This year I correctly predicted Shuggie Bain by Douglas Stuart and Surge by Jay Bernard as the winners of the Booker Prize and the Sunday Times Young Writer of the Year Award, respectively. Patting myself on the back!
(Earlier in the year, I had a feeling Maggie O’Farrell would win the Women’s Prize, but wasn’t confident enough to single her out; and I got the Wainwright Prizes all wrong.)
I watched both the Booker Prize (live) and Young Writer of the Year Award (pre-recorded) ceremonies online; not having to secure an invitation or pay £30 for the train into London has been an ongoing bonus of pandemic arrangements.
The Booker ceremony was nicely tailored to viewers at home, incorporating brief, informal pre-recorded interviews with each nominated author and a video chat between last year’s winners, Margaret Atwood and Bernardine Evaristo. When Evaristo asked Atwood about the difference between winning the Booker in 2019 versus in 2000, she replied, deadpan, “I was older.” I especially liked the short monologues that well-known UK actors performed from each shortlisted book. Only a few people – the presenter, Evaristo, chair of judges and publisher Margaret Busby, and a string quartet – appeared in the studio, while all the other participants beamed in from other times and places. Stuart is only the second Scottish winner of the Booker, and seemed genuinely touched for this recognition of his tribute to his mother.
I’ve attended the Young Writer ceremony at the London Library twice: in 2017, when I was on the shadow panel, and again last year. It was a shame not to be able to meet up with fellow bloggers and the shortlisted authors, but I appreciated hearing the judges’ thoughts on each nominee. Tessa Hadley said the whole shortlist was “so full of young energy.” Kit de Waal called Catherine Cho’s Inferno “an absolute page-turner.” All the judges remarked at how funny, cutting and original Naoise Dolan’s Exciting Times is. Critic Houman Barekat referred to Seán Hewitt’s Tongues of Fire as “unabashedly earnest.” Hadley said Marina Kemp’s Nightingale is just the kind of novel she loves, a “delicate, full notation,” and Barekat observed that it is a timely reminder of the value of care work.
It was clear that, for the judges, all five books were terrifically accomplished and would be worthy winners. Still, the unanimous decision was in favor of Surge, which Sunday Times literary editor Andrew Holgate said is “remarkable for its passionate engagement and diversity of voices.” Bernard read “Hiss” (also up on the Granta website) and said that “poems can take on another life” through performance and short films, so the poet can’t predict whether they will stay in poetry or branch out into other genres.
Back on 18 November, I attended another online event to which I’d gotten a last-minute invitation: a “book club” featuring Tracy Chevalier in conversation with her literary agent, Jonny Geller, on Girl with a Pearl Earring at 20 and her new novel, A Single Thread. In 1996 she sent Geller a letter asking if he’d read Virgin Blue, which she’d written for the MA at the University of East Anglia – the only UK Creative Writing course out there at the time. After VB, she started a contemporary novel set at Highgate Cemetery, where she was a tour guide. It was to be called Live a Little (since a Howard Jacobson title). But shortly thereafter, she was lying in bed one day, looking at a Vermeer print on the wall, and asked herself what the look on the girl’s face meant and who she was. She sent Geller one page of thoughts and he immediately told her to stick Live a Little in a drawer and focus on the Vermeer idea.
Intriguingly, Chevalier stated that the deadline of her pregnancy determined the form of Girl with a Pearl Earring: she knew she had to keep things simple, with a linear narrative, one point of view, and spare prose. While the novel had a quiet publication in August 1999, a good review from Deborah Moggach helped, and it became a “word of mouth success,” never hitting #1 but selling continuously. Chevalier believes this was due to a rare coming together of story and writing; sometimes good stories are hampered by mediocre writing, or vice versa. She and Geller discussed the strange coincidence of two other Vermeer novels coming out at the same time (e.g. Girl in Hyacinth Blue by Susan Vreeland); she had the good luck of being the victor. The film version is “lovely,” she said. Geller has never forgotten Scarlett Johansson, who turned 18 on set, leaving her gum in during a cast supper of spaghetti.
Chevalier’s actual Highgate novel, Falling Angels, didn’t borrow at all from her contemporary-set draft as it was set in 1900. Incorporating suffragette history, it felt like an untold story ripe for the plucking. Falling Angels has long been the one I consider my favorite Chevalier – as of last month, when we did The Last Runaway in book club, I’ve read all her work – but after this event I’m eager to reread it and GwaPE to see what I think.
Lastly, Chevalier and Geller talked about her new novel, A Single Thread, which was conceived before Trump and Brexit but had its central themes reinforced by the constant references back to 1930s fascism during the Trump presidency. She showed off the needlepoint spectacles case she’d embroidered for the novel. This wasn’t the first time she’d taken up a craft featured in her fiction: for The Last Runaway she learned to quilt, and indeed still quilts today. Geller likened her to a “method actor,” and jokingly fretted that they’ll lose her to one of these hobbies one day. Chevalier’s work in progress features Venetian glass. I’m already looking forward to it.
