Tag Archives: Lucy Caldwell

The Best Books from the First Half of 2022

Yes, it’s that time of year already! At first I thought I wouldn’t have enough 2022-released standouts to fill a post, but the more I looked through my list the more I realized that, actually, it has been a pretty good reading year. It remains to be seen, of course, how many of these will make it onto my overall best-of year list, but for now, these are my highlights. I made it up to an even 20 by including one that doesn’t release until July. Fiction is winning thus far! I give review excerpts below and link to the full text here or elsewhere.

 

Fiction

Our Wives under the Sea by Julia Armfield: Miri is relieved to have her wife back when Leah returns from an extended deep-sea expedition. Something went wrong with the craft when it was too late to evacuate, though. Chapters alternate between Miri describing their new abnormal and Leah recalling the voyage. As Miri tries to tackle life admin for both of them, she feels increasingly alone. This is a sensitive study of love, grief and dependency. Armfield gives an increasingly eerie story line a solid emotional foundation.

 

These Days by Lucy Caldwell: A beautiful novel set in Belfast in April 1941. We see the Second World War mostly through the eyes of the Bell family – especially daughters Audrey, engaged to be married to a young doctor, and Emma, in love with a fellow female first aider. The evocation of a time of crisis is excellent. The lack of speech marks, fluid shifting between perspectives, and alternation between past and present tense keep the story from seeming too familiar or generic. All of the female characters have hidden depths.

 

Groundskeeping by Lee Cole: In Cole’s debut novel, two aspiring writers meet on a Kentucky college campus and form a romantic connection despite very different backgrounds. There are stereotypes to be overcome as Owen introduces Alma to Kentucky culture and slang. Trump’s election divides families and colleagues. The gentle satire on the pretensions of writing programs is another enjoyable element. Three-dimensional characters, vivid scenes ripe for the Netflix treatment, timely themes and touching relationships: alright!

 

Days of Sand by Aimée de Jongh: This Great Depression-era story was inspired by the work of photographers such as Dorothea Lange. John Clark is following in his father’s footsteps as a photographer, leaving NYC for the Oklahoma panhandle. Locals are suspicious of John as an outsider, especially when they learn he is working to a checklist. Whether a cityscape or the midst of a dust storm, de Jongh’s scenes are stark and evocative. It’s rare for me to find the story and images equally powerful in a graphic novel, but that’s definitely the case here.

 

Dance Move by Wendy Erskine: The 11 stories in Erskine’s second collection do just what short fiction needs to: dramatize an encounter, or a moment, that changes life forever. Her characters are ordinary, moving through the dead-end work and family friction that constitute daily existence, until something happens, or rises up in the memory, that disrupts the tedium. Erskine being from Belfast, evidence of the Troubles is never far away. Her writing is blunt and edgy, with no speech marks plus flat dialogue and slang.

 

Antipodes by Holly Goddard Jones: Riveting stories of contemporary life in the American South and Midwest. Some have pandemic settings; others are gently magical. All are true to the anxieties of modern careers, marriage and parenthood. Endings elicit a gasp, particularly the audacious inconclusiveness of “Exhaust,” a tense tale of a quarreling couple driving through a blizzard. Worry over environmental crises fuels “Ark,” about a pyramid scheme for doomsday preppers. Nickolas Butler and Lorrie Moore fans will find much to admire.

 

Sea of Tranquility by Emily St. John Mandel: This dazzlingly intricate novel blends historical fiction, up-to-the-minute commentary and science-fiction predictions. In 2401, the Time Institute hires Gaspery-Jacques Roberts to investigate a recurring blip in time. Fans of The Glass Hotel will recognize some characters, and those familiar with Station Eleven will find similarities in a pandemic plot that resonates with the Covid-19 experience. How does Mandel do it? One compulsively readable hit after another.

 

Very Cold People by Sarah Manguso: The aphoristic style of some of Manguso’s previous books continues here as discrete paragraphs and brief vignettes build to a gloomy portrait of Ruthie’s archetypical affection-starved childhood in the fictional Massachusetts town of Waitsfield in the 1980s and 90s. The depiction of Ruthie’s narcissistic mother is especially acute. So much resonated with me. This is the stuff of girlhood – if not universally, then certainly for the (largely pre-tech) American 1990s as I experienced them.

 

How High We Go in the Dark by Sequoia Nagamatsu: Just the right blend of literary fiction and science fiction. Opening in 2031 and stretching another 70 years into the future, this linked short story collection imagines how a pandemic reshapes the world and how communication and connection might continue after death. All but one story are in the first person, so they feel like personal testimonies. The whole is greater than the sum of the parts. The focus on illness and bereavement, but also on the love that survives, made this a winner.

 

The Swimmers by Julie Otsuka: Otsuka’s third novel of the Japanese American experience again employs the first-person plural, as well as the second person – rarer perspectives that provide stylistic novelty. The first two chapters are set at a pool that, for the title swimmers, serves as a locus of escape and safety. On the first page we’re introduced to Alice, whose struggle with dementia becomes central. I admired Otsuka’s techniques for moving readers through the minds of the characters, alternating range with profundity and irony with sadness.

 

French Braid by Anne Tyler: My 17th from Tyler, and easily her best new work in 18 years. It joins my other favourites such as Dinner at the Homesick Restaurant which reveal a dysfunctional family’s quirks through a close look, in turn, at the various members. Mercy is a painter and essentially moves into her studio, but without announcing it, and her husband Robin spends the next 25+ years pretending they still share a home. Other surprises from Tyler this time: a mild sex scene and a gay character. A return to form. Brava!

 

Nonfiction

In Love by Amy Bloom: Bloom’s husband, Brian Ameche, was diagnosed with early-onset Alzheimer’s in his mid-60s, having exhibited mild cognitive impairment for several years. Brian quickly resolved to make a dignified exit while he still, mostly, had his faculties. This achieves the perfect tone, mixing black humour with teeth-gritted practicality as Bloom chronicles their relationship, the final preparations, his assisted suicide at Dignitas in Switzerland, and the aftermath. An essential, compelling read.

