The 2023 Releases I’ve Read So Far
Some reviewers and book bloggers are constantly reading three to six months ahead of what’s out on the shelves, but I tend to get behind on proof copies and read from the library instead. (Who am I kidding? I’m no influencer.)
In any case, I happen to have read a number of pre-release books, generally for paid review for Foreword, Shelf Awareness, etc. Most of my reviews haven’t been published yet; I’ll give very brief excerpts and ratings here to pique the interest.
Early in January I’ll follow up with my 20 Most Anticipated titles of the coming year.
My top recommendations so far:
(In alphabetical order)
Shoot the Horses First by Leah Angstman [Feb. 28, Kernpunkt Press]: Sixteen sumptuous historical stories ranging from flash to novella length depict outsiders and pioneers who face disability and prejudice with poise.
The House Is on Fire by Rachel Beanland [April 4, Simon & Schuster]: Four characters – two men and two women; two white people and two Black slaves – are caught up in the Richmond Theater Fire of 1811. Painstakingly researched and a propulsive read.
Tell the Rest by Lucy Jane Bledsoe [March 7, Akashic Books]: A high school girl’s basketball coach and a Black poet, both survivors of a conversion therapy camp in Oregon, return to the site of their spiritual abuse, looking for redemption.
All of Us Together in the End by Matthew Vollmer [April 4, Hub City Press]: A pensive memoir investigates the blinking lights that appeared in his family’s woods soon after his mother’s death from complications of Alzheimer’s and Parkinson’s in 2019.
Other 2023 releases I’ve read:
(In publication date order; links to the few reviews that are already available online)
Pusheen the Cat’s Guide to Everything by Claire Belton [Jan. 10, Gallery Books]: Good-natured and whimsical comic scenes delight in the endearing quirks of Pusheen, everyone’s favorite cartoon cat since Garfield. Belton creates a family and pals for her, too.
Everything’s Changing by Chelsea Stickle [Jan. 13, Thirty West]: The 20 weird flash fiction stories in this chapbook are like prizes from a claw machine: you never know whether you’ll pluck a drunk raccoon or a red onion the perfect size to replace a broken heart.
Decade of the Brain by Janine Joseph [Jan. 17, Alice James Books]: With formal variety and thematic intensity, this second collection by the Philippines-born poet ruminates on her protracted recovery from a traumatic car accident and her journey to U.S. citizenship.
For Thy Great Pain Have Mercy on My Little Pain by Victoria Mackenzie [Jan. 19, Bloomsbury]: Two female medieval mystics, Julian of Norwich and Margery Kempe, are the twin protagonists of Mackenzie’s debut. She allows each to tell her life story through alternating first-person strands that only braid together very late on.
The Faraway World by Patricia Engel [Jan. 24, Simon & Schuster]: These 10 short stories contrast dreams and reality. Money and religion are opposing pulls for Latinx characters as they ponder whether life will be better at home or elsewhere.
Your Hearts, Your Scars by Adina Talve-Goodman [Jan. 24, Bellevue Literary Press]: The author grew up a daughter of rabbis in St. Louis and had a heart transplant at age 19. This posthumous collection gathers seven poignant autobiographical essays about living joyfully and looking for love in spite of chronic illness.
God’s Ex-Girlfriend: A Memoir About Loving and Leaving the Evangelical Jesus by Gloria Beth Amodeo [Feb. 21, Ig Publishing]: In a candid memoir, Amodeo traces how she was drawn into Evangelical Christianity in college before coming to see it as a “common American cult” involving unhealthy relationship dynamics and repressed sexuality.
Zig-Zag Boy: A Memoir of Madness and Motherhood by Tanya Frank [Feb. 28, W. W. Norton]: A wrenching debut memoir ranges between California and England and draws in metaphors of the natural world as it recounts a decade-long search to help her mentally ill son.
The Distance from Slaughter County by Steven Moore [March 7, The University of North Carolina Press]: An Iowan now based in Oregon, Moore balances nostalgia and critique to craft nuanced, hypnotic autobiographical essays about growing up in the Midwest. The piece on Shania Twain is a highlight.