Like me, she moved to England from the Washington, D.C. area and has never lost the ‘accent’, so I feel like she’s a kindred spirit.
Bookish online events coming up soon: Penguin book quiz, followed by book club holiday social (a Zoom meeting with glasses of wine in hand!), on the 15th
Have you taken advantage of any online literary events recently?
You could say my Goodreads to-read shelf has gotten out of hand. As of July 17th it was at 7190 titles. That includes pretty much every book I’ve ever heard about and thought “yeah, maybe I’ll read that someday.” Inspired by Eleanor’s “Down the TBR Hole” posts, I decided something needed to be done – but not just 5–10 titles at a time or I’d be at this forever. So in the last couple weeks I’ve looked through a few hundred or so entries on my TBR each day, starting with the ones that were added longest ago.
My culling strategies were as follows:
- Any duplicates – it’s possible to add multiple editions of a book (especially print vs. Kindle) without realizing it.
- Anything I don’t recognize in the slightest, even after a brief refresher on the blurb.
- Anything that doesn’t look like something I would read; yes, I’m afraid this involves judging the book by its cover.
- Anything labeled #1, or that I know is a sequel – I don’t generally read series.
- Most of what came up in searches for “murder,” “kill,” “detect,” “body,” “blood” or “mystery” – just facing facts here: I don’t ever read crime fiction. If a murder is incidental to a plot, fine, but I don’t search out mysteries.
- Any book I already own in print or e-format; the book itself serves as the reminder that I intend to read it. [Exception: I maintain “Kindle priority” and “priority advanced 2017 read” shelves.]
Get down to just one to-find-next title for each author. I already know I’ll read anything by Wendell Berry or Margaret Atwood, so I don’t need 10 titles on my TBR; I’ll keep the one I’m most keen on at the moment. Likewise, I discovered three titles each by Ivan Doig, Helen Garner and Tom Drury on the TBR but can’t remember how I even heard of these authors; I cut down to one title apiece. [Exceptions:
- If an author has written in very different genres, I’ll retain two books to showcase the diversity, perhaps one fiction and one nonfiction.
- If it’s an author I know I want to read everything by and there’s just a handful more books that I need to find to complete the set (e.g. Carol Shields and Marcus Borg), I’ll keep them all on the list so I know to look out for them.]
Transfer some reference-type books (e.g. philosophy/ethics books, essay collections, anthologies and cookbooks) to my “to skim only” shelf.
Say goodbye to an author who’s disappointed me in the past (Marina Endicott), who I’ve decided I might not be interested in after all (Russell Banks), or whom I’ve gone off (Howard Jacobson).
Scan through for notably low average ratings.
- For any book where this is below, say, 3.4, I’ll look back at the blurb and scan through the reviews, especially those by friends, and decide on a case-by-case basis whether I want to keep it on the list.
- Any book with a rating significantly below 3.0 gets deleted as a matter of course. There is the potential here for deleting some books that are polarizing and I might just love, but it’s a risk I’m willing to take; if I’m meant to read a book in my lifetime, it’ll happen somehow. [At one point, to hurry things along, I organized the to-read shelf by ascending average rating and (after getting past a bunch of 0.00 ratings for pre-release or unrated books) managed to cull a good number of books with a 2.-something average.]
This has turned out to be a much more laborious process than I’d hoped, mostly because you can only delete one title at a time and always have to click “OK” to verify. It would go so much faster if I could select 10 or 20 titles to delete at once. Yet it’s ended up being a rewarding undertaking because I’ve rediscovered many books I’d completely forgotten about. Along the way I’m adding loads to my thematic shelves and have updated my “priority to find” list. I’ve also created various new shelves like “parenting,” “dementia” and “Nancy Pearl recommendation”.
After working on this off and on for two weeks – keeping a Goodreads window open all day while doing other computer work – I managed to get the TBR down to 5498 titles. So I’ve cut the original list down by about 23.5%. However, I still have 91 pages of results to sift through. It’s a bit depressing that after all the effort I’ve put in I still have so much to do when I get back from America. At the same time, it’s quite the addictive little task. The idea is that ultimately the TBR will be significantly shorter and more targeted to my tastes.
I shall report back when I’m finally finished!
How do you keep your (virtual or physical) TBR shelf under control?
I had high hopes for all of these: long-awaited novels from Jonathan Safran Foer (10 years after his previous one), Maria Semple and Zadie Smith; a Project Gutenberg download from the reliably funny Jerome K. Jerome; a brand new psychological thriller from James Lasdun, whose memoir and poetry I’ve loved; and a horse racing epic that generated Great American Novel buzz. But they all failed to live up to expectations.
