When possible I enjoy reading with the seasons. As the holidays approached last year I picked out a pile of wintry reads that would see me through the dark, cold days of January. I’ve had a chance to read five of them so far, and give review extracts below. I may report back later on in the winter about a few books I plan to read with “snow” in the title.
In the Grip of Winter by Colin Dann
In this second book of the Farthing Wood series, the animals endure a harsh winter in their new home, the White Deer Park. When Badger falls down a slope and injures his leg, he’s nursed back to health at the Warden’s cottage, where Ginger Cat tempts him to join in a life of comfort and plenty. Meanwhile, Fox, Tawny Owl and the others are near starvation, and resort to leaving the park and stealing food from farms and rubbish bins. They have to band together and use their cunning to survive. This was a sweet book that reminded me of my childhood love of anthropomorphized animal stories (like Watership Down and the Redwall series). I doubt I’ll read another from the series, but this was a quaint read for the season.
My husband received this book for free from his school for some reason. Even early on his tastes turned towards wildlife. [One annoyance: the author always referred to Badger’s “set” instead of his “sett”; although it appears this may actually be a permissible variant, it wasn’t cool with me!]
Favorite wintry passage:
“‘Every winter is hard for some,’ Badger answered. ‘The weakest among us always suffer the most. The small creatures: the mice, the shrews, the voles and, particularly, the small birds – every winter takes its toll [on] them. But yes – I sense that this winter will be one to reckon with. There’s something in that wind…’”
This Cold Heaven: Seven Seasons in Greenland by Gretel Ehrlich
Once a year or so I encounter a book that’s so flawlessly written you could pick out just about any sentence and marvel at its construction. That’s certainly the case here. I never want to go to Greenland; English winters are quite dark and cold enough for me, and I don’t know if I could stomach seal meat at all, let alone for most meals and often raw. But that’s okay: I don’t need to book a flight to Qaanaaq, because through reading this I’ve already been in Greenland in every season, and I thoroughly enjoyed my armchair trek. Impressively, Ehrlich is always describing the same sorts of scenery, and yet every time finds a fresh way to write about ice and sun glare and frigid temperatures. I’ll be looking into her other books for sure.
Favorite wintry passage:
“The ice cap itself was a siren singing me back to Greenland, its walls of blue sapphire and sheer immensity always beguiling. Part jewel, part eye, part lighthouse, part recumbent monolith, the ice is a bright spot on the upper tier of the globe where the world’s purse strings have been pulled tight, nudging the tops of three continents together. Summers, it burns in the sun, and in the dark it hoards moonlight.”
Further reading on Greenland: A Wilder Time: Notes from a Geologist at the Edge of the Greenland Ice by William E. Glassley (see my Foreword review) and The Prophets of Eternal Fjord by Kim Leine, an epic novel about an unconventional priest, set in late-eighteenth-century Denmark and Greenland (see my Nudge review). Also Sinéad Morrissey’s multi-part poem “Whitelessness.” You can read the first stanza of it here.
The Short Day Dying by Peter Hobbs
This short novel from 2005 deserves to be better known. It reminded me of Days Without End and On the Black Hill, but most of all of Francis Kilvert’s diary, perhaps as voiced by a rustic from Poldark. We journey through 1870 with Charles Wenmoth, a twenty-seven-year-old blacksmith’s apprentice and Methodist lay preacher in Cornwall mining country. Very little happens; the focus is on atmosphere and voice. The major struggle is with his melancholy spirit, which causes him to doubt his salvation. As winter circles round, the days grow shorter just as he senses life growing shorter. The short chapters are like undated diary entries (apparently based on the author’s great-great-grandfather’s); the sentences are almost completely unpunctuated, which at first had me twitching for my pencil to add commas to the run-on sentences, but eventually I gave myself over to the flow.
Favorite wintry passage:
“It is a shame we cannot stay children for ever and remain blind to the slow death of the land. How different it will all be in a few months the bare trees revealed as dark gnarled bodies. Something inside them though lives through the yearly famine and they always find new colour. I trust it is the same for us all.”
