This year I correctly predicted Shuggie Bain by Douglas Stuart and Surge by Jay Bernard as the winners of the Booker Prize and the Sunday Times Young Writer of the Year Award, respectively. Patting myself on the back!
(Earlier in the year, I had a feeling Maggie O’Farrell would win the Women’s Prize, but wasn’t confident enough to single her out; and I got the Wainwright Prizes all wrong.)
I watched both the Booker Prize (live) and Young Writer of the Year Award (pre-recorded) ceremonies online; not having to secure an invitation or pay £30 for the train into London has been an ongoing bonus of pandemic arrangements.
The Booker ceremony was nicely tailored to viewers at home, incorporating brief, informal pre-recorded interviews with each nominated author and a video chat between last year’s winners, Margaret Atwood and Bernardine Evaristo. When Evaristo asked Atwood about the difference between winning the Booker in 2019 versus in 2000, she replied, deadpan, “I was older.” I especially liked the short monologues that well-known UK actors performed from each shortlisted book. Only a few people – the presenter, Evaristo, chair of judges and publisher Margaret Busby, and a string quartet – appeared in the studio, while all the other participants beamed in from other times and places. Stuart is only the second Scottish winner of the Booker, and seemed genuinely touched for this recognition of his tribute to his mother.
I’ve attended the Young Writer ceremony at the London Library twice: in 2017, when I was on the shadow panel, and again last year. It was a shame not to be able to meet up with fellow bloggers and the shortlisted authors, but I appreciated hearing the judges’ thoughts on each nominee. Tessa Hadley said the whole shortlist was “so full of young energy.” Kit de Waal called Catherine Cho’s Inferno “an absolute page-turner.” All the judges remarked at how funny, cutting and original Naoise Dolan’s Exciting Times is. Critic Houman Barekat referred to Seán Hewitt’s Tongues of Fire as “unabashedly earnest.” Hadley said Marina Kemp’s Nightingale is just the kind of novel she loves, a “delicate, full notation,” and Barekat observed that it is a timely reminder of the value of care work.
It was clear that, for the judges, all five books were terrifically accomplished and would be worthy winners. Still, the unanimous decision was in favor of Surge, which Sunday Times literary editor Andrew Holgate said is “remarkable for its passionate engagement and diversity of voices.” Bernard read “Hiss” (also up on the Granta website) and said that “poems can take on another life” through performance and short films, so the poet can’t predict whether they will stay in poetry or branch out into other genres.
Back on 18 November, I attended another online event to which I’d gotten a last-minute invitation: a “book club” featuring Tracy Chevalier in conversation with her literary agent, Jonny Geller, on Girl with a Pearl Earring at 20 and her new novel, A Single Thread. In 1996 she sent Geller a letter asking if he’d read Virgin Blue, which she’d written for the MA at the University of East Anglia – the only UK Creative Writing course out there at the time. After VB, she started a contemporary novel set at Highgate Cemetery, where she was a tour guide. It was to be called Live a Little (since a Howard Jacobson title). But shortly thereafter, she was lying in bed one day, looking at a Vermeer print on the wall, and asked herself what the look on the girl’s face meant and who she was. She sent Geller one page of thoughts and he immediately told her to stick Live a Little in a drawer and focus on the Vermeer idea.
Intriguingly, Chevalier stated that the deadline of her pregnancy determined the form of Girl with a Pearl Earring: she knew she had to keep things simple, with a linear narrative, one point of view, and spare prose. While the novel had a quiet publication in August 1999, a good review from Deborah Moggach helped, and it became a “word of mouth success,” never hitting #1 but selling continuously. Chevalier believes this was due to a rare coming together of story and writing; sometimes good stories are hampered by mediocre writing, or vice versa. She and Geller discussed the strange coincidence of two other Vermeer novels coming out at the same time (e.g. Girl in Hyacinth Blue by Susan Vreeland); she had the good luck of being the victor. The film version is “lovely,” she said. Geller has never forgotten Scarlett Johansson, who turned 18 on set, leaving her gum in during a cast supper of spaghetti.
Chevalier’s actual Highgate novel, Falling Angels, didn’t borrow at all from her contemporary-set draft as it was set in 1900. Incorporating suffragette history, it felt like an untold story ripe for the plucking. Falling Angels has long been the one I consider my favorite Chevalier – as of last month, when we did The Last Runaway in book club, I’ve read all her work – but after this event I’m eager to reread it and GwaPE to see what I think.
Lastly, Chevalier and Geller talked about her new novel, A Single Thread, which was conceived before Trump and Brexit but had its central themes reinforced by the constant references back to 1930s fascism during the Trump presidency. She showed off the needlepoint spectacles case she’d embroidered for the novel. This wasn’t the first time she’d taken up a craft featured in her fiction: for The Last Runaway she learned to quilt, and indeed still quilts today. Geller likened her to a “method actor,” and jokingly fretted that they’ll lose her to one of these hobbies one day. Chevalier’s work in progress features Venetian glass. I’m already looking forward to it.
Like me, she moved to England from the Washington, D.C. area and has never lost the ‘accent’, so I feel like she’s a kindred spirit.
Bookish online events coming up soon: Penguin book quiz, followed by book club holiday social (a Zoom meeting with glasses of wine in hand!), on the 15th
Have you taken advantage of any online literary events recently?
