Below I’ve chosen my 12 favorite nonfiction books published in 2018. You’ll be unsurprised to learn that half of them have a medical theme. Many have already featured on my blog in some way over the course of the year. To keep things simple, as I’ve done in previous years, I’m limiting myself to two sentences per title: a potted summary plus why you should read it. Let the countdown begin!
12. The Line Becomes a River by Francisco Cantú: Francisco Cantú was a U.S. Border Patrol agent for four years in Arizona and Texas. Impressionistic rather than journalistic, his book is a loosely thematic scrapbook that, in giving faces to an abstract struggle, argues passionately that people should not be divided by walls but united in common humanity.
11. Bookworm by Lucy Mangan: Mangan takes us along on a nostalgic chronological tour through the books she loved most as a child and adolescent. No matter how much or how little of your early reading overlaps with hers, you’ll appreciate her picture of the intensity of children’s relationship with books – they can completely shut out the world and devour their favorite stories over and over, almost living inside them, they love and believe in them so much – and her tongue-in-cheek responses to them upon rereading them decades later.
10. Everything Happens for a Reason: And Other Lies I’ve Loved by Kate Bowler: An assistant professor at Duke Divinity School, Bowler was fascinated by the idea that you can claim God’s blessings, financial and otherwise, as a reward for righteous behavior and generosity to the church (“the prosperity gospel”), but if she’d been tempted to set store by this notion, that certainty was permanently fractured when she was diagnosed with stage IV colon cancer in her mid-thirties. Bowler writes tenderly about suffering and surrender, about living in the moment with her husband and son while being uncertain of the future.
9. Gross Anatomy by Mara Altman: Through a snappy blend of personal anecdotes and intensive research, Altman exposes the cultural expectations that make us dislike our bodies, suggesting that a better knowledge of anatomy might help us feel normal. It’s funny, it’s feminist, and it’s a cracking good read.
8. The Unmapped Mind by Christian Donlan: Donlan, a Brighton-area video games journalist, was diagnosed with (relapsing, remitting) multiple sclerosis in 2014; he approaches his disease with good humor and curiosity, using metaphors of maps to depict himself as an explorer into uncharted territory. This is some of the best medical writing from a layman’s perspective I’ve ever read.
7. Skybound by Rebecca Loncraine: For Rebecca Loncraine, after treatment for breast cancer in her early thirties, taking flying lessons in an unpowered glider (everywhere from Wales to Nepal) was a way of rediscovering joy and experiencing freedom by facing her fears in the sky. Each year seems to bring one exquisite posthumous memoir about facing death with dignity; this is a worthwhile successor to When Breath Becomes Air et al.
6. Face to Face by Jim McCaul: Eighty percent of a facial surgeon’s work is the removal of face, mouth and neck tumors in surgeries lasting eight hours or more; McCaul also restores patients’ appearance as much as possible after disfiguring accidents. This is a book that inspires wonder at all that modern medicine can achieve.
5. That Was When People Started to Worry by Nancy Tucker: Tucker interviewed 70 women aged 16 to 25 for a total of more than 100 hours and chose to anonymize their stories by creating seven composite characters who represent various mental illnesses: depression, bipolar disorder, self-harm, anxiety, eating disorders, PTSD and borderline personality disorder. Reading this has helped me to understand friends’ and acquaintances’ behavior; I’ll keep it on the shelf as an invaluable reference book in the years to come.
4. Free Woman by Lara Feigel: A familiarity with the works of Doris Lessing is not a prerequisite to enjoying this richly satisfying hybrid of biography, literary criticism and memoir. Lessing’s The Golden Notebook is about the ways in which women compartmentalize their lives and the struggle to bring various strands into harmony; that’s what Free Woman is all about as well.
3. Implosion by Elizabeth W. Garber: The author endured sexual and psychological abuse while growing up in a glass house designed by her father, Modernist architect Woodie Garber – a fascinating, flawed figure – outside Cincinnati in the 1960s to 1970s. This is definitely not a boring tome just for architecture buffs; it’s a masterful memoir for everyone.
2. Educated by Tara Westover: Westover writes with calm authority, channeling the style of the scriptures and history books that were formative in her upbringing and education as she tells of a young woman’s off-grid upbringing in Idaho and the hard work that took her from almost complete ignorance to a Cambridge PhD. This is one of the most powerful and well-written memoirs I’ve ever read.