Winter by Karl Ove Knausgaard
This is my favorite of the three Knausgaard books I’ve read so far, and miles better than his Autumn. These short essays successfully evoke the sensations of winter and the conflicting emotions elicited by family life and childhood memories. The series is, loosely speaking, a set of instruction manuals for his unborn daughter, who is born a month premature in the course of this volume. So in the first book he starts with the basics of bodily existence – orifices, bodily fluids and clothing – and now he’s moving on to slightly more advanced but still everyday things she’ll encounter, like coins, stuffed animals, a messy house, toothbrushes, and the moon. I’ll see out this series, and see afterwards if I have the nerve to return to My Struggle.
Favorite wintry passage:
“winter not only muffles some sounds and intensifies others, it also has sounds that are entirely its own, unique to the season, and some of them are among the most beautiful of all. The low boom of ice-covered waters as they freeze, for instance, which can be heard on perfectly clear days or nights when the cold deepens, and which has something menacing or mighty about it, since it isn’t connected to an visible movement”
Available Light by Marge Piercy
Many poetry volumes get a middling rating from me because some of the poems are memorable but others do nothing for me. This is on the longer side for a collection at 120+ pages, but only a handful of its poems fell flat. The subjects are diverse: travels in Europe (my cover depicts the Avebury stone circle in the gloom), menstruation, identifying as a Jew as well as a feminist, scattering her father’s ashes, the stresses of daily life, and being in love. The title poem, which appears first, has a slightly melancholy tone with its focus on the short days of winter, but the poet defiantly asserts meaning despite the mood: “Even the dead of winter: it seethes with more / than I can ever live to name and speak.” Piercy was a great discovery, and I’ll be trying lots more of her books from various genres.
Favorite wintry passage:
(from “Available light”)
In winter the light is red and short.
The sun hangs its wizened rosehip in the oaks.
By midafternoon night is folding in.
The ground is locked against us like a door.
Yet faces shine so the eyes stretch for them
and tracks in the snow are etched, calligraphy
(And one book that didn’t quite work for me; I ended up abandoning it at 14%.
The Bear and the Nightingale by Katherine Arden: Some striking turns of phrase, an enchanting wintry atmosphere … but a little Disney-fied for me. I got this free for Kindle so may come back to it at some point.
Favorite wintry passage:
“The years slipped by like leaves. …The clouds lay like wet wool above the trees.”)
Have you read any wintry books this year?
Even when it’s not a book that’s specifically about cats, cats often seem to turn up in my reading. Maybe it’s simply that I look out for them more since I became a cat owner several years ago. Here are some of the quotes, scenes or whole books featuring cats that I’ve come across this year.
Cats real and imaginary
Readers see some of the action from the perspective of Polanski the cat in The Plimsoll Line by Juan Gracia Armendáriz. While the feline might not grasp the emotional importance of the scenes he witnesses, we do. “The cat narrows its eyes when it sees the man lean against the window frame, overcome by a fit of sobbing that has nothing to do with sadness, or sorrow, but with an internal crumbling, like the collapse of a wave breaking on the shore of his skin and sweeping away his memory.”
From Anna of the Five Towns by Arnold Bennett: “Anna was disturbed by the arrival at the front door of the milk-girl. Alternately with her father, she stayed at home on Sunday evenings, partly to receive the evening milk and partly to guard the house. The Persian cat with one ear preceded her to the door as soon as he heard the clatter of the can. The stout little milk-girl dispensed one pint of milk into Anna’s jug, and spilt an eleemosynary supply on the step for the cat. ‘He does like it fresh, Miss,’ said the milk-girl, smiling at the greedy cat, and then, with a ‘Lovely evenin’,’ departed down the street, one fat red arm stretched horizontally out to balance the weight of the can in the other.”
From Kilvert’s Diary by Francis Kilvert: “Toby [the cat] sits before the fire on the hearthrug and now and then jumps up on my knee to be stroked. The mice scurry rattling round the wainscot and Toby darts off in great excitement to listen and watch for them.” (18 Oct. 1870)
The Wind-Up Bird Chronicle by Haruki Murakami starts with a missing cat. “So now I had to go cat hunting. I had always liked cats. And I liked this particular cat. But cats have their own way of living. They’re not stupid. If a cat stopped living where you happened to be, that meant it had decided to go somewhere else. If it got tired and hungry, it would come back. Finally, though, to keep Kumiko happy, I would have to go looking for our cat. I had nothing better to do.”
