse:
Booth by Karen Joy Fowler
In an epic fictional sweep from 1822 to nearly the close of the century, Fowler surveys the Booth family’s triumphs and tragedies. Short asides chronicle Lincoln’s rise in parallel. The foreshadowing is sometimes heavy-handed, and the extended timeline means there is also some skating over of long periods. Booth is low on scenes and dialogue, with Fowler conveying a lot of information through exposition. Luckily, the present-tense narration goes a long way toward making this less of a dull group biography and more of an unfolding story. I also appreciated that the Booth sisters are given major roles as point-of-view characters. The issues considered, like racial equality, political divisions and mistrust of the government, are just as important in our own day. Recommended to fans of March and Hamnet. (I also wrote a related article on the Booth family actors and Shakespeare in performance in the 19th-century USA.)
With thanks to Serpent’s Tail for the proof copy for review.
To review for BookBrowse soon: Groundskeeping by Lee Cole, one of my favourite 2022 releases so far; just the sort of incisive contemporary American novel I love. Big questions of class, family, fate and politics are bound up in a campus-set love story between a drifting manual labourer with literary ambitions and a visiting writer. (Faber)
And coming up tomorrow in my Reading Ireland Month roundup: Vinegar Hill, Colm Tóibín’s terrific debut collection of poems about current events, religion and travels. (Carcanet Press)
Do any of these books appeal to you?
Two Memoirs by Freaks and Geeks Alumni
These days, I watch no television. At all. I haven’t owned a set in over eight years. But as a kid, teen and young adult, I loved TV. I devoured cartoons and reruns every day after school (Pinky and the Brain, I Love Lucy, Gilligan’s Island, The Brady Bunch, etc.); I was a devoted watcher of the TGIF line-up, and petitioned my parents to let me stay up late to watch Murphy Brown. We subscribed to the TV Guide magazine, and each September I would eagerly read through the pilot descriptions with a highlighter, planning which new shows I was going to try. It’s how I found ones like Alias, Felicity, Scrubs and 24 that I followed religiously. Starting in my freshman year of college, I was a mega-fan of American Idol for its first 12 seasons. And so on. Versus now I know nothing about what’s on telly and all the Netflix and box set hits have passed me by.
Ahem. On to the point.
Freaks and Geeks was my favourite show in high school (it aired in 1999–2000, when I was a junior) and the first DVD series I ever owned – a gift from my sister’s boyfriend, who became her first husband. It’s now considered a cult classic, but I can smugly say that I recognized its brilliance from the start. So did critics, but viewers? Not so much, or at least not enough; it was cancelled after just one season. I’ve vaguely followed the main actors’ careers since then, and though I normally don’t read celebrity autobiographies I’ve picked up two by former cast members in the last year. Both:
Yearbook by Seth Rogen (2021)
I have seen a few of Rogen’s (generally really dumb) movies. The fun thing about this autobiographical essay collection is that you can hear his deadpan voice in your head on every line. That there are three F-words within the first three paragraphs of the book tells you what to expect; if you have a problem with a potty mouth, you probably won’t get very far.
Rogen grew up Jewish in Vancouver in the 1980s and did his first stand-up performance at a lesbian bar at age 13. During his teens he developed an ardent fondness for drugs (mostly pot, but also mushrooms, pills or whatever was going), and a lot of these stories recreate the ridiculous escapades he and his friends went on in search of drugs or while high. My favourite single essay was about a trip to Amsterdam. He also writes about weird encounters with celebrities like George Lucas and Steve Wozniak. A disproportionately long section is devoted to the making of the North Korea farce The Interview, which I haven’t seen.
Individually, these are all pretty entertaining pieces. But by the end I felt that Rogen had told some funny stories with great dialogue but not actually given readers any insight into his own character; it’s all so much posturing. (Also, I wanted more of the how he got from A to B; like, how does a kid in Canada get cast in a new U.S. TV series?) True, I knew not to expect a sensitive baring of the soul, but when I read a memoir I like to feel I’ve been let in. Instead, the seasoned comedian through and through, Rogen keeps us laughing but at arm’s length.
This Will Only Hurt a Little by Busy Philipps (2018)
I hadn’t kept up with Philipps’s acting, but knew from her Instagram account that she’d gathered a cult following that she spun into modelling and paid promotions, and then a short-lived talk show hosting gig. Although she keeps up a flippant, sarcastic façade for much of the book, there is welcome introspection as she thinks about how women get treated differently in Hollywood. I also got what I wanted from the Rogen but didn’t get: insight into the how of her career, and behind-the-scenes gossip about F&G.
