As per usual, I’m squeezing in my final 20 Books of Summer reviews late on the very last day of the challenge. I’ll call it a throwback to the all-star procrastination of my high school and college years. This was a strong quartet to finish on: two novels, the one about (felling) trees and the other about communicating via flowers; and two nonfiction books about identifying trees and finding harmony with nature.
Tree-Spotting: A Simple Guide to Britain’s Trees by Ros Bennett; illus. Nell Bennett (2022)
Botanist Ros Bennett has designed this as a user-friendly guide that can be taken into the field to identify 52 of Britain’s most common trees. Most of these are native species, plus a few naturalized ones. “Walks in the countryside … take on a new dimension when you find yourself on familiar, first-name terms with the trees around you,” she encourages. She introduces tree families, basics of plant anatomy and chemistry, and the history of the country’s forests before moving into identification. Summer leaves make ID relatively easy with a three-step set of keys, explained in words as well as with impressively detailed black-and-white illustrations of representative species’ leaves (by her daughter, Nell Bennett).
Seasonality makes things trickier: “Identifying plants is not rocket science, though occasionally it does require lots of patience and a good hand lens. Identifying trees in winter is one of those occasions.” This involves a close look at details of the twigs and buds – a challenge I’ll be excited to take up on canalside walks later this year. The third section of the book gives individual profiles of each featured species, with additional drawings. I learned things I never realized I didn’t know (like how to pronounce family names, e.g., Rosaceae is “Rose-A-C”), and formalized other knowledge. For instance, I can recognize an ash tree by sight, but now I know you identify an ash by its 9–13 compound, opposite, serrated leaflets.
Some of the information was more academic than I needed (as with one of my earlier summer reads, The Ash Tree by Oliver Rackham), but it’s easy to skip any sections that don’t feel vital and come back to them another time. I most valued the approachable keys and their accompanying text, and will enjoy taking this compact naked hardback on autumn excursions. Bennett never dumbs anything down, and invites readers to delight in discovery. “So – go out, introduce yourself to your neighbouring trees and wonder at their beauty, ingenuity and variety.”
With thanks to publicist Claire Morrison and Welbeck for the free copy for review.
Damnation Spring by Ash Davidson (2021)
When this would-be Great American Novel* arrived unsolicited through my letterbox last summer, I was surprised I’d not encountered the pre-publication buzz. The cover blurb is from Nickolas Butler, which gives you a pretty good sense of what you’re getting into: a gritty, working-class story set in what threatens to be an overwhelmingly male milieu. For generations, Rich Gundersen’s family has been involved in logging California’s redwoods. Davidson is from Arcata, California, and clearly did a lot of research to recreate an insider perspective and a late 1970s setting. There is some specialist vocabulary and slang (the loggers call the largest trees “big pumpkins”), but it’s easy enough to understand in context.
What saves the novel from going too niche is the double billing of Rich and his wife, Colleen, who is an informal community midwife and has been trying to get pregnant again almost ever since their son Chub’s birth. She’s had multiple miscarriages, and their family and acquaintances have experienced alarming rates of infant loss and severe birth defects. Conservationists, including an old high school friend of Colleen’s, are attempting to stop the felling of redwoods and the spraying of toxic herbicides.
A major element, then, is people gradually waking up to the damage chemicals are doing to their waterways and, thereby, their bodies. The problem, for me, was that I realized this much earlier than any of the characters, and it felt like Davidson laid it on too thick with the many examples of human and animal deaths and deformities. This made the book feel longer and less subtle than, e.g., The Overstory. I started it as a buddy read with Marcie (Buried in Print) 11 months ago and quickly bailed, trying several more times to get back into the book before finally resorting to skimming to the end. Still, especially for a debut author, Davidson’s writing chops are impressive; I’ll look out for what she does next.
*I just spotted that it’s been shortlisted for the $25,000 Mark Twain American Voice in Literature Award.
With thanks to Tinder Press for the proof copy for review.
The Language of Flowers by Vanessa Diffenbaugh (2011)
The cycle would continue. Promises and failures, mothers and daughters, indefinitely.
The various covers make this look more like chick lit than it is. Basically, it’s solidly readable issues- and character-driven literary fiction, on the lighter side but of the caliber of any Oprah’s Book Club selection. It reminded me most of White Oleander by Janet Fitch, one of my 20 Books selections in 2018, because of the focus on the foster care system and a rebellious girl’s development in California, and the floral metaphors.
