My top 10 releases of 2019 thus far, in no particular order, are:
General / Historical Fiction
Stubborn Archivist by Yara Rodrigues Fowler: What a hip, fresh approach to fiction. Broadly speaking, this is autofiction: like the author, the protagonist was born in London to a Brazilian mother and an English father. The book opens with fragmentary, titled pieces that look almost like poems in stanzas. The text feel artless, like a pure stream of memory and experience. Navigating two cultures (and languages), being young and adrift, and sometimes seeing her mother in herself: there’s a lot to sympathize with in the main character.
*The Flight Portfolio by Julie Orringer: Every day the Emergency Rescue Committee in Marseille interviews 60 refugees and chooses 10 to recommend to the command center in New York City. Varian and his staff arrange bribes, fake passports, and exit visas to get celebrated Jewish artists and writers out of the country via the Pyrenees or various sea routes. The story of an accidental hero torn between impossible choices is utterly compelling. This is richly detailed historical fiction at its best. My top book of 2019 so far.
Daisy Jones and The Six by Taylor Jenkins Reid: This story of the rise and fall of a Fleetwood Mac-esque band is full of verve and heart, and it’s so clever how Reid delivers it all as an oral history of pieced-together interview fragments, creating authentic voices and requiring almost no footnotes or authorial interventions. It’s pure California sex, drugs, and rock ’n roll, but there’s nothing clichéd about it. Instead, you get timeless rivalry, resentment, and unrequited or forbidden love; the clash of personalities and the fleeting nature of fame.
Things in Jars by Jess Kidd: In the autumn of 1863 Bridie Devine, female detective extraordinaire, is tasked with finding the six-year-old daughter of a baronet. Kidd paints a convincingly stark picture of Dickensian London, focusing on an underworld of criminals and circus freaks. Surgery before and after anesthesia and mythology (mermaids and selkies) are intriguing subplots woven through. Kidd’s prose is spry and amusing, particularly in her compact descriptions of people but also in more expansive musings on the dirty, bustling city.
The Doll Factory by Elizabeth Macneal: Iris Whittle dreams of escaping Mrs Salter’s Doll Emporium and becoming a real painter. Set in the early 1850s and focusing on the Great Exhibition and Pre-Raphaelite Brotherhood, this also reveals the everyday world of poor Londoners. It’s a sumptuous and believable fictional world, with touches of gritty realism. If some characters seem to fit neatly into stereotypes (fallen woman, rake, etc.), be assured that Macneal is interested in nuances. A terrific debut full of panache and promise.
The Lady Doctor by Ian Williams: Dr. Lois Pritchard works at a medical practice in small-town Wales and puts in two days a week treating embarrassing ailments at the local hospital’s genitourinary medicine clinic. The tone is wonderfully balanced: there are plenty of hilarious, somewhat raunchy scenes, but also a lot of heartfelt moments as Lois learns that a doctor is never completely off duty and you have no idea what medical or personal challenge will crop up next. The drawing style reminds me of Alison Bechdel’s.
Constellations by Sinéad Gleeson: Perfect for fans of I Am, I Am, I Am by Maggie O’Farrell, this is a set of trenchant autobiographical essays about being in a female body, especially one wracked by pain. Gleeson ranges from the seemingly trivial to life-and-death matters as she writes about hairstyles, blood types, pregnancy, the abortion debate in Ireland and having a rare type of leukemia. The book feels timely and is inventive in how it brings together disparate topics to explore the possibilities and limitations of women’s bodies.
Hard Pushed: A Midwife’s Story by Leah Hazard: An empathetic picture of patients’ plights and medical professionals’ burnout. Visceral details of sights, smells and feelings put you right there in the delivery room. Excerpts from a midwife’s official notes – in italics and full of shorthand and jargon – are a neat window into the science and reality of the work. This is a heartfelt read as well as a vivid and pacey one, and it’s alternately funny and sobering. If you like books that follow doctors and nurses down hospital hallways, you’ll love it.
