Tag Archives: Gianrico Carofiglio

Recent BookBrowse & Shiny New Books Reviews, and Book Club Ado

Excerpts from and links to some of my recent online writing for other places:

BookBrowse

Three O’Clock in the Morning by Gianrico Carofiglio

The quotation that gives Carofiglio’s tender novel its title is from F. Scott Fitzgerald’s The Crack-Up: “In a real dark night of the soul it is always three o’clock in the morning.” It lends an appropriate sense of time suspended, of earnest seeking and extreme circumstances: The main action of the book takes place over just a few days in June of 1983, when Italian teenager Antonio and his father are stranded in Marseilles while there for Antonio to be seen by an epilepsy specialist. The gift of this time outside of time allows them to get to know each other better, such that the memory of the trip will be precious to Antonio even decades later. I appreciated how the limited setting heightened this short novel’s emotions. Carofiglio invites readers to peer between the leisurely progression of events to see the bond that is being formed. (See my full review at BookBrowse. See also my related article on HarperVia, a new publishing imprint for international literature.)

The Dictionary of Lost Words by Pip Williams

Inspired by the composition of the Oxford English Dictionary, this Australian debut novel explores the lives of the women on its fringes through the words that were omitted. The suffrage movement and World War I loom large as the storyline enters the 1910s. I most appreciated the relationships Esme has with the various women in her life. The main action spans the 40 years of the original composition of the OED. That scope means there is a lot of skipping forward in time. Especially in the first half, I longed for the narrative to slow down so I could spend more time with this character. Despite the first-person narration, I never felt I knew Esme very well. Women’s bonds and women’s words are strong themes in this forthrightly feminist novel that, despite its flaws, would make a great book club selection. (See my full review at BookBrowse. See also my reading list of books about dictionaries and lost words.)

Shiny New Books

 

Notes from Deep Time: The Hidden Stories of the Earth Beneath Our Feet by Helen Gordon

To assess the place of humanity, we can look back to prehistory, but also forward to envision the “deep future.” (It was only in a late chapter on nuclear waste disposal sites and warning messages to the future that I found too much direct overlap with Footprints by David Farrier.) This engagingly blends both tactics, surveying the fields of geology and palaeontology and pondering the future traces of the Anthropocene. I most enjoyed the middle chapters, in which science meets wildlife and cultural studies. For instance, a chapter on ammonites leads into a profile of Mary Anning and the history of both fossil hunting and women in STEM careers. The prose is well pitched to the layman’s level. Interviews, travels, and snapshots from her own life generally keep the material from becoming too dry. An invigorating interdisciplinary tour. (See my full review at Shiny New Books.)


My book club has been meeting via Zoom since April 2020. This is a common state of affairs for book clubs around the world. Especially since we have 12 members (if everyone attends, which is rare), we haven’t been able to contemplate meeting in person as of yet. However, a subset of us meet midway between the monthly reads to discuss women’s classics like Marge Piercy’s Woman on the Edge of Time. For next week’s meeting on Mrs. Dalloway, we are going to attempt a six-person get-together in one member’s house.

Anyway, a neat thing we did last month was a Zoom chat with the author: a BBC correspondent who happens to be the brother of one of our members. If you’re a news junkie in the UK, you may know the name Jon Sopel, though since I don’t have a telly or ever listen to radio, I hadn’t encountered him until this “in-person” meet-up. He has been the BBC’s North America Editor since 2014.

UnPresidented is the third book he wrote over the course of the Trump presidency. It started off as a diary of the 2020 election campaign, beginning in July 2019, but of course soon morphed into something slightly different: a chronicle of life in D.C. and London during Covid-19 and a record of the Trump mishandling of the pandemic. But as well as a farcical election process and a public health crisis, 2020’s perfect storm also included economic collapse and social upheaval – thanks to the murder of George Floyd and the subsequent Black Lives Matter protests worldwide plus isolated rioting.

UnPresidented served as a good reminder for me of the timeline of events and the full catalogue of outrages committed by Trump and his cronies. You just have to shake your head over the litany of ridiculous things he said and did, and got away with – any one of which might have sunk another president or candidate. The style is breezy and off-the-cuff, so the book reads quickly. There’s a good balance between world events and personal ones, with his family split across the UK and Australia. I appreciated the insight into differences from the British system. I thought it would be depressing reading back through the events of 2020, but for the most part the knowledge that everything turned out “right” allowed me to see the humour in it. Still, I found it excruciating reading about the four days following the election.

Sopel kindly gave us an hour of his time one Wednesday evening before he had to go on air and answered our questions about Biden, Harris, journalistic ethics, and more. He was charming and eloquent, as befits his profession.