Here I Am
By Jonathan Safran Foer
Is it a simple account of the implosion of two Washington, D.C. fortysomethings’ marriage? Or is it a sweeping epic of Judaism from the biblical patriarchs to imagined all-out Middle Eastern warfare? Can it succeed in being both? I didn’t really think so. The dialogue between this couple as they face the fallout is all too real and cuts to the quick. I enjoyed the preparations for Sam’s bar mitzvah and I could admire Julia’s clear-eyed capability and Sam, Max and Benjy’s almost alarming intelligence and heart at the same time as I wondered to what extent she was Foer’s ex-wife Nicole Krauss and they were the authors’ kids. But about halfway through I thought the book got away from Foer, requiring him to throw in a death, a natural disaster, and a conflict with global implications. This feels more like a novel by Philip Roth or Howard Jacobson, what with frequent masturbation and sex talk on the one hand and constant quarreling about what Jewishness means on the other. The central message about being present for others’ suffering, and your own, got a little lost under the flood of events.
Three Men on the Bummel
By Jerome K. Jerome
Jerome’s digressive style can be amusing in small doses, but this book is almost nothing but asides. I did enjoy the parts that most closely resemble a travelogue of the cycle trip through Germany, but these are drowned under a bunch of irrelevant memories and anecdotes. I much preferred Diary of a Pilgrimage.
The Fall Guy
By James Lasdun
This is a capable psychological thriller about an out-of-work chef who becomes obsessed with the idea that his wealthy cousin’s alluring wife is cheating on him during a summer spent with them in their upstate New York bolthole. I liked hearing about Matthew’s cooking and Chloe’s photography, and it’s interesting how Lasdun draws in a bit about banking and the Occupy movement. However, the complicated Anglo-American family backstory between Matthew and Charlie feels belabored, and the fact that we only see things from Matthew’s perspective is limiting in a bad way. There’s a decent Hitchcock vibe in places, but overall this is somewhat lackluster.
The Sport of Kings
By C.E. Morgan
I found this Kentucky-based horse racing novel to be florid and overlong. The novel doesn’t achieve takeoff until Allmon comes on the scene at about page 180. Although there are good descriptions of horses, the main plot – training Hellsmouth to compete in the 2006 Derby – mostly passed me by. Meanwhile, the interpersonal relationships become surprisingly melodramatic, more fit for a late Victorian novel or maybe something by Faulkner. My favorite character was Maryleen, the no-nonsense black house servant. Henry himself, though, makes for pretty unpleasant company. Morgan delivers the occasional great one-liner (“Childhood is the country of question marks, and the streets are solid answers”), but her prose is on the whole incredibly overwritten. There’s a potent message in here somewhere about ambition, inheritance and race, but it’s buried under an overwhelming weight of words. (See my full Nudge review.)
Today Will Be Different
By Maria Semple
Bernadette fans, prepare for disappointment. There’s nothing that bad about the story of middle-aged animator Eleanor Flood, her hand-surgeon-to-the-stars husband Joe, and their precocious kid Timby, but nor is there anything very interesting about it. The novel is one of those rare ones that take place all in one day, a setup that enticed me, but all Eleanor manages to fit into her day – despite the title resolution – is an encounter with a pet poet who listens to her reciting memorized verse, another with a disgruntled former employee, some pondering of her husband’s strange behavior, and plenty of being downright mean to her son (as if his name wasn’t punishment enough). “In the past, I’d often been called crazy. But it was endearing-crazy, kooky-crazy, we’re-all-a-little-crazy-crazy,” Eleanor insists. I didn’t think so. I didn’t like being stuck in her head. In general, it seems like a bad sign if you’re eager to get away from a book’s narrator and her scatty behavior. Compared to Semple’s previous novel, it feels like quirkiness for quirkiness’ sake, with a sudden, contrived ending.
By Zadie Smith
Smith’s fifth novel spans 25 years and journeys from London to New York City and West Africa in tracing the different paths two black girls’ lives take. The narrator (who is never named) and Tracey, both biracial, meet through dance lessons at age seven in 1982 and soon become inseparable. The way this relationship shifts over time is the most potent element of the novel, and will appeal to fans of Elena Ferrante. The narrator alternates chapters about her friendship with Tracey with chapters about her work for pop star Aimee in Africa. Unfortunately, the Africa material is not very convincing or lively and I was impatient for these sections to finish. The Aimee subplot and the way Tracey turns out struck me as equally clichéd. Despite the geographical and chronological sprawl, the claustrophobic narration makes this feel insular, defusing its potential messages about how race, money and class still define and divide us. A new Zadie Smith novel is an event; this one is still worth reading, but it definitely disappointed me in comparison to White Teeth and On Beauty. (Releases Nov. 15th.)
