September is always a big month in the publishing world, but even more so this year because of all the titles delayed from the spring and summer – apparently 600 books were published in the first week of September in the UK alone.
Still, I only ended up with my usual, manageable five new releases (with a few more on the way from the library). I read a beautiful novel about addiction and religion in contemporary America, speculative fiction about communication with wildlife in mid-pandemic (!) Australia, everything you ever wanted to know about fungi, historical fiction about outsiders in England and Borneo, and a study of our broken relationship with other animals.
Two of these are from my most anticipated list for the second half of 2020. Four of the five can be linked by the tenet that humans are only one species among many others necessary to life on this Earth, and not in some way above and beyond.
Transcendent Kingdom by Yaa Gyasi
This follow-up to Gyasi’s dazzling, centuries-spanning linked story collection, Homegoing, won’t be out in the UK until March 2021, but I couldn’t resist reading an e-copy of the American edition (Knopf) from Edelweiss. It’s altogether a more subdued and subtle book, but its treatment of themes of addiction, grief, racism and religion is so spot on that it packs a punch. Gifty is a PhD student at Stanford, researching pleasure and reward circuits in the mouse brain. She gets mice hooked on a sugary drink and then performs experiments to see if she can turn off their compulsion to keep pressing a lever for more. Sometimes when they press the lever they get an electric shock. Certain mice give up; others never will. Why?
People who know Gifty well assume she chose her field because of a personal tragedy. When she was 10, her 16-year-old brother, Nana, a high school basketball star in this Ghanaian-American family’s Alabama town, died of an opiate overdose. He’d gotten addicted to prescription drugs after a sports injury. At one level, Gifty acknowledges she is trying to atone for her brother’s death, but she won’t see it in those terms. An intensely private person, she shoulders almost impossible burdens of grief and responsibility for her mother, who has plunged into depression and, when she comes to live with Gifty, spends all her time in bed.
The most compelling aspect of the novel for me was Gifty’s attitude towards the religion of her childhood. Though they were the only black family at their Pentecostal church, she was a model believer, writing prayers in her journal, memorizing scriptures, and never doubting that everything happens for a reason. Nana’s death shattered it all. Though she now looks to science for answers, she misses the certainty she once had: that she was saved, that humans are special, that someone was looking out for her and her family, that it all mattered. I highlighted dozens of passages, but it’s possible the book won’t mean quite as much to readers for whom there’s no personal resonance. The complex mother–daughter relationship is an asset, and musings on love and risk are tenderly expressed. I wanted a more climactic conclusion to take this into 5-star territory, but I’ve still added it to my Best of 2020 shelf.
the species Homo sapiens, the most complex animal, [is] the only animal who believed he had transcended his Kingdom, as one of my high school biology teachers used to say.
At times, my life now feels so at odds with the religious teachings of my childhood that I wonder what the little girl I once was would think of the woman I’ve become … I am looking for new names for old feelings. My soul is still my soul, even if I rarely call it that.
the more I do this work the more I believe in a kind of holiness in our connection to everything on Earth. Holy is the mouse.
I read an advanced e-copy via Edelweiss.
The Animals in That Country by Laura Jean McKay
McKay has a PhD in literary animal studies and serves as an animal expert and presenter on Australia’s ABC radio show Animal Sound Safari. Pair her academic background with the fact that this shares a title with a Margaret Atwood poetry collection and you’ll have some idea of what to expect here: mysterious but mostly believable speculative fiction that hinges on human communication with animals.
Jean Bennett isn’t your average grandma: a wise-cracking alcoholic, she drives the tourist train through the Australian wildlife park her daughter-in-law manages but wishes she could be a fully fledged ranger. Her ex-husband, Graham, left her and went down south, and eventually their only son Lee did the same. Now all Jean has left is Kim, her six-year-old granddaughter. Jean entertains Kim by imagining voices for the park’s animals. This no longer seems like a game, though, when news filters through of the “zooflu,” which has hit epidemic levels and has as a main symptom the ability to understand what animals say.