It was a real toss-up between Westover and this one, but since Educated has already gotten a ton of attention this year, I’ve awarded the title of nonfiction book of the year to:
1. Under the Rock by Benjamin Myers: A spell-bindingly lyrical book that ranges from literature and geology to true crime but has an underlying autobiographical vein. Its every sentence is well-crafted and memorable; this isn’t old-style nature writing in search of unspoiled places, but part of a growing interest in the ‘edgelands’ where human impact is undeniable but nature is creeping back in.
What were some of your top nonfiction reads of the year?
27th: Best fiction of the year
29th: Best backlist reads
30th: Other superlatives and some early 2019 recommendations
31st: Library Checkout & Final statistics on my 2018 reading
borborygmi = stomach rumblings caused by the movement of fluid and gas in the intestines
crapula = sickness caused by excessive eating and drinking
olm = a cave-dwelling aquatic salamander
~The Year of the Hare, Arto Paasilinna
befurbelowed = ornamented with frills (the use seems to be peculiar to this book, as it is the example in every online dictionary!)
~The Awakening, Kate Chopin
roding = the sound produced during the mating display of snipe and woodcock, also known as drumming
peat hag = eroded ground from which peat has been cut
~Deep Country, Neil Ansell
rallentando = a gradual decrease in speed
~Sight, Jessie Greengrass
piceous = resembling pitch
~March, Geraldine Brooks
soffit = the underside of eaves or an arch, balcony, etc.
~The Only Story, Julian Barnes
lemniscate = the infinity symbol, here used as a metaphor for the pattern of pipe smoke
~The Invisible Bridge, Julie Orringer
purfling = a decorative border
lamingtons = sponge cake squares coated in chocolate and desiccated coconut (sounds yummy!)
~The Life and Loves of Lena Gaunt, Tracy Farr
ocellated = having eye-shaped markings
~Red Clocks, Leni Zumas
balloonatic (WWI slang) = a ballooning enthusiast
skinkling = sparkling
preludial = introductory
claustral = confining
baccalà = salted cod
~The Incendiaries, R. O. Kwon
(There were so many words I didn’t immediately recognize in this novel that I thought Kwon must have made them up; preludial and claustral, especially, are words I didn’t know existed but that one might have extrapolated from their noun forms.)
bronies = middle-aged male fans of My Little Pony (wow, who knew this was a thing?! I feel like I’ve gone down a rabbit hole just by Googling it.)
callipygian = having well-shaped buttocks
~Gross Anatomy, Mara Altman
syce = someone who looks after horses; a groom (especially in India; though here it was Kenya)
riem = a strip of rawhide or leather
pastern = a horse’s ankle equivalent
~West with the Night, Beryl Markham
blintering = flickering, glimmering (Scottish)
sillion = shiny soil turned over by a plow
~The Light in the Dark: A Winter Journal, Horatio Clare
whiffet = a small, young or unimportant person
~Ladder of Years, Anne Tyler
trilliant = a triangular gemstone cut
cabochon = a gemstone that’s polished but not faceted
blirt = a gust of wind and rain (but here used as a verb: “Coldness blirted over her”)
contumacious = stubbornly disobedient
~Four Bare Legs in a Bed, Helen Simpson
xeric = very dry (usually describes a habitat, but used here for a person’s manner)
~Unsheltered, Barbara Kingsolver
twitten = a narrow passage between two walls or hedges (Sussex dialect – Marshall is based near Brighton)
~The Power of Dog, Andrew Marshall
swither (Scottish) = to be uncertain as to which course of action to take
strathspey = a dance tune, a slow reel
~Stargazing, Peter Hill
citole = a medieval fiddle
naker = a kettledrum
amice = a liturgical vestment that resembles a cape
~The Western Wind, Samantha Harvey
pareidolia = seeing faces in things, an evolutionary adaptation (check out @FacesPics on Twitter!)
~The Overstory, Richard Powers
Have you learned any new vocabulary words recently?
How likely am I to use any of these words in the next year?
The female body has been a source of deep embarrassment for Altman, but here she swaps shame for self-deprecating silliness and cringing for chuckling. Through a snappy blend of personal anecdotes and intensive research, she exposes the cultural expectations that make us dislike our bodies, suggesting that a better knowledge of anatomy might help us feel normal. While 11 of her 15 topics aren’t exclusive to women’s anatomy—birthmarks, hemorrhoids, warts and more apply to men, too—she always presents an honest account of the female experience. This is one of my favorite books of the year and one I’d recommend to women of any age. It’s funny, it’s feminist, and it’s a cracking good read. (My full review is complete with embarrassing personal revelations!)