I’m also 64 pages into Murakami’s Kafka on the Shore; in Chapter 6 we meet another seeker of lost cats, Nakata, when he has an absurd conversation with a black cat named Otsuka. (Perhaps he’s the creature pictured on the cover of my paperback?)
Doorkins the Cathedral Cat by Lisa Gutwein: This sweet children’s book tells the true story of how a stray cat wandered into London’s Southwark Cathedral in 2008 and gradually made it her home. It proceeds day by day through one week to give a helpful idea of the range of activities the cathedral hosts – everything from a wedding to a regular Sunday service – but also showcases important events like visits from the Bishop and the Queen. In every case we get to see how Doorkins insinuates herself into proceedings. I liked how the bright colors of the illustrations echo the cathedral’s stained glass, and appreciated the photo gallery and extra information at the end. The author, a doctor whose husband is a verger at the cathedral, and illustrator Rowan Ambrose, a dentist, met at King’s College London, where I used to work.
The Church Mice in Action by Graham Oakley: My third from the series, I think. The mice suggest to the parson’s sister that she might enter Sampson into cat shows to earn enough to repair the church roof. They then do their best to rig the results, but couldn’t have predicted the consequences. I loved the late summer/onset of autumn atmosphere.
On the extreme reluctance to remove a cat from one’s lap.
From The Tenant of Wildfell Hall by Anne Brontë: Miss Millward, Eliza’s older sister and the vicar’s daughter, when he passes her a ball of wool that’s rolled under the table – “Thank you, Mr. Markham. I would have picked it up myself, only I did not want to disturb the cat.”
From the essay “On Cat-Worship” in George Mikes’s How to Be Decadent: “Having joked for decades about how the English worship the cat, like the ancient Egyptians only more so, I have fallen for the cat myself. It has become my sacred animal. … I have been late for appointments, failed to go shopping and missed planes because Tsi-Tsa was sitting on my lap.”
Other cat-themed reading on the horizon:
- The Cat Who Stayed for Christmas by Cleveland Amory, borrowed from the public library, should make a good pre-holiday read.
- I’m keen to get hold of The Travelling Cat Chronicles by Hiro Arikawa, which comes out in November.
- My husband gave me a copy of Tom Cox’s The Good, the Bad and the Furry for my birthday.
- I have Jason Hazeley’s The Fireside Grown-Up Guide to the Cat and Thomas McNamee’s The Inner Life of Cats on my Kindle.
- It’s not particularly geared towards cat lovers (see Eleanor’s review), but it is called My Cat Yugoslavia by Pajtim Statovci and is also on my Kindle.
- I have copies of Cats in May by Doreen Tovey plus a couple of anthologies of cat-related writing picked up in Hay-on-Wye.
We had a wonderful time in Hay-on-Wye. The weather was gorgeous – which we never would have counted on in Wales in early April – and it was a treat to get out into the countryside. Even though there were road works on the main route through Hay and a house under construction across from our Airbnb property, it was so quiet most of the time. Most often we only heard sheep and pheasants in the fields or songbirds flitting around the garden. We’ve been back to normal life for a few days, but the contrast between Hay and our terraced street’s noisy neighbors and frequent car movement has remained stark. Also, I greatly enjoyed the time off work, and struggled to clear 200+ e-mails the day after we got back.
Early bargains came from the Oxfam charity shop (a box outside with paperbacks at 5 for £1, plus various nearly new copies at 99p each) and the ‘honesty’ shopping areas around the castle (50p paperbacks and £1 hardbacks). Each day my husband’s and my rival stacks kept growing.
In the end we purchased 41 books, averaging £1.48 each: 3 gifts (alas that we couldn’t do better in this respect) plus another 19 books each. All very equitable! My husband focused on nature and travel, including some rare and novelty insect books.
Some of my prize finds were a vintage copy of the next book in Doreen Tovey’s cat series, a copy of the Joyce Carol Oates novel I intend to make my introduction to her work, and Marilyn Johnson’s book on obituaries. As a bonus, three of the books I bought are ones I’ve already read: Vikram Seth’s travel book on China, How to Age from the School of Life series – a total bargain at 50p!, and Posy Simmonds’ Tamara Drewe, an update of Thomas Hardy’s Far from the Madding Crowd and one of the first graphic novels I ever read and loved.
