Tag Archives: Lars Mytting

Two Recent Reviews for BookBrowse

 

The Bell in the Lake by Lars Mytting

A legend from Mytting’s hometown tells of two centuries-old church bells that, like conjoined twins, were never meant to be separated. Inspired by that story and by the real-life move of a stave church from Norway to what is now Poland, he embarked on a trilogy in which history and myth mingle to determine the future of the isolated village of Butangen. The novel is constructed around compelling dichotomies. Astrid Hekne, a feminist ahead of her time, is in contrast with the local pastor’s conventional views on gender roles. She also represents the village’s unlearned folk; Deborah Dawkin successfully captures Mytting’s use of dialect in her translation, making Astrid sound like one of Thomas Hardy’s rustic characters.

  • See my full review at BookBrowse.
  • See also my related article on stave churches.
  • One of the coolest things I did during the first pandemic lockdown in the UK was attend an online book club meeting on The Bell in the Lake, run by MacLehose Press, Mytting’s UK publisher. It was so neat to see the author and translator speak “in person” via a Zoom meeting and to ask him a couple of questions in the chat window.
  • A readalike (and one of my all-time favorite novels) is Carsten Jensen’s We, the Drowned.

 

Memorial by Bryan Washington

In Washington’s debut novel, set in Houston and Osaka, two young men reassess their commitments to their families and to each other. The narration is split between Benson and Mike, behind whose apparent lack of affect is a quiet seam of emotion. Both young men are still shaken by their parents’ separations, and haunted by patterns of abuse and addiction. Flashbacks to how they met create a tender backstory for a limping romance. Although the title (like most of the story titles in Lot) refers to a Houston neighborhood, it has broader significance, inviting readers to think about the place our loved ones have in our memories. Despite the tough issues the characters face, their story is warm-hearted rather than grim. Memorial is a candid, bittersweet work from a talented young writer whose career I will follow with interest.

  • See my full review at BookBrowse.
  • See also my related article on the use of quotation marks (or not!) to designate speech.
  • I enjoyed this so much that I immediately ordered Lot with my birthday money. I’d particularly recommend it if you want an earthier version of Brandon Taylor’s Booker-shortlisted Real Life (which I’m halfway through and enjoying, though I can see the criticisms about its dry, slightly effete prose).
  • This came out in the USA from Riverhead in late October, but UK readers have to wait until January 7th (Atlantic Books).

Book Serendipity, April‒Early July

I call it serendipitous when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually around 20), I suppose I’m more prone to such incidents than some. I also list these occasional reading coincidences on Twitter. The following are in rough chronological order. (January to March appeared in this post.)

 

  • Characters named Sonny in Pew by Catherine Lacey, My Father’s Wake by Kevin Toolis, and Sacred Country by Rose Tremain.

 

  • A double dose via Greenery via Tim Dee – while reading it I was also reading Other People’s Countries by Patrick McGuinness, whom he visits in Belgium; and A Cold Spring by Elizabeth Bishop, referenced in a footnote.
  • A red thread is worn as a bracelet for its emotional or spiritual significance in The Book of Longings by Sue Monk Kidd and Plan B by Anne Lamott.

 

  • The Library of Alexandria features in Footprints by David Farrier and The Book of Longings by Sue Monk Kidd.

 

  • The Artist’s Way is mentioned in At Hawthorn Time by Melissa Harrison and Traveling Mercies by Anne Lamott.

 

  • Characters sleep in a church in Pew by Catherine Lacey and Abide With Me by Elizabeth Strout. (And both novels have characters named Hilda.)
  • Coins being flung away among some trees in In the Springtime of the Year by Susan Hill and The Book of Longings by Sue Monk Kidd (literally the biblical 30 pieces of silver in the Kidd, which is then used as a metaphor in the Hill).

 

  • Rabbit-breeding projects in When the Lights Go Out by Carys Bray and Parable of the Sower by Octavia E. Butler.
  • Mentions of the Great Barrier Reef in When the Lights Go Out by Carys Bray and Footprints by David Farrier.

 

  • The same very specific fact – that Seamus Heaney’s last words, in a text to his wife, were “Noli timere” – was mentioned in Curlew Moon by Mary Colwell and Greenery by Tim Dee.

 

  • Klondike ice cream bars appeared in both Small Victories by Anne Lamott and The Fixed Stars by Molly Wizenberg.
  • The metaphor of a rising flood only the parent or the child will survive is used in both Exit West by Mohsin Hamid and What We Carry by Maya Lang.

