Classics and Doorstoppers of the Month
April was something of a lackluster case for my two monthly challenges: two slightly disappointing books were partially read (and partially skimmed), and two more that promise to be more enjoyable were not finished in time to review in full.
Wise Blood by Flannery O’Connor (1952)
When Hazel Motes, newly released from the Army, arrives back in Tennessee, his priorities are to get a car and to get laid. In contrast to his preacher grandfather, “a waspish old man who had ridden over three counties with Jesus hidden in his head like a stinger,” he founds “The Church Without Christ.” Heaven, hell and sin are meaningless concepts for Haze; “I don’t have to run from anything because I don’t believe in anything,” he declares. But his vociferousness belies his professed indifference. He’s particularly invested in exposing Asa Hawkes, a preacher who vowed to blind himself, but things get complicated when Haze is seduced by Hawkes’s 15-year-old illegitimate daughter, Sabbath – and when his groupie, eighteen-year-old Enoch Emery, steals a shrunken head from the local museum and decides it’s just the new Jesus this anti-religion needs. O’Connor is known for her very violent and very Catholic vision of life. In a preface she refers to this, her debut, as a comic novel, but I found it bizarre and unpleasant and only skimmed the final two-thirds after reading the first 55 pages.
In progress: Cider with Rosie by Laurie Lee (1959) – I love to read ‘on location’ when I can, so this was a perfect book to start during a weekend when I visited Stroud, Gloucestershire for the first time.* Lee was born in Stroud and grew up there and in the neighboring village of Slad. I’m on page 65 and it’s been a wonderfully evocative look at a country childhood. The voice reminds me slightly of Gerald Durrell’s in his autobiographical trilogy.
*We spent one night in Stroud on our way home from a short holiday in Devon so that I could see The Bookshop Band and member Beth Porter’s other band, Marshes (formerly Beth Porter and The Availables) live at the Prince Albert pub. It was a terrific night of new songs and old favorites. I also got to pick up my copy of the new Marshes album, When the Lights Are Bright, which I supported via an Indiegogo campaign, directly from Beth.
The Resurrection of Joan Ashby by Cherise Wolas (2017)
Joan Ashby’s short story collection won a National Book Award when she was 21 and was a bestseller for a year; her second book, a linked story collection, was nominated for a Pulitzer Prize. In contravention of her childhood promise to devote herself to her art, she marries Martin Manning, an eye surgeon, and is soon a mother of two stuck in the Virginia suburbs. Two weeks before Daniel’s birth, she trashes a complete novel. Apart from a series of “Rare Babies” stories that never circulate outside the family, she doesn’t return to writing until both boys are in full-time schooling. When younger son Eric quits school at 13 to start a computer programming business, she shoves an entire novel in a box in the garage and forgets about it.
Queasy feelings of regret over birthing parasitic children – Daniel turns out to be a fellow writer (of sorts) whose decisions sap Joan’s strength – fuel the strong Part I, which reminded me somewhat of Doris Lessing’s The Golden Notebook in that the protagonist is trying, and mostly failing, to reconcile the different parts of her identity. However, this debut novel is indulgently long, and I lost interest by Part III, in which Joan travels to Dharamshala, India to reassess her relationships and career. I skimmed most of the last 200 pages, and also skipped pretty much all of the multi-page excerpts from Joan’s fiction. At a certain point it became hard to sympathize with Joan’s decisions, and the narration grew overblown (“arc of tragedy,” “tortured irony,” etc.) [Read instead: Forty Rooms by Olga Grushin]
Page count: 523
In progress: Mary Ann Sate, Imbecile by Alice Jolly, a 613-page historical novel in verse narrated by a semi-literate servant from Stroud, then a cloth mill town. I’d already committed to read it for a Nudge/New Books magazine review, having had my interest redoubled by its shortlisting for the Rathbones Folio Prize, but it was another perfect choice for a weekend that involved a visit to that part of Gloucestershire. Once you’re in the zone, and so long as you can guarantee no distractions, this is actually a pretty quick read. I easily got through the first 75 pages in a couple of days.
Next month’s plan: As a doorstopper Annabel and I are going to read The Amazing Adventures of Kavalier & Clay by Michael Chabon (636 pages, or roughly 20 pages a day for the whole month of May). Join us if you like! I’m undecided about a classic, but might choose between George Eliot, William Faulkner, Robert Louis Stevenson and Emile Zola.
A Patroness of the Arts
I recently sponsored my first book via Unbound, the UK’s crowdfunding publisher. You’re probably familiar with some Unbound titles even if that name doesn’t ring a bell. For instance, you might remember that The Wake by Paul Kingsnorth, an Unbound title from 2014, became the first crowdfunded novel longlisted for the Man Booker Prize. I’ve reviewed another previous Unbound title, Martine McDonagh’s Narcissism for Beginners, and will be participating in the blog tour for Lev Parikian’s Why Do Birds Suddenly Disappear? in May.
The forthcoming title I’ve chosen to support is Women on Nature by Katharine Norbury, which promises to be a wide-ranging and learned anthology celebrating the tradition of women’s writing about nature (both fiction and non-). I enjoyed Norbury’s first book, The Fish Ladder, which is a memoir in the vein of H Is for Hawk, and also saw her speak at the New Networks for Nature conference in 2016.
I’d only ever crowdfunded music before – albums by The Bookshop Band, Krista Detor, Duke Special and Marc Martel. Beaming internally at feeling like a patroness of the arts after funding my Women on Nature hardback, I kept the smug glow going by signing up to support The Bookshop Band via Patreon (where you can commit to a certain amount per creation, e.g. per music video, and have the option of setting a monthly cap) and to fund an album by their singer/cellist Beth Porter and her band The Availables via Indiegogo.