 

Everything Is True by Roopa Farooki: Second-person, present-tense narration drops readers right into the life of a junior doctor. In February 2020, Farooki’s sister Kiron died of breast cancer. During the first 40 days of the initial UK lockdown, she continues to talk to Kiron. Grief opens the door for magic realism. There is also wry humour, wordplay, slang and cursing. A hybrid work that reads as fluidly as a novel while dramatizing real events, this is sure to appeal to people who wouldn’t normally pick up a bereavement or medical memoir.

 

Body Work by Melissa Febos: A boldly feminist essay collection that explores how autobiographical writing can help one face regrets and trauma and extract meaning from the “pliable material” of memory. “In Praise of Navel Gazing” affirms the importance of women airing their stories of abuse and thereby challenging the power structures that aim to keep victims silent. “A Big Shitty Party” warns of the dangers of writing about real people. “The Return” employs religious language for the transformation writing can achieve.

 

All Down Darkness Wide by Seán Hewitt: This poetic memoir about love and loss in the shadow of mental illness blends biography, queer history and raw personal experience. The book opens, unforgettably, in a Liverpool graveyard where Hewitt has assignations with anonymous men. His secret self, suppressed during teenage years in the closet, flies out to meet other ghosts: of his college boyfriend; of men lost to AIDS during his 1990s childhood; of English poet George Manley Hopkins; and of a former partner who was suicidal. (Coming out on July 12th from Penguin/Vintage (USA) and July 14th from Jonathan Cape (UK). My full review is forthcoming for Shelf Awareness.)

 

Poetry

Thorpeness by Alison Brackenbury: This tenth collection features abundant imagery of animals and the seasons. Alliteration is prominent, but there is also a handful of rhymes. Family history and the perhaps-idyllic rural underpin the verse set in Lincolnshire and Gloucestershire as Brackenbury searches for ancestral graves and delivers elegies. I especially loved “Aunt Margaret’s Pudding,” a multipart poem about her grandmother’s life. There are also playful meetings between historical figures.

 

Some Integrity by Padraig Regan: The sensual poems in this debut collection are driven by curiosity, hunger and queer desire. Flora and foods are described as teasing mystery, with cheeky detail. An unusual devotion to ampersands; an erotic response to statuary; alternating between bold sexuality and masochism to the point of not even wanting to exist; a central essay on the Orlando nightclub shooting and videogames – the book kept surprising me. I loved the fertile imagery, and appreciated Regan’s exploration of a nonbinary identity.

 

Love Poems in Quarantine by Sarah Ruhl: Having read Ruhl’s memoir Smile, I recognized the contours of her life and the members of her family. Cooking and laundry recur: everyday duties mark time as she tries to write and supervises virtual learning for three children. “Let this all be poetry,” she incants. Part 2 contains poems written after George Floyd’s murder, the structure mimicking the abrupt change in focus for a nation. Part 3’s haiku and tanka culminate in a series on the seasons. A welcome addition to the body of Covid-19 literature.

 

Rise and Float by Brian Tierney: Although it tackles heavy subjects like grief and mental health, the collection’s candor and stunning images transform the melancholy into the sublime. Much of the verse is in the first person, building an intimate portrait of the poet and his relationships. A family history of mental illness and electroshock treatment occasions a visit to a derelict psychiatric hospital. Recurring metaphors of holes dramatize a struggle against the void. Tierney’s close attention lends beauty to bleak scenes.

 

Vinegar Hill by Colm Tóibín: I didn’t realize when I started that this was Tóibín’s debut collection; so confident is his verse, I assumed he’d been publishing poetry for decades. There’s a wide range of tone, structures and topics. Bereavements and chemotherapy are part of a relatable current events background. Irish-Catholic nostalgia animates a witty sequence from “The Nun” to “Vatican II.” Come along on armchair travels. Poems are based around anecdotes or painterly observations. The line breaks are unfailingly fascinating.

 

What are some of the best books you’ve read so far this year?

What 2022 releases do I need to catch up on right away?

Book Serendipity, March to April 2022

This is a bimonthly feature of mine. I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. Because I usually 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.

(I always like hearing about your bookish coincidences, too! Laura had what she thought must be the ultimate Book Serendipity when she reviewed two novels with the same setup: Groundskeeping by Lee Cole and Last Resort by Andrew Lipstein.)

  • The same sans serif font is on Sea State by Tabitha Lasley and Lean Fall Stand by Jon McGregor – both released by 4th Estate. I never would have noticed had they not ended up next to each other in my stack one day. (Then a font-alike showed up in my TBR pile, this time from different publishers, later on: What Strange Paradise by Omar El Akkad and When We Were Birds by Ayanna Lloyd Banwo.)
  • Kraftwerk is mentioned in The Facebook of the Dead by Valerie Laws and How High We Go in the Dark by Sequoia Nagamatsu.

 

  • The fact that bacteria sometimes form biofilms is mentioned in Hybrid Humans by Harry Parker and Slime by Susanne Wedlich.
  • The idea that when someone dies, it’s like a library burning is repeated in The Reactor by Nick Blackburn and In the River of Songs by Susan Jackson.

 

  • Espresso martinis are consumed in If Not for You by Georgina Lucas and Wahala by Nikki May.

 

  • Prosthetic limbs turn up in Groundskeeping by Lee Cole, The Book of Form and Emptiness by Ruth Ozeki, and Hybrid Humans by Harry Parker.
  • A character incurs a bad cut to the palm of the hand in After You’d Gone by Maggie O’Farrell and The Book of Form and Emptiness by Ruth Ozeki – I read the two scenes on the same day.

 

  • Catfish is on the menu in Groundskeeping by Lee Cole and in one story of Antipodes by Holly Goddard Jones.

 

  • Reading two novels with “Paradise” in the title (and as the last word) at the same time: Paradise by Toni Morrison and To Paradise by Hanya Yanagihara.

