Tag: Maria Semple

2016 Runners-Up and Other Superlatives

Let’s hear it for the ladies! In 2016 women writers accounted for 9 out of my 15 top fiction picks, 12 out of my 15 nonfiction selections, and 8 of the 10 runners-up below. That’s 73%. The choices below are in alphabetical order by author, with any full reviews linked in. Many of these have already appeared on the blog in some form over the course of the year.

Ten Runners-Up:

FICTION

hag-seedHag-Seed by Margaret Atwood: Atwood looks more like a good witch every year, and here she works her magic on The Tempest to produce the most satisfying volume of the Hogarth Shakespeare series yet. There’s a really clever play-within-the-play-within-the-play thing going on, and themes of imprisonment and performance resonate in multiple ways.

Church_Atomic_SC_spine.inddThe Atomic Weight of Love by Elizabeth J. Church: In Church’s debut, an amateur ornithologist learns about love and sacrifice through marriage to a Los Alamos physicist and a relationship with a Vietnam veteran. I instantly warmed to Meri as a narrator and loved following her unpredictable life story.

we love you charlieWe Love You, Charlie Freeman by Kaitlyn Greenidge: The Freemans are raising Charlie, a chimpanzee, as part of their family for a Toneybee Institute experiment and teaching him to communicate via sign language. This is a rich and unsettling story of human–human interactions, even more so than human–animal interactions; it’s a great first novel and I will follow Greenidge’s career with interest.

To the Bright Edge of the Worldbright-edge by Eowyn Ivey: Ivey’s intricate second novel weaves together diaries, letters, photographs, and various other documents and artifacts to tell the gently supernatural story of an exploratory mission along Alaska’s Wolverine River in 1885 and its effects through to the present day. I can highly recommend this rollicking adventure tale to fans of historical fiction and magic realism.

This Must Be the Placethis must be the place by Maggie O’Farrell: Spreading outward from Ireland and reaching into every character’s past and future, this has all O’Farrell’s trademark insight into family and romantic relationships, as well as her gorgeous prose and precise imagery. I have always felt that O’Farrell expertly straddles the (perhaps imaginary) line between literary and popular fiction; her books are addictively readable but also hold up to critical scrutiny.

Commonwealthcommonwealth by Ann Patchett: This deep study of blended family dynamics starts with an early 1960s christening party Los Angeles policeman Fix Keating is throwing for his younger daughter, Franny; we see the aftermath of that party in the lives of six step-siblings in the decades to come. This is a sophisticated and atmospheric novel I would not hesitate to recommend to literary fiction fans in general and Patchett fans in particular.

sara-de-vosThe Last Painting of Sara de Vos by Dominic Smith: Jessie Burton, Tracy Chevalier and all others who try to write historical fiction about the Netherlands in the seventeenth century, eat your hearts out. Such a beautiful epoch-spanning novel about art and regret.

Shelter by Jung Yun: A Korean-American family faces up to violence past and present in a strong debut that offers the hope of redemption. I would recommend this to fans of David Vann and Richard Ford.


NONFICTION

I Will Find Youi will find you by Joanna Connors: By using present-tense narration, Connors makes the events of 1984 feel as if they happened yesterday: a blow-by-blow of the sex acts forced on her at knife-point over the nearly one-hour duration of her rape; the police reports and trials; and the effects it all had on her marriage and family. This is an excellent work of reconstruction and investigative reporting.

another-dayAnother Day in the Death of America by Gary Younge: Younge built this book by choosing a 24-hour period (November 22 to 23, 2013) and delving into all 10 gun deaths of young Americans on record for that time: seven black, two Latino, and one white; aged nine to 18; about half at least vaguely gang-related, while in two – perhaps the most crushing cases – there was an accident while playing around with a gun. I dare anyone to read this and then try to defend gun ‘rights’ in the face of such senseless, everyday loss.


Various Superlatives:

Best Discoveries of the Year: Apollo Classics reprints (I reviewed three of them this year); Diana Abu-Jaber, Linda Grant and Kristopher Jansma.

Most Pleasant Year-Long Reading Experience: The seasonal anthologies issued by the UK Wildlife Trusts and edited by Melissa Harrison (I reviewed three of them this year).

Most Improved: I heartily disliked Sarah Perry’s debut novel, After Me Comes the Flood. But her second, The Essex Serpent, is exquisite.

Debut Novelists Whose Next Work I’m Most Looking Forward to: Stephanie Danler, Kaitlyn Greenidge, Francis Spufford, Andria Williams and Sunil Yapa.

The Year’s Biggest Disappointments: Here I Am by Jonathan Safran Foer, Today Will Be Different by Maria Semple, and Swing Time by Zadie Smith. Here’s hoping 2017 doesn’t bring any letdowns from beloved authors.

The Worst Book I Read This Year: Paulina & Fran (2015) by Rachel B. Glaser. My only one-star review of the year. ’Nuff said?

The 2016 Novels I Most Wish I’d Gotten to: (At least the 10 I’m most regretful about)

  • The Power by Naomi Alderman
  • The Museum of You by Carys Bray
  • The Course of Love by Alain de Botton
  • What Belongs to You by Garth Greenwell*
  • homegoingHomegoing by Yaa Gyasi
  • The Waiting Room by Leah Kaminsky
  • The Inseparables by Stuart Nadler
  • Harmony by Carolyn Parkhurst*
  • The Nest by Cynthia D’Aprix Sweeney*
  • The Underground Railroad by Colson Whitehead*

*Haven’t been able to find anywhere yet; the rest are on my Kindle.

Which of these should I get reading on the double?