Of course, I didn’t end up reading very much (or any) of many of the books I took with me. I glanced at The Rebecca Rioter, but didn’t find it at all interesting; I forgot to look at The Airbnb Story; and I seem to be stuck fast just two chapters into Our Mutual Friend. On the other hand, I’ve been enjoying Bruce Chatwin’s On the Black Hill, of which I read over half, and I made good progress in George Saunders’s Lincoln in the Bardo.
It’s also been fun to browse Francis Kilvert’s diary entries from his years as the curate in nearby Clyro. In one of my favorite passages, he expresses horror at finding British tourists overrunning Llanthony Abbey ruins. For a minister, he certainly sounds like a misanthrope:
I had the satisfaction of managing to walk from Hay to Clyro by the fields without meeting a single person, always a great triumph to me and a subject for warm self congratulation for I have a peculiar dislike to meeting people, and a peculiar liking for a deserted road.
We went out to Llanthony for the first time on this trip, and paid Clyro’s church a visit, too.
Hay is much less shabby compared to our first visit. Many of the shops have been spruced up, and the pubs can’t get away with serving bog-standard fare anymore. A number of the newest eateries and entertainment venues are only open on weekends, so we’ll be sure to time our next trip to cover a Friday–Saturday. The town has even gained some hipster establishments, like a fair-trade shop and a coffee shop/vintage clothing emporium.
The Book Arts Trail was celebrating the 40 years of ‘independence’ of Richard Booth’s kingdom of Hay this year, and I expect we’ll still find the place going strong at 50.
Which of my book purchases tempt you?
In April I’ll be busy with the last three books on the Wellcome Book Prize shortlist. I’m nearing halfway in Ed Yong’s I Contain Multitudes, have just started Siddhartha Mukherjee’s dauntingly dense The Gene, and am still awaiting my library hold on David France’s How to Survive a Plague. With the shadow panel’s decision due by the 23rd, it’s going to be something of a struggle! If push comes to shove, I’ll have to leave Dickens aside for next month and call Mukherjee and/or France my doorstopper for April.
As to other planned posts for the month…
- I read my second Margaret Laurence novel a little while back and just need to find time to write it up.
- I’m taking part in a nonfiction blog tour for a bereavement memoir on the 11th.
- I’m working on four review books, including two offered directly by the authors.
- I’ll try to round up a few recent or upcoming theology titles for an Easter post.
- If I get a chance, I’ll preview two or more recommended May releases.
Luckily, it’s a quieter month for me in terms of work deadlines. I’ve been working like a fiend to get ready for our short break to Hay-on-Wye, leaving Monday and returning Thursday evening. Tomorrow I’ll be submitting four completed reviews and scheduling a Wellcome Prize post for while we’re away, and then I’ll be able to breathe a big sigh of relief and allow myself some time off – always a difficult thing for freelancers to manage.
This will be our sixth trip to Hay-on-Wye, the Book Town in Wales. Our other visits clustered between 2004 and 2011; I can hardly believe it’s nearly six years since we’ve been back to one of our favorite places! Yet it’s a bittersweet return. On four of our previous trips, we stayed in the same B&B, a gorgeous eighteenth-century house with extensive gardens. It’s where we got engaged in 2006. It also served the finest breakfast known to man: organic Full English PLUS homemade cereals and jam to go with warm croissants; local single-variety apple juice PLUS all-you-can-drink tea. Around 2013 we toyed with the idea of going back, but didn’t make a serious enquiry until 2014. Alas, they’d closed temporarily while the hostess underwent breast cancer treatment. We wished them well, hoping we’d get a message when they reopened for business. Instead, we found her obituary in the Guardian last year.
So, although Hay is still our special place, we’re sad the experience won’t be quite the same. We also noticed that more shops have closed since last we visited, but there are still about 12, a lot for a town of its size. Some of these are top-class, like Booth’s, the Cinema Bookshop and Addyman’s. There will certainly be no dearth of tempting shopping opportunities. I’m not going with much of a plan in mind. Our general strategy is to start with the cheapest shops/bargain basements and then move on to more expensive and specialist ones.