 

  • Reading two books by a Davidson at once: Damnation Spring by Ash and Tracks by Robyn.

 

  • There’s a character named Elwin in The Five Wounds by Kirstin Valdez Quade and one called Elvin in The Two Lives of Sara by Catherine Adel West.
  • Tea is served with lemon in The Beginning of Spring by Penelope Fitzgerald and The Two Lives of Sara by Catherine Adel West.

 

  • There’s a Florence (or Flo) in Go Tell It on the Mountain by James Baldwin, These Days by Lucy Caldwell and Pictures from an Institution by Randall Jarrell. (Not to mention a Flora in The Sentence by Louise Erdrich.)

 

  • There’s a hoarder character in Olga Dies Dreaming by Xóchitl González and The Book of Form and Emptiness by Ruth Ozeki.

 

  • Reading at the same time two memoirs by New Yorker writers releasing within two weeks of each other (in the UK at least) and blurbed by Jia Tolentino: Home/Land by Rebecca Mead and Lost & Found by Kathryn Schulz.

 

  • Three children play in a graveyard in Falling Angels by Tracy Chevalier and Build Your House Around My Body by Violet Kupersmith.
  • Shalimar perfume is worn in These Days by Lucy Caldwell and The Five Wounds by Kirstin Valdez Quade.

 

  • A relative is described as “very cold” and it’s wondered what made her that way in Very Cold People by Sarah Manguso and one of the testimonies in Regrets of the Dying by Georgina Scull.

 

  • Cherie Dimaline’s Empire of Wild is mentioned in The Sentence by Louise Erdrich, which I was reading at around the same time. (As is The Beginning of Spring by Penelope Fitzgerald, which I’d recently finished.)

 

  • From one poetry collection with references to Islam (Bless the Daughter Raised by a Voice in Her Head by Warsan Shire) to another (Auguries of a Minor God by Nidhi Zak/Aria Eipe).

 

  • Two children’s books featuring a building that is revealed to be a theatre: Moominsummer Madness by Tove Jansson and The Unadoptables by Hana Tooke.

 

  • Reading two “braid” books at once: Braiding Sweetgrass by Robin Wall Kimmerer and French Braid by Anne Tyler.
  • Protests and teargas in The Sentence by Louise Erdrich and The Book of Form and Emptiness by Ruth Ozeki.

 

  • Jellyfish poems in Honorifics by Cynthia Miller and Love Poems in Quarantine by Sarah Ruhl.
  • George Floyd’s murder is a major element in The Sentence by Louise Erdrich and Love Poems in Quarantine by Sarah Ruhl.

 

What’s the weirdest reading coincidence you’ve had lately?

Easter Reading: The Five Wounds by Kirstin Valdez Quade

The Holy Week opening was the excuse I needed to pick up this review copy from 2021. Amadeo Padilla is playing Jesus this year in the Las Penas, New Mexico penitentes’ reenactment of the crucifixion. At 33, he’s the perfect age for the role; no matter that he’s an unemployed alcoholic and a single father to 15-year-old Angel, who is pregnant. Looping from one Good Friday to the next, this debut novel is a crushingly honest look at family dynamics. It’s what isn’t said that might tear them apart: Amadeo’s mother, Yolanda, hasn’t told anyone about her diagnosis, and Amadeo conveniently covers up the fact that he’s sleeping with Brianna, Angel’s teacher at the Smart Starts! high school equivalency program.

The title refers to the stigmata of Christ, but could just as well apply to the Padillas’ five generations, from baby Connor all the way up to Tío Tíve, Amadeo’s great-uncle. Substance abuse, poverty and abandonment are generational wounds that run through this family. Quade treats heavy subjects and damaged characters with kindness, never mocking or descending into cruelty. There is even levity to failures like Amadeo’s windshield crack repair venture. Any of these characters could have been caricatures, especially Angel as a teen mother, but Quade gives them depth. Angel’s emulation of Brianna and her classmate Lizette, her grudging care for Connor and Yolanda, and her ambivalent feelings towards Ryan, Connor’s father, are just a few of the aspects that make her a plucky, winsome protagonist.

The inclusion of Lent and Advent sets up the book’s emotional palette: waiting, guilt, self-sacrifice; preparing for birth, death and the determination to forge a new life. It’s refreshing, however, that the theological content is not just metaphorical here; these characters have a staunch Catholic background, and they take seriously Jesus’ example:

Good Friday was supposed to save Amadeo. He was supposed to be past the shame and failure and the mistakes that hardly seem to be his own and that unravel beyond his control. Amadeo feels cheated. By Passion week, by the penitentes, by Jesus himself. The fact is that no one can be crucified every day—not even Jesus could pull off that miracle.

Amadeo asks himself, with no trace of irony, what Jesus would do in the kinds of situations he finds himself in.

I would have liked more closure about two secondary characters, and at over 400 pages of small type, The Five Wounds is on the overlong side. But it’s so strong on characters and scenes, from classroom to hospital, that my interest never waned. Different as their settings are, I’d liken this to An American Marriage by Tayari Jones and Love After Love by Ingrid Persaud – two novels that had me aching for their vibrant characters’ poor decisions compounded by bad luck. The authors’ compassionate outlook makes the tragic elements bearable. I’ll be catching up on Quade’s first book, the short story collection Night at the Fiestas, as soon as I can.

With thanks to Profile Books (Tuskar Rock imprint) for the free copy for review.

 

Bonuses:

I recently finished a limping reread of Watership Down by Richard Adams. This was my favourite book as a child, but I couldn’t recapture the magic in my late thirties. The novelty this time around was in being able to recognize all the settings – the rabbits’ epic quest takes place on the outskirts of Newbury; we’ve walked through its countryside locations. (In fact, my husband, in his capacity as a town councillor, has testified at a hearing in objection to a plan to build 1000 houses at Sandleford, where the rabbits set out from.) I can see why I loved this at age nine: anthropomorphized animals, legends, made-up vocabulary and an old-fashioned adventure narrative. But it’s telling that this time around, what most amused me was Chapter 48, “Dea ex Machina,” in which a little girl rescues Hazel from her cat.