Have you read any of these? What did you think?
What’s the last book that really let you down?
Are they not criminals, books that have wasted our time and sympathy, are they not the most insidious enemies of society, corrupters, defilers, the writers of false books, faked books, books that fill the air with decay and disease?
Strong words there, from Virginia Woolf in “How Should One Read a Book?” I’m not quite so fervently opposed to these six books I abandoned recently, but I do share Woolf’s feeling of having had my time wasted. Particularly since I started as a freelance book reviewer, I’ve noticed that I am not very patient with my leisure reading: if a book doesn’t totally grab me and keep me turning the pages with rapt interest, I’m more likely to leave it unfinished. Better if I can do that before spending too much time with a book, but sometimes I approach the halfway point before finally giving up.
Below I give brief write-ups of the abandonees. I’d be interested to hear if you’ve read any of them and thought they were worth persisting with.
Of Love and Desire by Louis de Bernières
Like so many, I enjoyed Captain Corelli’s Mandolin but haven’t tried much else from de Bernières. These are love poems: many of them Greek-influenced; most of them sentimental and not very interesting. I marked out one passage I liked, but even it then turns into a clichéd relationship poem: “I looked behind and saw the long straight line of my mistakes, / Faithful as hounds, their eyes alert, trailing in my wake. But / They weren’t dogs, they were women, some fair, some dark …” (from “Mistakes”). [Read the first 25 pages.]
Yuki Chan in Brontë Country by Mick Jackson
The premise for this one – young Japanese woman visits the Brontë sites in Yorkshire as a way of reconnecting with her departed mother – sounded so interesting, but the third-person narration is very flat and detached. It makes Yuki and all the other characters seem like stereotypes: the fashion-obsessed Asian girl, the horde of Japanese tourists. I also noticed that far too many sentences and paragraphs start with “She.” I couldn’t be bothered to see how it would turn out. [Read the first 26%.]
Shylock Is My Name by Howard Jacobson
I’d read Jacobson’s three most recent novels and liked them all well enough. He’s certainly your go-to author if you want a witty discussion of the modern Jewish “persecution complex.” I think the problem with this one was that I wasn’t sure what it wanted to be: a contemporary Jewish novel, or a Hebrew fable, or some mixture thereof. Shylock is pretty much dropped in as is from The Merchant of Venice, so it’s unclear whether he’s Strulovitch’s hallucination or a time traveler or what. The exasperated father characters are well drawn, but their flighty daughters less so. I just got to a point where I didn’t care at all what happened next, which to me was the sign to give up and move on to something else. [Read the first 43%.]
As Close to Us as Breathing by Elizabeth Poliner
The writing is measured and lovely, and I appreciated the picture of late-1940s life for a Jewish family, but the pace was killing me: this is set in one summer, but with constant flashbacks and flash-forwards to other family stories, such that although we learn on page 1 that a character has died, even by the 60% mark I still had not learned how. Also, the narrator is telling everything in retrospect from 1999, but there is too little about her life at that present moment. I would direct readers to Elizabeth Graver’s The End of the Point instead. [Read the first 60%.]
The Book of Aron by Jim Shepard
I’d read such rave reviews of this novel set in the Warsaw ghetto during the Second World War, and I’ve always meant to try something by Jim Shepard, so this seemed an ideal place to start. I decided to stop because although this is a fairly believable child’s voice, it is only being used to convey information. To me the spark of personality and the pull of storytelling are lacking. I felt like I was reading a history book about the Holocaust, subtly tweaked (i.e. dumbed down and flattened) to sound like it could be a child’s observations. [Read the first 53 pages.]
Georgia by Dawn Tripp
Who doesn’t love Georgia O’Keeffe’s dreamy paintings of flowers and southwestern scenes? Initially I loved her tough-as-nails voice in this fictionalized autobiography, too, but as the story wore on it felt like she was withholding herself to some degree, only giving the bare facts of (dry, repetitive) everyday life and (wet, repetitive) sex scenes with 24-years-her-elder photographer Alfred Stieglitz. Call me impatient, but I couldn’t be bothered to stick around to see if something actually happened in this novel. I think I’d be interested in glancing through O’Keeffe and Stieglitz’s correspondence, though, just to see how the voices compare to what Tripp has created here. [Read the first 48%.]
One of my goals with this blog is to have one convenient place where I can gather together all my writing that has appeared in disparate online locations. To that end, once a month I’ll provide links to all the book reviews I’ve published elsewhere, with a rating (below each description) and a short taster so you can decide whether to click to read more. A couple of exceptions: I won’t point out my Kirkus Indie, BlueInk or Publishers Weekly reviews since I don’t get a byline.