Mother Ship by Francesca Segal: A visceral diary of the first eight weeks in the lives of her daughters, who were born by Caesarean section at 29 weeks in October 2015 and spent the next two months in the NICU. As well as portraying her own state of mind, Segal crafts twinkly pen portraits of the others she encountered in the NICU, including the staff but especially her fellow preemie mums. Female friendship is thus a subsidiary theme in this exploration of desperate love and helplessness.
Thousandfoldby Nina Bogin: This is a lovely collection whose poems devote equal time to interactions with nature and encounters with friends and family. Birds – along with their eggs and feathers – are a frequent presence. Often a particular object will serve as a totem as the poet remembers the most important people in her life. Elsewhere Bogin greets a new granddaughter and gives thanks for the comforting presence of her cat. Gentle rhymes and half-rhymes lend a playful or incantatory nature. I recommend it to fans of Linda Pastan.
The three 4.5- or 5-star books that I read this year (and haven’t yet written about on here) that were not published in 2019 are:
Girls Are Coming Out of the Woods by Tishani Doshi [poetry]
I’ve continued to post my occasional reading coincidences on Twitter and/or Instagram. This is when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such serendipitous incidents. (The following are in rough chronological order.)
What’s the weirdest coincidence you’ve had lately?
Two titles that sound dubious about miracles: There Will Be No Miracles Here by Casey Gerald and The Unwinding of the Miracle: A Memoir of Life, Death, and Everything that Comes After by Julie Yip-Williams
Two titles featuring light: A Light Song of Light by Kei Miller and The Age of Light by Whitney Scharer
Grey Poupon mustard (and its snooty associations, as captured in the TV commercials) mentioned in There Will Be No Miracles Here by Casey Gerald and Drinking: A Love Story by Caroline Knapp
“I Wanna Dance with Somebody” (the Whitney Houston song) referenced in There Will Be No Miracles Here by Casey Gerald and Don’t Call Us Dead by Danez Smith
Two books have an on/off boyfriend named Julian: Drinking: A Love Story by Caroline Knapp and Extinctions by Josephine Wilson
There’s an Aunt Marjorie in When I Had a Little Sister by Catherine Simpson and Extinctions by Josephine Wilson
Set (at least partially) in a Swiss chalet: This Sunrise of Wonder by Michael Mayne and Crazy for God by Frank Schaeffer
A character named Kiki in The Sacred and Profane Love Machine by Iris Murdoch, The Age of Light by Whitney Scharer, AND Improvement by Joan Silber
Two books set (at least partially) in mental hospitals: Mind on Fire by Arnold Thomas Fanning and Faces in the Water by Janet Frame
Two books in which a character thinks the saying is “It’s a doggy dog world” (rather than “dog-eat-dog”): The Friend by Sigrid Nunez and The Octopus Museum by Brenda Shaughnessy
Reading a novel about Lee Miller (The Age of Light by Whitney Scharer), I find a metaphor involving her in My Year of Rest and Relaxation by Ottessa Moshfegh: (the narrator describes her mother) “I think she got away with so much because she was beautiful. She looked like Lee Miller if Lee Miller had been a bedroom drunk.” THEN I come across a poem in Clive James’s Injury Time entitled “Lee Miller in Hitler’s Bathtub”
On the same night that I started Siri Hustvedt’s new novel, Memories of the Future, I also started a novel that had a Siri Hustvedt quote (from The Blindfold) as the epigraph: Besotted by Melissa Duclos
In two books “elicit” was printed where the author meant “illicit” – I’m not going to name and shame, but one of these instances was in a finished copy! (the other in a proof, which is understandable)
Three books in which the bibliography is in alphabetical order BY BOOK TITLE! Tell me this is not a thing; it will not do! (Vagina: A Re-education by Lynn Enright; Let’s Talk about Death(over Dinner) by Michael Hebb; Telling the Story: How to Write and Sell Narrative Nonfiction by Peter Rubie)