The Art of the Wasted Day by Patricia Hampl: A poet’s delight in lyricism and free association is in evidence here. The book blends memoir with travel and biographical information about some of Hampl’s exemplars of solitary, introspective living, and it begins, quite literally, with daydreaming.
Hampl and Lightman start from the same point of frazzled frustration and arrive at many of the same conclusions about the necessity of “wasted” time but go about it in entirely different ways. Lightman makes a carefully constructed argument and amasses a sufficient weight of scientific and anecdotal evidence; Hampl drifts and dreams through seemingly irrelevant back alleys of memory and experience. The latter is a case of form following function: her book wanders along with her mind, in keeping with her definition of memoir as “lyrical quest literature,” where meaning always hovers above the basics of plot.
Chamoiseau is a social worker and author from the Caribbean island of Martinique. Translator Linda Coverdale has chosen to leave snippets of Martinican Creole in this text, creating a symphony of languages. The novel has an opening that might suit a gloomy fairytale: “In slavery times in the sugar isles, once there was an old black man.” The novel’s language is full of delightfully unexpected verbs and metaphors. At not much more than 100 pages, it is a nightmarish novella that alternates between feeling like a nebulous allegory and a realistic escaped slave narrative. It can be a disorienting experience: like the slave, readers are trapped in a menacing forest and prone to hallucinations. The lyricism of the writing and the brief glimpse back from the present day, in which an anthropologist discovers the slave’s remains and imagines the runaway back into life, give this book enduring power.
Barry Cohen, a conceited hedge fund manager under SEC investigation for insider trading, sets out on a several-month picaresque road trip in the second half of 2016. The ostensible aim is to find his college girlfriend, but he forms fleeting connections with lots of ordinary folks along the way. Barry may be a figure of fun, but it’s unpleasant to spend so much time with his chauvinism (“he never remembered women’s names” but gets plenty of them to sleep with him), which isn’t fully tempered by alternating chapters from his wife’s perspective. Pitched somewhere between the low point of “Make America Great Again” and the loftiness of the Great American novel, Lake Success may not achieve the profundity it’s aiming for, but it’s still a biting portrait of an all-too-recognizable America where money is God and villains gets off easy.
Shiny New Books reviews
(Upcoming: Nine Pints by Rose George and Under the Rock by Benjamin Myers.) Latest:
Atkins has produced an appealing blend of vivid travel anecdotes, historical background and philosophical musings. He is always conscious that he is treading in the footsteps of earlier adventurers. He has no illusions about being a pioneer here; rather, he eagerly picks up the thematic threads others have spun out of desert experience and runs with them – things like solitude, asceticism, punishment for wrongdoing and environmental degradation. The book is composed of seven long chapters, each set in a different desert. In my favorite segment, the author rents a cabin in the Sonoran Desert of Arizona for $100 a week. My interest waxed and waned from chapter to chapter, but readers of travelogues should find plenty to enjoy. Few of us would have the physical or emotional fortitude to repeat Atkins’s journeys, but we get the joy of being armchair travelers instead.
Mrs Gaskell & Me: Two Women, Two Love Stories, Two Centuries Apart by Nell Stevens
I was ambivalent about the author’s first book (Bleaker House), but for a student of the Victorian period this was unmissable, and the meta aspect was fun and not off-putting this time. Stevens has a light touch, and flits between Gaskell’s story and her own in alternating chapters. One strand covers the last decade of Gaskell’s life, but what makes it so lively and unusual is that Stevens almost always speaks of Gaskell as “you.” The intimacy of that address ensures her life story is anything but dry. The other chapters are set between 2013 and 2017 and narrated in the present tense, which makes Stevens’s dilemmas feel pressing. For much of the first two years her PhD takes a backseat to her love life. She’s obsessed with Max, a friend and unrequited crush from her Boston University days who is now living in Paris. This is a whimsical, sentimental, wry book that will ring true for anyone who’s ever been fixated on an idea or put too much stock in a relationship that failed to thrive.
Times Literary Supplement reviews
I’ve recently submitted my sixth and seventh for publication. All of them have been behind a paywall so far, alas. (Upcoming: Face to Face: True stories of life, death and transformation from my career as a facial surgeon by Jim McCaul; On Sheep: Diary of a Swedish Shepherd by Axel Lindén.) Latest:
How To Build A Boat: A Father, his Daughter, and the Unsailed Sea by Jonathan Gornall
Gornall’s genial memoir is the story of a transformation and an adventure, as a fifty-something freelance journalist gets an unexpected second chance at fatherhood and decides to build his daughter, Phoebe, a boat. It was an uncharacteristic resolution for “a man who [had] never knowingly wielded a plane or a chisel,” yet in a more metaphorical way it made sense: the sea was in his family’s blood. Gornall nimbly conveys the precarious financial situation of the freelancer, as well as the challenges of adjusting to new parenthood late in life. This is a refreshingly down-to-earth account. The nitty-gritty details of the construction will appeal to some readers more than to others, but one can’t help admiring the combination of craftsmanship and ambition. (Full review in September 7th issue.)
