Nonfiction Catch-Up: Long-Term Thinking, Finding a Home in Wales, Eels
Not long now until Nonfiction November. I’m highlighting three nonfiction books I’ve read over the last few months; any of them would be well worth your time if you’re still looking for some new books to add to the pile. I’ve got a practical introduction to the philosophy and politics of long-term/intergenerational planning, a group biography about the two gay couples who inhabited a house in the Welsh hills in turn, and a wide-ranging work on eels.
The Good Ancestor: How to Think Long Term in a Short-Term World by Roman Krznaric
I saw Krznaric introduce this via a digital Hay Festival session back in May. He is an excellent speaker and did an admirable job of conveying all the major ideas from his recent work within a half-hour presentation. Unfortunately, this meant that reading the book itself didn’t add much for me, although it goes deeper into his propositions and is illustrated with unique, helpful figures.
Without repeating from my write-up of the Festival talk, then, I’ll add in points and quotes that struck me:
- “some of the fundamental ways we organise society, from nation states and representative democracy to consumer culture and capitalism itself, are no longer appropriate for the age we live in.”
- 100 years as the minimum timeframe to think about (i.e., a long human life) – “taking us beyond the ego boundary of our own mortality so we begin to imagine futures that we can influence yet not participate in ourselves.”
- “The phones in our pockets have become the new factory clocks, capturing time that was once our own and offering in exchange a continuous electronic now full of infotainment, advertising and fake news. The distraction industry works by cleverly tapping into our ancient mammalian brains: our ears prick up at the ping of an arriving message … Facebook is Pavlov, and we’re the dogs.”
- The Intergenerational Solidarity Index as a way of assessing governments’ future preparation: long-term democracies tend to perform better, though they aren’t perfect; Iceland scores the highest of all, followed by Sweden.
- Further discussion of Doughnut Economics (a model developed by Krznaric’s wife, Kate Raworth), which pictures the sweet spot humans need to live in between a social foundation and the ecological ceiling; failures lead to overshoot or shortfall.
- Four fundamental barriers to change: outdated institutional designs (our basic political systems), the power of vested interests (fossil fuel companies, Amazon, et al.), current insecurity (refugees), and “insufficient sense of crisis” – we’re like frogs in a gradually boiling pot, he says, and need to be jolted out of our complacency.
This is geared more towards economics and politics than much of what I usually read, yet fits in well with other radical visions of the future I’ve engaged with this year (some of them more environmentalist in approach), including Footprints by David Farrier, The Future Earth by Eric Holthaus, and Notes from an Apocalypse by Mark O’Connell.
With thanks to WH Allen for the free copy for review.
On the Red Hill: Where Four Lives Fell into Place by Mike Parker (2019)
I ordered a copy from Blackwell’s after this made it through to the Wainwright Prize shortlist – it went on to be named the runner-up in the UK nature writing category. It’s primarily a memoir/group biography about Parker, his partner Peredur, and George and Reg, the couple who previously inhabited their home of Rhiw Goch in the Welsh Hills and left it to the younger pair in their wills. In structuring the book into four parts, each associated with an element, a season, a direction of the compass and a main character, Parker focuses on the rhythms of the natural year. The subtitle emphasizes the role Rhiw Goch played, providing all four with a sense of belonging in a rural setting not traditionally welcoming to homosexuals.
Were George and Reg the ‘only gays in the village,’ as the Little Britain sketch has it? Impossible to say, but when they had Powys’ first same-sex civil partnership ceremony in February 2006, they’d been together nearly 60 years. By the time Parker and his partner took over the former guesthouse, gay partnerships were more accepted. In delving back into his friends’ past, then, he conjures up another time: George fought in the Second World War, and for the first 18 years he was with Reg their relationship was technically illegal. But they never rubbed it in any faces, preferring to live quietly, traveling on the Continent and hosting guests at their series of Welsh B&Bs; their politics was conservative, and they were admired locally for their cooking and hospitality (Reg) and endurance cycling (George).
There are lots of in-text black-and-white photographs of Reg and George over the years and of Rhiw Goch through the seasons. Using captioned photos, journal entries, letters and other documents, Parker gives a clear impression of his late friends’ characters. There is something pitiable about both: George resisting ageing with nude weightlifting well into his sixties; Reg still essentially ashamed of his sexuality as well as his dyslexia. I felt I got to know the younger protagonists less well, but that may simply be because their stories are ongoing. It’s remarkable how Welsh Parker now seems: though he grew up in the English Midlands, he now speaks decent Welsh and has even stood for election for the Plaid Cymru party.