Rising Strong by Brené Brown: Brown, a qualitative researcher in the field of social work, encourages readers to embrace vulnerability and transform failure and shame through a simple process of re-evaluating the stories we tell ourselves. The gimmicky terminology and frequent self-referencing grated on me a bit, but I appreciated how the book made me reconsider events from my own life. It’s the ideas that carry Rising Strong, so as long as you come to it expecting a useful tool rather than a literary experience you shouldn’t be disappointed. Genuinely helpful self-help.
Life After You by Lucie Brownlee: With honesty and humor, Brownlee reconstructs the two years following her husband’s sudden death. My sister is still a new widow, so I read this expecting it to resonate with her situation, and it certainly does. I had an issue with the title and marketing, though. When originally published last year, the book had the title Me After You. That’s been changed to sound a little less like a Jojo Moyes novel, but the cover is more chick lit than ever, which doesn’t really match the contents of the book.
The Glass Girl by Sandy Hogarth (& interview): Moving between Australia and England and spanning several decades of Ruth Bishop’s life, this debut novel explores the psychological effects of sexual trauma and betrayal. The middle of the book feels a little meandering, and the chronology is sometimes over-complicated. However, Ruth’s is a warm first-person voice, and the ending hints at welcome resolution to unanswered questions. My favorite aspect of the novel, though, is the frequent observations of the natural world.
The Year of the Runaways by Sunjeev Sahota: With multilingual slang and several Sikh characters, Sahota’s second novel illuminates aspects of the South Asian experience that might be unfamiliar. Daily life is a struggle for Tochi, Randeep and Avtar: they work multiple jobs to make ends meet, serving at Crunchy Fried Chicken, cleaning sewers, or building a luxury hotel in Leeds. The fourth protagonist is Randeep’s visa-wife, Narinder. Through flashbacks we discover each one’s past. It’s a harrowing read, but you can’t help but sympathize with the four runaways as they make and dissolve connections over the year.
The Gap of Time by Jeanette Winterson: This contemporary ‘cover version’ of The Winter’s Tale links a London financier, a Parisian singer, and a blended family in New Orleans. Winterson creates clear counterparts for each Shakespeare characters, often tweaking names so they are recognizable but more modern. Inventive and true to the themes and imagery (time, adoption; angels, bears, statues) of the original, but ultimately adds little to one’s experience of Shakespeare. I’ll hope for better things from the rest of the Hogarth Shakespeare series. (Still to come: Margaret Atwood on The Tempest, Howard Jacobson on The Merchant of Venice and Anne Tyler on The Taming of the Shrew, among others.)
After the Parade by Lori Ostlund [subscription service, but the full text of my review will be available for free during the week of October 20th as part of Editor’s Choice]: Ostlund’s debut novel explores trauma and loneliness through the past and present of the protagonist, an ESL teacher who has just left his long-term partner, as well as the stories of those he meets. Although set over a six-month period, the novel is so full of flashbacks that it feels dense with the weight of the past. At times this can seem more like a set of short stories, only loosely connected through Aaron. Still, the overarching theme is strong and resonant: “after the parade,” after everything has changed irrevocably, you must keep going, pushing past the sadness to build a new life.
The Best Small Fictions 2015, ed. by Tara L. Masih and Robert Olen Butler: In this very strong anthology of flash fiction, stories range from Tweet length to a few pages, but are always under 1,000 words. Titles and first lines carry a lot of weight. One of the best openers is “I didn’t recognize her without her head” (“Before She Was a Memory,” Emma Bolden). In genre the stories run the gamut from historical fiction to whimsical fantasy. You’ll be introduced to a wealth of fresh and existing talent. There are literally dozens of stand-outs here, but if I had to choose a top 3, they’d be “A Notice from the Office of Reclamation” by J. Duncan Wiley, “The Lunar Deep” by David Mellerick Lynch, and (overall favorite) “Something Overheard” by Yennie Cheung.
For Books’ Sake
Fates and Furies by Lauren Groff: An incisive study of a marriage, beautifully written and rich with allusions to Shakespeare and Greek mythology. Short, verbless sentences pile up to create exquisite descriptions, as in “Sunset. House on the dunes like a sun-tossed conch. Pelicans thumb-tacked in the wind.” However, I was less sure about the necessity of the bracketed phrases, which seem to represent a Greek chorus giving omniscient commentary, and the use of slang and nicknames can grate. Groff makes it onto a short list of women I expect to produce the Great American Novel.