References to Gerard Manley Hopkins in Another King, Another Country by Richard Holloway, This Sunrise of Wonder by Michael Mayne and The Point of Poetry by Joe Nutt (these last two also discuss his concept of the “inscape”)
Creative placement of words on the page (different fonts; different type sizes, capitals, bold, etc.; looping around the page or at least not in traditional paragraphs) in When Death Takes Something from You Give It Back by Naja Marie Aidt [not pictured below], How Proust Can Change Your Life by Alain de Botton, Stubborn Archivist by Yara Rodrigues Fowler, Alice Iris Red Horse: Selected Poems of Yoshimasu Gozo and Lanny by Max Porter
Twin brothers fall out over a girl in Cutting for Stone by Abraham Verghese and one story from the upcoming book Meteorites by Julie Paul
Characters are described as being “away with the fairies” in Lanny by Max Porter and Away by Jane Urquhart
Schindler’s Ark/List is mentioned in In the Beginning: A New Reading of the Book of Genesis by Karen Armstrong and Telling the Story: How to Write and Sell Narrative Nonfiction by Peter Rubie … makes me think that I should finally pick up my copy!
My Best Discoveries of the Year: Neil Ansell, James Baldwin, Janet Frame, Rohinton Mistry, Blake Morrison, Dani Shapiro, Sarah Vowell; Roald Dahl’s work for adults
The Author I Read the Most By: Anne Tyler (four novels)
My Proudest Reading Achievement: Getting through a whole Rachel Cusk book (it was my third attempt to read her).
The 2018 Books Everybody Else Loved but I Didn’t: Melmoth by Sarah Perry and Normal People by Sally Rooney
The Year’s Biggest Disappointments: The Travelling Cat Chronicles by Hiro Arikawa and Sabrina by Nick Drnaso
The Funniest Books I Read This Year: Fox 8 by George Saunders and Calypso by David Sedaris
Books that Made Me Cry: Leaving Before the Rains ComebyAlexandra Fuller and The Long Goodbye by Meghan O’Rourke
The Downright Strangest Books I Read This Year: The Bus on Thursday by Sheila Barrett, The Pisces by Melissa Broder and I Love Dick by Chris Kraus
The Debut Authors Whose Next Work I’m Most Looking Forward To: Julie Buntin, Lisa Ko and R.O. Kwon
The Best First Line of the Year: “Dust and ashes though I am, I sleep the sleep of angels.” (from The Western Wind by Samantha Harvey)
Some Early 2019 Recommendations
(in release date order)
Book Love by Debbie Tung: Bookworms will get a real kick out of these cartoons, which capture everyday moments in the life of a book-obsessed young woman (perpetually in hoodie and ponytail). She reads anything, anytime, anywhere. Even though she has piles of books staring her in the face everywhere she looks, she can never resist a trip to the bookstore or library. The very idea of culling her books or finding herself short of reading material makes her panic, and she makes a friend sign a written agreement before he can borrow one of her books. Her partner and friends think she’s batty, but she doesn’t care. I found the content a little bit repetitive and the drawing style not particularly distinguished, but Tung gets the bibliophile’s psyche just right. (Out January 1.)
When Death Becomes Life: Notes from a Transplant Surgeon by Joshua D. Mezrich: In this debut memoir a surgeon surveys the history of organ transplantation, recalling his own medical education and the special patients he’s met along the way. In the 1940s and 1950s patient after patient was lost to rejection of the transplanted organ, post-surgery infection, or hemorrhaging. Mezrich marvels at how few decades passed between transplantation seeming like something out of a science-fiction future and becoming a commonplace procedure. His aim is to never lose his sense of wonder at the life-saving possibilities of organ donation, and he conveys that awe to readers through his descriptions of a typical procedure. One day I will likely need a donated kidney to save my life. How grateful I am to live at a time when this is a possibility. (Out January 15.)