Would any of these books interest you?

Book Serendipity, Mid-March to Early May 2021

In early April, the publisher Canongate ran a newsletter competition for one reader to win a stack of their recent releases. All you had to do was reply with your favourite word. On Twitter they gave a rundown of the most popular responses. Turning up several times each were petrichor, mellifluous, and oleaginous. Most frequent of all was serendipity: I was one of 15 to submit it! And one of those entries, but not mine, won. Anyway, fun little story there.

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck.

The following are in roughly chronological order.

  • A white peacock is mentioned in Indelicacy by Amina Cain and The Mermaid of Black Conch by Monique Roffey, both of which were on the 2021 Rathbones Folio Prize shortlist.
  • Speaking of that Rathbones Folio Prize shortlist, four of the eight were paperbacks with French flaps.

 

  • The main character takes ballet lessons in Indelicacy by Amina Cain and A Feather on the Breath of God by Sigrid Nunez.

 

  • Mermaids! A big theme in The Mermaid of Black Conch by Monique Roffey (of course) and The Republic of Love by Carol Shields, but they’re also mentioned in the opening story of The Office of Historical Corrections by Danielle Evans and are main characters in “The Pangs of Love” by Jane Gardam in the anthology Close Company.

  • The Brothers Grimm story about brothers who have been transformed into swans and their sister who sews shirts out of nettles to turn them back is reworked in The Charmed Wife by Olga Grushin and used as a metaphor in Dusk, Night, Dawn by Anne Lamott.

 

  • An electric carving knife is mentioned as a means of suicide (yipes!) in The Inevitable by Katie Engelhart and Woman on the Edge of Time by Marge Piercy.

 

  • A discussion of the distinction between the fear of dying and the fear of being dead in This Party’s Dead by Erica Buist and The Inevitable by Katie Engelhart.

 

  • Two novels in a row in which an older man is appalled by the squalor of his young girlfriend’s apartment, and she calls him “daddy” during sex (double yipes!), made the Dylan Thomas Prize shortlist: Luster by Raven Leilani and My Dark Vanessa by Kate Elizabeth Russell.
  • Architect husbands in The Push by Ashley Audrain and The Art of Falling by Danielle McLaughlin (and, last year, in A Celibate Season by Blanche Howard and Carol Shields), as well as a female architect as a main character in The Living Sea of Waking Dreams by Richard Flanagan earlier this year.

 

  • The next-to-last essay in the Trauma anthology quotes from The Bell Jar by Sylvia Plath, which I was also reading at the time.

 

  • A mention of the eels in London absorbing cocaine from the Thames in the final essay in the Trauma anthology; I then moved right on to the last 40 pages of Nobody Is Talking About This by Patricia Lockwood and the same bizarre fact was mentioned. A week and a half later, there it was again, this time in Asylum Road by Olivia Sudjic.

 

  • A mention of sailors’ habit of getting tattoos of swallows in The Circling Sky by Neil Ansell (who has a swallow tattoo, even though he’s not a sailor) and Birdsong in a Time of Silence by Steven Lovatt.
  • A father and teenage child wander an unfamiliar city and enter a sex shop together (yipes yet again!) in Three O’Clock in the Morning by Gianrico Carofiglio and Ten Days by Austin Duffy.

 

  • A mention of the same University of Virginia study in which people self-administered electric shocks to alleviate the boredom of sitting alone with their thoughts in Rooted by Lyanda Lynn Haupt and You’re Not Listening by Kate Murphy.

 

  • Basho’s poetry and George Monbiot’s Feral are both cited in The Circling Sky by Neil Ansell and Rooted by Lyanda Lynn Haupt.

 

  • A dead sister named Mattie in Consent by Annabel Lyon and Drowning Ruth by Christina Schwarz.
  • A young Black female protagonist and the same family dynamic (the mother committed suicide and the father is in the Marines/Navy) in The Mothers by Brit Bennett and Luster by Raven Leilani.

 

  • On the same night, I read about two pets encountering snow for the first time: a cat in Close Encounters of the Furred Kind by Tom Cox and a dog in Open Water by Caleb Azumah Nelson.

 

  • A character is described as being as wide as they are tall in Mother for Dinner by Shalom Auslander and The Absolute Book by Elizabeth Knox.
  • A character is known as Seventh in Mother for Dinner by Shalom Auslander and the story “The Pangs of Love” by Jane Gardam in the Close Company anthology. Plus, there’s Septimus in Mrs Dalloway by Virginia Woolf, which I’m reading concurrently with those two.

 

What’s the weirdest reading coincidence you’ve had lately?