When All Goes Quiet by Augustinus F. Lodewyks: This religious memoir should interest those who are curious about how spiritual experience can infiltrate everyday life. “When all goes quiet, I know that Heaven is trying to show me its glory,” Lodewyks writes. In autobiographical vignettes, he vividly expresses his mystical visions, particularly those featuring Jesus, the Virgin Mary and angels, who tend to appear in times of crisis and during events of ritual significance like weddings, funerals and religious pilgrimages. Some will still object to the overt proselytizing, especially in the book’s last quarter.
The Blessing of Movement by Deborah Konrad: Konrad’s story is an inspirational memoir about life with disability and caring for dying relatives. Her sister Sandra became a quadriplegic in her twenties. Throughout the book, Konrad investigates the secret strength that underlay “the sunny disposition of the pretty paralyzed woman.” She concludes that it was all about thankfulness, as proven by Sandra’s gratitude journal. Konrad’s own life undeniably gets sidelined, though; more self-reflection would provide a good match for her insights into her sister’s character.
DNA of Mathematics by Mehran Basti: Drawing on his academic specialty in mathematics, Basti explores how scientific theories have been used and misused through history. The book lacks focus due to frequent unrelated asides. It may be difficult to grant credibility to a scientist who dismisses the big bang because it was theorized through “semi-broken scientific methods” and seems to have a personal vendetta against Stephen Hawking. Most importantly, the mathematics that forms the book’s basis is never fully explained.
From Hell to Heaven, One Man’s Journey by Gustav Daffy: This book was inspired by an acrimonious divorce and other family troubles; although Christian faith helped Gustav adjust his thinking, many of the poems still feel like the angry outpourings of a man with an ax to grind. Moreover, formulaic rhyming and poor spelling and grammar mar this overlong collection. It would take a professional copyeditor to hone this into a concise set of linguistically and stylistically acute poems. However, the author’s in-the-moment reactions are easy to relate to.
Shiny New Books
Grief Is the Thing with Feathers by Max Porter: It may seem perverse to twist Emily Dickinson’s words about hope into a reflection on bereavement, but Porter’s exceptional debut does just that: tweak poetic forebears – chiefly Poe’s “The Raven” and Ted Hughes’s Crow – to create a hybrid response to loss. The novella is composed of three first-person voices: Dad, Boys and Crow (the soul of the book: witty, onomatopoeic, often macabre). Dad and his two young sons are adrift in mourning; the boys’ mum died after an unspecified accident in their London flat. The three narratives resemble monologues in a play, with short lines laid out on the page more like stanzas of a poem.
We Love This Book
A Slanting of the Sun by Donal Ryan: The Irish author of the novels The Spinning Heart (winner of the Guardian First Book Award in 2013) and The Thing About December, returns with 20 jolting, voice-driven short stories suffused with loneliness and anger. Nineteen of the 20 are in the first person, echoing the chorus of voices that made The Spinning Heart so effective. Many of the narrators speak in thick dialect and run-on sentences, which helps to immerse you in the rhythms of Irish speech. In a book full of lonely people, it is the moments of connection – however fleeting – that matter. For example, in “Long Puck,” one of the best stories, a Catholic priest posted to Syria initiates interfaith hurling matches that temporarily lift everyone’s spirits.
I also post reviews of most of my casual reading and skimming on Goodreads.
The River by Helen Humphreys: Humphreys has lived along Ontario’s Napanee River for over a decade. I was expecting a blend of personal reflection and natural observations, but instead the book is mostly composed of brief fictional passages illuminating a handful of species. I liked the passages about the heron best – Humphreys successfully imagines the life of a plume hunter and contrasts it with the excitement of two women involved in the foundation of a bird conservation charity. However, much of the book felt like unconnected vignettes, not building to any kind of grander picture of a location.
The Mountain Can Wait by Sarah Leipciger: The novel opens and closes with a hit-and-run, but in between those momentous peaks it’s a quieter tale of a single father trying to guide his son and daughter into young adulthood in the wilds of Canada’s west and islands. Tom Berry’s work is not cutting trees down but planting them – an interesting adaptation of a traditional woodsman’s activity to a new eco age. I found the story a little sleepy but loved Leipciger’s writing, especially her account of the daily drudgery of manual labor and her descriptions of wilderness scenery.
Decline of the Animal Kingdom by Laura Clarke: Bizarre, in-your-face poetry from a 30-year-old Canadian: business jargon, YouTube videos, fast food…and, yes, animals. Many of the poems feature mules and lions, including weird dialogues between a mule and its supervisor / domestic partner / psychiatrist. With plays on words and sexualized vocabulary, Clarke considers inter-species altruism and the inevitable slide towards extinction. Two favorite lines: “You forget you live parallel to violence” (from “Carnivora”); “The Tasmanian tiger live-tweets its extinction from the Hobart zoo in 1933” (from “Extirpation”).
