Below I’ve chosen my top nine fiction releases from 2017 (seven by women!), followed by the backlist titles I loved the most this year. Many of these books have already featured on my blog in some way over the course of the year. To keep it simple for myself as well as for all of you who are figuring out whether you’re interested in these books or not, as with my nonfiction selections I’m mostly limiting myself to two sentences per title: the first is a potted summary; the second tells you why you should read it. I also link to any full reviews.
- Swimming Lessons by Claire Fuller: This atmospheric novel reminiscent of Iris Murdoch is no happy family story; it’s full of betrayals and sadness, of failures to connect and communicate, yet it’s beautifully written, with all its scenes and dialogue just right. I recently caught up on Fuller’s acclaimed 2015 debut, Our Endless Numbered Days, and collectively I’m so impressed with her work, specifically the elegant way she alternates between time periods to gradually reveal the extent of family secrets and the faultiness of memory.
- The Lucky Ones by Julianne Pachico: You may remember that our shadow panel chose this as our winner for the Sunday Times Young Writer of the Year award: we were blown away by this linked short story collection set in a drug-fueled Colombia in which violence and its aftermath are never far away. For the originality of the setup and the sheer excellence of the writing, this can’t be topped.
- The Velveteen Daughter by Laurel Davis Huber: The name Margery Williams Bianco might not seem familiar, but chances are you remember her classic children’s book, The Velveteen Rabbit. This is about Margery and her daughter, Pamela Bianco, a painter and child prodigy troubled by mental illness, and the themes of creativity, mental health and motherhood are nestled in a highly visual debut novel full of cameos by everyone from Pablo Picasso to Eugene O’Neill.
- The Animators by Kayla Rae Whitaker: The cartooning world and the Kentucky–New York City dichotomy together feel like a brand new setting for a literary tragicomedy. Though it seems lighthearted, there’s a lot of meat to this story of the long friendship between two female animators as Whitaker contrasts the women’s public and private personas and imagines their professional legacy.
- In Every Moment We Are Still Alive by Tom Malmquist: While it’s being marketed as a novel, this reads more like a stylized memoir: Similar to Karl Ove Knausgaard’s books, it features the author as the central character and narrator, and the story of grief it tells is a highly personal one. Malmquist does an extraordinary job of depicting his protagonist’s bewilderment at the sudden loss of his partner and his new life as a single father.
- How to Be Human by Paula Cocozza: As much as this is about a summer of enchantment and literal brushes with urban wildlife, it’s also about a woman’s life: loneliness, the patterns we get stuck in, and those unlooked-for experiences that might just liberate us. There’s something gently magical about the way the perspective occasionally shifts to give a fox’s backstory and impressions as a neologism-rich stream.
- Elmet by Fiona Mozley: The dark horse on this past year’s Man Booker Prize longlist, this is a twisted fable about the clash of the land-owning and serf classes in contemporary England. It’s a gorgeous, timeless tale balanced between lush nature writing and Hardyesque pessimism.
- Little Fires Everywhere by Celeste Ng: A multi-layered story about many facets of motherhood: adoption, surrogacy, pregnancy, abortion; estrangement, irritation, longing and pride. Each and every character earns our sympathy here – a real triumph of characterization, housed in a tightly plotted and beautifully written novel you’ll race through.
And my fiction book of the year was:
- The Heart’s Invisible Furies by John Boyne: A wonderful seam of humor tempers the awfulness of much of what befalls Cyril Avery – born in Dublin in 1945 – for whom homosexuality seems a terrible curse. It’s an alternately heartbreaking and heartening portrait of a life lived in defiance of intolerance and tragedy.
My poetry read of the year was:
All the Spectral Fractures: New and Selected Poems, Mary A. Hood: There is so much substance and variety to this poetry collection spanning the whole of Hood’s career. A professor emerita of microbiology at the University of West Florida and a former poet laureate of Pensacola, Florida, she takes inspiration from the ordinary folk of the state, the world of academic scientists, flora and fauna, and the minutiae of everyday life.
And here’s a quick run-through of the seven best backlist titles I read this year:
- To Say Nothing of the Dog by Connie Willis: Time travel would normally be a turnoff for me, but Willis manages it perfectly in this uproarious blend of science fiction and pitch-perfect Victorian pastiche (boating, séances and sentimentality, oh my!).
- Homegoing by Yaa Gyasi: Brings together so many facets of the African and African-American experience; full of clear-eyed observations about the ongoing role race plays in American life.
- Days Without End by Sebastian Barry: Contains the most matter-of-fact consideration of same-sex relationships I’ve ever encountered in historical fiction. Heart-breaking, life-affirming, laugh-out-loud: those may be clichés, but it’s all these things and more.
- The Wind-Up Bird Chronicle by Haruki Murakami: Mesmerizing and bizarre, but in the best possible way: it questions our comfort in the everyday by contorting familiar elements like dreams do. I’m a definite Murakami convert.
- The Nix by Nathan Hill: A rich story about family curses and failure, and how to make amends for a life full of mistakes. Hill is a funny and inventive writer.
- Signs for Lost Children by Sarah Moss: Simply superb in the way it juxtaposes England and Japan in the 1880s and comments on mental illness, the place of women, and the difficulty of navigating a marriage whether the partners are thousands of miles apart or in the same room.