I’m 40 pages from the end of These Days by Lucy Caldwell, a beautiful novel set in Belfast in April 1941. A long central section is about “The Easter Raid.” I didn’t realize the devastation the city suffered during the Second World War. We see it mostly through the eyes of the Bell family – especially daughters Audrey, engaged to be married to a young doctor, and Emma, in love with a fellow female volunteer. I was wary of the characterization of the lower class, and the period slang can be a bit heavy-handed, but the evocation of a time of crisis is excellent, contrasting a departed normality with the new reality of bodies piled in the street and in makeshift morgues. It’s reminded me of The Night Watch by Sarah Waters.

 

(I’ve also posted about my Easter reading, theological or not, in 2015, 2017, 2018 and 2021.)

Women’s Prize 2022: Longlist Wishes vs. Predictions

Next Tuesday the 8th, the 2022 Women’s Prize longlist will be announced.

First I have a list of 16 novels I want to be longlisted, because I’ve read and loved them (or at least thought they were interesting), or am currently reading and enjoying them, or plan to read them soon, or am desperate to get hold of them.

Wishlist

Brown Girls by Daphne Palasi Andreades

Our Wives Under the Sea by Julia Armfield (my review)

Ghosted by Jenn Ashworth (my review)

These Days by Lucy Caldwell

Damnation Spring by Ash Davidson – currently reading

Olga Dies Dreaming by Xóchitl González – currently reading

Burntcoat by Sarah Hall (my review)

Early Morning Riser by Katherine Heiny (my review)

Pure Colour by Sheila Heti

My Monticello by Jocelyn Nicole Johnson (my review)

Devotion by Hannah Kent – currently reading

Build Your House Around My Body by Violet Kupersmith – currently reading

When the Stars Go Dark by Paula McLain (my review)

The Swimmers by Julie Otsuka – review coming to Shiny New Books on Thursday

Brood by Jackie Polzin (my review)

The Performance by Claire Thomas (my review)

 

Then I have a list of 16 novels I think will be longlisted mostly because of the buzz around them, or they’re the kind of thing the Prize always recognizes (like danged GREEK MYTHS), or they’re authors who have been nominated before – previous shortlistees get a free pass when it comes to publisher submissions, you see – or they’re books I might read but haven’t gotten to yet.

Predictions

Love Marriage by Monica Ali

When We Were Birds by Ayanna Lloyd Banwo

Second Place by Rachel Cusk (my review)

Matrix by Lauren Groff

Free Love by Tessa Hadley

The Other Black Girl by Zakiya Dalila Harris (my review)

The Love Songs of W.E.B. Du Bois by Honorée Fanonne Jeffers

The Fell by Sarah Moss (my review)

My Phantoms by Gwendoline Riley

Beautiful World, Where Are You by Sally Rooney (my review)

Ariadne by Jennifer Saint

The Island of Missing Trees by Elif Shafak

Great Circle by Maggie Shipstead

Pandora by Susan Stokes-Chapman

Still Life by Sarah Winman

To Paradise by Hanya Yanagihara – currently reading

*A wildcard entry that could fit on either list: Sorrow and Bliss by Meg Mason (my review).*

 


Okay, no more indecision and laziness. Time to combine these two into a master list that reflects my taste but also what the judges of this prize generally seem to be looking for. It’s been a year of BIG books – seven of these are over 400 pages; three of them over 600 pages even – and a lot of historical fiction, but also some super-contemporary stuff. Seven BIPOC authors as well, which would be an improvement over last year’s five and closer to the eight from two years prior. A caveat: I haven’t given thought to publisher quotas here.

 

MY WOMEN’S PRIZE FORECAST

Love Marriage by Monica Ali

Our Wives Under the Sea by Julia Armfield

When We Were Birds by Ayanna Lloyd Banwo

Olga Dies Dreaming by Xóchitl González

Matrix by Lauren Groff

The Love Songs of W.E.B. Du Bois by Honorée Fanonne Jeffers

Devotion by Hannah Kent

Build Your House Around My Body by Violet Kupersmith

The Fell by Sarah Moss

My Phantoms by Gwendoline Riley

Beautiful World, Where Are You by Sally Rooney

Ariadne by Jennifer Saint

The Island of Missing Trees by Elif Shafak

Great Circle by Maggie Shipstead

Pandora by Susan Stokes-Chapman

To Paradise by Hanya Yanagihara

 

What do you think?

See also Laura’s, Naty’s, and Rachel’s predictions (my final list overlaps with theirs on 10, 5 and 8 titles, respectively) and Susan’s wishes.

 


Just to further overwhelm you, here are the other 62 eligible 2021–22 novels that were on my radar but didn’t make the cut:

In Every Mirror She’s Black by Lola Akinmade Åkerström

Violeta by Isabel Allende

The Leviathan by Rosie Andrews

Somebody Loves You by Mona Arshi

The Stars Are Not Yet Bells by Hannah Lillith Assadi

The Manningtree Witches by A.K. Blakemore

Mary Jane by Jessica Anya Blau

Defenestrate by Renee Branum

Songs in Ursa Major by Emma Brodie

Assembly by Natasha Brown

We Were Young by Niamh Campbell

The Raptures by Jan Carson

A Very Nice Girl by Imogen Crimp

Scary Monsters by Michelle de Kretser

Empire of Wild by Cherie Dimaline

Infinite Country by Patricia Engel

Love & Saffron by Kim Fay

Mrs March by Virginia Feito

Booth by Karen Joy Fowler

Tides by Sara Freeman

I Couldn’t Love You More by Esther Freud

Of Women and Salt by Gabriela Garcia

Libertie by Kaitlyn Greenidge

Listening Still by Anne Griffin

The Twyford Code by Janice Hallett

Mrs England by Stacey Halls

Three Rooms by Jo Hamya

The Giant Dark by Sarvat Hasin

The Paper Palace by Miranda Cowley Heller

Violets by Alex Hyde

Fault Lines by Emily Itami

Beasts of a Little Land by Juhea Kim

Woman, Eating by Claire Kohda

Notes on an Execution by Danya Kukafka

Paul by Daisy Lafarge

Circus of Wonders by Elizabeth Macneal

The Truth About Her by Jacqueline Maley

Wahala by Nikki May

Once There Were Wolves by Charlotte McConaghy

Cleopatra and Frankenstein by Coco Mellors

The Exhibitionist by Charlotte Mendelson

Chouette by Claire Oshetsky

The Book of Form and Emptiness by Ruth Ozeki

The Anthill by Julianne Pachico

The Vixen by Francine Prose

The Five Wounds by Kirstin Valdez Quade

Malibu Rising by Taylor Jenkins Reid

Cut Out by Michèle Roberts

This One Sky Day by Leone Ross

Secrets of Happiness by Joan Silber

Cold Sun by Anita Sivakumaran

Hear No Evil by Sarah Smith

Oh William! by Elizabeth Strout

Animal by Lisa Taddeo

Daughter of the Moon Goddess by Sue Lynn Tan

Lily by Rose Tremain

French Braid by Anne Tyler

We Run the Tides by Vendela Vida

I Love You but I’ve Chosen Darkness by Claire Vaye Watkins

Black Cake by Charmaine Wilkerson

The Dictionary of Lost Words by Pip Williams

Nightbitch by Rachel Yoder

Short Story Collections Read Recently

This is the fourth year in a row that I’ve made a concerted effort to read more short stories in the alliterative month of September. (See also my 2016, 2017 and 2018 performances.) Short story collections are often hit and miss for me, and based on a few recent experiences I seem to be prone to DNFing them after two stories – when I’ve had my fill of the style and content. I generally have better luck with linked stories like Olive Kitteridge and its sequel, because they rely on a more limited set of characters and settings, and you often get intriguingly different perspectives on the same situations.

So far this year, I’ve read just five story collections – though that rises to 13 if I count books of linked short stories that are often classed as novels (Barnacle Love, Bottled Goods, Jesus’ Son, The Lager Queen of Minnesota, Olive Kitteridge, Olive, Again, That Time I Loved You and The Unchangeable Spots of Leopards). Twelve is my minimum goal for short story collections in a year – the equivalent of one per month – so I’m pleased to have surpassed that, and will continue to pick up the occasional short story collection as the year goes on.

The first two books I review here were hits with me, while the third disappointed me a bit.

 

 

The Assassination of Margaret Thatcher by Hilary Mantel (2014)

Four of these 10 stories first appeared in the London Review of Books, and another four in the Guardian. Most interestingly, the opening story, “Sorry to Disturb,” about a bored housewife trying to write a novel while in Saudi Arabia with her husband in 1983–4, was published in the LRB with the subtitle “A Memoir.” That it’s one of the best few ‘stories’ here doesn’t negate Mantel’s fictional abilities so much as prove her talent for working in the short form.

My other few favorites were the very short ones, about a fatal discovery of adultery, an appalling accident on a holiday in Greece, and a sighting of a dead father on a train. I also enjoyed “How Shall I Know You?” in which an author is invited to give a talk to a literary society. I especially liked the jokey pep talks to self involving references to other authors: “come now, what would Anita Brookner do?” and “for sure A.S. Byatt would have managed it better.” Other topics include children’s horror at disability, colleague secrets at a Harley Street clinic, and a sister’s struggle with anorexia. The title story offers an alternative history in which Thatcher is assassinated by the IRA upon leaving an eye hospital after surgery.

In her stories Mantel reminds me most of Tessa Hadley. It’s high time I read another Mantel novel; most likely that will be the third Thomas Cromwell book, due out next year.

My rating:

 

In the Driver’s Seat by Helen Simpson (2005)

I liked this even more than Simpson’s first book, Four Bare Legs in a Bed, which I reviewed last year. The themes include motherhood (starting, in a couple of cases, in one’s early 40s), death versus new beginnings, and how to be optimistic in a world in turmoil. There’s gentle humor and magic to these stories that tempers some of the sadness. I especially liked “The Door,” about a grieving woman looking to restore her sense of security after a home break-in, “The Green Room,” a Christmas Carol riff (one of two Christmas-themed stories here) in which a woman is shown how her negative thoughts and obsession with the past are damaging her, and “Constitutional,” set on a woman’s one-hour circular walk during her lunch break and documenting her thoughts about everything from pregnancy to a nonagenarian friend’s funeral. [The UK title of the collection is Constitutional.]

In two stories, “Every Third Thought” and “If I’m Spared,” a brush with death causes a complete change of outlook – but will it last? “The Year’s Midnight” creates a brief connection between frazzled mums at the swimming pool in the run-up to the holidays. “Up at a Villa” and the title story capture risky moments that blend fear and elation. In “The Tree,” which is funny and cringeworthy all at the same time, a man decides to take revenge on the company that ripped off his forgetful old mother. Prize for the best title goes to “The Phlebotomist’s Love Life,” though it’s the least interesting story of the 11.

(Found in a Little Free Library at the supermarket near my parents’ old house.)

Some favorite lines:

“the inevitable difficulty involved in discovering ourselves to others; the clichés and blindness and inadvertent misrepresentations”

“Always a recipe for depression, Christmas, when complex adults demanded simple joy without effort, a miraculous feast of stingless memory.”

“You shouldn’t be too interested in the past. You yourself now are the embodiment of what you have lived. What’s done is done.”