Hay is better for browsing than for concerted searching for particular titles – for that you’re better off going online (many of the shops do Internet sales). It’s also not a place to go for cheap paperbacks – for that you’re better off at your local charity shop. So although I’m taking an updated list of books that are priorities to find, I don’t expect to make much of a dent in it. I’ll just wander and see what catches my eye. We’ll also visit Llanthony Priory and Clyro Church, go for a good country walk, and have lunch with a friend in the Brecon area.
Taking books to Hay is rather like taking coal to Newcastle, but it must be done. I’ve picked four topical reads to sample while I’m there: a selection from Reverend Francis Kilvert’s diary – he was the curate of Clyro from 1865 to 1872; Bruce Chatwin’s 1982 debut novel On the Black Hill, set on the England–Wales border; the obscure classic The Rebecca Rioter, about the Rebecca Riots against tolls in rural Wales in 1839–43; and a Kindle copy of The Airbnb Story, since we’re renting an Airbnb property this time.
But that’s not all. I need to make progress in at least some of the books I currently have on the go, too, so I will be loading up a book-themed tote bag with the following:
Now, the last thing I needed just before a trip to Hay was an influx of secondhand books, but I couldn’t help myself. This afternoon a local green initiative ran a swap shop where you bring things you don’t want anymore and go home with things you do want. I donated a couple of household items and a few books … but came away with 13 books. Good travel and literature finds. I’m particularly pleased with Elizabeth Bishop’s Complete Poems and a Dave Eggers novel I’ve not read. It’s fun to think of the journeys these books have been on: John Sutherland’s How to Read a Novel (which I have already read, but would like to have around for reference) is an ex-library book all the way from Westborough, Massachusetts! I left my details so I can get involved with future local greening activities, too.
I know a number of my readers are Hay regulars, or have at least made the trek once. If you have any up-to-date recommendations for us in terms of shopping or eating out in the area, do let me know (by tomorrow night if you can – we’re away from Monday morning).
Enjoy my Sarah Moss review while I’m away, and I’ll see you back here on Friday!
I’ve marked the turn of the seasons by following a ‘Midwinter’ book with a ‘Spring’ one.
Moominland Midwinter by Tove Jansson
My third and favorite Moomins book (so far).
Moomins are supposed to sleep through the winter, but this year young Moomintroll awakens and finds himself in a “strange and dangerous” world transformed by snowdrifts. He can’t get his parents to wake up so is effectively a temporary orphan, surrounded by peculiar creatures from Jansson’s menagerie, this time including a dim-witted squirrel, invisible shrews, a glum little dog who wishes he could run with wolves, and the Dweller Under the Sink (with its exceptionally bushy eyebrows).
While Moomintroll searches for totems of familiarity—
He looked at the cupboard in the corner and thought of how nice it was to know that his own old bath-gown was hanging inside it. That something certain and cosy still remained in the middle of all the new and worrying things.
—Too-ticky has the opposite mindset: “All things are so very uncertain, and that’s exactly what makes me feel reassured.” She goes fishing under the ice, builds a life-size horse out of snow, and assembles tree trunks and old furniture for the midwinter ritual of a huge bonfire.
When they receive a visit from the Hemulen, who’s keen on skiing and declares the indoors too stuffy in winter, the creatures quickly tire of his energetic optimism. The truth is that they like sitting around being miserable. “I’m cold! I’m lonely! I want the sun back again!” Moomintroll pouts, but even he is too affable to make the Hemulen leave.
Of course the spring finally arrives, as it does every year, but it’s depressingly long in coming and for Moomintroll becomes a matter of faith. I love the strangeness of Jansson’s imagination, the balance of melancholy and comedy, and the little philosophical nuggets buried along the way – children and adult readers alike will get a lot out of this. It doesn’t talk down to children with a rosy message about everything being alright.
Spring: An anthology for the changing seasons, edited by Melissa Harrison
Although this was the first of the Wildlife Trusts anthologies published in 2016, I got a late start last year so am reading this as the final of four. In common with the other volumes, it’s a terrific mix of contemporary and historical writing, big names and newcomers, observation and reflection. Compared with the other books, it seems to have more about WT sites in particular, with a few pieces from current volunteers or former employees. I also noticed that there’s a bit more of a focus on birds – with essays on the chiffchaff, the birds encountered on the Cley Marshes, cuckoo festivals, young dippers, and a tawny owl chick.