In Diffenbaugh’s debut, Victoria Jones ages out of foster care at 18 and leaves her group home for an uncertain future. She spends time homeless in San Francisco but her love of flowers, and particularly the Victorian meanings assigned to them, lands her work in a florist’s shop and reconnects her with figures from her past. Chapters alternate between her present day and the time she came closest to being adopted – by Elizabeth, who owned a vineyard and loved flowers, when she was nine. We see how estrangements and worries over adequate mothering recur, with Victoria almost a proto-‘Disaster Woman’ who keeps sabotaging herself. Throughout, flowers broker reconciliations.
I won’t say more about a plot that would be easy to spoil, but this was a delight and reminded me of a mini flower dictionary with a lilac cover and elaborate cursive script that I owned when I was a child. I loved the thought that flowers might have secret messages, as they do for the characters here. Whatever happened to that book?! (Charity shop)
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants by Robin Wall Kimmerer (2013)
I’d heard Kimmerer recommended by just about every nature writer around, North American or British, and knew I needed this on my shelf. Before I ever managed to read it, I saw her interviewed over Zoom by Lucy Jones in July 2021 about her other popular science book, Gathering Moss, which was first published 18 years ago but only made it to the UK last year. So I knew what a kind and peaceful person she is: she just emanates warmth and wisdom, even over a computer screen.
And I did love Braiding Sweetgrass nearly as much as I expected to, with the caveat that the tiny-print 400 pages of my paperback edition make the essays feel very dense. I could only read a handful of pages in a sitting. Also, after about halfway, it started to feel a bit much, like maybe she had given enough examples from her life, Native American legend and botany. The same points about gratitude for the gifts of the Earth, kinship with other creatures, responsibility and reciprocity are made over and over.
However, I feel like this is the spirituality the planet needs now, so I’ll excuse any repetition (and the basket-weaving essay I thought would never end). “In a world of scarcity, interconnection and mutual aid become critical for survival. So say the lichens.” (She’s funny, too, so you don’t have to worry about the contents getting worthy.) She effectively wields the myth of the Windigo as a metaphor for human greed, essential to a capitalist economy based on “emptiness” and “unmet desires.”
I most enjoyed the shorter essays that draw on her fieldwork or her experience of motherhood. “The Gift of Strawberries” – “An Offering” – “Asters and Goldenrod” make a stellar three-in-a-row, and “Collateral Damage” is an excellent later one about rescuing salamanders from the road, i.e. doing the small thing that we can do rather than being overwhelmed by the big picture of nature in crisis. “The Sound of Silverbells” is one of the most well-crafted individual pieces, about taking a group of students camping when she lived in the South. At first their religiosity (creationism and so on) grated, but when she heard them sing “Amazing Grace” she knew that they sensed the holiness of the Great Smoky Mountains.
But the pair I’d recommend most highly, the essays that made me weep, are “A Mother’s Work,” about her time restoring an algae-choked pond at her home in upstate New York, and its follow-up, “The Consolation of Water Lilies,” about finding herself with an empty nest. Her loving attention to the time-consuming task of bringing the pond back to life is in parallel to the challenges of single parenting, with a vision of the passing of time being something good rather than something to resist.
Here are just a few of the many profound lines:
For all of us, becoming indigenous to a place means living as if your children’s future mattered, to take care of the land as if our lives, both material and spiritual, depended on it.
I’m a plant scientist and I want to be clear, but I am also a poet and the world speaks to me in metaphor.
Ponds grow old, and though I will too, I like the ecological idea of aging as progressive enrichment, rather than progressive loss.
This will be a book to return to time and again. (Gift from my wish list several years ago)
I also had one DNF from this summer’s list:
Human Croquet by Kate Atkinson: This reminded me of a cross between The Crow Road by Iain Banks and The Heavens by Sandra Newman, what with the teenage narrator and a vague time travel plot with some Shakespearean references. I put it on the pile for this challenge because I’d read it had a forest setting. I haven’t had much luck with Atkinson in the past and this didn’t keep me reading past page 60. (Little Free Library)
A Look Back at My 20 Books of Summer 2022
Half of my reads are pictured here. The rest were e-books (represented by the Kindle) or have already had to go back to the library.