When Kim is kidnapped, Jean steals a camper van and takes Sue the dingo along to help her find her granddaughter. “There’s a new normal now,” a bus driver tells her. “And around here, not wearing a mask means you’ve gone animal. I’d put on my protective if I was you. Put that mutt in a cage.” It was uncanny reading this in the midst of a pandemic, but the specifics of McKay’s novel are hard to grasp. The animal language isn’t audible, necessarily, but a combination of smells, noises and body language. For a long time, they seem like pure nonsense, but gradually they resemble a sort of rough poetry. Here’s one example from Sue:
My front end
takes the food
for the Queen
(Sue usually calls Jean “Queen” or “Mother,” showing that she respects her authority, and “Yesterday” is frequently used to suggest a primitive sense of the past or of an older person.)
As entertaining a protagonist as Jean is, I lost interest in her road trip. If you focus on the journey into the wilderness and don’t mind a sudden ending, you may find this a worthwhile heir to Hollow Kingdom by Kira Jane Buxton and The Road by Cormac McCarthy.
I read a proof copy for a Nudge review, but it’s never shown up on their website.
Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures by Merlin Sheldrake
I first heard about Sheldrake through Robert Macfarlane’s Underland. He struck me as a mad genius – an impression that was only strengthened by reading his detailed, enthusiastic book about fungi. Sheldrake researches fungal life in the tropical forests of Panama, accompanies truffle hunters in Italy, takes part in a clinical study on the effects of LSD (derived from a fungus), observes lichens off the coast of British Columbia, and attends a conference in Oregon on Radical Mycology. But more than a travel memoir, this is a work of science – there are over 100 pages devoted to notes, bibliography and index.
Basic information you’ll soon learn: mushrooms are only the fruiting bodies of fungi; under the ground is the material bulk, the mycelium, a sprawling network of hyphae. In what’s sometimes called the “Wood Wide Web,” fungal networks link the trees in a forest, and join up with plants, such as in lichens. “I feel a … sense of vertigo when I think about the complexity of mycorrhizal relationships – kilometers of entangled life – jostling beneath my feet,” Sheldrake confesses. He gives examples of fungi navigating and solving problems – what of our concept of intelligence if a creature without a brain can do such things?
Fungi are very adaptable to extreme conditions. Research is underway to grow edible mushrooms on some of our most troublesome waste, such as used diapers (nappies) and cigarette butts. And, of course, for millennia we’ve relied on certain fungi – yeasts – to create products like bread and beer. Sheldrake is a very hands-on writer: When he wants to know something, he does it, whether that’s scrumping Isaac Newton’s apples in Cambridge and fermenting the juice into cider at home or growing mushrooms on a copy of this very book.
During the month I was reading this, I felt like I kept coming across references to fungi. (I even had a patch of ringworm!)
It’s a perspective-altering text, but one that requires solid concentration. I’ll confess that at times it went over my head and I wished for a glossary and diagrams. A greater than average interest in biology and/or botany would thus be a boon to a potential reader. But if you can keep up, the book will elicit many a cry of “wow!” and “what?!” I kept launching “did you know?” questions at my husband, especially about the zombie fungi that parasitize insects. What a strange and wonderful world.
Favorite lines: “Paying more attention to animals than plants contributes to humans’ plant-blindness. Paying more attention to plants than fungi makes us fungus-blind.”
My thanks to Bodley Head for the free copy for review.
Islands of Mercy by Rose Tremain
I read this back in June to prepare for writing a profile of Tremain for a forthcoming issue of Bookmarks magazine. Here’s the summary I wrote: “In Bath, England in 1865, 24-year-old nurse Jane Adeane is nicknamed ‘The Angel of the Baths’ for her healing touch. If she marries Dr. Valentine Ross, a colleague of her surgeon father, she can earn respectability – but will have to hide her love for Julietta, a married woman. Meanwhile, Dr. Ross’s brother, Edmund, a naturalist following in the footsteps of Alfred Russel Wallace, has journeyed to Borneo. Ill with malaria, he is taken in by British eccentric Sir Ralph Savage, a lover of native men and benevolent local rajah who funds infrastructure projects like a paved road and a hospital. Exiled or inwardly tortured for loving the wrong people, Tremain’s characters search for moments of wonder and comfort – whether those come in a primitive hut in the Malay Archipelago or in a cozy tearoom in Bath.”
It’s a slightly odd title, but tells you a lot about what Tremain is doing in this 14th novel. Often at the mercy of forces internal and external, her outcast characters look for places where they can find rest and refuge after a time of suffering. Will they, in turn, extend mercy? The split perspective and the focus on people who have to hide their sexuality are most similar to Sacred Country. The Victorian tip of the hat is mostly directed, I think, to George Eliot; of recent work, I was reminded of The Doll Factory and The Essex Serpent. I especially liked Jane’s painter aunt, Emmeline, and Clorinda, the Irish woman whose opening of a tearoom sets the plot going. The settings are surprising and vivid, and if Tremain doesn’t quite bring them and their story lines together seamlessly, she is still to be applauded for her ambition. This is probably my joint favorite of her novels that I’ve read so far, with The Road Home.