Do No Harm: Stories of Life, Death and Brain Surgery by Henry Marsh: “Terrible job, neurosurgery. Don’t do it.” Lucky for us, Henry Marsh reports back from the frontlines of brain surgery so we don’t have to. He’s nearing retirement age after a career divided between a London hospital and medical missions to Ukraine. The punchy chapters are named after conditions he has treated or observed. Marsh comes across as having a hot temper, exhibiting extreme frustration with NHS bureaucracy. At the same time, he gets very emotional over his patients declining and dying, and experiences profound guilt over operations that go wrong or were ultimately unnecessary.
In the Flesh by Adam O’Riordan: My favorite poems in O’Riordan’s debut collection were about Victorian Manchester, 1910s suffragettes and the Wordsworths, this last based on the author’s year in residence at their Lake District cottage. I also liked “The Corpse Garden” – about the outdoor forensic lab in Knoxville, Tennessee – and a couple of multi-part poems that seem to enliven family history. It’s the vocabulary and alliteration that make these poems; there are only a handful of rhyming couplets.
A Circle of Quiet by Madeleine L’Engle: If, like me, you only knew L’Engle through her Wrinkle in Time children’s series, this journal should come as a revelation. I didn’t know she wrote any nonfiction for adults. The Crosswicks books cannot be called simple memoirs, however; there’s so much more going on. In this journal (published 1972) of a summer spent at their Connecticut farmhouse, L’Engle muses on theology, purpose, children’s education, the writing life, the difference between creating stories for children and adults, neighbors and fitting into a community, and much besides.
A View of the Harbour by Elizabeth Taylor: My third Taylor – not as good as Mrs. Palfrey, but better than Angel. It’s about the everyday family and romantic entanglements of a small English harbor village in the 1940s. Beth is a preoccupied writer who doesn’t notice that her husband, the local doctor, is carrying on an affair with her best friend, the divorcée Tory, who is also their next-door neighbor. As always, Taylor has great insight into the human psyche and unlikely relationships. The plot is low on thrills for sure, but it’s pleasant reading, especially if you’re on holiday at the seaside (I started reading it on the coast near Dublin).
Amazing Grace: A Vocabulary of Faith by Kathleen Norris: This makes the shortlist of books I would hand to skeptics to show them there might be something to this Christianity nonsense after all. Norris spent 20 years away from the faith but gradually made her way back, via the simple Presbyterianism of her Dakota relatives but also through becoming an oblate at a Benedictine monastery – two completely different expressions of the same faith. In few-page essays, she gives each word or phrase a rich backstory through anecdote, scripture and lived philosophy, ensuring that it’s not just religious jargon anymore.
Undermajordomo Minor by Patrick deWitt: What The Sisters Brothers did for the Western, this does for the Gothic fairytale. It’s not quite as fun or successful as the previous book, but has a nicely campy Dracula or Jane Eyre feel. Lucien “Lucy” Minor, a compulsive liar, sets out to find adventure and romance as undermajordomo of a castle in the quaint German countryside. Here he meets pickpockets, a periodically insane baron, a randy maiden, and a strapping rival who’s a soldier in the absurdist local conflict. DeWitt’s understated humor is not as clearly on display here; there’s also, strangely, quite a bit of sex.
Sentenced to Life by Clive James: James, an Australian critic and all-round man of letters, was first diagnosed with leukemia in 2010. After a setback in 2013, he’s rallied, but these poems are certainly infused with a sense of imminent mortality. The incessant ABAB rhyming in the early poems set up a jaunty rhythm I didn’t find appropriate to the subject matter; I much prefer the later unrhymed poems. “Plot Points” is my favorite, artfully linking disparate historical moments.
Gold Fame Citrus by Claire Vaye Watkins: Gold, fame, citrus: reasons people once came to California. Now, only a desperate remnant remains in this waterless wasteland. Luz and Ray squat in a starlet’s abandoned mansion and live off of Luz’s modeling money – she was once the environmental movement’s poster child, “Baby Dunn.” When they take charge of a baby called Ig, however, their priorities change. They set off for the strangely beautiful sea of dunes, the Amargosa, leaving behind the ‘frying pan’ of exposure to the elements for the ‘fire’ of a desert cult. There is some absolutely beautiful prose. This is the book that California (Edan Lepucki) wanted to be.
Satin Island by Tom McCarthy: U. is a corporate anthropologist in London, coming off the success of the Koob–Sassen contract and facing the blank page of the Great Report he’s tasked with writing. Not much happens here; the book is more about his anthropological observations and the things he fixates on, like oil spills, a sabotaged parachutist, and Satin Island – a place he encounters in a dream and then, by word association, likens to Staten Island, a destination he doesn’t quite make it to. For me the most interesting parts were about narrative. I found this too clever for its own good; not Booker Prize material.