I finished off strong with a few books I’ve been meaning to read for months or years.
Late Nights on Air by Elizabeth Hay (2007)
(This was a Twitter buddy read with Naomi of Consumed by Ink and Penny of Literary Hoarders.) I read my first novel by Hay, A Student of Weather, last year. It was wonderfully rewarding even though it took me a month to read. By contrast, I read the Giller Prize-winning Late Nights on Air in half that time. Most of it is set in 1975–7 in Yellowknife, a small city in Canada’s Northwest Territories. Here winter lasts for eight months and you can still meet with snow and frozen lakes in early July. A tight-knit cast gathers around the local radio station: Harry and Gwen, refugees from Ontario starting new lives; Dido, an alluring Dutch newsreader; Ralph, the freelance book reviewer; menacing Eddie; and pious Eleanor.
Everyone is in love with everyone else, so you get these layers of unrequited romance and a sense of exposure: not just to the elements, but to the vulnerabilities of admitting one’s feelings and risking professional failure. The novel is also about appearances and assumptions – “You don’t look anything like how you sound,” Gwen says to Harry – and the dangers of obsession. Four of the station employees set out one summer to recreate the six-week journey of Arctic explorer John Hornby, a trip that ends up being as wondrous as it is fraught. Hay’s foreshadowing is a bit heavy-handed, and I found the final chapters after the expedition a slight letdown, but overall this is a marvellous story of quiet striving and dislocation. I saw bits of myself in each of the characters, and I loved the extreme setting, both mosquito-ridden summer and bitter winter. I need to read the rest of Hay’s oeuvre stat.
Harry’s professional advice to Gwen: “Radio was like poetry, he told her. At its best it could be, while television was like a blockbuster novel: one made you think and feel, the other dulled your mind. … ‘To be any good you have to believe it’s hard. It’s called creative tension. … And you won’t be any good until you’re dedicated to something outside yourself.’ … I learned that a mistake is just something you go on from.”
“Something blossoms in an unlikely place. An oasis of trees miles above the treeline. An arctic river warmer than any other water they’d come upon. The four of them bathed in the waters of the Thelon, wading out into it, almost swimming. On shore they towelled themselves dry and dressed, and there was no feeling to equal the splendour of warm clothes on river-cold skin.”
I ran out of time for Half of a Yellow Sun by Chimamanda Ngozi Adichie so substituted in…
An American Marriage by Tayari Jones (2018)
(If it’s good enough for Barack Obama and Oprah Winfrey, it’s good enough for me!)
The title feels like an echo of An American Tragedy. It’s both monolithic and generic, as if saying: Here’s a marriage; make of it what you will. Is it representative of the average American situation, or is it exceptional? Roy and Celestial only get a year of happy marriage before he’s falsely accused of rape and sentenced to 12 years in prison in Louisiana. Through their alternating first-person narration and their letters back and forth while Roy is incarcerated, we learn more about this couple: how their family circumstances shaped them, how they met, and how they drift apart as Celestial turns to her childhood friend, Andre, for companionship. When Roy is granted early release, he returns to Georgia to find Celestial and see what might remain of their marriage. I ached for all three main characters: It’s an impossible situation. The novel ends probably the only way it could, on a realistic yet gently optimistic note. Life goes on, if not how you expect, and there will be joys still to come.
This would make a great book club pick: there’s a lot to probe about the characters’ personalities and motivations, and about how they reveal or disguise themselves through their narration. I found it remarkable how the letters, which together make up not even one-fifth of the text, enhance the raw honesty of the book. There are other marriages on display besides Roy and Celestial’s, their range providing a snapshot of African-American lower-middle- and upper-middle-class life in the South. I especially liked the use of two totem objects, Roy’s tooth and the hickory tree outside Celestial’s childhood home (what you see on the cover).
Celestial: “I believed that our marriage was a fine-spun tapestry, fragile but fixable. We tore it often and mended it, always with a silken thread, lovely but sure to give way.”
Andre: “I don’t believe that blood makes a family; kin is the circle you create, hands held tight.”
Celestial: “Our marriage was a sapling graft that didn’t have time to take.”