That said, there’s still plenty of variety here, with everything from spring flora* to adders fueling the generally two- to three-page essays. I especially liked Kate Long’s piece on filming hedgehogs at night and Vijay Medtia’s on how people of color living in cities have little access to nature; he recalls spotting a magpie with a twig in its beak at a train station and having to ask someone what it was called. Of the previously published authors, I enjoyed hearing more from Rob Cowen and Miriam Darlington and laughed at Will Cohu’s ice cream and underwear metaphors applied to varieties of cherry trees.
You can’t beat George Orwell on toad sex, and it’s fun to encounter excerpts from classic novels in the context of a nature book: The Wind in the Willows, Lorna Doone, and Jane Eyre (which, shamefully, I didn’t recognize until Lowood was mentioned in the last paragraph). I think my favorite piece of all, though, was Jo Sinclair’s about watching spring’s arrival after a major operation and noting nature’s inscrutable jumble of beauty and brutality.
And my favorite passage:
Year after year all this loveliness for eye and ear recurs: in early days, in youth, it was anticipated with confidence; in later years, as the season approaches, experience and age qualify the confidence with apprehension lest clouds of war or civil strife, or some emergency of work, or declining health, or some other form of human ill may destroy the pleasure or even the sight of it: and when once again it has been enjoyed we have a sense of gratitude greater than in the days of confident and thoughtless youth. Perhaps the memory of those days, having become part of our being, helps us in later life to enjoy each passing season.
(from Sir Edward Grey’s The Charm of Birds, 1927)
This passage from Reverend Francis Kilvert’s diary (April 14, 1871) makes me look forward to our trip to nearby Hay-on-Wye next month: “The village is in a blaze of fruit blossom. Clyro is at its loveliest. What more can be said?” Simply that these anthologies are an essential companion to the seasons.
*Like my husband’s piece, positioned right before the R.D. Blackmore extract.
We spent a few days last week in Cambridge, England for New Networks for Nature’s interdisciplinary “Nature Matters” conference, this year on the theme of “In Touch with the Wild.” This is the fourth year my husband (a biologist with the University of Reading) has participated, and the third year in a row that I’ve attended for a day. While other years the gathering has been in the small town of Stamford, this year’s temporary move to Cambridge gave us the impetus to finally explore this world-famous city for the first time.
Arriving later than we meant to on a Thursday evening, checking into our noisy hostel and then having to dash out in time for my husband to make the first event (and making a futile attempt to find an open coffee shop where I could while away a couple hours)…this all meant our first impression of the city was not great. However, cheap, terrific Chinese street food on Friday after the conference, followed by a delicious glass of cider in a pub and a sunny day for exploring the bustling city center on Saturday created a more favorable overall feeling.
Last year’s conference highlights for me were a debate about nature’s economic value and a panel on the purpose of nature poetry. This year’s sessions tackled personal connection with nature, rewilding (setting aside tracts of land for wilderness and reintroducing native species that have been driven out or gone locally extinct, such as wolves and wild boar), and coping with a sense of loss. With everyone from geographers to a singer and a painter involved on the day I attended, the conference succeeded in drawing in different fields from the sciences and the arts to provide commentary on ways we might reconnect with nature.
The day’s first event brought together author William Fiennes, poet Alison Brackenbury, and Cambridge psychologist Laurie Parma. Fiennes spoke about writing an introduction to John Fowles’s long, curmudgeonly essay The Tree. Whereas Fowles denigrates Linnaeus, Fiennes thinks of him as a hero; like Adam in the Bible, Linnaeus knew the value of naming things. “In order to care about something, we first have to notice it,” Fiennes insisted; for him the noticing began when he was a child going round the garden with his father and learning plant names. Rather than thinking of names as a control mechanism, he suggested they can be a first step in “granting [a species] a place in your sensorium.”