We must be unconventional in our joys and find them wherever we can.
life, so often so cruel in the way it thrust the human soul into prisons from which there seemed to be no escape, could sometimes place it athwart an open door.
I read an advanced e-copy via NetGalley.
Between Light and Storm: How We Live with Other Species by Esther Woolfson
If you’ve read Woolfson’s Corvus, you’ve already met Chicken, an orphaned rook she raised. For over 31 years, Chicken was a constant presence in her home. The recently departed bird is the dedicatee of her new book, feted as “Colleague, companion, friend.” (No mere pet.) Relationships with these creatures with whom she shared her life led her to think differently about how we as humans conceive of the animal world in general. “If I had ever believed humans to be the only ones to live profound and interconnected lives, I couldn’t any more. … If we’re the gods now, shouldn’t we be better than we are?” From her introduction, it’s clear that her sympathy toward the more-than-human world extends even to spiders, and her language throughout – using words like “who” and “his” in reference to animals, rather than “that” or “its” – reinforces the view that all species are equally valuable.
Or, at least, should be. But our attitudes are fundamentally distorted, Woolfson believes, and have been since the days of Aristotle (whose Ladder of Nature is an origin of the ideas that nature is there for man to use) and the Old Testament writers (one of the two creation accounts in Genesis established the idea of “dominion”). From cave paintings to animal sacrifice, intensive farming to fur coats, taxidermy to whaling, she surveys what others have thought and said about how animals are, or should be, perceived. There was more of an academic tone to this book than I expected, and in early chapters I found too much overlap with other works I’ve read about deep time (Time Song, Surfacing, Underland again!).
I most appreciated the fragments of nature writing and memoir and would have liked more in the way of personal reflection. Woolfson’s perspective – as a Jewish woman in Scotland – is quite interesting. She is clearly troubled by how humans exploit animals, but mostly recounts others’ reasoning rather than coming to conclusions of her own. (Though there is a brilliant takedown of the gender politics of Watership Down.) It’s a book that demands more time and attention than I was able to give just now. As I only skimmed it, I’m going to refrain from assigning a rating and will pass this on to my husband and return to it one day. [I do wish the title, on its own (subtitle aside), was more indicative of the contents.]
My thanks to Granta for the free copy for review.
Which of those 600+ September releases can you recommend?
My five new releases for July include historical pandemic fiction, a fun contemporary story about a father-and-daughter burglar team, a new poetry collection from Carcanet Press, a lighthearted nature/travel book, and a poetic bereavement memoir about a violent death.
The Pull of the Stars by Emma Donoghue
Donoghue’s last two novels, The Wonder and Akin, were big hits with me. Less than a year after the contemporary-set Akin, she’s back to a historical setting – and an uncannily pertinent pandemic theme – with her latest. In 1918, Julia Power is a nurse on a Dublin maternity ward. It’s Halloween and she is about to turn 30, making her a spinster for her day; she lives with her mute, shell-shocked veteran brother, Tim, and his pet magpie.
Because she’s already had “the grip” (influenza), she is considered immune and is one of a few staff members dealing with the flu-ridden expectant mothers in quarantine in her overcrowded hospital. Each patient serves as a type, and Donoghue whirls through all the possible complications of historical childbirth: stillbirth, obstructed labor, catheterization, forceps, blood loss, transfusion, maternal death, and so on.
It’s not for the squeamish, and despite my usual love of medical reads, I felt it was something of a box-ticking exercise, with too much telling about medical procedures and recent Irish history. Because of the limited time frame – just three days – the book is far too rushed. We simply don’t have enough time to get to know Julia through and through, despite her first-person narration; the final 20 pages, in particular, are so far-fetched and melodramatic it’s hard to believe in a romance you’d miss if you blinked. And the omission of speech marks just doesn’t work – it’s downright confusing with so many dialogue-driven scenes.