My rating:

 

The Lager Queen of Minnesota by J. Ryan Stradal (2019)

I had sky-high hopes for Stradal’s follow-up after Kitchens of the Great Midwest (it was on my Most Anticipated list for the second half of the year). Theoretically, a novel about three pie-baking, beer-making female members of a Minnesota family should have been terrific. Like Kitchens, this is female-centered, on a foodie theme, set in the Midwest and structured as linked short stories. Here the chapters are all titled after amounts of money; they skip around in time between the 1950s and the present day and between the perspectives of Edith Magnusson, her estranged younger sister Helen Blotz, and Edith’s granddaughter, Diana Winter.

Edith and Helen have a rivalry as old as the Bible, based around an inheritance that Helen stole to reopen her husband’s family brewery, instead of sharing it with Edith. Ever since, Edith has had to work minimum-wage jobs at nursing homes and fast food restaurants to make ends meet. When Diana comes to live with her as a teenager, she, too, works hard to contribute to the family, but then gets caught up in a dodgy money-making scheme. It’s in penance for this error that she starts working at a local brewery, but beer soon becomes as much of an obsession for Diana as it once was for her great-aunt Helen.

I had a few problems with the book’s setup: Helen is portrayed as a villain, and never fully sheds that stereotypical designation; meanwhile, Edith is passive and boring, just a bit “wet” (in British slang). Edith and Diana suffer more losses than seems likely or fair, and there are too many coincidences involved in Diana’s transformation into a master brewer. I also found it far-fetched that a brewery would hire her as a 19-year-old and let her practice making many, many batches of lager, all while she’s still underage. None of the characters fully came alive for me, though Diana was the closest. The ending wasn’t as saccharine as I expected, but still left me indifferent. I did like reading about the process of beer-making and flavor development, though, even though I’m not a beer drinker.

My rating:

 

Short story DNFs this year (in chronological order):

Mr Wrong by Elizabeth Jane Howard – I read the two shortest stories, “Summer Picnic” and “The Proposition.” The former was pleasantly like Elizabeth Taylor or Tessa Hadley lite; I got zero out of the latter.

I Want to Show You More by Jamie Quatro – I read the first two stories. “Decomposition,” about a woman’s lover magically becoming a physical as well as emotional weight on her and her marriage, has an interesting structure as well as second-person narration, but I fear the collection as a whole will just be a one-note treatment of a woman’s obsession with her affair.

Multitudes: Eleven Stories by Lucy Caldwell – I read the first two stories. I enjoyed the short opener, “The Ally Ally O,” which describes a desultory ride in the car with mother and sisters with second-person narration and no speech marks. I should have given up on “Thirteen,” though, a tired story of a young teen missing her best friend.

The Country Ahead of Us, the Country Behind by David Guterson – I read “Angels in the Snow” (last Christmas) and “Wood Grouse on a High Promontory Overlooking Canada” (the other week). Both were fine but not particularly memorable; a glance at the rest suggests that they’ll all be about baseball and hunting. If I wanted to read about dudes hunting I’d turn to Ernest Hemingway or David Vann. Nevertheless, I’ll keep this around in case I want to try it again after reading Snow Falling on Cedars this winter.

 

Currently reading:

  • Ship Fever by Andrea Barrett – Elegant stories about history, science and human error. Barrett is similar to A.S. Byatt in her style and themes, which are familiar to me from my reading of Archangel. This won a National Book Award in 1996.
  • Descent of Man by T. Coraghessan Boyle – Even in this slim volume, there are SO MANY stories, and all so different from each other. Some I love; some are meh. I’m tempted to leave a few unread, though then I can’t count this towards my year total…
  • Sum: Tales from the Afterlives by David Eagleman – A bibliotherapy prescription for reading aloud. My husband and I read a few stories to each other, but I’m going it alone for the rest. This is fairly inventive in the vein of Alan Lightman’s Einstein’s Dreams, yet I find it repetitive.

 

Future prospects:

See also Laura’s excellent post about her favorite individual short stories.

 

Are you a short story fan? Read any good ones recently?

Reviews Roundup, May–June

One of my goals with this blog is to have one convenient place where I can gather together all my writing that has appeared in disparate online locations. To that end, once a month – or maybe more often – I’ll provide links to all the book reviews I’ve published elsewhere, with a rating and a short taster so you can decide whether to click to read more. (A couple of exceptions: I won’t point out my Kirkus Indie or BlueInk reviews since I don’t get a byline.)


BookBrowse

Girl at War by Sara Nović [subscription service; excerpt available to non-subscribers]: This pitch-perfect debut novel is an inside look at the Yugoslavian Civil War and its aftermath, from the perspective of a young girl caught up in the fighting. The careful structure is what keeps it from becoming just another ordinary, chronological war story. The recreation of a child’s perspective on the horrors of war is stunning. In fact, I can barely think of a negative thing to say about this concise novel. It strikes a perfect balance between past and present, tragic and hopeful.

5 star rating

church of marvelsChurch of Marvels by Leslie Parry [subscription service; excerpt available to non-subscribers]: With settings ranging from a Coney Island theater to an opium den and a mental asylum, this is a gritty look at late-nineteenth-century outsiders. Circus and sideshow themes have been very popular in fiction in recent years, and this is a great example of a novel that uses those elements as background but goes beyond the incidentals of the carnival lifestyle to examine sexuality and societal outcasts. A very atmospheric and accomplished debut novel.

 4 star rating


The Bookbag

Secrets of the Pomegranate by Barbara Lamplugh (& interview): In the aftermath of the 2004 Madrid train bombings, the secrets harbored by two English sisters, one of them settled in Granada, will come out into the open and affect the entire family. Lamplugh does a great job of unveiling a little at a time – but still maintaining tension until the surprise of the final revelation. The novel shifts easily between the central narrative and Deb’s diary entries, and between Alice’s and Mark’s perspectives. A strong debut novel.

4 star rating

An Account of the Decline of the Great Auk, According to One Who Saw It by Jessie Greengrass: An unusual mixture of historical, contemporary and dystopian short stories. A number of the first-person narratives feel like vague interior monologues, though there are some universal sentiments. When Greengrass picks one genre (but which will it be?) and sticks with it for the length of a whole book, she should have the time and space for the deep characterizations I thought were missing here. (But you can’t beat this book’s title, can you?)