(In release date order)
My What If Year: A Memoir by Alisha Fernandez Miranda [Feb. 7, Zibby Books]: “On the cusp of turning forty, Alisha Fernandez Miranda … decides to give herself a break, temporarily pausing her stressful career as the CEO of her own consulting firm … she leaves her home in London to spend one year exploring the dream jobs of her youth.”
Sea Change by Gina Chung [April 11, Vintage]: “With her best friend pulling away to focus on her upcoming wedding, Ro’s only companion is Dolores, a giant Pacific octopus who also happens to be Ro’s last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.”
Additional pre-release books on my shelf:
(In release date order)
Will you look out for one or more of these?
Any 2023 reads you can recommend already?
Recent Writing for Bookmarks, Foreword and Shelf Awareness
I’ve been writing for U.S. print magazine Bookmarks for an astonishing 9.5 years now, and have the title of associate editor. The upcoming November/December issue is their first to be released in digital format as well, and as a promo it’s available to read for free here. My contributions to the issue are an article on fiction and nonfiction about women in STEM (starts on p. 23), and various of the anonymous synopses/critical summaries in the New Books Guide. Each issue has one or more author profiles, one or more thematic features, reader recommendations, a book group bio, and news on prizes and upcoming releases.
Here are excerpts from a few recent or upcoming reviews of October releases that I’ve contributed elsewhere. I link to the full text where available.
Without Saints: Essays by Christopher Locke: Fifteen flash essays present shards of a life story. Growing up in New Hampshire, Locke encountered abusive schoolteachers and Pentecostal church elders who attributed his stuttering to demon possession and performed an exorcism. By age 16, small acts of rebellion had ceded to self-harm, and his addictions persisted into adulthood. Later, teaching poetry to prisoners, he realized that he might have been in their situation had he been caught with drugs. The complexity of the essays advances alongside the chronology. Weakness of body and will is a recurrent element.
Demon Copperhead by Barbara Kingsolver: Her bighearted ninth novel follows the contours of Charles Dickens’s David Copperfield, transplanting the plot to 1990s southwest Virginia to uncover the perils of opiate addiction. Ten-year-old Damon Fields lives in a trailer home with his addict mother, who is employed at Walmart, and his new stepfather, Stoner, a mean trucker. Tragedy strikes and Damon moves between several foster homes before running away. “A kid is a terrible thing to be, in charge of nothing,” he remarks, looking back. His irrepressible, sassy voice is reminiscent of Holden Caulfield’s in this Appalachian cousin to Shuggie Bain.
Bad Vibes Only by Nora McInerny: McInerny’s fifth book is a witty, insightful set of essays about self-worth and parenting in the social media era. Those familiar with the author’s previous autobiographical works will remember that within a few weeks in 2014, her father and first husband, Aaron, both died of cancer. After several years as a single mother, she married Matthew and they blended their families. Even when dealing with serious topics like anxiety and narrow escapes, McInerny has a light touch. She is endearingly honest, aware of her privilege and open about her contradictions. The then-and-now focus compares pre-Internet childhood with the challenges of raising kids with a constant online presence.
Which Side Are You On by Ryan Lee Wong: In Wong’s dynamite debut novel – set in Los Angeles, with its history of race riots – an Asian American college student committed to social justice rethinks how best to live out his ideals in the real world. Wong probes the generational gap between Reed and his parents through snappy dialogue and enjoyable scenes that constitute an incidental tour of multi-ethnic L.A. Full of vibrant characters, this punchy story offers no simple answers to ongoing racial conflicts. The portrait of a sanctimonious young man who wakes up to the reality of generational trauma and well-meaning failure is spot-on. Truly, a book for the contemporary moment.
It’s always a thrill to see my words quoted as authoritative: excerpts from my Bad Vibes Only review appear on Bookshop.org and on Lit Hub’s Bookmarks page (see below), and there’s an unattributed quote from my Which Side Are You On review on the book’s Amazon page.
Do any of these books interest you?