Donoghue must have been writing this well before Covid-19, but I wouldn’t be surprised if the publication was hurried forward to take advantage of the story’s newfound relevance. It shows: what I read in May and June felt like an unpolished draft, with threads prematurely tied up to meet a deadline. This was an extremely promising project that, for me, was let down by the execution, but it’s still a gripping read that I wouldn’t steer you away from if you find the synopsis appealing. (Some more spoiler-y thoughts here.)
Prescient words about pandemics:
“All over the globe … some flu patients are dropping like flies while others recover, and we can’t solve the puzzle, nor do a blasted thing about it. … There’s no rhyme or reason to who’s struck down.”
“Doctor Lynn went on, As for the authorities, I believe the epidemic will have run its course before they’ve agreed to any but the most feeble action. Recommending onions and eucalyptus oil! Like sending beetles to stop a steamroller.”
Why the title?
Flu comes from the phrase “influenza delle stelle” – medieval Italians thought that illness was fated by the stars. There’s also one baby born a “stargazer” (facing up) and some literal looking up at the stars in the book.
My thanks to Picador for the proof copy for review.
Other People’s Pets by R.L. Maizes
This is Maizes’ debut novel, after her 2019 short story collection We Love Anderson Cooper. Louise “La La” Fine and her father, Zev, share an unusual profession: While outwardly they are a veterinary student and a locksmith, respectively, for many years they broke into homes and sold the stolen goods. Despite close shaves, they’ve always gotten away with it – until now. When Zev is arrested, La La decides to return to her criminal ways just long enough to raise the money to post bail for him. But she doesn’t reckon on a few complications, like her father getting fed up with house arrest, her fiancé finding out about her side hustle, and her animal empathy becoming so strong that when she goes into a house she not only pilfers valuables but also cares for the needs of ailing pets inside.
Flashbacks to La La’s growing-up years, especially her hurt over her mother leaving, take this deeper than your average humorous crime caper. The way the plot branches means that for quite a while Zev and La La are separated, and I grew a bit weary of extended time in Zev’s company, but this was a great summer read – especially for animal lovers – that never lost my attention. The magic realism of the human‒pet connection is believable and mild enough not to turn off readers who avoid fantasy. Think The Twelve Lives of Samuel Hawley meets Hollow Kingdom.
My thanks to the author and Celadon Books for the free e-copy for review.
The Long Beds by Kate Miller
Here and there; now and then: the poems in Miller’s second collection enlarge such dichotomies by showcasing the interplay of the familiar and the foreign. A scientist struggles to transcribe birdsong, and a poppy opens in slow motion. “Flag” evokes the electric blue air and water of a Greek island, while “The Quarters” is set in the middle of the night in a French village. A few commissions, including “Waterloo Sunrise,” stick close to home in London or other southern England locales.
Various poems, including the multi-part “Album Without Photographs,” are about ancestor Muriel Miller’s experiences in India and Britain in the 1910s-20s. “Keepers of the States of Sleep and Wakefulness, fragment from A Masque,” patterned after “The Second Masque” by Ben Jonson, is an up-to-the-minute one written in April that names eight nurses from the night staff at King’s College Hospital (and the short YouTube film based on it is dedicated to all NHS nurses).
My two favorites were “Outside the Mind Shop,” in which urban foxes tear into bags of donations outside a charity shop one night while the speaker lies awake, and “Knapsack of Parting Gifts” a lovely elegy to a lost loved one. I spotted a lot of alliteration and assonance in the former, especially. Thematically, the collection is a bit scattered, but there are a lot of individual high points.
My thanks to Carcanet Press for the free e-copy for review.
Into the Tangled Bank: In Which Our Author Ventures Outdoors to Consider the British in Nature by Lev Parikian
In the same way that kids sometimes write their address by going from the specific to the cosmic (street, city, country, continent, hemisphere, planet, galaxy), this book, a delightfully Bryson-esque tour, moves ever outwards, starting with the author’s own home and garden and proceeding to take in his South London patch and his journeys around the British Isles before closing with the wonders of the night sky. By slowing down to appreciate what is all around us, he proposes, we might enthuse others to engage with nature.
With the zeal of a recent convert, he guides readers through momentous sightings and everyday moments of connection. As they were his gateway, many of these memories involve birds: looking for the year’s first swifts, trying to sketch a heron and realizing he’s never looked at one properly before, avoiding angry terns on the Farne Islands, ringing a storm petrel on Skokholm, and seeing white-tailed eagles on the Isle of Skye. He brings unique places to life, and pays tribute to British naturalists who paved the way for today’s nature-lovers by visiting the homes of Charles Darwin, Gilbert White, Peter Scott, and more.