My fiction standout was The Language of Flowers, reviewed above. Nonfiction highlights included Forget Me Not and Braiding Sweetgrass, with Tree-Spotting the single most useful book overall. I also enjoyed reading a couple of my selections on location in the Outer Hebrides. The hands-down loser (my only 1-star rating of the year so far, I think?) was Bonsai. As always, there are many books I could have included and wished I’d found the time for, like (on my Kindle) A House among the Trees by Julia Glass, This Is Your Mind on Plants by Michael Pollan and Finding the Mother Tree by Suzanne Simard.
At the start, I was really excited about my flora theme and had lots of tempting options lined up, some of them literally about trees/flowers and others more tangentially related. As the summer went on, though, I wasn’t seeing enough progress so scrambled to substitute in other things I was reading from the library or for paid reviews. This isn’t a problem, per se, but my aim with this challenge has generally been to clear TBR reads from my own shelves. Maybe I didn’t come up with enough short and light options (just two novella-length works and a poetry collection; only the Diffenbaugh was what I’d call a page-turner); also, even with the variety I’d built in, having a few plant quest memoirs got a bit samey.
I’m going to skip having a theme and set myself just one simple rule: any 20 print books from my shelves (NOT review copies). There will then be plenty of freedom to choose and substitute as I go along.
It’s probably a decade or more since I read anything by Daphne du Maurier. The three novels of hers that I know are Rebecca (of course), Jamaica Inn, and The House on the Strand. HeavenAli’s annual reading week was the excuse I needed to pick up the copy of My Cousin Rachel that I grabbed from the closed-down free bookshop in the mall about a year ago as we were clearing it out. I’m glad I finally got to this one: it has a gripping storyline and the title character is a complex woman it’s impossible to make up your mind about.
To start with, we have an opening line that’s sure to make my year-end superlatives post: “They used to hang men at Four Turnings in the old days.” The whole first chapter is heavy with foreboding, most of which I didn’t pick up on. It’s clear at once that the narrator, a young man named Philip Ashley, feels guilty for the situation he finds himself in, but can’t decide whether Rachel shares his culpability. Philip is the ward and heir of his older cousin, Ambrose, who winters in Florence for his health but on his latest trip marries Rachel, a widow and distant half-Italian cousin who also has roots in Cornwall, and stays in Italy.
From what little he learns of her through Ambrose’s increasingly incoherent letters, Philip is predisposed to dislike Rachel. When Ambrose dies of a suspected brain tumour, Philip is alarmed to hear that Rachel has already emptied their Florence villa and is reluctant to meet her when she arrives in Plymouth some weeks later. But she is not what he expected: just 35 and beautiful; with a passion for garden design and herbal medicine; witty and gently flirtatious. Before long Philip is smitten. “Why, in heaven’s name, did she have to be so different and play such havoc with my plans?”
The plot revolves around Ambrose’s unsigned will and what it means for the ownership of the Ashleys’ Cornwall estate. Philip is now 24, but on his 25th birthday, which happens to fall on April Fool’s Day, he will come into his inheritance and can make his own decisions. Will Rachel, notorious for her extravagant spending, bewitch him into altering the will to her advantage? A pearl necklace, hidden letters, a beggar woman, churchyard conversations, tisanes, lavish curtains, and a foppish Italian visitor form the backdrop to this Gothic tale.
I never succeeded in dating the action: the only major clue is that it takes three weeks to travel between southwest England and Florence, which seems to point to the nineteenth century. But a lack of definite markers makes the story feel timeless and almost like a fairy tale. Although she shrewdly looks out for her own interests and can manipulate Philip’s emotions, Rachel is no stereotypical witch. Sally Beauman’s introduction to my Virago paperback usefully points out that we only ever see Rachel through the male gaze (Philip’s perhaps unreliable narration and Ambrose’s letters) and that from the title onward she is defined in relation to men. In making a bid for her own independent life, she is the true heroine of what Beauman calls du Maurier’s “most overtly feminist” novel.
I always love the murky atmosphere of du Maurier’s work, but can find her plots contrived. However, this ended up being my favourite of the four I’ve read so far. Initially, it reminded me of E.M. Forster’s Where Angels Fear to Tread, while by the end I was wondering if Janet Fitch took it as inspiration for White Oleander. There’s an unusual pair for you! Make of it what you will…
What else should I read by du Maurier?