It’s rare to come across something in the life writing field that feels genuinely sui generis. There were moments when my attention waned (e.g., George’s feuds with the neighbors), but so strong is the overall sense of time, place and personality that this is a book to prize.
The Gospel of the Eels: A Father, a Son and the World’s Most Enigmatic Fish by Patrik Svensson
[Translated from the Swedish by Agnes Broomé]
“When it comes to eels, an otherwise knowledgeable humanity has always been forced to rely on faith to some extent.”
We know the basic facts of the European eel’s life cycle: born in the Sargasso Sea, it starts off as a larva and then passes through three stages that are almost like separate identities: glass eel, yellow eel, silver eel. After decades underwater, it makes its way back to the Sargasso to spawn and die. Yet so much about the eel remains a mystery: why the Sargasso? What do the creatures do for all the time in between? Eel reproduction still has not been observed, despite scientists’ best efforts. Among the famous names who have researched eels are Aristotle, Sigmund Freud and Rachel Carson, all of whom Svensson discusses at some length. He even suggests that, for Freud, the eel was a suitable early metaphor for the unconscious – “an initial insight into how deeply some truths are hidden.”
But there is a more personal reason for Svensson’s fascination with eels. As a boy he joined his father in eel fishing on Swedish summer nights. It was their only shared hobby; the only thing they ever talked about. His father was as much a mystery to him as eels are to science. And it was only as his father was dying of a cancer caused by his long road-paving career that Svensson came to understand secrets he’d kept hidden for decades.
Chapters alternate between this family story and the story of the eels. The book explores eels’ place in culture (e.g., Günter Grass’ The Tin Drum) and their critically endangered status due to factors such as a herpes virus, nematode infection, pollution, overfishing and climate change. A prior curiosity about marine life would be helpful to keep you going through this, but the prose is lovely enough to draw in even those with a milder interest in nature writing.
With thanks to Picador for the free copy for review.
One of my recent borrows from the public library’s children’s section was the picture book Think of an Eel by Karen Wallace. Her unrhymed, alliterative poetry and the paintings by Mike Bostock beautifully illustrate the eel’s life cycle and journey.
You simply must hear folk singer Kitty Macfarlane’s gorgeous song “Glass Eel” – literally about eels, it’s also concerned with migration, borders and mystery.
Would you be interested in reading one or more of these?
New Networks for Nature 2019
This past weekend was my fifth time attending Nature Matters, the annual New Networks for Nature conference. I’ve written about it on the blog a few times before: last year’s 10th anniversary meeting in Stamford, plus once when there was a particular focus on nature poetry and another time when it was held in Cambridge. This year the theme was “Time for Nature” and the conference was held at the very posh St Peter’s School in York, which dates back to 627 and resembles an Oxford college. We have close friends in York, but our timing was off in that they were in Italy this week. However, they sent us a key to their house and let us stay there while they were away, which saved us having to book an Airbnb or guest house.
What makes Nature Matters so special is its interdisciplinary nature: visual artists, poets, musicians, writers, activists, academics and conservationists alike attend and speak. So although the event might seem geared more towards my ecologist husband, there’s always plenty to interest me, too. In particular, I enjoyed the panel discussions on nature in children’s books and new directions for nature writing. This year the organizers were determined to make the speakers’ roster more diverse, so some panels were three-quarters or wholly female, and four people of color appeared on the stage. (That might not seem like a great record, but in a field so dominated by white males it’s at least a start.)
The Friday was a particularly brilliant day, the best day of sessions I can remember in any year. After a presentation by wildlife photographer and painter Robert Fuller, the first session was “Nature in Deep Time,” featuring three archaeologists from northern universities who talked about cave art, woodcraft, and evidence of rapid climate change. “Taking a long view, we get a very different perspective,” Professor Terry O’Connor of the University of York observed. The topic felt timely and tied in with a number of books that have come out this year, including Time Song by Julia Blackburn, Surfacing by Kathleen Jamie and Underland by Robert Macfarlane.