Roy: “mostly my life is good, only it’s a different type of good from what I figured on.”
An American Marriage was published in the UK by Oneworld on April 5th. My thanks to the publisher for the free copy for review.
West With the Night by Beryl Markham (1942)
(Another Twitter buddy read, with Laila of Big Reading Life.) I’ve meant to pick this up ever since I read Paula McLain’s fantastic novel about Beryl Markham, Circling the Sun. I loved Markham’s memoir even more. She writes so vividly about the many adventures of her life in Africa: hunting lions, training race horses, and becoming one of the continent’s first freelance pilots, delivering mail and locating elephant herds.
It took me a while to get used to the structure – this is a set of discrete stories rather than a chronological narrative – but whether she’s reflecting on the many faces of Africa or the peculiar solitude of night flights, the prose is just stellar. Ernest Hemingway once asserted in a letter that Markham could “write rings around all of us who consider ourselves as writers,” and I certainly enjoyed this more than anything I’ve read by Hemingway.
The text is bookended by two momentous flights: it opens with Markham scrambling to deliver oxygen to an injured miner, and ends with her completing the first east–west solo flight across the Atlantic in 1936. Her engine cut out multiple times; it’s no less than a miracle that she survived to crash land in Nova Scotia. Laila and I agree that Markham’s life is so exciting it’s crying out for a movie version. In the meantime, I’d like to read some more about her circle – Denys Finch Hatton; and Baron von Blixen and his wife Karen (aka Danish writer Isak Dinesen, famous for Out of Africa). In my Circling the Sun review for BookTrib, I wrote that “Markham was the kind of real-life action adventure heroine you expect to find in Indiana Jones movies,” and that sense was only confirmed by her own account.
“to fly in unbroken darkness without even the cold companionship of a pair of ear-phones or the knowledge that somewhere ahead are lights and life and a well-marked airport is something more than just lonely. It is at times unreal to the point where the existence of other people seems not even a reasonable possibility. The hills, the forests, the rocks, and the plains are one with the darkness, and the darkness is infinite. The earth is no more your planet than is a distant star—if a star is shining; the plane is your planet and you are its sole inhabitant.”
“I saw how a man can be master of a craft, and how a craft can be master of an element. I saw the alchemy of perspective reduce my world, and all my other life, to grains in a cup. I learned to watch, to put my trust in other hands than mine. And I learned to wander. I learned what every dreaming child needs to know—that no horizon is so far that you cannot get above it or beyond it.”
So how did I do on my first-ever #20BooksofSummer challenge? In that I read and reviewed (more than) 20 books by women that I owned in print, it was a smashing success. However, I only read 7 of the books I’d intended to, substituting in the rest from my review pile, books I owned in America, and others that grabbed my attention more than those I’d picked out in early June. Looks like I’m not great at sticking with the specific reading plans I set!
At any rate, as bonuses, here are the additional books by women that I read in print from my own shelves over the summer, not counting ones already reviewed on the blog (in chronological order, with ratings and links to any Goodreads reviews):
Help Me!: One woman’s quest to find out if self-help really can change her life, Marianne Power
Mrs Gaskell & Me: Two Women, Two Love Stories, Two Centuries Apart, Nell Stevens
I’d call that a result!
What have been the best books of the summer? Of the final 20, The Invisible Bridge by Julie Orringer was the winner, followed closely by The Life and Loves of Lena Gaunt by Tracy Farr, Late Nights on Air by Elizabeth Hay, and West With the Night by Beryl Markham. There were no real duds. I’m still very interested in all but one of the books I chose back in June, so I’ll see how many of the rest I can fit into this autumn and winter’s reading.
How was your summer of reading? Did you meet any goals you set?
Here are 30 books that are on my radar for the months of July through November (I haven’t heard about any December titles yet), plus one bonus book that I’ve already read. This is by no means a full inventory of what’s coming out, or even of what I have available through NetGalley and Edelweiss; instead, think of it as a preview of the books I actually intend to read, in release date order. The quoted descriptions are from the publisher blurbs on Goodreads. If I already have access to the book in some way, I’ve noted that.
The first half of the year seemed to be all about plants. This time around I have plenty of memoirs, some medical and some bookish; birds and watery imagery; and some religious and philosophical themes.
17 out of 30 read; of those 8 were at least somewhat disappointing (d’oh!)