Inheritance: A Memoir of Genealogy, Paternity, and Love by Dani Shapiro: Shapiro was used to strangers’ comments about her blond hair and blue eyes. How could it be that she was an Orthodox Jew? people wondered. It never occurred to her that there was any truth to these hurtful jokes. On a whim, in her fifties, she joined her husband in sending off a DNA test kit. It came back with alarming results. Within 36 hours of starting research into her origins, Shapiro had found her biological father, a sperm donor whom she calls Dr. Ben Walden, and in the year that followed, their families carefully built up a relationship. The whole experience was memoirist’s gold, for sure. This is a moving account of her emotional state as she pondered her identity and what her sense of family would be in the future. (Out January 15.)
Constellations: Reflections from Life by Sinéad Gleeson: Perfect for fans of I Am, I Am, I Am by Maggie O’Farrell, this is a set of trenchant autobiographical essays about being in a female body, especially one wracked by pain. As a child Gleeson had arthritis that weakened her hip bones, and eventually she had to have a total hip replacement. She ranges from the seemingly trivial to life-and-death matters as she writes about hairstyles, blood types, pregnancy, the abortion debate in Ireland and having a rare type of leukemia. In the tradition of Virginia Woolf, Frida Kahlo and Susan Sontag, Gleeson turns pain into art, particularly in a set of 20 poems based on the McGill Pain Index. The book feels timely and is inventive in how it brings together disparate topics to explore the possibilities and limitations of women’s bodies. (Out April 4.)
The Hot Young Widows Club: Lessons on Survival from the Front Lines of Grief by Nora McInerny: In June 2016 I read It’s Okay to Laugh (Crying Is Cool Too), McInerny’s memoir about losing her father and her husband to cancer and her second child to a miscarriage – all within a few weeks – when she was 31. In this short book, an expansion of her TED talk, she argues that we are all incompetent when it comes to grief. There’s no rule book for how to do it well or how to help other people who are experiencing a bereavement, and comparing one loss to another doesn’t help anyone. I especially appreciated her rundown of the difference between pity and true empathy. “Pity keeps our hearts closed up, locked away. Empathy opens our heart up to the possibility that the pain of others could one day be our own pain.” (Out April 30.)
Coming tomorrow: Library Checkout & Final statistics for the year
Have you read any 2019 releases you can recommend?
Like a lot of book bloggers, I’m irresistibly drawn to the shiny new books released each year. However, I’ve noticed recently that many of my most memorable reads were published years or even decades ago. In 2018 I even came across a handful of books that are for me among the very best representatives of their genre, whether that’s nature, travel, family memoir, historical fiction or science fiction. The below selections are in alphabetical order by author name, and account for all the rest of my 4.5- and 5-star ratings of the year (another 27!).
March by Geraldine Brooks (2005): The best Civil War novel I’ve read. The best slavery novel I’ve read. One of the best historical novels I’ve ever read, period. Brooks’s second novel uses Little Women as its jumping-off point but is very much its own story. The whole is a perfect mixture of what’s familiar from history and literature and what Brooks has imagined.
Marlena by Julie Buntin (2017): The northern Michigan setting pairs perfectly with the novel’s tone of foreboding: you have a sense of these troubled teens being isolated in their clearing in the woods, and from one frigid winter through a steamy summer and into the chill of the impending autumn, they have to figure out what in the world they are going to do with their terrifying freedom. It’s basically a flawless debut, one I can’t recommend too highly.
Reading in the Dark by Seamus Deane (1996): Ireland’s internecine violence is the sinister backdrop to this family’s everyday sorrows, including the death of a child and the mother’s shaky mental health. The book captures all the magic, uncertainty and heartache of being a child, in crisp scenes I saw playing out in my mind.