Brackenbury, who comes from four generations of Lincolnshire shepherds, recited from memory seven poems from her latest collection, Skies, several of which reflect on species’ extinctions or comebacks. “Look at them well before they go” is the broadly applicable piece of advice that closes “The Elms.” I especially liked one poem about a starling’s many songs.
Parma relayed the scientific evidence for green spaces mitigating stress and promoting happiness. At an event like this there’s an inevitable feeling that the speakers are preaching to the choir: we already know the personal value of time in nature, as well as the scale of environmental degradation. Still, this came home afresh in the following session as Dr. Stuart Butchart of BirdLife International spoke about the situation in Hawaii, where deforestation, non-native mosquitoes and other invasive animals are rapidly driving native birds to extinction. Photojournalist Toby Smith then questioned whether the nature photographer’s role should be to chronicle nature’s degradation or to celebrate what’s left. Many speakers acknowledged the difficult balance between mourning losses and applauding successes.
I spent most of Saturday scouring Cambridge’s charity shops and made out like a bandit, coming away with 15 books for £15.39. If you happen to find yourself in Cambridge and have seen all you need to of the colleges and the river (it doesn’t take very long), I can recommend Burleigh Street for charity shops but also Mill Road, a slightly more off-the-beaten-path student area of ethnic eateries and cheap stores. Books for Amnesty has an incredible selection; I took advantage of a couple James Lasdun books from their £1 poetry shelf. Best of all was the Salvation Army store, where all books were either 40 or 70 pence. I amassed a huge pile and then put half of it back when I remembered I would have to carry these books the mile or so back into town and then haul them around the whole rest of the day. I also did well at RSPCA’s two shops, one a dedicated bookshop on Mill Road.
Cambridge is certainly rich in secondhand book buying opportunities. Other shops I browsed but didn’t buy from included G. David Books and the tiny Sarah Key Books (also known as “The Haunted Bookshop” – I’d love to know why! – and included on a Guardian list of 10 of the best secondhand bookstores), both on St. Edward’s Passage, and the multi-floored emporium Heffers on St. John’s Street, which has a great selection of board games and gift items as well as new and used books.
As a literary destination, Cambridge left a bit to be desired, though. There weren’t any literary graves for me to find, nor any notable houses or statues. Many of the college’s famous alumni are known for work in other fields. There’s Newton, Darwin and Hawking in the sciences, for instance – they all appear in this mural in the hostel dining room. Plenty of political figures attended, as well as lots of living authors (Wikipedia has an extensive list; the hostel wall featured Zadie Smith as a fairly recent example of a literary alumna).
So, overall, a nice enough city for a day trip but not somewhere you need to stay much longer. Granted, it was outside of term time so King’s College wasn’t running its usual chapel services, and I never did make it out to the Fitzwilliam Museum. Still, I reckon you’ll find much more to see and do in Oxford, a city I’ve visited again and again ever since my undergraduate study abroad days took me there for weekly theology tutorials.
Your thoughts (on new cities, connecting with nature and secondhand book shopping) are always welcome!
My eagle eye for anything related to Hay-on-Wye led me to this book, a memoir of sorts about moving to the Welsh Borders in the search for a sense of community. Journalist Oliver Balch and his wife had previously lived in London and then started a family while living in Argentina. Although they loved the vibrancy and social opportunities of city life, when they moved back to the UK in 2012 they were in search of something different:
I fancied living somewhere with open skies and fresh air; somewhere I could strap on my walking boots and head out for a hike; somewhere alive to the sound of birdsong rather than bus exhausts. I envisioned the same for the boys. Growing up in wellies and with dirty knees. Weekend camping trips. Swimming in the river.
But it was more than just the natural scenery that drew him to the England–Wales border town of Clyro. “I liked the idea of finding a place where I could truly belong. It would be good to be on the inside for once, to be a thread or stitch in the social fabric.” It was John Updike, of all people, who inspired him to seek out small-town life. “For a writer, it’s good to live between a widow and a plumber,” Updike wrote – to be surrounded by different, ordinary people and get to know your neighbors in an old-fashioned but still desirable way.