Next up was “Now or Never – Fighting for Nature,” featuring three female activists: Ruth Peacey, a filmmaker for BBC Wildlife whose subjects have included bird persecution in the Mediterranean; Sally Goldsmith, a campaigner who deployed poems and songs against the mass street tree-cutting campaign in Sheffield and helped save some 10,000 trees; and Hatti Owens, an environmental lawyer with ClientEarth who has partnered with Extinction Rebellion. The panel chair and one of this year’s organizers, writer Amy-Jane Beer, noted that activism is no longer radical, but an obligation.
Either side of lunch, Dr. Sara Goodacre of the University of Nottingham SpiderLab demonstrated how money spiders walk on water and “sail” using two raised legs to cope with wind; and Dr. Geoff Oxford of the University of York told the successful conservation story of the tansy beetle, which has recently been celebrated with a crowdfunded wall mural on the corner of York’s Queen Street and the Tansy Beetle Bar at the Rattle Owl restaurant on Micklegate. After the day’s proceedings, we joined a general movement over to see the mural and toast the bar’s grand opening.
The children’s books session featured Anneliese Emmans Dean, who gave very entertaining performances of her poems on insects and birds; Gill Lewis, who writes middle grade novels that introduce children to environmental issues; and Yuval Zommer, who writes and illustrates nonfiction guides with titles like The Big Book of Bugs and The Big Book of Blooms. Panel chair Ben Hoare, another of this year’s organizers and a former editor of BBC Wildlife magazine, concluded that children’s books should be joyous and not preachy.
There was still more to come on this jam-packed Friday! “The Funny Thing about Nature…” was essentially three stand-up comedy routines by Simon Watt, creator of the Ugly Animal Appreciation Society; Helen Pilcher, who has written a speculative book about the science of de-extinction; and Hugh Warwick, an author and hedgehog enthusiast. The language got a little crass in this session, but all three speakers were genuinely funny. As Watt put it, “Sincerity should not be our only weapon” in the fight for nature; he’s trying to reach the people who aren’t “already on our side.”
After free gin and tonics provided by local producers SloeMotion, we had the absolute treat of a performance by Kitty Macfarlane, whose folk songs are inspired by the natural world. The title track of her 2018 album Namer of Clouds is about Luke Howard, who created the naming system for clouds (cumulus, stratus, and so on) in 1802. Other songs are about eels, a starling murmuration and the Sardinian tradition of weaving sea silk. She often incorporates field recordings of birdsong, and writes about her native Somerset Levels. Her voice is gorgeously clear, reminding me of Emily Smith’s. We bought her album and EP at once.
Saturday was a slightly less memorable day, with sessions on insects and the uplands, an interview with clean rivers campaigner (and former pop star) Feargal Sharkey, and the short film Raising the Hare by Bevis Bowden. Most engaging for me was a four-person discussion on new directions for nature writing, chaired by author and academic Richard Kerridge. Katharine Norbury is editing the Women on Nature anthology, which I have supported via Unbound; it’s due out next year. She went all the way back to Julian of Norwich and has included novelists, poets, gardeners and farmers – lots of women who wouldn’t have called themselves ‘nature writers’.
Anita Sethi, a journalist from Manchester, speaks out about inequality of access to nature due to race, gender and class. She read part of her essay “On Class and the Countryside” from the Common People anthology edited by Kit de Waal. Zakiya McKenzie, a London-born Jamaican, was a Forest England writer in residence and founded the Green & Black project to give underprivileged children trips to the countryside. Richard Smyth, the author of A Sweet, Wild Note, spoke of the need for robust nature writing – and criticism. He stressed that it’s not good enough for nature writing to be “charming” or “lyrical”; it’s too important to be merely pleasant. I would have liked to hear him explore this more and for it to turn into more of a debate, but the discussion drifted into praise for experimental and speculative forms.
There’s something for everyone at this conference; some of the elements that I didn’t get on with or found pretentious were others’ highlights, so it’s all a matter of taste. Spending time in York, one of my favorite cities, was an added bonus. We managed to fit in a trip to the National Railway Museum and lunch at Bettys on the Sunday before our train back.
Next year’s conference will be at the University of East Anglia in Norwich, 10–12 July. I’ve never been to Norwich so look forward to visiting it and attending the full conference once again. It’s always a fascinating, inspiring weekend with a wide range of speakers and ideas.