The Life and Loves of Lena Gaunt by Tracy Farr (2013): Lena Gaunt: early theremin player, grande dame of electronic music, and opium addict. I loved how Farr evokes the strangeness and energy of theremin music, and how sound waves find a metaphorical echo in the ocean’s waves – swimming is Lena’s other great passion.
Late Nights on Air by Elizabeth Hay (2007): A tight-knit cast gathers around the local radio station in Yellowknife, a small city in Canada’s Northwest Territories: Harry and Gwen, refugees from Ontario starting new lives; Dido, an alluring Dutch newsreader; Ralph, the freelance book reviewer; menacing Eddie; and pious Eleanor. This is a marvellous story of quiet striving and dislocation; I saw bits of myself in each of the characters, and I loved the extreme setting, both mosquito-ridden summer and bitter winter.
The Leavers by Lisa Ko (2017): An ambitious and satisfying novel set in New York and China, with major themes of illegal immigration, searching for a mother and a sense of belonging, and deciding what to take with you from your past. This was hand-picked by Barbara Kingsolver for the 2016 PEN/Bellwether Prize for Socially Engaged Fiction.
The Invisible Bridge by Julie Orringer (2010): Hungarian Jew Andras Lévi travels from Budapest to Paris to study architecture, falls in love with an older woman who runs a ballet school, and – along with his parents, brothers, and friends – has to adjust to the increasingly strict constraints on Jews across Europe in 1937–45. It’s all too easy to burn out on World War II narratives these days, but this is among the very best I’ve read.
The Sparrow by Mary Doria Russell (1996): For someone like me who struggles with sci-fi at the best of times, this is just right: the alien beings are just different enough from humans for Russell to make fascinating points about gender roles, commerce and art, but not so peculiar that you have trouble believing in their existence. All of the crew members are wonderful, distinctive characters, and the novel leaves you with so much to think about: unrequited love, destiny, faith, despair, and the meaning to be found in life.
Salt Creek by Lucy Treloar (2015): Hester Finch is looking back from the 1870s – when she is a widowed teacher settled in England – to the eight ill-fated years her family spent at Salt Creek, a small (fictional) outpost in South Australia, in the 1850s–60s. This is one of the very best works of historical fiction I’ve read; it’s hard to believe it’s Treloar’s debut novel.
Christmas Days: 12 Stories and 12 Feasts for 12 Days by Jeanette Winterson (2016): I treated myself to this new paperback edition with part of my birthday book token and it was a perfect read for the week leading up to Christmas. The stories are often fable-like, some spooky and some funny. Most have fantastical elements and meaningful rhetorical questions. Winterson takes the theology of Christmas seriously. A gorgeous book I’ll return to year after year.
Available Light by Marge Piercy (1988): The subjects are diverse: travels in Europe, menstruation, identifying as a Jew as well as a feminist, scattering her father’s ashes, the stresses of daily life, and being in love. Some of my favorites were about selectively adhering to the lessons her mother taught her, how difficult it is for a workaholic to be idle, and wrestling the deity for words.
Deep Country: Five Years in the Welsh Hills by Neil Ansell (2011): One of the most memorable nature/travel books I’ve ever read; a modern-day Walden. Ansell’s memoir is packed with beautiful lines as well as philosophical reflections on the nature of the self and the difference between isolation and loneliness.
Boy by Roald Dahl (1984): Pranks and larks and holidays: these are all here; so is crushing homesickness and a bitter sense of injustice at being at the mercy of sadistic adults. Nearly 60 years later, Dahl could use memory and imagination to fully inhabit his childhood self and give a charming survey of the notable events of his life up to age 20.
This Cold Heaven: Seven Seasons in Greenland by Gretel Ehrlich (2001): I thoroughly enjoyed my armchair trek across a frigid island nation in the company of Gretel Ehrlich, who traveled here repeatedly between 1995 and 2001 and intersperses her journeys with those of her historical model, Inuit–Danish explorer Knud Rasmussen, whose seven Arctic expeditions took in the west coast of Greenland and the far north of the North American continent. Every time she finds a fresh way to write about ice and sun glare and frigid temperatures.