After the family settled in at Pottery Cottage, another of Balch’s guiding spirits was Reverend Francis Kilvert, curate of Clyro from 1865 to 1872. He’s known today for the diary he started keeping in 1870. As he went around visiting, he made pen portraits of his parishioners, often summing people up through one apt phrase of Dickensian description. In a sense, Balch is trying to do the same thing with these sketches of his new community members. Meanwhile, he weaves in biographical information about Kilvert in much the same way that Helen Macdonald does about T.H. White in H is for Hawk.There’s still an active Kilvert Society today, and early on Balch joined them for a tour of Clyro. With the River Wye, the Black Mountains and the book town of Hay-on-Wye all in range, it’s a splendid view:
The Wye is at its nearest to the east, huddled in the dip between two rippled fields of honeyed wheat and brilliant yellow rapeseed, its emerald-green waters rushing fast above the reeds. … Burrowed among the trees above its far bank stands Hay, a blue-grey patchwork of tiled rooftops amid a swathe of sylvan green. Poking above the tree canopy is the castle … And then beyond, of course, the barren bouldery bulk of the Black Mountains. Implacably wild. Their beauty hard, unremitting, almost brutish in their bluntness.
Balch starts trying to fit in by joining the regular drinkers at the Rhydspence Inn, an old-fashioned pub, on Wednesday nights. He’s closest with Tony, a farmer, and subsequently observes the Young Farmers group. In other chapters he profiles the unconventional, hippie types drawn to the area, like the owners of Hay’s fair trade shop; and the locals and shopkeepers involved in the Thursday market. He also sits in on some community planning meetings and learns about a recent anti-supermarket campaign. The Town Council and the “Hay Together” interest group are often at odds, he learns. A Chamber of Commerce meeting turns into an argument about renovating the Castle, one of Hay’s chief landmarks.My favorite chapter of all was about the Hay Festival, one of the foremost literary festivals in the UK. (It starts this week, in fact.) Although I’ve been to Hay five times since 2004, I’ve never attended its annual festival. I loved getting a peek behind the scenes, as Balch interviewed an author who’d written a guide to the local area. For Balch, his feelings about the festival prove that he’s finally thinking more like a local than an ‘incomer’:
Part of me is elated that the outside world has landed on our doorstep. For a brief window in late spring, everywhere I turn there are urbanites like me. … Simultaneously, part of me recoils. … I feel invaded. Some traitorous wretch has spilled word of our rural haven and now legions of out-of-towners have arrived, overrunning the place with their unmuddied cars and city manners.
Even in the decade that I’ve been visiting, I can recognize some of the processes Balch pinpoints – essentially evidence of gentrification going on in Hay and the surrounding area. Under the ownership of an American female entrepreneur, for instance, Booth’s Bookshop has been transformed from a falling-down jumble sale into a well-presented independent bookstore with a posh café. Some of the locals Balch meets are delighted with the changes, while others feel that the snobs are taking over and driving up prices for regular folk.
If I was a bit disappointed with this book, it’s because I didn’t fully heed the subtitle – “Sketches of Real Life on the Welsh Borders.” It’s not meant to be a chronological narrative of Balch’s time in Clyro but a thematic tour, with some common threads running through. This means that, depending on the reader, certain chapters will probably seem much more interesting than others. So the best part of “The Young Farmers” chapter, for me, was a description of a cow doing a messy poo (“the most splendid jet of steaming gravy-colored excrement”); otherwise I found it entirely tedious.Perhaps I wrongly expected this to be exactly like Paul Collins’s Sixpence House. This 2003 memoir of trying to make a life in Hay is among my all-time favorite reads. Although similar on the surface, Under the Tump is a very different book. I appreciated it most as a narrative of searching for a place to call home – something that will surely strike a chord with any reader.
With thanks to Faber & Faber for the free copy.
- Other books that reference Hay-on-Wye:
- Reading in Bed by Sue Gee opens at the Hay Festival.
- In The Red House by Mark Haddon, a dysfunctional family vacations in the countryside near Hay.
- In Next Life Might Be Kinder by Howard Norman, the main female character is from Hay.
- One of the settings in The Rise and Fall of Great Powers by Tom Rachman is a bookstore in a small Welsh village. (Okay, not quite Hay.)
- Plus one from the TBR: in The Bookman’s Tale by Charlie Lovett, an antiquarian bookseller browsing in a shop in Hay finds a book that sets him off on a quest.