I’ve been reading a feminist memoir set on Cape Cod, a subtle novel about the inner life and outward experiences of a writer, a soapy literary thriller about a troubled mother and teen daughter, and a slightly melancholy reminiscence of an aged mother succumbing to dementia.
A Walk on the Beach: Tales of Wisdom from an Unconventional Woman by Joan Anderson (2004)
This is the third volume in a loose autobiographical trilogy about Anderson’s experiment with taking a break from her marriage and living alone in a Cape Cod cottage to figure out what she really wanted from the rest of her life. Specifically, this book is about the inspirational relationship she formed with Joan Erikson, who moved to the area in her eighties when her husband, the famous psychologist Erik Erikson, was admitted to a care home. Joanie was a thinker and author in her own right, publishing books on life’s stages, especially those of older age. She encouraged Anderson to have the confidence to write her own story, and to take up challenges like a trip to Peru and learning to weave on a loom. Joanie’s aphoristic advice is valuable, but there’s a fair bit of overlap between this book and A Year by the Sea, which I would recommend over this.
Some of Joan Erikson’s words of wisdom:
“Doing something with your hands, rather than your head, is often the best route to clarity.”
“wisdom comes from life’s experiences well digested. Stop relying so much on your mind and get in touch with experience.”
“The struggle is to try and obtain a sense of participation in your life the whole way through. We must treasure old age, but not wallow in nostalgia.”
Transit by Rachel Cusk (2016)
I finally made it through a Rachel Cusk book! (This was my third attempt; I made it just a few pages into Aftermath and 60 pages through Outline.) I suspected this would make a good plane read, and thankfully I was right. Each chapter is a perfectly formed short story, a snapshot of one aspect of Faye’s life and the relationships that have shaped her: a former lover she bumps into in London, a builder who tells her the flat she’s bought is a lost cause, the awful downstairs neighbors who hate her with a passion, the fellow writers (based on Edmund White and Karl Ove Knausgaard?) at a literary festival event who hog most of the time, the jolly Eastern European construction workers who undertake her renovations, a childless friend who works in fashion design, and a country cousin who’s struggling with his new blended family.
Like in Outline, the novel is based largely on the conversations Faye overhears or participates in (“I had found out more, I said, by listening than I had ever thought possible”), but I sensed more of her personality this time, and could relate to her questioning: Why do her neighbors hate her so? How much of her life is fated, and how much has she chosen? I doubt I’ll read another book by Cusk, but I ended up surprisingly grateful to have gotten hold of this one as a free proof copy of the new paperback edition from the Faber Spring Party.
Some favorite lines:
“we examine least what has formed us the most, and instead find ourselves driven blindly to re-enact it.”
“Without children or partner, without meaningful family or a home, a day can last an eternity: a life without those things is a life without a story, a life in which there is nothing – no narrative flights, no plot developments, no immersive human dramas – to alleviate the cruelly meticulous passing of time.”
White Oleander by Janet Fitch (1999)
Man, that Oprah knows how to pick ’em! This was a terrific read; I’m not sure why I’d never gotten to it before. I read huge chunks during my travel to the States and then slowed down quite a bit, which was a shame because it meant I felt less connected to Astrid’s later struggles in the foster care system. It’s an atmospheric novel full of oppressive Los Angeles heat and a classic noir flavor that shades into gritty realism as it goes on, taking us from when Astrid is 12 to when she’s a young woman out in the world on her own.
Astrid’s mother Ingrid, an elitist poet, becomes obsessed with a lover who spurned her and goes to jail for his murder. Bouncing between foster homes and children’s institutions, Astrid is plunged into a world of sex, drugs, violence and short-lived piety. “Like a limpet I attached to anything, anyone who showed me the least attention,” she writes. Her role models change over the years, but always in the background is the icy influence of her mother, through letters and visits.
Fitch’s writing is sumptuous, as in a house “the color of a tropical lagoon on a postcard thirty years out of date, a Gauguin syphilitic nightmare.” I might have liked a tiny bit more of Ingrid in the book, but I can still recommend this one wholeheartedly as summer reading.
Some favorite lines:
The knock-out opening two lines: “The Santa Anas blew in hot from the desert, shriveling the last of the spring grass into whiskers of pale straw. Only the oleanders thrived, their delicate poisonous blossoms, their dagger green leaves.”