Ali: A Life by Jonathan Eig (2017): It’s a riveting account of outliving segregation and developing a personal style and world-beating confidence; it’s a sobering tale of facing consequences and having your own body fail you. I’m the furthest thing from a sports fan you could imagine, but I approached this as a book about a cultural icon and read it with a spirit of curiosity about how Eig would shape this life story and separate the facts from the legend. I loved it.
The Book of Forgotten Authors by Christopher Fowler (2017): A charming introduction to 99 more or less obscure writers. Each profile is a perfectly formed mini-biography with a survey of the author’s major work: in just two or three pages, Fowler is able to convey all a writer’s eccentricities and why their output is still worth remembering.
To the Is-Land: An Autobiography by Janet Frame (1982): This is some of the best writing about childhood and memory that I’ve ever read, infused with music, magic and mystery. The prose alternates between dreamy and matter-of-fact as Frame describes growing up in New Zealand one of five children in the Depression and interwar years.
Leaving Before the Rains Come by Alexandra Fuller (2015): This poignant sequel to Don’t Let’s Go to the Dogs Tonight is a portrait of Fuller’s two-decade marriage, from its hopeful beginnings to its acrimonious end. What I most appreciated about the book was Fuller’s sense of being displaced: she no longer feels African, but nor does she feel American.
West With the Night by Beryl Markham (1942): Markham writes so vividly about the many adventures of her life in Africa: hunting lions, training race horses, and becoming one of the continent’s first freelance pilots, delivering mail and locating elephant herds. Whether she’s reflecting on the many faces of Africa or the peculiar solitude of night flights, the prose is just stellar.
And When Did You Last See Your Father? by Blake Morrison (1993): An extraordinary memoir based around the author’s relationship with his father. Alternating chapters give glimpses into earlier family life and narrate Morrison’s father’s decline and death from cancer. This is simply marvelously written, not a bad line in the whole thing.
The Seabird’s Cry: The Lives and Loves of Puffins, Gannets and Other Ocean Voyagers by Adam Nicolson (2017): This is an extraordinarily well-written and -researched book (a worthy Wainwright Prize winner) about the behavior, cultural importance, and current plight of the world’s seabirds. Each chapter takes up a different species and dives deep into everything from its anatomy to the legends surrounding it, simultaneously conveying the playful, intimate real lives of the birds and their complete otherness.
The Long Goodbye: A Memoir of Grief by Meghan O’Rourke (2011): I read a whole lot of bereavement memoirs; this has been one of the very best. O’Rourke tells her story with absolute clarity – a robust, plain-speaking style that matches her emotional transparency. The heart of the book is her mother’s death from colorectal cancer on Christmas Day 2008, but we also get a full picture of the family life that preceded it and the first couple of years of aftermath.
Ghosts of the Tsunami: Death and Life in Japan’s Disaster Zone by Richard Lloyd Parry (2017): Eighteen and a half thousand people died in the earthquake and tsunami that hit Japan in March 2011. It’s not really possible to get your head around a tragedy on that scale so, wisely, Parry focuses on a smaller story within the story: 74 died at Okawa primary school because the administration didn’t have a sufficient disaster plan in place. This is a stunning portrait of a resilient people, but also a universal story of the human spirit facing the worst.
Lots of Candles, Plenty of Cake by Anna Quindlen (2012): A splendid memoir-in-essays that dwells on aging, parenting and female friendship. Some of its specific themes are marriage, solitude, the randomness of life, the process of growing into your own identity, and the special challenges her generation (roughly my mother’s) faced in seeking a work–life balance. Her words are witty and reassuring, and cut right to the heart of the matter in every case.