I was on the blog tour for Parikian’s previous book, Why Do Birds Suddenly Disappear?, in 2018. While the books are alike in levity (pun intended!), being full of self-deprecation and witty asides along with the astute observations, I think I enjoyed this one that little bit more for its all-encompassing approach to the experience of nature. I fully expect to see it on next year’s Wainwright Prize longlist (speaking of the Wainwright Prize, in yesterday’s post I correctly predicted four on the UK nature shortlist and two on the global conservation list!).
My thanks to Elliott & Thompson for the free copy for review.
Memorial Drive: A Daughter’s Memoir by Natasha Trethewey
Trethewey grew up in 1960s Mississippi with a Black mother and a white Canadian father, at a time when interracial marriage remained illegal in parts of the South. After her parents’ divorce, she and her mother, Gwen, moved to Georgia to start a new life, but her stepfather Joel was physically and psychologically abusive. Gwen’s murder opens and closes the book. Trethewey only returned to that Atlanta apartment on Memorial Drive after 30 years had passed. The blend of the objective (official testimonies and transcripts) and the subjective (interpreting photographs, and rendering dream sequences in poetic language) makes this a striking memoir, as delicate as it is painful. I recommend it highly to readers of Elizabeth Alexander and Dani Shapiro. (Full review forthcoming at Shiny New Books.)
My thanks to Bloomsbury for the proof copy for review.
I’m reading two more July releases, Mostly Dead Things by Kristen Arnett (Corsair, 2 July; for Shiny New Books review), about a family taxidermy business in Florida, and The Liar’s Dictionary by Eley Williams (William Heinemann, 2 July), about an unusual dictionary being compiled in the Victorian period and digitized in the present day.
What July releases can you recommend?
I’m sneaking in just in time here, on the very last day of the #20BooksofSummer challenge, with my final three reviews: two novellas, one of them a work of children’s fantasy; and a nature/travel classic that turns into something more like a spiritual memoir.
The Owl Service by Alan Garner (1967)
I’d heard of Garner, a British writer of classic children’s fantasy novels, but never read any of his work until I picked this up from the free bookshop where I volunteer on a Friday. My husband remembers reading Elidor (also a 1990s TV series) as a boy, but I’m not sure Garner was ever well known in America. Perhaps if I’d discovered this right after the Narnia series when I was a young child, I would have been captivated. I did enjoy the rural Welsh setting, and to start with I was intrigued by the setup: curious about knocking and scratching overhead, Alison and her stepbrother Roger find a complete dinner service up in the attic of this house Alison inherited from her late father. Alison becomes obsessed with tracing out the plates’ owl pattern – which disappears when anyone else, like Nancy the cook, looks at them.
I gather that Garner frequently draws on ancient legend for his plots. Here he takes inspiration from Welsh myths, but the background was so complex and unfamiliar that I could barely follow along. This meant that the climactic ‘spooky’ scenes failed to move me. Instead, I mostly noted the period slang and the class difference between the English children and Gwyn, Nancy’s son, who’s forbidden from speaking Welsh (Nancy says, “I’ve not struggled all these years in Aber to have you talk like a labourer”) and secretly takes elocution lessons to sound less ‘common’.
Can someone recommend a Garner book I might get on with better?
The Snow Leopard by Peter Matthiessen (1978)
For two months of 1973, from late September to late November, Matthiessen joined zoologist George Schaller on a journey from the Nepalese Himalayas to the Tibetan Plateau to study Himalayan blue sheep. Both also harbored a hope of spotting the elusive snow leopard.
Matthiessen had recently lost his partner, Deborah Love, to cancer, and left their children behind – at residential schools or with family friends – to go on this spirit-healing quest. Though he occasionally feels guilty, especially about the eight-year-old, his thoughts are usually on the practicalities of the mountain trek. They have sherpas to carry their gear, and they stop in at monasteries but also meet ordinary people. More memorable than the human encounters, though, are those with the natural world. Matthiessen watches foxes hunting and griffons soaring overhead; he marvels at alpine birds and flora.
