Excerpts from and links to some of my recent online writing for other places:
Three O’Clock in the Morning by Gianrico Carofiglio
The quotation that gives Carofiglio’s tender novel its title is from F. Scott Fitzgerald’s The Crack-Up: “In a real dark night of the soul it is always three o’clock in the morning.” It lends an appropriate sense of time suspended, of earnest seeking and extreme circumstances: The main action of the book takes place over just a few days in June of 1983, when Italian teenager Antonio and his father are stranded in Marseilles while there for Antonio to be seen by an epilepsy specialist. The gift of this time outside of time allows them to get to know each other better, such that the memory of the trip will be precious to Antonio even decades later. I appreciated how the limited setting heightened this short novel’s emotions. Carofiglio invites readers to peer between the leisurely progression of events to see the bond that is being formed. (See my full review at BookBrowse. See also my related article on HarperVia, a new publishing imprint for international literature.)
The Dictionary of Lost Words by Pip Williams
Inspired by the composition of the Oxford English Dictionary, this Australian debut novel explores the lives of the women on its fringes through the words that were omitted. The suffrage movement and World War I loom large as the storyline enters the 1910s. I most appreciated the relationships Esme has with the various women in her life. The main action spans the 40 years of the original composition of the OED. That scope means there is a lot of skipping forward in time. Especially in the first half, I longed for the narrative to slow down so I could spend more time with this character. Despite the first-person narration, I never felt I knew Esme very well. Women’s bonds and women’s words are strong themes in this forthrightly feminist novel that, despite its flaws, would make a great book club selection. (See my full review at BookBrowse. See also my reading list of books about dictionaries and lost words.)
Shiny New Books
Notes from Deep Time: The Hidden Stories of the Earth Beneath Our Feet by Helen Gordon
To assess the place of humanity, we can look back to prehistory, but also forward to envision the “deep future.” (It was only in a late chapter on nuclear waste disposal sites and warning messages to the future that I found too much direct overlap with Footprints by David Farrier.) This engagingly blends both tactics, surveying the fields of geology and palaeontology and pondering the future traces of the Anthropocene. I most enjoyed the middle chapters, in which science meets wildlife and cultural studies. For instance, a chapter on ammonites leads into a profile of Mary Anning and the history of both fossil hunting and women in STEM careers. The prose is well pitched to the layman’s level. Interviews, travels, and snapshots from her own life generally keep the material from becoming too dry. An invigorating interdisciplinary tour. (See my full review at Shiny New Books.)
My book club has been meeting via Zoom since April 2020. This is a common state of affairs for book clubs around the world. Especially since we have 12 members (if everyone attends, which is rare), we haven’t been able to contemplate meeting in person as of yet. However, a subset of us meet midway between the monthly reads to discuss women’s classics like Marge Piercy’s Woman on the Edge of Time. For next week’s meeting on Mrs. Dalloway, we are going to attempt a six-person get-together in one member’s house.
Anyway, a neat thing we did last month was a Zoom chat with the author: a BBC correspondent who happens to be the brother of one of our members. If you’re a news junkie in the UK, you may know the name Jon Sopel, though since I don’t have a telly or ever listen to radio, I hadn’t encountered him until this “in-person” meet-up. He has been the BBC’s North America Editor since 2014.
UnPresidented is the third book he wrote over the course of the Trump presidency. It started off as a diary of the 2020 election campaign, beginning in July 2019, but of course soon morphed into something slightly different: a chronicle of life in D.C. and London during Covid-19 and a record of the Trump mishandling of the pandemic. But as well as a farcical election process and a public health crisis, 2020’s perfect storm also included economic collapse and social upheaval – thanks to the murder of George Floyd and the subsequent Black Lives Matter protests worldwide plus isolated rioting.