The Happiness Project: Or, Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun by Gretchen Rubin (2009): Probably the best self-help book I’ve read; dense (in the best possible way) with philosophy, experience and advice. What I appreciated most is that her approach is not about undertaking extreme actions to try to achieve happiness, but about finding contentment in the life you already have by adding or tweaking small habits – especially useful for pessimists like me.
In the Days of Rain: A daughter. A father. A cult by Rebecca Stott (2017): This was a perfect book for my interests, and just the kind of thing I would love to write someday. It’s a bereavement memoir that opens with Stott’s father succumbing to pancreatic cancer and eliciting her promise to help finish his languishing memoir; it’s a family memoir that tracks generations through England, Scotland and Australia; and it’s a story of faith and doubt, of the absolute certainty experienced inside the Exclusive Brethren (a Christian sect that numbers 45,000 worldwide) and how that cracked until there was no choice but to leave.
Writers & Company by Eleanor Wachtel (1993): Erudite and fascinating author interviews from Wachtel’s weekly Canadian Broadcasting Corporation radio program. Whether I’d read anything by these authors (or even heard of them) or not, I found each Q&A chock-full of priceless nuggets of wisdom about creativity, mothers and daughters, drawing on autobiographical material, the writing process, and much more.
And if I really had to limit myself to just two books – my very best fiction and nonfiction reads of the year – they would be March by Geraldine Brooks and And When Did You Last See Your Father? by Blake Morrison.
Since May I’ve been posting my occasional reading coincidences on Twitter and/or Instagram. This is when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such serendipitous incidents. What’s the weirdest one you’ve had lately? (The following are in rough chronological order.)
Two historical novels set (partially) among the slaves of Martinique and featuring snippets of Creole (Patrick Chamoiseau’s Slave Old Man and Jane Harris’s Sugar Money)
A book about epilepsy and a conductor’s memoir, followed by a novel with a conductor character and another who has seizures (Suzanne O’Sullivan’s Brainstorm and Lev Parikian’s Why Do Birds Suddenly Disappear? to Caoilinn Hughes’s Orchid & the Wasp)
Two characters mistake pregnancy for cholera (in Alexandra Fuller’s Leaving Before the Rains Come and W. Somerset Maugham’s The Painted Veil)
Two characters are reading Ursula K. Le Guin’s The Left Hand of Darkness (in Lily Brooks-Dalton’s Good Morning, Midnight and Julie Buntin’s Marlena) … I’ve since tried again with Le Guin’s book myself, but it’s so dry I can only bear to skim it.
Two memoirs by Iranian-American novelists with mental health and drug use issues (Porochista Khakpour’s Sick and Afarin Majidi’s Writing and Madness in a Time of Terror)
References to the blasé response to Martin Luther King’s assassination in North Carolina (in Paulette Bates Alden’s Crossing the Moon and David Sedaris’s Calypso)
The Police lyrics (in Less by Andrew Sean Greer and Summer by Karl Ove Knausgaard [a whole essay called “Sting”])
Salmon croquettes mentioned in Less by Andrew Sean Greer and An American Marriage by Tayari Jones
I’m reading Beryl Markham’s West with the Night… and then Glynnis MacNicol picks that very book up to read on a plane in No One Tells You This
Starting two books with the word “Ladder” in the title, one right after the other: Ladders to Heaven by Mike Shanahan and Ladder of Years by Anne Tyler (followed just a couple of weeks later by A Ladder to the Sky by John Boyne!)
Two books set in Dunedin, New Zealand, one right after the other – I planned it that way, BUT both have a character called Myrtle (To the Is-Land by Janet Frame and Dunedin by Shena Mackay). Then I encountered Harold Gillies, the father of plastic surgery, in Jim McCaul’s Face to Face, and guess what? He was from Dunedin!
Then I was skimming Louisa Young’s You Left Early and she mentioned that her grandmother was a sculptor who worked with Gillies on prostheses, which was the inspiration for her WWI novel, My Dear I Wanted to Tell You.