“I couldn’t imagine my mother in prison. She didn’t smoke or chew on toothpicks. She didn’t say ‘bitch’ or ‘fuck.’ She spoke four languages, quoted T. S. Eliot and Dylan Thomas, drank Lapsang souchong out of a porcelain cup. She had never been inside a McDonald’s. She had lived in Paris and Amsterdam. Freiburg and Martinique. How could she be in prison?”
The Summer of the Great-Grandmother by Madeleine L’Engle (1974)
L’Engle is better known for children’s books, but wrote tons for adults, too. In this second volume of The Crosswicks Journal, she recounts her family history as a way of remembering on behalf of her mother, who at age 90 was slipping into dementia in her final summer. “I talked awhile, earlier this summer, about wanting my mother to have a dignified death. But there is nothing dignified about incontinence and senility.” L’Engle found herself in the unwanted position of being like her mother’s mother, and had to accept that she had no control over the situation. “This summer is practice in dying for me as well as for my mother.”
One of the reasons L’Engle was driven to write science fiction was because she couldn’t reconcile the idea of permanent human extinction with her Christian faith, but nor could she honestly affirm every word of the Creed. Hers is a more broad-minded, mystical spirituality that really appeals to me. (Her early life reminds me of May Sarton’s, as recounted in I Knew a Phoenix: both were born right around World War I, raised partially in Europe and sent to boarding school; a frequent theme in their nonfiction is the regenerative power of solitude and of the writing process itself.)
Some favorite lines:
“I said [in a lecture] that the artist’s response to the irrationality of the world is to paint or sing or write, not to impose restrictive rules but to rejoice in pattern and meaning, for there is something in all artists which rejects coincidence and accident. And I went on to say that we must meet the precariousness of the universe without self-pity, and with dignity and courage.”
“Our lives are given a certain dignity by their very evanescence. If there were never to be an end to my quiet moments at the brook, if I could sit on the rock forever, I would not treasure these minutes so much. If our associations with the people we love were to have no termination, we would not value them as much as we do.”
You’ll have to excuse me posting twice in one day. I’ve just finished packing the last few things for my three weeks in America, and want to get my latest #20BooksofSummer review out there before I fly early tomorrow. What with a layover in Toronto, it will be a very long day of travel, so I think the volume of reading material I’m taking is justified! (See the last photo of the post.)
Four Wings and a Prayer: Caught in the Mystery of the Monarch Butterfly by Sue Halpern (2001)
I admire nonfiction books that successfully combine lots of genres into a dynamic narrative. This one incorporates travel, science, memoir, history, and even politics. Halpern spent a year tracking monarch butterflies on their biannual continent-wide migrations, which were still not well understood at that point. She rides through Texas into Mexico with Bill Calvert, field researcher extraordinaire; goes gliding with David Gibo, a university biologist, in fields near Toronto; and hears from scientists and laymen alike about the monarchs’ habits and outlook. It happened to be a worryingly poor year for the butterflies, yet citizen science initiatives provided valuable information that could be used to predict their future.
The book is especially insightful about clashes between environmentalist initiatives and local livelihoods in Mexico (tree huggers versus subsistence loggers) and the joy of doing practical science with simple tools you make yourself. It’s also about how focused attention becomes passion. “Science, like belief, starts with wonder, and wonder starts with a question,” Halpern writes.
The style is engaging, though at nearly 20 years old the book feels a bit dated, and I might have liked more personal reflections than interviews with (middle-aged, white, male) scientists. I only realized on the very last page, through the acknowledgments, that the author is married to Bill McKibben, a respected environment writer. [She frequently mentions Fred Urquhart, a Toronto zoology professor; I wondered if he could be related to Jane Urquhart, a Canadian novelist whose novel Sanctuary Line features monarchs. (Turns out: no relation. Oh well!)]
I’ve already done some substituting on my 20 Books of Summer. I decided against reading Vendela Vida’s Girls on the Verge after perusing the table of contents and the first few pages and gauging reader opinions on Goodreads. I have a couple of review books, Twister by Genanne Walsh and The Life and Loves of Lena Gaunt by Tracy Farr, that I’m enjoying but will have to leave behind while I’m in the States, so I may need that little extra push to finish them once I get back. I’ve also been rereading a favorite, Paulette Bates Alden’s memoir Crossing the Moon, which has proved an excellent follow-up to Sheila Heti’s Motherhood.