1 currently reading
1 lost interest in
1 I still intend to read
5 I didn’t manage to find]
No One Tells You This: A Memoir by Glynnis MacNicol [July 10, Simon & Schuster]: “If the story doesn’t end with marriage or a child, what then? This question plagued Glynnis MacNicol on the eve of her 40th birthday. … Over the course of her fortieth year, which this memoir chronicles, Glynnis embarks on a revealing journey of self-discovery that continually contradicts everything she’d been led to expect.” (NetGalley download)
The Lost Chapters: Finding Recovery and Renewal One Book at a Time by Leslie Schwartz [July 10, Blue Rider Press]: “Leslie Schwartz’s powerful, skillfully woven memoir of redemption and reading, as told through the list of books she read as she served a 90-day jail sentence. … Incarceration might have ruined her, if not for the stories that comforted her while she was locked up.”
The Bumblebee Flies Anyway: Gardening and Surviving Against the Odds by Kate Bradbury [July 17, Bloomsbury Wildlife]: “Finding herself in a new home in Brighton, Kate Bradbury sets about transforming her decked, barren backyard into a beautiful wildlife garden. She documents the unbuttoning of the earth and the rebirth of the garden, the rewilding of a tiny urban space.”
Crux: A Cross-Border Memoir by Jean Guerrero [July 17, One World]: “A daughter’s quest to find, understand, and save her charismatic, troubled, and elusive father, a self-mythologizing Mexican immigrant who travels across continents—and across the borders between imagination and reality; and spirituality and insanity—fleeing real and invented persecutors.”
The Incendiaries by R.O. Kwon [July 31, Riverhead]: “A shocking novel of violence, love, faith, and loss, as a young woman at an elite American university is drawn into acts of domestic terrorism by a cult tied to North Korea. … The Incendiaries is a fractured love story and a brilliant examination of the minds of extremist terrorists, and of what can happen to people who lose what they love most.” (Print ARC for blog review at UK release on Sept. 6 [Virago])
Bitter Orange by Claire Fuller [Aug. 2, Penguin Fig Tree]: I’ve loved Fuller’s two previous novels. This one is described as “a suspenseful story about deception, sexual obsession and atonement” set in 1969 in a run-down English country house. I don’t need to know any more than that; I have no doubt it’ll be brilliant in an Iris Murdoch/Gothic way. (Print ARC for blog review on release date)
If You Leave Me by Crystal Hana Kim [Aug. 7, William Morrow]: “An emotionally riveting debut novel about war, family, and forbidden love—the unforgettable saga of two ill-fated lovers in Korea and the heartbreaking choices they’re forced to make in the years surrounding the civil war that continues to haunt us today.” This year’s answer to Pachinko? And another botanical cover to boot! (Edelweiss download)
A River of Stars by Vanessa Hua [Aug. 14, Ballantine Books]: “In a powerful debut novel about motherhood, immigration, and identity, a pregnant Chinese woman makes her way to California and stakes a claim to the American dream. … an entertaining, wildly unpredictable adventure, told with empathy and wit” Sounds like The Leavers, which is a Very Good Thing.
The Shakespeare Requirement by Julie Schumacher [Aug. 14, Doubleday]: A sequel to the very funny epistolary novel Dear Committee Members! “Now is the fall of his discontent, as Jason Fitger, newly appointed chair of the English Department of Payne University, takes aim against a sea of troubles, personal and institutional.” (Edelweiss download)
Gross Anatomy: Dispatches from the Front (and Back) by Mara Altman [Aug. 21, G.P. Putnam’s Sons]: “By using a combination of personal anecdotes and fascinating research, Gross Anatomy holds up a magnifying glass to our beliefs, practices, biases, and body parts and shows us the naked truth—that there is greatness in our grossness.” (PDF from publisher; to review for GLAMOUR online)
Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters by Anne Boyd Rioux [Aug. 21, W. W. Norton Company]: This is the bonus one I’ve already read, as part of my research for my Literary Hub article on rereading Little Women at its 150th anniversary. (That’s also the occasion for this charming book.) Rioux unearths Little Women’s origins in Alcott family history, but also traces its influence through to the present day. She also makes a strong feminist case for it. My short Goodreads review is here. (Edelweiss download)
Lake Success by Gary Shteyngart [Sept. 4, Random House]: I read his memoir but am yet to try his fiction. “When his dream of the perfect marriage, the perfect son, and the perfect life implodes, a Wall Street millionaire takes a cross-country bus trip in search of his college sweetheart and ideals of youth. … [a] biting, brilliant, emotionally resonant novel very much of our times.” (Edelweiss download; for Pittsburgh Post-Gazette review)
In My Mind’s Eye: A Thought Diary by Jan Morris [Sept. 6, Faber & Faber]: One of my most admired writers. “A collection of diary pieces that Jan Morris wrote for the Financial Times over the course of 2017.” I have never before in my life kept a diary of my thoughts, and here at the start of my ninth decade, having for the moment nothing much else to write, I am having a go at it. Good luck to me.