 

  • The necessity of turning right to save oneself in a concentration camp setting is mentioned in both Man’s Search for Meaning by Viktor Frankl and Fugitive Pieces by Anne Michaels.

 

  • An English child is raised in North Africa in Oleander, Jacaranda by Penelope Lively and The Child in Time by Ian McEwan.

 

  • The Bristol Stool Chart appeared in both Gulp by Mary Roach and The Bad Doctor by Ian Williams.
  • A Greek island setting in both Exit West by Mohsin Hamid and Fugitive Pieces by Anne Michaels (plus, earlier, in A Theatre for Dreamers by Polly Samson).

 

  • Both Writers & Lovers by Lily King and Mother: A Memoir by Nicholas Royle mention Talking Heads within the first 20 pages.

 

  • A trip to North Berwick in the early pages of Mother: A Memoir by Nicholas Royle, and hunting for cowrie shells on the beach – so familiar from Evie Wyld’s The Bass Rock, read the previous month. (Later, more collecting of cowrie shells in Oleander, Jacaranda by Penelope Lively.)

 

  • Children’s authors are main characters in The Crow Road by Iain Banks and The Child in Time by Ian McEwan.
  • A character is killed by a lightning strike in The Crow Road by Iain Banks and Writers & Lovers by Lily King.

 

  • Characters named Ash in The Crow Road by Iain Banks and The Fixed Stars by Molly Wizenberg.

 

  • A brother steals the main character’s object of affection in The Crow Road by Iain Banks and Sacred Country by Rose Tremain.

 

  • A minor character in Parable of the Sower by Octavia E. Butler is called Richard Rohr … meanwhile, I was reading a book by Richard Rohr, The Universal Christ.

 

  • A maternity ward setting in The Pull of the Stars by Emma Donoghue and The Bell in the Lake by Lars Mytting.

 

  • A love triangle is a central element in Writers & Lovers by Lily King and The Bell in the Lake by Lars Mytting.
  • Reading a book by a Galloway (The Trick Is to Keep Breathing by Janice Galloway) and a book about Galloway (Native: Life in a Vanishing Landscape by Patrick Laurie) simultaneously.

 

  • Attending college in L.A. in The Vanishing Half by Brit Bennett and Dreams from My Father by Barack Obama.

 

  • Two books that reference the same Darwin quote: Into the Tangled Bank by Lev Parikian, and “The Entangled Bank” is the title of the final poem in Red Gloves by Rebecca Watts.
  • Characters with the surname Savage in The Box Garden by Carol Shields and Islands of Mercy by Rose Tremain.

 

  • A character is taught how to eat oysters in The Vanishing Half by Brit Bennett and Kitchen Confidential by Anthony Bourdain.

 

  • A Louisiana setting in The Vanishing Half by Brit Bennett and Property by Valerie Martin.

 

  • Characters named Stella in The Vanishing Half by Brit Bennett and The Group by Lara Feigel.
  • The last line of the book has a character saying “Come in” in Americanah by Chimamanda Ngozi Adichie and Ankomst by Gøhril Gabrielsen.

 

  • Currently reading four books with mixed-race narrators: (Black/white) The Girl Who Fell from the Sky by Heidi Durrow, Dreams from My Father by Barack Obama, Memorial Drive by Natasha Trethewey; and (Japanese/white) My Year of Meats by Ruth Ozeki.

 

  • Currently reading two novels in which a pair of orphaned sisters are taken in by relatives (Deerbrook by Harriet Martineau and Rise and Shine by Anna Quindlen). Plus two more novels with orphan characters: The Girl Who Fell from the Sky and My Year of Meats.
      • In two of these four (not telling which, though you can safely assume it’s not the Victorian novel!), they are orphans because both parents were killed in a car accident. I feel like this is a fictional setup that I encounter all the time (cf. All the Beautiful Girls, The Monsters of Templeton, Saint Maybe) that can’t be that common in real life?
  • Vassar as an alma mater in Kitchen Confidential by Anthony Bourdain and The Group by Mary McCarthy.

 

  • Punahou School (Honolulu, Hawaii) is the author’s alma mater in The Noonday Demon by Kathleen Norris and Dreams from My Father by Barack Obama.

 

What’s the weirdest reading coincidence you’ve had lately?