The writing is stunning. No wonder this won a 1979 National Book Award (in the short-lived “Contemporary Thought” category, which has since been replaced by a general nonfiction award). It’s a nature and travel writing classic. However, it took me nearly EIGHTEEN MONTHS to read, in all kinds of fits and starts (see below), because I could rarely read more than part of one daily entry at a time. I struggle with travel narratives in general – perhaps I think it’s unfair to read them faster than the author lived through them? – but there’s also an aphoristic density to the book that requires unhurried, meditative engagement.
The mountains in their monolithic permanence remind the author that he will die. The question of whether he will ever see a snow leopard comes to matter less and less as he uses his Buddhist training to remind himself of tenets of acceptance (“not fatalism but a deep trust in life”) and transience: “In worrying about the future, I despoil the present”; what is this “forever getting-ready-for-life instead of living it each day”? I’m fascinated by Buddhism, but anyone who ponders life’s deep questions should get something out of this.
Who Will Run the Frog Hospital? by Lorrie Moore (1994)
Thanks to Cathy for reminding me about this one – I had intended to make it one of my novellas for November, but as I was scrambling around to find a last couple of short books to make up my 20 I thought, “Frog! hey, that fits”* and picked it up.
Oddly, given that Moore is so well known for short stories, I’ve only ever read two of her novels (the other was A Gate at the Stairs). Berie Carr lives just over the border from Quebec in Horsehearts, a fictional town in upstate New York. She and her best friend Sils are teenagers at the tail end of the Vietnam War, and work at Storyland amusement park on the weekends and during the summer. When Sils gets into trouble, Berie starts pocketing money from the cash register to help her out, but it will only be so long until she gets caught and the course of her life changes.
Berie is recounting these pivotal events from adulthood, when she’s traveling in Paris with her husband, Daniel. There are some troubling aspects to their relationship that don’t get fully explored, but that seems to be part of the point: we are always works in progress, and never as psychologically well as we try to appear. I most enjoyed the book’s tone of gentle nostalgia: “Despite all my curatorial impulses and training, my priestly harborings and professional, courtly suit of the past, I never knew what to do with all those years of one’s life: trot around in them forever like old boots – or sever them, let them fly free?”
Moore’s voice here reminds me of Amy Bloom’s and Elizabeth McCracken’s, though I’ve generally enjoyed those writers more.
*There are a few literal references to frogs (as well as the understood slang for French people). The title phrase comes from a drawing Sils makes about their mission to find and mend all the swamp frogs that boys shoot with BB guns. Berie also remarks on the sound of a frog chorus, and notes that two decades later frogs seem to be disappearing from the earth. In both these cases frogs are metaphors for a lost innocence. “She has eaten the frog” is also, in French, a slang term for taking from the cash box.
(I can’t resist mentioning Berie and Sils’ usual snack: raw, peeled potatoes cut into quarters and spread with margarine and salt!)
A recap of my 20 Books of Summer:
- I enjoyed my animal theme, which was broad enough to encompass straightforward nature books but also a wide variety of memoirs and fiction. In most cases there was a literal connection between the animal in the title and the book’s subject.
- I read just nine of my original choices, plus two of the back-ups. The rest were a mixture of: books I brought back from America, review copies, books I’d started last year and set aside for ages, and ones I had lying around and had forgotten were relevant.
- I accidentally split the total evenly between fiction and nonfiction: 10 of each.
- I happened to read three novels by Canadian authors. The remainder were your usual British and American suspects.
- The clear stand-out of the 20 was Crow Planet by Lyanda Lynn Haupt, followed closely by The Snow Leopard (see above) and The Seafarers by Stephen Rutt – all nonfiction!
- In my second tier of favorites were three novels: Fifteen Dogs, The Unchangeable Spots of Leopards, and Crow Lake.
I also had three DNFs that I managed to replace in time.
Hollow Kingdom by Kira Jane Buxton [a review copy – and one of my Most Anticipated titles]
(I managed the first 36 pages.) Do you have a friend who’s intimidatingly sharp, whose every spoken or written line leaps from wordplay to a joke to an allusion to a pun? That’s how I felt about Hollow Kingdom. It’s so clever it’s exhausting.
I wanted to read this because I’d heard it’s narrated by a crow. S.T. (Shit Turd) is an American Crow who lives with an electrician, Big Jim, in Seattle, along with Dennis the dumb bloodhound. One day Jim’s eyeball pops out and he starts acting crazy and spending all his time in the basement. On reconnaissance flights through the neighborhood, S.T. realizes that all the humans (aka “MoFos” or “Hollows”) are similarly deranged. He runs into a gang of zombies when he goes to the Walgreens pharmacy to loot medications. Some are even starting to eat their pets. (Uh oh.)