Help Me!: One Woman’s Quest to Find Out if Self-Help Really Can Change Her Life by Marianne Power [Sept. 6, Picador]: “[F]or a year she vowed to test a book a month, following its advice to the letter, taking the surest road she knew to a perfect Marianne. As her year-long plan turned into a demented roller coaster where everything she knew was turned upside down, she found herself confronted with a different question: Self-help can change your life, but is it for the better?” (Print ARC)
Normal People by Sally Rooney [Sept. 6, Faber & Faber]: Much anticipated follow-up to Conversations with Friends. “Connell and Marianne both grow up in the same town in rural Ireland. The similarities end there; they are from very different worlds. But they both get places to study at university in Dublin, and a connection that has grown between them despite the social tangle of school lasts long into the following years.”
Mrs. Gaskell & Me by Nell Stevens [Sept. 6, Picador]: “In 2013, Nell Stevens is embarking on her PhD … and falling drastically in love with a man who lives in another city. As Nell chases her heart around the world, and as Mrs. Gaskell forms the greatest connection of her life, these two women, though centuries apart, are drawn together.” I was lukewarm on her previous book, Bleaker House, but I couldn’t resist the Victorian theme of this one! (Print ARC to review for Shiny New Books)
Heart: A History by Sandeep Jauhar [Sept. 18, Farrar, Straus and Giroux]: “Deftly alternating between key historical episodes and his own work, Jauhar tells the colorful and little-known story of the doctors who risked their careers and the patients who risked their lives to know and heal our most vital organ. … Affecting, engaging, and beautifully written.” (Edelweiss download)
To the Moon and Back: A Childhood under the Influence by Lisa Kohn [Sept. 18, Heliotrope Books]: “Lisa was raised as a ‘Moonie’—a member of the Unification Church, founded by self-appointed Messiah, Reverend Sun Myung Moon. … Told with spirited candor, [this] reveals how one can leave behind such absurdity and horror and create a life of intention and joy.”
Ghost Wall by Sarah Moss [Sept. 20, Granta]: I’ve read Moss’s complete (non-academic) oeuvre; I’d read her on any topic. This novella sounds rather similar to her first book, Cold Earth, which I read recently. “Teenage Silvie is living in a remote Northumberland camp as an exercise in experimental archaeology. … Behind and ahead of Silvie’s narrative is the story of a bog girl, a sacrifice, a woman killed by those closest to her, and as the hot summer builds to a terrifying climax, Silvie and the Bog girl are in ever more terrifying proximity.” (NetGalley download)
Time’s Convert (All Souls Universe #1) by Deborah Harkness [Sept. 25, Viking]: I was a sucker for Harkness’s A Discovery of Witches and its sequels, much to my surprise. (The thinking girl’s Twilight, you see. I don’t otherwise read fantasy.) Set between the American Revolution and contemporary London, this fills in the backstory for some of the vampire characters.
All You Can Ever Know: A Memoir by Nicole Chung [Oct. 2, Catapult]: “Nicole Chung was born severely premature, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. … With warmth, candor, and startling insight, Chung tells of her search for the people who gave her up, which coincided with the birth of her own child.” (Edelweiss download)
Melmoth by Sarah Perry [Oct. 2, Serpent’s Tail]: Gothic fantasy / historical thriller? Not entirely sure. I just know that it’s the follow-up by the author of The Essex Serpent. (I choose to forget that her first novel exists.) Comes recommended by Eleanor Franzen and Simon Savidge, among others. (Edelweiss download)
The Ravenmaster: Life with the Ravens at the Tower of London by Christopher Skaife [Oct. 2, 4th Estate]: More suitably Gothic pre-Halloween fare! “Legend has it that if the Tower of London’s ravens should perish or be lost, the Crown and kingdom will fall. … [A]fter decades of serving the Queen, Yeoman Warder Christopher Skaife took on the added responsibility of caring for these infamous birds.” I briefly met the author when he accompanied Lindsey Fitzharris to the Wellcome Book Prize ceremony.
I Am Dynamite!: A Life of Friedrich Nietzsche by Sue Prideaux [Oct. 4, Faber & Faber]: “Friedrich Nietzsche’s work forms the bedrock of our contemporary thought, and yet a shroud of misunderstanding surrounds the philosopher behind these proclamations. The time is right for a new take on Nietzsche’s extraordinary life, whose importance as a thinker rivals that of Freud or Marx.” (For a possible TLS review?)