(What I haven’t determined yet is which books these will be standing in for.) Waiting in the wings in case further substitutions are needed is this stack of review books:
Also from the #20Books list and coming with me on the flight are Madeleine L’Engle’s The Summer of the Great-Grandmother and Janet Fitch’s White Oleander, which are both terrific thus far. The final print book joining me for the journey is Transit by Rachel Cusk. I have attempted to read her twice before and failed to get through a whole book, so we’ll see if it’s third time lucky. It seems like the perfect book to read in transit to Canada, after all.
Finally, in progress on the Kindle are Summer by Karl Ove Knausgaard, the last in his set of four seasonal essay collections, and The Late Bloomers’ Club by Louise Miller, another cozy novel set in fictional Guthrie, Vermont, which she introduced in her previous book, The City Baker’s Guide to Country Living.
It’ll be a busy few weeks helping my parents pack up their house and moving my mom into her new place, plus doing a reduced freelance work load for the final two weeks. It’s also going to be a strange time because I have to say goodbye to a house that’s been a part of my life for 13 years, and sort through box after box of mementoes before putting everything into medium-term storage.
I won’t be online all that much, and can’t promise to keep up with everyone else’s blogs, but I’ll try to pop in with a few reviews.
Happy July reading!
This is my first year joining in with the 20 Books of Summer challenge run by Cathy of 746 Books. I’ve decided to put two twists on it. One: I’ve only included books that I own in print, to work on tackling my mountain of unread books (300+ in the house at last count). As I was pulling out the books that I was most excited to read soon, I noticed that most of them happened to be by women. So for my second twist, all 20 books are by women. Why not? I’ve picked roughly half fiction and half life writing, so over the next 12 weeks I just need to pick one or two from the below list per week, perhaps alternating fiction and non-. I’m going to focus more on the reading than the reviewing, but I might do a few mini roundup posts.
I’m doing abysmally with the goal I set myself at the start of the year to read lots of travel classics and biographies, so I’ve chosen one of each for this summer, but in general my criteria were simply that I was keen to read a book soon, and that it mustn’t feel like hard work. (So, alas, that ruled out novels by Elizabeth Bowen, Ursula K. LeGuin and Virginia Woolf.) I don’t insist on “beach reads” – the last two books I read on a beach were When Breath Becomes Air by Paul Kalanithi and Grief Cottage by Gail Godwin, after all – but I do hope that all the books I’ve chosen will be compelling and satisfying reads.
- To Throw Away Unopened by Viv Albertine – I picked up a copy from the Faber Spring Party, having no idea who Albertine was (guitarist of the all-female punk band The Slits). Everyone I know who has read this memoir has raved about it.
- Lit by Mary Karr – I’ve read Karr’s book about memoir, but not any of her three acclaimed memoirs. This, her second, is about alcoholism and motherhood.
- Korma, Kheer and Kismet: Five Seasons in Old Delhi by Pamela Timms – I bought a bargain copy at the Wigtown Festival shop earlier in the year. Timms is a Scottish journalist who now lives in India. This should be a fun combination of foodie memoir and travel book.
- Direct Red: A Surgeon’s Story by Gabriel Weston (a woman, honest!) – Indulging my love of medical memoirs here. I bought a copy at Oxfam Books earlier this year.
5. May Sarton by Margot Peters – I’ve been on a big May Sarton kick in recent years, so have been eager to read this 1997 biography, which apparently is not particularly favorable.
6. Full Tilt: Ireland to India with a Bicycle by Dervla Murphy – I bought this 1960s hardback from a charity shop in Cambridge a couple of years ago. It will at least be a start on that travel classics challenge.
7. Girls on the Verge: Debutante Dips, Drive-bys, and Other Initiations by Vendela Vida – This was Vida’s first book. It’s about coming-of-age rituals for young women in America.
8. Four Wings and a Prayer: Caught in the Mystery of the Monarch Butterfly by Sue Halpern – Should fall somewhere between science and nature writing, with a travel element.
9. The Summer of the Great-Grandmother by Madeleine L’Engle – L’Engle is better known for children’s books, but she wrote tons for adults, too: fiction, memoirs and theology. I read the stellar first volume of the Crosswicks Journal, A Circle of Quiet, in September 2015 and have meant to continue the series ever since.