We get brief introductions to other animal narrators, including Winnie the Poodle and Genghis Cat. An Internet-like “Aura” allows animals of various species to communicate with each other about the crisis. I struggle with dystopian and zombie stuff, but I think I could make an exception for this. Although I do think it’s overwritten (one adverb and four adjectives in one sentence: “We left slowly to the gentle song of lugubrious paw pads and the viscous beat of crestfallen wings”), I’ll try it again someday.
Gould’s Book of Fish: A Novel in Twelve Fish by Richard Flanagan: I read the first 164 pages last year before stalling; alas, I could make no more headway this summer. It’s an amusing historical pastiche in the voice of a notorious forger and counterfeiter who’s sentenced to 14 years in Van Diemen’s Land. I could bear only so much of this wordy brilliance, and no more.
Tisala by Richard Seward Newton: I guess I read the blurb and thought this was unmissable, but I should have tried to read a sample or some more reviews of it. I got to page 6 and found it so undistinguished and overblown that I couldn’t imagine reading another 560+ pages about a whale.
For next year, I’m toying with the idea of a food and drink theme. Once again, this would include fiction and nonfiction that is specifically about food but also slightly more cheaty selections that happen to have the word “eats” or “ate” or a potential foodstuff in the title, or have an author whose name brings food to mind. I perused my shelf and found exactly 20 suitable books, so that seems like a sign! (The eagle-eyed among you may note that two of these were on my piles of potential reads for this summer, and two others on last summer’s. When will they ever actually get read?!)
Alternatively, I could just let myself have completely free choice from my shelves. My only non-negotiable criterion is that all 20 books must be ones that I own, to force me to get through more from my shelves (even if that includes review copies).
How did you fare with your summer reading?
Although over 90 books from the second half of the year are already on my radar, I’ve managed to narrow it down to the 15 July to November releases that I’m most excited about. I have access to a few of these already, and most of the rest I will try requesting as soon as I’m back from Milan. (These are given in release date order within thematic sections; the quoted descriptions are from the publisher blurbs on Goodreads.)
[By the way, here’s how I did with my most anticipated releases of the first half of the year:
- 16 out of 30 read; of those 9 were somewhat disappointing (i.e., 3 stars or below) – This is such a poor showing! Is it a matter of my expectations being too high?
- 10 I still haven’t managed to find
- 1 print review copy arrived recently
- 1 I have on my Kindle to read
- 1 I skimmed
- 1 I lost interest in]
The Lager Queen of Minnesota by J. Ryan Stradal [July 23, Pamela Dorman Books] Stradal’s Kitchens of the Great Midwest (2015) is one of my recent favorites. This one has a foodie theme again, and sounds a lot like Louise Miller’s latest – two sisters: a baker of pies and a founder of a small brewery. “Here we meet a cast of lovable, funny, quintessentially American characters eager to make their mark in a world that’s often stacked against them.”
Hollow Kingdom by Kira Jane Buxton [August 6, Grand Central Publishing / Headline Review] As soon as I heard that this was narrated by a crow, I knew I was going to have to read it. (And the Seattle setting also ties in with Lyanda Lynn Haupt’s book.) “Humanity’s extinction has seemingly arrived, and the only one determined to save it is a foul-mouthed crow whose knowledge of the world around him comes from his TV-watching education.”
Inland by Téa Obreht [August 13, Random House / Weidenfeld & Nicolson] However has it been eight years since her terrific debut novel?! “In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives collide. … [L]yrical, and sweeping in scope, Inland subverts and reimagines the myths of the American West.” The synopsis reminds me of Eowyn Ivey’s latest.
A Door in the Earth by Amy Waldman [August 27, Little, Brown and Company] I loved The Submission, Waldman’s 2011 novel about a controversial (imagined) 9/11 memorial. “Parveen Shamsa, a college senior in search of a calling, feels pulled between her charismatic and mercurial anthropology professor and the comfortable but predictable Afghan-American community in her Northern California hometown [and] travels to a remote village in the land of her birth to join the work of his charitable foundation.” (NetGalley download)
Bloomland by John Englehardt [September 10, Dzanc Books] “Bloomland opens during finals week at a fictional southern university, when a student walks into the library with his roommate’s semi-automatic rifle and opens fire. In this richly textured debut, Englehardt explores how the origin and aftermath of the shooting impacts the lives of three characters.” (print review copy from publisher)
The Dutch House by Ann Patchett [September 25, Harper / Bloomsbury UK] I’m more a fan of Patchett’s nonfiction, but will keep reading her novels thanks to Commonwealth. “At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous [Philadelphia] real estate empire … Set over … five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past.”