Almost Everything: Notes on Hope by Anne Lamott [Oct. 16, Riverhead]: I haven’t been too impressed with Lamott’s recent stuff, but I’ll still read anything she publishes. “In this profound and funny book, Lamott calls for each of us to rediscover the nuggets of hope and wisdom that are buried within us that can make life sweeter than we ever imagined. … Almost Everything pinpoints these moments of insight as it shines an encouraging light forward.”
The Library Book by Susan Orlean [Oct. 16, Simon & Schuster]: The story of a devastating fire at Los Angeles Public Library in April 1986. “Investigators descended on the scene, but over 30 years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who? Weaving her life-long love of books and reading with the fascinating history of libraries and the sometimes-eccentric characters who run them, … Orlean presents a mesmerizing and uniquely compelling story as only she can.” (Edelweiss download)
Unsheltered by Barbara Kingsolver [Oct. 18, Faber & Faber]: Kingsolver is another author I’d read anything by. “[T]he story of two families, in two centuries, who live at the corner of Sixth and Plum, as they navigate the challenges of surviving a world in the throes of major cultural shifts.” 1880s vs. today, with themes of science and utopianism – I’m excited! (Edelweiss download)
Nine Pints: A Journey through the Money, Medicine, and Mysteries of Blood by Rose George [Oct. 23, Metropolitan Books]: “Rose George, author of The Big Necessity [on human waste], is renowned for her intrepid work on topics that are invisible but vitally important. In Nine Pints, she takes us from ancient practices of bloodletting to modern ‘hemovigilance’ teams that track blood-borne diseases.”
The End of the End of the Earth: Essays by Jonathan Franzen [Nov. 13, Farrar, Straus and Giroux]: “[G]athers essays and speeches written mostly in the past five years … Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we’ve come to expect from Franzen.”
A River Could Be a Tree by Angela Himsel [Nov. 13, Fig Tree Books]: “How does a woman who grew up in rural Indiana as a fundamentalist Christian end up a practicing Jew in New York? … Ultimately, the connection to God she so relentlessly pursued was found in the most unexpected place: a mikvah on Manhattan’s Upper West Side. This devout Christian Midwesterner found her own form of salvation—as a practicing Jewish woman.”
Becoming by Michelle Obama [Nov. 13, Crown]: “In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her—from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world’s most famous address.”
Which of these do you want to read, too? What other upcoming 2018 titles are you looking forward to?
Next month marks five years that I’ve been a freelance reviewer, and I turn 35 later in the year. With these milestones in mind, I’ve been pushing myself a bit more to make contact with new publications and try to get my work out there more widely.
Most recently, I was pleased to have my first article in Literary Hub, an essay about rereading Little Women in its 150th anniversary year in conjunction with the new BBC/PBS miniseries production. (I shared this article intensively on social media, so do forgive me if you’ve already seen it somewhere else!) This is the first time, apart from here on the blog, that I’ve blended book commentary with personal material. I think it’s probably the best “exposure” I’ve had for my writing thus far: last time I looked, Literary Hub’s Facebook post about the article had gotten 123 likes and 33 shares, with 71 likes and 22 retweets on Twitter.
[Note: I now know that the spelling is Katharine Hepburn and have asked twice over e-mail for the editor to correct it, but it’s clearly very low on their list of priorities!]
I continue to review for the Pittsburgh Post-Gazette on a regular basis. My latest review was quite a negative one, alas, for Richard Flanagan’s First Person (). Upcoming: Slave Old Man by Patrick Chamoiseau () and A Weekend in New York by Benjamin Markovits.
I reviewed Florida by Lauren Groff (), my fiction book of the year so far, for Stylist magazine. This is the fourth time I’ve volunteered for their “Book Wars” column, but the first time I’ve ‘won’ – I attribute it to the high class of book!
Bylines coming later in the summer:
A dual review of two nature-themed memoirs in the Times Literary Supplement (June 15th issue). This is my third piece for the TLS, but as it’s a longer one it feels a little more ‘real’.
An essay on two books about “wasting time” (including Alan Lightman’s) in the Los Angeles Review of Books (June 20th).
A dual review of a memoir and a poetry volume by African writers in Wasafiri literary magazine (Issue 95).
Upcoming work, with no publication date yet:
A dual review of two death-themed poetry collections for PN Review.
Two book lists for OZY, one on the refugee crisis and another on compassion in medicine.
A review essay on Gross Anatomy by Mara Altman for Glamour Online.