Philipps grew up first in the Chicago outskirts and then mostly in Arizona. She was a headstrong child and her struggle with anxiety started early. When she lost her virginity at age 14, it was actually rape, though she didn’t realize it at the time. At 15, she got pregnant and had an abortion. She developed a habit of seeking validation from men, even if it meant stringing along and cheating on nice guys.
I enjoyed reading about her middle and high school years because she’s just a few years older than me, so the cultural references were familiar (each chapter is named after a different pop song) and I could imagine the scenes – like one at a junior high dance where she got trapped in a mosh pit and dislocated her knee, the first of three times that specific injury happens in the book – taking place in my own middle school auditorium and locker hallway.
She never quite made it to the performing arts summer camp she was supposed to attend in upstate New York, but did act in school productions and got an agent and headshots, so that when Mattel came to Scottsdale looking for actresses to play Barbie dolls in her junior year, she was perfectly placed to be cast as a live-action Cher from Clueless. She enrolled in college in Los Angeles (at LMU) but focused more on acting than on classes. After F&G, Dawson’s Creek was her biggest role. It involved moving to Wilmington, North Carolina and introduced her to her best friend, Michelle Williams, but she never felt she fit with the rest of the cast; her impression is that it was very much a star vehicle for Katie Holmes.
Other projects that get a lot of discussion here are the Will Ferrell ice-skating movie Blades of Glory, which was her joint idea with her high school boyfriend Craig, and had a script written with him and his brother Jeff – there was big drama when they tried to take away her writing credit; and Cougar Town (with Courteney Cox), for which she won the inaugural Television Critics’ Choice Award. She auditioned a lot, including for TV pilots each year, but roles were few and far between, and she got rejected based on her size (when carrying baby weight after her daughters’ births, or once being cast as “the overweight friend”).
Anyway, I was here for the dish on Freaks and Geeks, and it’s juicy, especially about James Franco, who was her character Kim Kelly’s love interest on the show. Kim and Daniel had an on-again, off-again relationship, and the tension between them on camera reflected real life.
“Franco had come back from our few months off and was clearly set on being a VERY SERIOUS ACTOR … [he] had decided that the only way to be taken seriously was to be a fucking prick. Once we started shooting the series, he was not cool to me, at all. Everything was about him, always. His character’s motivation, his choices, his props, his hair, his wardrobe. Basically, he fucking bullied me. Which is what happens a lot on sets. Most of the time, the men who do this get away with it, and most of the time they’re rewarded.”
At one point, he pushed her over on the set; the directors slapped him on the wrist and made him apologize, but she knew nothing was going to come of it. Still, it was her big break:
what we were doing was totally different from the unrealistic teen shows every other network was putting out.
I didn’t know it then, but getting the call about was the first of many you-got-it calls I would get over the course of my career.
when [her daughter] Birdie turns thirteen, I’m going to watch the entire series with her.
And as a P.S., “Seth Rogen was cast as a guest star on [Dawson’s Creek] and he came out and did an episode with me, which was fun. He and Judd had brought me back to L.A. to do two episodes of Undeclared” & she was cast on one season of ER with Linda Cardellini.
The reason I don’t generally read celebrity autobiographies is that the writing simply isn’t strong enough. While Philipps conveys her voice and personality through her style (cursing, capital letters, cynical jokes), some of the storytelling is thin. I mean, there’s not really a chapter’s worth of material in an anecdote about her wandering off when she was two years old. And I think she overeggs it when she insists she’s always gone out and gotten what she wants; the number of rejections she’s racked up says otherwise. I did appreciate the #MeToo feminist perspective, though, looking back to her upbringing and the Harvey Weinsteins of the Hollywood world and forward to how she hopes things will be different for her daughters. I also admired her honesty about her mental health. But I wouldn’t really recommend this unless you are a devoted fan.
January Releases, Part III: Taylor Harris, Cathy Rentzenbrink & Tanya Shadrick
Rounding off my three-part look at some of the month’s new releases with two memoirs plus a memoir-writer’s self-help guide today. (Can you tell I’m a memoir junkie?) Topics range from medical mysteries and covert racism to a reclaiming of life after a near-death experience, but these three nonfiction works by women are linked by the determination to overcome self-doubt.