Two novels featuringdrug addicts (Pretend I’m Dead by Jen Beagin and Bad News by Edward St. Aubyn)
The same Wallace Stevens lines that appear as an epigraph to Barbara Kingsolver’s Unsheltered are mentioned in Elaine Pagels’s Why Religion? – “After the final no there comes a yes / And on that yes the future world depends.”
“Twinkle, Twinkle, Little Star” is mentioned in Little by Edward Carey and Marilla of Green Gables by Sarah McCoy
Reading Nine Pints, Rose George’s book about blood, at the same time as Deborah Harkness’s Time’s Convert, which is partially about vampires; in this it takes 90 days for a human to become fully vampirized – the same time it takes to be cured of an addiction according to the memoir Ninety Days by Bill Clegg.
I feel like I have more books staring at me than ever before. I could blame free library reservations and a trip to Wigtown, but there’s one more major reason for the books stacking up: an utter lack of restraint when it comes to requesting or accepting books for review. I’ve had loads of books coming through the door in the past month or so. Some were offered to me by authors or publishers via Goodreads, Twitter or my blog’s contact form. Others I sent e-mails to request after I saw tempting reviews in the Guardian or previews on Susan’s blog.
Of course I want to read all of these books. I really want to read most of them. Otherwise I wouldn’t have gone to the trouble of requesting, borrowing or buying them. But even so, there’s only so much time. It’s not just a simple matter of picking up the book(s) from the stack that I most feel like reading at a given moment anymore. No, it’s become a triage process whereby I have to assess them by order of urgency.
So, what are my priorities? Here’s a baker’s dozen, in photos.
Wellcome Book Prize shortlist reading. I’m on the last of six now; this is for the blog tour coming up next week.
Library books that are due in early May and requested after me.
Books I’ve requested for a blog review, in release date order. I feel so behind that you can expect some doubled-up reviews or mini-reviews in roundup form.
Books I’ve agreed to review for another outlet, even if that’s just Goodreads.
Public library books with no current renewal issues.
Booker Prize winners for the 50th anniversary this summer – I’ll at least review the Coetzee for Shiny New Books, and perhaps a few more on the blog if I get the time.
Three more Iris Murdoch novels to read as part of Liz’s #IMReadalong later on in the year, starting in June.
Books I’ve set aside temporarily, generally because I have enthusiastically started too many at once and had to put some down to pick up more time-sensitive review books. Many of these I was enjoying very much and could see turning out to be 4- or even 5-star reads (especially Brooks, Frame and Matthiessen); others I might end up abandoning.
University library books, which can be renewed pretty much indefinitely.
Every other book I own, even if I had it eyed up for a particular challenge. My vague resolution to read lots of travel books and biographies has pretty much gone by the wayside so far. I also have barely managed a single classic. Sigh! There’s still two-thirds of the year left, but I certainly won’t be managing the one a month from these genres that I proposed.
This month I’ve mostly been reading Sunday Times Young Writer Award nominees and novellas from my own shelves, but I sneaked in a handful of library reads via some novellas and poetry collections, plus the Iris Murdoch readalong. I’ve added in star ratings and links to reviews of those books I haven’t already featured on the blog in some way.
Most of the books I got out from the university library last month are still hanging around and will continue to provide me with some varied reading through Christmas. I’m especially keen to try Janet Frame and Oliver Sacks for the first time, and This Cold Heaven can’t fail to be an appropriate read for the winter months! Believe it or not, but I have never read The Catcher in the Rye, so I just have to decide the right time to finally experience it.
[I haven’t yet figured out a (free) dedicated link-up system, so if you do take part in Library Checkout please just leave a link to your blog in the comments.]
LIBRARY BOOKS READ
We Should All Be Feminists by Chimamanda Ngozi Adichie
Special Exits: A Graphic Memoir by Joyce Farmer [university library]