3 star rating

mixed-up filesFrom the Mixed-Up Files of Mrs. Basil E. Frankweiler by E.L. Konigsburg: This was one of the key books of my American childhood. All these years later, phrases were still familiar to me, such as Jamie’s frequent exclamation of “Oh, boloney!” I clearly remembered the delicious overall sense of adventure and secrecy. Konigsburg captures school group chatter and brother/sister banter perfectly. The museum and archive settings are a great way to get children interested in art, history and library research. This was the original Night at the Museum before that franchise was ever dreamed up.

4 star rating

The Hunt for the Golden Mole by Richard Girling: From Victorian animal collecting to present-day poaching, Girling surveys the contradictory human instincts toward exploitation and preservation of mammals. The book is rather scattered, with too little about the actual quest for the mole, but the message about species extinction is powerful. (The Somali golden mole has never been seen in the wild, except as a few bones in an owl pellet found by an Italian zoologist in 1964. For some reason, it captured Girling’s imagination, becoming a symbol of rarity and fragility.)

3.5 star rating


Nudge

Road Ends by Mary Lawson: Contrasting rural Canada and London in the 1960s, Lawson’s third novel is a powerful story about how people deal with a way of life ending. She creates a perfect balance between her two plot strands, and the evocation of both locations is flawless, perhaps because they have autobiographical worth for her – she grew up on a farm in Ontario but moved to England in 1968. One remarkable thing about the novel is how she traces every decision back to a traumatic event in a character’s past.

4 star rating

wolf borderThe Wolf Border by Sarah Hall: Rachel Caine has run Idaho’s Chief Joseph wolf preserve for nearly a decade, but her roots are in England’s Lake District. Her two worlds unexpectedly collide when an earl asks for her help reintroducing wolves near the Scottish border. Alongside the story of the wolves’ release runs Rachel’s decision to become a mother. The twin plot strands – one environmental and the other personal – ask what can be salvaged from the past.

4 star rating

Italian Ways by Tim Parks: Parks, an Englishman, has lived and worked in northern Italy for over 30 years. To start with he saw his train travel as an everyday source of woes about ticket queues, late running, officious staff, and so on, but as years passed he decided to interrogate Italy’s rail system as a metaphor for the country itself. He structures this book around seven train journeys. It’s better suited to train spotters than to armchair travelers: there is quite a lot about train schedules and not enough about the countryside itself.

3 star rating

landmarksLandmarks by Robert Macfarlane: This new classic of nature writing zeroes in on the language we use to talk about our environment, both individual words – which Macfarlane celebrates in nine mini-glossaries alternating with the prose chapters – and the narratives we build around places, via discussions of the work of nature writers he admires. Whether poetic (“heavengravel,” Gerard Manley Hopkins’s term for hailstones), local and folksy (“wonty-tump,” a Herefordshire word for a molehill), or onomatopoeic (on Exmoor, “zwer” is the sound of partridges taking off), his vocabulary words are a treasure trove.

5 star rating

Penelope Fitzgerald: A Life by Hermione Lee: A thorough and sympathetic appreciation of an underrated author, and another marvelously detailed biography from Lee. Fitzgerald is, like Diana Athill, a reassuring examples of an author who did not find success until well into middle age. Although she always guarded literary ambitions, she was not able to pursue her work wholeheartedly until she had reared three children and nursed her hapless husband through his last illness. The approach is largely chronological, though Lee pauses at key moments to investigate the biographical origins of each of Fitzgerald’s books.

5 star rating

Saint Mazie by Jami Attenberg: Mazie Phillips-Gordon, a real ticket-taker at The Venice movie theatre, barely gets a footnote in history. Here we see all sides of this bold, brassy broad through Attenberg’s fragmented, epistolary narrative. The novel intersperses Mazie’s fictional diary entries (1907 to 1939) with excerpts from her unpublished autobiography and interviews with people who knew her. This is historical fiction – but not as we’re accustomed to it. Attenberg shows how fragile and incomplete the documentary record can be. A hard-nosed heroine with a heart of gold, Mazie will leave her mark on you.

4 star rating

goulson buzzA Buzz in the Meadow by Dave Goulson: As Goulson did in his book about bees, A Sting in the Tale, he treats readers like friends he is taking on a gentle tour to have everyday encounters with nature. The low-key, humorous anecdotes are reminiscent of the writings of Gerald Durrell, but – like Durrell – Goulson has a serious environmental agenda. Some of the most amusing chapters are about the sexual habits of insects and plants. This is less focused than his previous book, though, and repeats some of the material. The main draw, as always, is Goulson’s infectious enthusiasm and excellent explanations of science.

 4 star rating


We Love This Book

War of the Encyclopaedists by Christopher Robinson and Gavin Kovite: In this postmodern satire, two Seattle hipsters must face reality when one of them leaves to fight in the Iraq War. From now on they keep in touch by updating their pretentious Wikipedia article. While Hal applies literary criticism to Star Wars and tries to make amends to his ex-girlfriend, Mickey is in life-and-death situations, looking for car bombs and overseeing local elections. Robinson and Kovite (an Iraq War veteran) alternate their settings in a fairly seamless whole.

4 star rating

The Edible Atlas by Mina Holland: Food lovers and armchair travelers alike will savor this tour through the world’s regional cuisines and trademark dishes. In her first book, the editor of the Guardian’s Cook supplement introduces 39 cuisines with larder lists, a rundown of crucial flavors, and one to four recipes. Maps show which spices and chilies are used in different areas, while sidebars present key ingredients. The book strives for a balance of common imports and unknown dishes, prioritizing authenticity and reproducibility at home.