This Boy We Made: A Memoir of Motherhood, Genetics, and Facing the Unknown by Taylor Harris
One morning, Taylor Harris and her husband (an African American family based in Charlottesville, Virginia) found their 22-month-old son Christopher, nicknamed “Tophs,” awake but unresponsive in his crib. In the years that followed, she and his doctors looked for answers as to why his body couldn’t regulate his blood sugar levels, sometimes leading to seizures, and to why his speech and mental processing remained delayed. All their tests and theories have never amounted to a conclusive diagnosis. This was a book that repeatedly surprised me. I’d assumed it would be exclusively about the medical mystery of Tophs’s physical and intellectual disability. But Harris elegantly weaves in a lot of other themes, too: mental illness, her own physical concerns (a BRCA2 mutation), racism, faith, and advocating for her children’s health and education. (Full review at BookBrowse.)
Write It All Down: How to put your life on the page by Cathy Rentzenbrink
Cathy Rentzenbrink is a lovely human being, and I’ve always appreciated her enthusiastic support of books. I’ve read all of her work even though I’ve been disappointed with her last few releases. There are so many writing guides out there – including several on memoir-writing specifically – that the first question to ask about one is, does it offer anything new? For me, this one doesn’t. In fact, it’s more of a therapy session than a practical writing guide.
The undemanding prose slides right down, but 60 pages in (at the end of Part One, “Preparation”) I realized all we’d had thus far was enumerating and countering the hang-ups of unconfident, procrastinating would-be writers. The rest of the book does then get into the nitty-gritty of producing a first draft (“Excavation”) of a life story and editing it into a more polished form. Rentzenbrink peppers in little tricks to keep oneself at the desk, like setting a timer or micro-goals, writing a section in the form of a letter, and dredging up sensory details. Most of the mini chapters are just a couple of pages. Several end with a series of prompts. I’m notorious for skipping the application questions in self-help books, but I’d be interested to hear if other readers have actually gone through these exercises and found them helpful.
I’m so familiar with the author’s own story from her three autobiographical works that I was less than patient about encountering certain incidents again here – though I was intrigued to learn that she gave up alcohol in the recent past after realizing that she was a problem drinker. I’ve also read most of the material in her Further Reading list; all told, I didn’t feel this book offered me much, as a lay reader or a maybe-some-day memoirist. But it seems to have been enormously popular among critics and readers (its average Goodreads rating is 4.38), so clearly a lot of people have been finding Rentzenbrink’s down-to-earth approach reassuring.
With thanks to Emma Finnigan PR and Bluebird for the proof copy for review.
The Cure for Sleep: Memoir of a Late-Waking Life by Tanya Shadrick
From my Most Anticipated list. Shadrick hangs around the fringes of nature writing cliques on Twitter, so I expected this to have more of a nature/travel element. Instead, it bears a fairy tale ambience, of a little girl lost in the woods and craving freedom; of a sleepwalking woman deciding to live more deliberately. It opens with a near-death experience: Shadrick, new mother to a son conceived after infertility treatment, suffered a severe haemorrhage after the placenta tore an artery and was rushed to hospital for emergency surgery.
From this point she returns to the beginning of her life and proceeds chronologically, pausing at joyful or traumatic moments. Her childhood feels like the key to understanding everything else: her father left when she was a baby; her mother, all too aware of being of lower class, was driven to improve herself. Shadrick wanted her mother all to herself, at the same time as she felt trapped by her. She injured herself jumping off an outhouse roof in protest at her mother’s new boyfriend, who became her stepfather. At university she reacted against her upbringing in predictable ways, failing her first year and having an abortion. Even once happily married, she kept unconsciously searching for surrogate father (older male) figures.
After the postnatal operation, she felt a need to escape – by suicide if necessary – yet forced herself to stay, make connections in her town and be present for her children. But she remained a free spirit, swimming and writing a mile-long scroll as public performance art. Her work with hospice patients, recording their memories, qualified her to edit Lynne Roper’s wild swimming diaries into a Wainwright Prize-longlisted book.
Awakening versus sleep is the figurative framework for the memoir, with a feminist insistence on freedom and self-fulfilment at the same time as being a mother. This is an unusual book – at times overwritten and too deliberately moulded into tropes as a rebuttal to randomness, even though, looking back, I can’t decipher a coherent plot to the events – that reminded me most of Free Woman by Lara Feigel and I Am, I Am, I Am by Maggie O’Farrell.
With thanks to W&N for the free copy for review.
Does one of these books appeal to you?