I like a spot of competition. Whether watching Olympic figure skating, playing board games like Scrabble and Boggle, entering a low-key Oscars pool, or rooting for my favorites in American Idol seasons and Miss America pageants, I’ve always loved trying to pick the best. This means that literary prizes are hugely exciting for me, and I follow the races closely.
I’m particularly devoted to the Man Booker Prize. I was delighted to see Hanya Yanagihara’s A Little Life on the recent longlist (catch up on it here), a truly interesting set of books, diverse in terms of their genres and authors’ nationalities and nicely balanced between male and female writers (6:7). I’ve read four of the longlisted titles so far:
- The Fishermen, Chigozie Obioma (full review in May 2015 issue of Third Way): From a young Nigerian debut novelist comes a haunting tale of sibling rivalry and revenge. With sectarian riots afoot, the four oldest Agwu boys decide to make money by skipping school and fishing in the Omi-Ala River. Things get more complicated when Abulu, the local madman, issues a prophecy that seems bound to divide the brothers. The first quarter of the novel, especially, is drenched in foreshadowing (not always subtle, nor do the plot turns often rise above the predictable). Rich with prophecy and allusions, this owes much to biblical narratives and tragedies from Shakespeare to Chinua Achebe.
- Lila, Marilynne Robinson – reviewed at For Books’ Sake
- A Spool of Blue Thread, Anne Tyler – also reviewed at For Books’ Sake
- A Little Life, Hanya Yanagihara – reviewed at Shiny New Books
Beyond the Booker, here are some of the other prizes I follow throughout the year, listed in vague chronological order:
- The Not the Booker Prize run by the Guardian. On this year’s shortlist is Shame by Melanie Finn, a book I loved when I reviewed it for Third Way’s April 2015 issue. It’s a powerful story of regret and the search for redemption. Though it has elements of a straightforward psychological thriller, the daring structure and moral complexities are more akin to Graham Greene. In alternating chapters, Pilgrim Jones contrasts flashbacks to her car accident and the subsequent investigation back in Switzerland with her present-tense African odyssey. This is Conrad’s Africa, a continent characterized by darkness and suffering. The question of culpability remains murky, yet the possibility of salvation shines through. [Voting will take place in October.]
- The Guardian First Book Award (open to both fiction and nonfiction): the shortlist will be announced this Friday, August 14th. One entry, Spill Simmer Falter Wither by Sara Baume, has already been chosen by readers, and the other nine are selected from publishers’ submissions. [Winner announced in late November.]
- The Dylan Thomas Prize for young writers (under 39) went to Joshua Ferris for To Rise Again at a Decent Hour last year. [Longlist in September, shortlist in October and winner announced in November.]
- The Costa Book Awards give separate prizes for fiction, debut fiction, biography, poetry, and children’s books, and also choose one overall winner. [Category shortlists in late November, category winners in early January and overall winner on January 26, 2016.]
- The Folio Prize, only two years old, considers any work of fiction published in English; before the Booker expanded to include American entries last year, it was the most Catholic of the fiction prizes. Now it risks being considered redundant; especially since it lost its Folio Society sponsorship, it’s unclear whether it will continue. [Shortlist in February and winner announced in March.]
- The Wellcome Book Prize is for medical-themed literature, fiction or nonfiction. Last year’s winner, The Iceberg by Marion Coutts, meant a lot to me for personal reasons but was also one of the most unusual and impressive memoirs I’ve ever read. I reviewed it for The Bookbag here. [Shortlist in March and winner announced in April.]
- The Pulitzer Prize is America’s premier literary award. I confess I often feel a little out of touch with the winners and don’t necessarily make a conscious effort to seek out the nominated books. I’d like to be more familiar with Pulitzer winners. Next year marks the prize’s centennial, so there’s no better time! [Winners announced in April.]
- The Independent Foreign Fiction Prize is for any book that has been translated into English and published in the UK in the previous year. I’ve found some great offbeat reads by browsing through previous longlists. As of next year, the prize is merging with the Man Booker International award, which previously recognized the life work of a foreign author every other year. [Longlist in March, shortlist in April and winner announced in May.]
- The Bollinger Everyman Wodehouse Prize, the UK’s prize for comic literature, has run since 2000. Among the past winners are Paul Torday, Howard Jacobson, Terry Pratchett, Geoff Dyer, Gary Shteyngart, and (surprise!) Ian McEwan. I’ve read five of the winners, including Lost for Words by Edward St. Aubyn. [Shortlist in March and winner announced in May.]
- The Baileys Women’s Prize for Fiction (formerly known as the Orange Prize). Ali Smith won the 2015 award for How to Be Both. [Longlist in March; shortlist and winner announced in June.]
Do you follow literary prize races? Do you make a point of reading the winner and/or the shortlisted books? All comments welcome!