3 star rating

hollow heartHollow Heart by Viola di Grado: Twenty-five-year-old Dorotea Giglio slit her wrists in the bathtub in July 2011 and expired in “a grim mojito of mint bubble bath and blood.” Over the next four years she chronicles her physical decomposition as well as her spirit’s enduring search for love. In alternately clinical and whimsical language, with fresh metaphors that have survived translation from Italian admirably, di Grado’s second novel examines the secret sadness passed down through families.

 4 star rating

 


Foreword Reviews

Auschwitz #34207: The Joe Rubinstein Story by Nancy Sprowell Geise: This eye-opening account of a Polish Jew’s life before, during, and after Auschwitz deposits readers right into concentration camp horrors. Instead of presenting this as a third-person biography, Geise writes as Rubinstein, using extensive interviews and documentary research to recreate his perspective. While the story is necessarily a bit less dramatic after the chapters on the Holocaust, the fact that Rubinstein survived and later became a successful shoe designer in New York is inspiring.

4 star rating

The Contaminants by Devin K. Smyth: Two teens aboard a spacecraft hold out hope for new life on post-apocalyptic Earth in this believable YA science fiction novel. Composed of two solid first-person narratives and based around two father-child relationships, this is a novel that prizes emotions as much as it does technology. The novel is on the thin side; it could have done with another subplot or two to add some complexity. However, the subtle eugenics theme will give teen readers plenty to think about while they follow the fast-paced story.

3.5 star rating

loneliness cureThe Loneliness Cure by Kory Floyd: A professor of communication tackles the loneliness epidemic with stories and science. Floyd explains the problems associated with chronic affection deprivation and suggests practical strategies for getting more of the human contact we naturally crave. Two-thirds of the text goes to preliminaries, but the subtitle’s six strategies are worth waiting for. Like the best self-help books, this convinces readers that “it pays to reach out for help when you need it” and gives the confidence and tactics to do so.

4 star rating


BookTrib

In this article I give a more in-depth preview of Circling the Sun by Paula McLain, her fictionalized biography of Beryl Markham.

 4 star rating


I also post reviews of most of my casual reading and skimming on Goodreads.

 

Insomnia by Linda Pastan: Excellent free verse poems infused with images of weather, heavenly bodies, the night sky, art history, and travels. No rhymes to speak of, but plenty of alliteration and repetition – like in “Necklace,” where nearly every line ends with “pearl” or “pearls.” Historical and mythological references are frequent and highbrow. Especially in Part 3, the main theme is facing old age and illness. Linda Pastan has been writing poetry for nearly half a century; I’ll be sure to seek out more of her collections. Releases October 26th.

4 star rating

The Kindness by Polly Samson: This very subtle novel reminds me of works by Tessa Hadley and Lucy Caldwell. It takes one seemingly perfect couple – Julia and Julian – and parses out what went wrong between them and the aftermath. The book is so elegantly structured; characters drift in and out of flashbacks with none of the customary warnings. Instead Samson leaves it to readers to piece together the jigsaw puzzle of how they met and raised their daughter, Mira, and then how everything fell apart.

4 star rating

versions of usThe Versions of Us by Laura Barnett: In this impressive debut, Barnett chronicles the romantic lives of two Cambridge graduates through three-quarters of a century, giving three options for how their connection might play out. She juggles her storylines and moves through decades with ease. Less mawkish than One Day; less gimmicky than Life After Life – though there are shades of both. The message seems to be: there is no one perfect person, no one perfect story. Unsentimental this may be, but it feels true to how life works. (My full review will appear in the July 2015 issue of Third Way magazine.)

4 star rating

Eating Appalachia: Rediscovering Regional American Flavors by Darrin Nordahl: Nordahl travels through Ohio, West Virginia, Kentucky and North Carolina in search of truly indigenous local ingredients. He highlights ramsons, pawpaw, elk (leaner and richer than beef), squirrel, hickory nuts and black walnuts, sumac, spicebush berry, sassafras, and persimmons. There are a few recipes and photographs in each chapter, although this is more of a narrative than a cookbook. I loved how he brought it all together with an imagined Appalachian Thanksgiving feast.

3.5 star rating

Eating Rome: Living the Good Life in the Eternal City by Elizabeth Minchilli: Minchilli’s parents moved the family from America to Rome when she was 12. Over the years she kept going back to Italy: to Florence as a graduate student, and then to stay when she married Domenico. Here, through recipes and personal stories, she shares her enthusiasm for Italian food and for Rome in particular. She finishes each chapter with a list of favorite eateries, so this is a practical guide anyone would benefit from taking along on a trip to Rome.

3.5 star rating

Some Churches by Tasha Cotter: I loved the first two poems but felt a number of the rest were lacking in artistry. Almost all are written in complete sentences, some in paragraph blocks, and alliteration isn’t always enough to differentiate them from prose. Favorite lines (from “Blood Orange”): “People think that either the red or the orange should go, because to blend the two / alienates some readers. / … I, too, am having an identity crisis, / just like the blood orange. Now that we’ve peeled back / the artifice, you’re inviting me in anyway”.

3 star rating

South Toward Home: Travels in Southern Literature by Margaret Eby: This tour through Southern literature is a great introduction for someone whose familiarity with Southern authors is minimal. Starting off in her home state of Mississippi, Eby travels through Georgia, Alabama, Louisiana, and back to Mississippi in a roughly circular road trip. My favorite chapter was on Flannery O’Connor, but I was also interested to learn about Harry Crews, who I’d never heard of before – it certainly sounds like he was a character. Releases September 8th.

4 star rating

post-traumaticPost-Traumatic Church Syndrome: A Memoir of Humor and Healing by Reba Riley: I could relate to much of Riley’s story. She was a Pentecostal-leaning fundamentalist through high school, but now even setting foot in a church made her feel nauseous. Yet she retained a strong spiritual compass that helped her tap into the energy of the “Godiverse.” Aged 29, Riley had the idea of experiencing 30 different religious traditions before 30. She writes in a chatty, girlfriend-to-girlfriend style, as if you’ve joined her book club for a glass of pinot grigio.

4 star rating