Coming tomorrow: Some reading goals for 2017.

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Six Books that Disappointed Me Recently

I had high hopes for all of these: long-awaited novels from Jonathan Safran Foer (10 years after his previous one), Maria Semple and Zadie Smith; a Project Gutenberg download from the reliably funny Jerome K. Jerome; a brand new psychological thriller from James Lasdun, whose memoir and poetry I’ve loved; and a horse racing epic that generated Great American Novel buzz. But they all failed to live up to expectations.


Here I Am

By Jonathan Safran Foer

here-i-amIs it a simple account of the implosion of two Washington, D.C. fortysomethings’ marriage? Or is it a sweeping epic of Judaism from the biblical patriarchs to imagined all-out Middle Eastern warfare? Can it succeed in being both? I didn’t really think so. The dialogue between this couple as they face the fallout is all too real and cuts to the quick. I enjoyed the preparations for Sam’s bar mitzvah and I could admire Julia’s clear-eyed capability and Sam, Max and Benjy’s almost alarming intelligence and heart at the same time as I wondered to what extent she was Foer’s ex-wife Nicole Krauss and they were the authors’ kids. But about halfway through I thought the book got away from Foer, requiring him to throw in a death, a natural disaster, and a conflict with global implications. This feels more like a novel by Philip Roth or Howard Jacobson, what with frequent masturbation and sex talk on the one hand and constant quarreling about what Jewishness means on the other. The central message about being present for others’ suffering, and your own, got a little lost under the flood of events.

My rating: 2-5-star-rating

 

Three Men on the Bummel

three-men-on-the-bummel-bookcoverBy Jerome K. Jerome

Jerome’s digressive style can be amusing in small doses, but this book is almost nothing but asides. I did enjoy the parts that most closely resemble a travelogue of the cycle trip through Germany, but these are drowned under a bunch of irrelevant memories and anecdotes. I much preferred Diary of a Pilgrimage.

My rating: 2-star-rating

 

The Fall Guy

By James Lasdun

fall-guyThis is a capable psychological thriller about an out-of-work chef who becomes obsessed with the idea that his wealthy cousin’s alluring wife is cheating on him during a summer spent with them in their upstate New York bolthole. I liked hearing about Matthew’s cooking and Chloe’s photography, and it’s interesting how Lasdun draws in a bit about banking and the Occupy movement. However, the complicated Anglo-American family backstory between Matthew and Charlie feels belabored, and the fact that we only see things from Matthew’s perspective is limiting in a bad way. There’s a decent Hitchcock vibe in places, but overall this is somewhat lackluster.

My rating: 2-5-star-rating

 

The Sport of Kings

By C.E. Morgan

sport-of-kingsI found this Kentucky-based horse racing novel to be florid and overlong. The novel doesn’t achieve takeoff until Allmon comes on the scene at about page 180. Although there are good descriptions of horses, the main plot – training Hellsmouth to compete in the 2006 Derby – mostly passed me by. Meanwhile, the interpersonal relationships become surprisingly melodramatic, more fit for a late Victorian novel or maybe something by Faulkner. My favorite character was Maryleen, the no-nonsense black house servant. Henry himself, though, makes for pretty unpleasant company. Morgan delivers the occasional great one-liner (“Childhood is the country of question marks, and the streets are solid answers”), but her prose is on the whole incredibly overwritten. There’s a potent message in here somewhere about ambition, inheritance and race, but it’s buried under an overwhelming weight of words. (See my full Nudge review.)

My rating: 2-star-rating

 

Today Will Be Different

By Maria Semple

today-willBernadette fans, prepare for disappointment. There’s nothing that bad about the story of middle-aged animator Eleanor Flood, her hand-surgeon-to-the-stars husband Joe, and their precocious kid Timby, but nor is there anything very interesting about it. The novel is one of those rare ones that take place all in one day, a setup that enticed me, but all Eleanor manages to fit into her day – despite the title resolution – is an encounter with a pet poet who listens to her reciting memorized verse, another with a disgruntled former employee, some pondering of her husband’s strange behavior, and plenty of being downright mean to her son (as if his name wasn’t punishment enough). “In the past, I’d often been called crazy. But it was endearing-crazy, kooky-crazy, we’re-all-a-little-crazy-crazy,” Eleanor insists. I didn’t think so. I didn’t like being stuck in her head. In general, it seems like a bad sign if you’re eager to get away from a book’s narrator and her scatty behavior. Compared to Semple’s previous novel, it feels like quirkiness for quirkiness’ sake, with a sudden, contrived ending.

My rating: 2-star-rating

 

Swing Time

By Zadie Smith

swing-timeSmith’s fifth novel spans 25 years and journeys from London to New York City and West Africa in tracing the different paths two black girls’ lives take. The narrator (who is never named) and Tracey, both biracial, meet through dance lessons at age seven in 1982 and soon become inseparable. The way this relationship shifts over time is the most potent element of the novel, and will appeal to fans of Elena Ferrante. The narrator alternates chapters about her friendship with Tracey with chapters about her work for pop star Aimee in Africa. Unfortunately, the Africa material is not very convincing or lively and I was impatient for these sections to finish. The Aimee subplot and the way Tracey turns out struck me as equally clichéd. Despite the geographical and chronological sprawl, the claustrophobic narration makes this feel insular, defusing its potential messages about how race, money and class still define and divide us. A new Zadie Smith novel is an event; this one is still worth reading, but it definitely disappointed me in comparison to White Teeth and On Beauty. (Releases Nov. 15th.)

My rating: 3-star-rating


Have you read any of these? What did you think?

What’s the last book that really let you down?