UnPresidented served as a good reminder for me of the timeline of events and the full catalogue of outrages committed by Trump and his cronies. You just have to shake your head over the litany of ridiculous things he said and did, and got away with – any one of which might have sunk another president or candidate. The style is breezy and off-the-cuff, so the book reads quickly. There’s a good balance between world events and personal ones, with his family split across the UK and Australia. I appreciated the insight into differences from the British system. I thought it would be depressing reading back through the events of 2020, but for the most part the knowledge that everything turned out “right” allowed me to see the humour in it. Still, I found it excruciating reading about the four days following the election.
Sopel kindly gave us an hour of his time one Wednesday evening before he had to go on air and answered our questions about Biden, Harris, journalistic ethics, and more. He was charming and eloquent, as befits his profession.
Would any of these books interest you?
Happy Feast of the Inauguration!
This is a feast day we made up simply because 2021 needs as many excuses for celebration as it can get. (Our next one will be in mid-February: Victoriana Fest, to celebrate the birthdays of a few of our Victorian heroes – Charles Darwin, Charles Dickens, and Abraham Lincoln. Expect traditional, stodgy foods.) Later tonight we’ll be having an all-American menu of veggie burgers, sweet potato fries, random Californian beers we found at Waitrose, and pecan pie with ice cream. And Vice President Kamala Harris’s autobiography is on hold for me at the library to pick up later this month.
Since I still don’t have any new book reviews ready (though I have now finished seven books in 2021, which is something), here’s some more filler content based on annoying book traits I’ve been reminded of recently.
Some of My Bookish Pet Peeves
Long excerpts from other books, in the text or as epigraphs
I often skip these. I am reading this book to hear from you, the author, not the various philosophers and poets you admire. I want to learn from your expertise and thought processes, not someone else’s.
Exceptions: Tim Dee’s books are good examples since he weaves in copious quotations and allusions while still being eloquent in his own right. Emily Rapp’s The Still Point of the Turning World includes a lot of quotes, especially from poems, but I was okay with that because it was true to her experience of traditional thinking failing her in the face of her son’s impending death. Her two bereavement memoirs are thus almost like commonplace books on grief.
Long passages in italics
I sometimes see these used to indicate flashbacks in historical fiction. They are such a pain to read. I am very likely to skim these sections, or skip them altogether.
An exception: Thus far, the secondary storyline about the mice in The Charmed Wife by Olga Grushin, delivered all in italics, has been more compelling than the main storyline.
Huge jumps forward in time
These generally feel unnatural and sudden. Surely there’s a way to avoid them? And if they are truly necessary, I’d rather they were denoted by a new section with a time/date stamp. I’m not talking about alternating storylines from different time periods, as these are usually well signaled by a change of voice, but, e.g., a chapter picking up 15 years in the future.
Not being upfront about the fact that a book is ghostwritten
I have come to expect ghostwriters for political memoirs (Barack Obama’s being a rare exception), but in the last two years I’ve also come across a botanist’s memoir and a surgeon’s memoir that were ghostwritten but not announced as such – with the former I only found out via the acknowledgments at the end, and with the latter it was hidden away in the copyright information. I’d rather the title page came right out and said “by So and So” with “Ghostwriter Name.” (Anyone know whether Kamala had a ghostwriter?)
Matte covers or dustjackets that show fingerprints
Back in 2017 I wrote a whole post on the physical book features that I love or loathe. It was a good way of eliciting strong opinions from blog readers! (For example, some people hate deckle edge, whereas I love it.)
Something that bothers other readers but doesn’t faze me at all is a lack of speech marks, or the use of alternative indicators like dashes or indented paragraphs. I’m totally used to this in literary fiction. I even kind of like it. I’m also devoted to rarer forms of narration like the second person and the first person plural that might be a turn-off for some.
No, or very few, paragraphs, chapters, or other section breaks
How am I supposed to know where to stop reading and put my bookmark in?!
Whom is dead
Not just in books; in written English in general. And, even if this is inevitable, it still makes me sad.