10. Sunstroke by Tessa Hadley – You know how I love reading with the seasons when I can. This slim 2007 volume of stories is sure to be a winner. Seven of the 10 originally appeared in the New Yorker or Granta.
11. Talking to the Dead by Helen Dunmore – I’ve only ever read Dunmore’s poetry. It’s long past time to try her fiction. This one comes highly recommended by Susan of A life in books.
12. We Were the Mulvaneys by Joyce Carol Oates – Oates is intimidatingly prolific, but I’m finally going to jump in and give her a try.
13. Amrita by Banana Yoshimoto – A token lit in translation selection. “This is the story of [a] remarkable expedition through grief, dreams, and shadows to a place of transformation.” (Is it unimaginative to say that sounds like Murakami?)
14. Half of a Yellow Sun by Chimamanda Ngozi Adichie – How have I not read any of her fiction yet?! This has been sitting on my shelf for years. I only vaguely remember the story line from the film, so it should be fairly fresh for me.
15. White Oleander by Janet Fitch – An Oprah’s Book Club selection from 1999. I reckon this would make a good beach or road trip read.
16. Drowning Ruth by Christina Schwarz – Another Oprah’s Book Club favorite from 2000. Set in Wisconsin in the years after World War I.
- Breathing Lessons by Anne Tyler – Tyler novels are a tonic. I have six unread on the shelf; the blurb on this one appealed to me the most. This summer actually brings two Tylers as Clock Dance comes out on July 12th – I’ll either substitute that one in, or read both!
18. An Untamed State by Roxane Gay – I’ve only read Gay’s memoir, Hunger. She’s an important cultural figure; it feels essential to read all her books. I expect this to be rough.
19. Late Nights on Air by Elizabeth Hay – This has been on my radar for such a long time. After loving my first Hay novel (A Student of Weather) last year, what am I waiting for?
20. Fludd by Hilary Mantel – I haven’t read any Mantel in years, not since Bring Up the Bodies first came out. While we all await the third Cromwell book, I reckon this short novel about a curate arriving in a fictional town in the 1950s should hit the spot.
I’ll still be keeping up with my review books (paid and unpaid), blog tours, advance reads and library books over the summer. The aim of this challenge, though, is to make inroads into the physical TBR. Hopefully the habit will stick and I’ll keep on plucking reads from my shelves during the rest of the year.
Where shall I start? If I was going to sensibly move from darkest to lightest, I’d probably start with An Untamed State and/or Lit. Or I might try to lure in the summer weather by reading the two summery ones…
Which of these books have you read? Which ones appeal?
Sounds like a summer blockbuster, doesn’t it? There was certainly plenty of tension on our drive from the Reading area to Somerset this past Friday, as traffic on the M4 built up and our time for book shopping ticked down from a planned hour and a half to just 35 minutes before store closing. It had been almost exactly one year since my last trip to Bookbarn International, and after weeks of wheedling I’d finally persuaded my husband to make the detour on our way to visit friends in Bristol.
Despite the tight deadline, I enjoyed my browsing and scored some good finds. As usual, it seemed like a terrific bargain: £14.50 for 15 books. One’s a gift for our nephew in America, four are nature books my husband chose, and the rest are mine! Bonus: a few days later it occurred to me to ask after the collectible books I left behind last year for Bookbarn to sell for me and it turns out I have nearly £21 coming to me – so in effect our shopping was free!
In case you can’t read the titles in the photo, here’s my haul:
The Songlines, Bruce Chatwin
Into the Heart of Borneo, Redmond O’Hanlon
[I featured both of the world-class travel writers in a recent article for Bookmarks, so it’s only proper that I actually read something by them.]
Memories of a Catholic Girlhood, Mary McCarthy [I’m a sucker for religious memoirs.]
Lady Oracle, Margaret Atwood [It’s been a while since I tried one from her back catalogue.]
What a Carve Up!, Jonathan Coe [I enjoyed the recent ‘sequel’, Number 11.]
White Oleander, Janet Fitch [An Oprah favorite I’ve long meant to read.]
The Water-Method Man, John Irving [Let’s hope for better things from his second novel.]
The Girls, Lori Lansens [I can’t resist a conjoined twins story.]
The Imperfectionists, Tom Rachman [Already read some years back, but worth owning.]
Dinner at the Homesick Restaurant, Anne Tyler [To continue my run of Tyler classics.]