My overall most memorable fiction read of the year, to my great surprise, was:
- Dinner at the Homesick Restaurant by Anne Tyler: I’ve been lukewarm on Anne Tyler’s novels before – this is my sixth from her – but this instantly leapt onto my list of absolute favorite books. Its chapters are like perfectly crafted short stories focusing on different members of the Tull family. These vignettes masterfully convey the common joys and tragedies of a fractured family’s life. After Beck Tull leaves with little warning, Pearl must raise Cody, Ezra and Jenny on her own and struggle to keep her anger in check. Cody is a vicious prankster who always has to get the better of good-natured Ezra; Jenny longs for love but keeps making bad choices. Despite their flaws, I adored these characters and yearned for them to sit down, even just the once, to an uninterrupted family dinner of comfort food.
What were some of your top fiction reads of the year?
Tomorrow I’ll be naming some runners-up and listing a few other superlatives.
Here are three enjoyable reads due out next month that I was lucky enough to get a hold of early. These are all first books by women authors, with subjects ranging from twentieth-century artists to a parent’s dementia. I’ve pulled 200–250-word extracts from my full reviews and hope you’ll be tempted by one or more of these.
The Velveteen Daughter by Laurel Davis Huber
(Coming on July 11th from She Writes Press)
The name Margery Williams Bianco might not seem familiar, but chances are you remember her classic children’s book, The Velveteen Rabbit. This lovely debut novel is about Margery and her daughter, Pamela Bianco, a painter and child prodigy troubled by mental illness. The main thread of the novel is set on one day in 1944, and the first-person narration alternates between Margery and Pamela, who through memory and imagination drift back through vivid scenes from their lives in Turin, London, Wales, and New York City.
Themes of creativity, mental health and motherhood are nestled in this highly visual book full of cameos by everyone from Pablo Picasso to Eugene O’Neill. I love reading fictional biographies of writers and other creative types, and this one gives such an interesting window onto lesser-known twentieth-century figures. I especially appreciated Huber’s endnotes explaining what was fact (almost everything) and what was fiction here, and her discussion of the letters and archives she used.
As The Velveteen Rabbit teaches, we truly come to life when we are loved, and you can see how for Pamela it was a lifelong struggle to be loved for who she was. The artist’s tortured journey and the mother’s tender worry are equally strong. Had I finished it a few days earlier I would have included this in my write-up of the best books of 2017 so far. It would be a great choice for book clubs, too – a set of questions is even included at the end of the novel.
A favorite line (Pamela describes her mother): “Mam’s eyes are vast almond-shaped seas, liquid navy, flowing with an endless depth of understanding and compassion.”
Readalike: Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler
My thanks to publicist Caitlin Hamilton Summie for granting me early access via NetGalley.
Goodbye, Vitamin by Rachel Khong
(Coming on July 11th from Henry Holt and Co. [USA]; already available from Scribner UK)
Reeling from a broken engagement, Ruth Young returns to her childhood home in California for a year to help look after her father, who has Alzheimer’s. She tries feeding Howard every half-cracked dementia health cure (cruciferous vegetables are a biggie) and, with his teaching assistant, Theo, maintains the illusion that her father is still fit to teach by gathering graduate students for a non-credit History of California class that meets in empty classrooms and occasionally off-campus – wherever they can be away from the watchful eye of Dean Levin.
As these strategies fail and Howard’s behavior becomes ever more erratic, Ruth realizes the best thing she can do is be a recorder of daily memories, just as Howard was for her when she was a little girl: “Here I am, in lieu of you, collecting the moments” – “Today you…”
This is a delightfully quirky little book, in the same vein as Elizabeth McKenzie’s The Portable Veblen. I marked out a bunch of funny metaphors:
This morning’s [hangover] is a rodent: pesky but manageable.
It was grotesque, the way I kept trying to save that relationship. Like trying to tuck an elephant into pants.
The moon, tonight, looks like a cut zucchini coin.
But you may well read this with a lump in your throat, too. From one Christmas to the next, we see how much changes for this family – a reminder that even though the good times are still worth celebrating, they’re gone before you know it.
Readalike: Not Working by Lisa Owens
A Beautiful, Terrible Thing: A Memoir of Marriage and Betrayal by Jen Waite
(Coming on July 11th from Plume Books [USA] and Prentice Hall Press [UK])
Jen Waite had been in New York City pursuing her dream of becoming an actress for two years when she started working at a restaurant for extra cash. It was here that she met Marco Medina, a handsome Argentinian bar manager, and they fell head-over-heels in love. All the clichés: a green card, a successful business venture, a baby on the way, an idyllic wedding on the beach in Maine. And then the whole thing fell apart. “Marco was always an illusion; the best magic trick I’ve ever seen,” Waite marvels.
She’s written her story up like a thriller, full of gradual revelations and the desire to get even. Chapters alternate between “Before,” when she still had what she thought was the perfect existence, and “After,” when she started to suspect that Marco had a secret life. I use the term “thriller” as a compliment: the dialogue is spot-on and this is a remarkably gripping book given that the title and blurb pretty much give the whole game away. More than that, it’s a fascinating psychological study of the personality of a sociopath and pathological liar. Surviving to tell her story and perhaps train to become a therapist for women who have been in her situation is Waite’s apt revenge.
Readalike: Gone Girl by Gillian Flynn