The 13-strong 2020 Booker Prize longlist was announced this morning. Looking at friends’ Booker predictions/wish lists (Clare’s and Susan’s), I didn’t think I would be invested in this year’s prize race, yet the moment I saw the longlist I scurried to look up the titles I hadn’t heard of and to request others I realized I wanted to read after all.
In general, the list achieves a nice balance between established names and debut authors, and the gender, ethnicity and sexuality statistics are good.
(Descriptions of books not experienced are from the Goodreads blurbs.)
Only one so far and, alas, I thought it among the author’s poorest work to date:
- Redhead by the Side of the Road by Anne Tyler (Chatto & Windus) – While this novella is perfectly readable – Tyler could write sympathetic characters like Micah and his Baltimore neighbors in her sleep – it felt incomplete and inconsequential, like an early draft that needed another subplot and plenty more scenes added in before it was ready for publication. Any potential controversy (illegitimate offspring and a few post-apocalyptic imaginings) is instantly neutralized, making the story feel toothless.
DNFed earlier in the year (but what do I know?):
- The Mirror & The Light by Hilary Mantel (4th Estate) – I only managed to read 80 pages or so, then skimmed to page 200 before admitting defeat. I would be totally engrossed for up to 10 pages (exposition and Cromwell one-liners), but then everything got talky or plotty and I’d skim for 20‒30 pages and set it down. I lacked the necessary singlemindedness and felt overwhelmed by the level of detail and cast of characters, so never built up momentum. Still, I can objectively recognize the prose as top-notch. But is 900 pages not a wee bit indulgent? No editor would have dared cut it…
- Such a Fun Age by Kiley Reid (Bloomsbury) – “In the midst of a family crisis one late evening, white blogger Alix Chamberlain calls her African American babysitter, Emira, asking her to take toddler Briar to the local market for distraction. There, the security guard accuses Emira of kidnapping Briar, and Alix’s efforts to right the situation turn out to be good intentions selfishly mismanaged.”
- How Much of These Hills Is Gold by C. Pam Zhang (Virago) – “Both epic and intimate, blending Chinese symbolism and re-imagined history with fiercely original language and storytelling, How Much of These Hills Is Gold is a haunting adventure story … An electric debut novel set against the twilight of the American gold rush, two siblings are on the run in an unforgiving landscape—trying not just to survive but to find a home.”
On the shelf to read soon:
- Shuggie Bain by Douglas Stuart (Picador) – “The unforgettable story of young Hugh ‘Shuggie’ Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.” (Out on August 6th. Proof copy from publisher)
Already wanted to read:
- Such a Fun Age by Kiley Reid (Bloomsbury) – Yes, I’m going to try this one again! (Requested from library)
- Real Life by Brandon Taylor (Daunt Books) – “An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.”
- Love and Other Thought Experiments by Sophie Ward (Corsair) – “Rachel and Eliza are hoping to have a baby. The couple spend many happy evenings together planning for the future. One night Rachel wakes up screaming and tells Eliza that an ant has crawled into her eye and is stuck there. She knows it sounds mad – but she also knows it’s true. As a scientist, Eliza won’t take Rachel’s fear seriously and they have a bitter fight. Suddenly their entire relationship is called into question.” (Requested from library)
Heard about for the first time and leapt to find:
- The New Wilderness by Diane Cook (Oneworld) – “Bea, Agnes, and eighteen others volunteer to live in the Wilderness State as part of a study to see if humans can co-exist with nature … [This] explores a moving mother‒daughter relationship in a world ravaged by climate change and overpopulation.” (Out on August 13th. Requested from publisher)
- Burnt Sugar by Avni Doshi (Hamish Hamilton) – “A searing debut novel about mothers and daughters, obsession and betrayal – for fans of Deborah Levy, Jenny Offill and Diana Evans … unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.” (Out on July 30th. Requested from publisher)
Thought I didn’t want to read, but changed my mind:
- Apeirogon by Colum McCann (Bloomsbury) – I’ve only read one book by McCann and have always meant to read more. But I judged this one by the title and assumed it was going to be yet another Greek myth update. (What an eejit!) “Bassam Aramin is Palestinian. Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate.” (Reading from library)
Would read if it fell in my lap, but I’m not too bothered:
- Who They Was by Gabriel Krauze (4th Estate) – “An electrifying autobiographical British novel … This is a story of a London you won’t find in any guidebooks. This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities – and the girls trying to make it their own way.”
- The Shadow King by Maaza Mengiste (Canongate) – “A gripping novel set during Mussolini’s 1935 invasion of Ethiopia, The Shadow King takes us back to the first real conflict of World War II, casting light on the women soldiers who were left out of the historical record.” I have seen unenthusiastic reviews from friends.
Don’t plan to read:
- This Mournable Body by Tsitsi Dangarembga (Faber & Faber) – “Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. … at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.” This is the third book in a trilogy and I have seen unfavorable reviews from friends.
Of course, Hilary will win; skip the shortlist announcement in September and go ahead and give her the Triple Crown! But I always discover at least a couple of gems through the Booker longlist each year, so I’m grateful to the judges (Margaret Busby (chair), editor, literary critic and former publisher; Lee Child, author; Sameer Rahim, author and critic; Lemn Sissay, writer and broadcaster; and Emily Wilson, classicist and translator) for highlighting some exciting books that I may not have been induced to try otherwise. I will probably end up reading only half of the longlist, but may readjust my plans after the shortlist comes out.
What do you think about the longlist? Have you read anything from it? Which nominees appeal to you?