Will My Cat Eat My Eyeballs?: Big Questions from Tiny Mortals about Death by Caitlin Doughty [September 10, W.W. Norton / September 19, Weidenfeld & Nicolson] I’ve read Doughty’s previous books about our modern attitude towards mortality and death customs around the world. She’s wonderfully funny and iconoclastic. Plus, how can you resist this title?! Although it sounds like it’s geared towards children, I’ll still read the book. “Doughty blends her mortician’s knowledge of the body and the intriguing history behind common misconceptions … to offer factual, hilarious, and candid answers to thirty-five … questions.”
The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care by Anne Boyer [September 17, Farrar, Straus and Giroux] “A week after her forty-first birthday, the acclaimed poet Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. … A genre-bending memoir in the tradition of The Argonauts, The Undying will … show you contemporary America as a thing both desperately ill and occasionally, perversely glorious.” (print review copy from publisher)
Breaking and Mending: A doctor’s story of burnout and recovery by Joanna Cannon [September 26, Wellcome Collection] I haven’t gotten on with Cannon’s fiction, but a memoir should hit the spot. “A frank account of mental health from both sides of the doctor-patient divide, from the bestselling author of The Trouble with Goats and Sheep and Three Things About Elsie, based on her own experience as a doctor working on a psychiatric ward.”
The Body: A Guide for Occupants by Bill Bryson [October 3, Doubleday / Transworld] His last few books have been somewhat underwhelming, but I’d read Bryson on any topic. He’s earned a reputation for making history, science and medicine understandable to laymen. “Full of extraordinary facts and astonishing stories, The Body: A Guide for Occupants is a brilliant, often very funny attempt to understand the miracle of our physical and neurological makeup.”
The Depositions: New and Selected Essays on Being and Ceasing to Be by Thomas Lynch [November 26, W.W. Norton] Lynch is such an underrated writer. A Michigan undertaker, he crafts essays and short stories about small-town life, the Irish-American experience and working with the dead. I discovered him through Greenbelt Festival some years back and have read three of his books. Some of what I’ve already read will likely be repeated here, but will be worth a second look anyway.
Confessions of a Bookseller by Shaun Bythell [August 29, Profile Books] The Diary of a Bookseller was a treat in 2017. I’ve read the first two-thirds of this already while in Milan, and I wish I was in Wigtown instead! This sequel picks up in 2015 and is very much more of the same – the daily routines of buying and selling books and being out and about in a small town – so it’s up to you whether that sounds boring or comforting. I’m finding it strangely addictive. (NetGalley download)
We Are the Weather: Saving the Planet Begins at Breakfast by Jonathan Safran Foer [September 17, Farrar, Straus and Giroux / October 10, Hamish Hamilton] Foer’s Eating Animals (2009) was a hard-hitting argument against eating meat. In this follow-up he posits that meat-eating is the single greatest contributor to climate change. “With his distinctive wit, insight and humanity, Jonathan Safran Foer presents this essential debate as no one else could, bringing it to vivid and urgent life, and offering us all a much-needed way out.”
Surfacing by Kathleen Jamie [September 19, Sort of Books] Jamie is a Scottish poet who writes exquisite essays about the natural world. I’ve read her two previous essay collections, Findings and Sightlines, as well as a couple of volumes of her poetry. “From the thawing tundra linking a Yup’ik village in Alaska to its hunter-gatherer past to the shifting sand dunes revealing the impressively preserved homes of neolithic farmers in Scotland, Jamie explores how the changing natural world can alter our sense of time.”
Unfollow by Megan Phelps-Roper [October 8, Farrar, Straus and Giroux / riverrun] Ties in with my special interest in women’s religious memoirs. “In November 2012, at the age of twenty-six, [Phelps-Roper] left [Westboro Baptist Church], her family, and her life behind. Unfollow is a story about the rarest thing of all: a person changing their mind. It is a fascinating insight into a closed world of extreme belief, a biography of a complex family, and a hope-inspiring memoir of a young woman finding the courage to find compassion.”