20 Books of Summer, 4–5: Roy Dennis & Sophie Pavelle
The next two entries in my flora-themed summer reading are books I read for paid reviews, so I only give extracts from my thoughts below. These are both UK-based environmentalist travel memoirs and counted because of their titles, but do also feature plants in the text. I have various relevant books of my own and from the library on the go toward this challenge. Despite the complications of a rail strike and two cancelled trains, we have persisted in finding workarounds and making new bookings, so our trip to the Outer Hebrides is going ahead – whew! I’ll schedule a few posts for while I’m away and hope to share all that was seen and done (and read) when I’m back in early July.
Mistletoe Winter: Essays of a Naturalist throughout the Year by Roy Dennis (2021)
Dennis is among the UK’s wildlife conservation pioneers, particularly active in reintroducing birds of prey such as ospreys and white-tailed eagles (see also my response to his Restoring the Wild). In this essay collection, his excitement about everyday encounters with the natural world matches his zeal for momentous rewilding projects. The book entices with the wonders that can be experienced through close attention, like the dozen species’ worth of tracks identified on a snowy morning’s walk. Dennis is sober about wildlife declines witnessed in his lifetime. Practical and plain-speaking, he does not shy away from bold proposals. However, some of the pieces feel slight or dated, and it’s unclear how relevant the specific case studies will prove elsewhere. (Full review forthcoming for Foreword Reviews.)
Forget Me Not: Finding the forgotten species of climate-change Britain by Sophie Pavelle (2022)
A late-twenties science communicator for Beaver Trust, Pavelle is enthusiastic and self-deprecating. Her nature quest takes in insects like the marsh fritillary and bilberry bumblebee and marine species such as seagrass and the Atlantic salmon. Travelling between lockdowns in 2020–1, she takes low-carbon transport wherever possible and bolsters her trip accounts with context, much of it gleaned from Zoom calls and e-mail correspondence with experts from museums and universities. Refreshingly, half the interviewees are women, and her animal subjects are never obvious choices. The snappy writing – full of extended sartorial or food-related metaphors, puns and cheeky humour (the dung beetle chapter is a scatological highlight) – is a delight. (Full review forthcoming for the Times Literary Supplement.)
With thanks to Bloomsbury Wildlife for the free copy for review.
May Releases: Barrera, Cornwell, Jones, Ruhl
Greetings from the English Channel! I’m putting this quick post together on an outdoor deck as we leave Plymouth harbour on the ferry to Spain. I’ve taken a seasickness pill and am wearing acupressure bracelets, and so far I’m feeling pretty well here taking in a sea breeze; fingers crossed that it will continue to be a smooth voyage.
Have a look at all the lovely May releases above. How I wish that I’d had a chance to read some of them this month! Alas, things have been so busy with our move that I have only cracked one open so far (the Shipstead), but I’m looking forward to reading the rest soon after we get back. For now, I’ll give snippets of early reviews I’ve published elsewhere: two memoirs of pregnancy and early motherhood (the one focusing on postnatal depression), a varied short story collection, and an accessible volume of poetry written during Covid lockdowns.
Linea Nigra: An Essay on Pregnancy and Earthquakes by Jazmina Barrera
(Translated from the Spanish by Christina MacSweeney)
In a fragmentary work of autobiography and cultural commentary, the Mexican author investigates pregnancy as both physical reality and liminal state. The linea nigra is a stripe of dark hair down a pregnant woman’s belly. It’s a potent metaphor for the author’s matriarchal line: her grandmother was a doula; her mother is a painter. In short passages that dart between topics, Barrera muses on motherhood, monitors her health, and recounts her dreams. Her son, Silvestre, is born halfway through the book. She gives impressionistic memories of the delivery and chronicles her attempts to write while someone else watches the baby. This is both diary and philosophical appeal—for pregnancy and motherhood to become subjects for serious literature. (See my full review for Foreword.)
Birth Notes: A Memoir of Recovery by Jessica Cornwell
It so happens that May is Maternal Mental Health Awareness Month. Cornwell comes from a deeply literary family; the late John le Carré was her grandfather. Her memoir shimmers with visceral memories of delivering her twin sons in 2018 and the postnatal depression and infections that followed. The details, precise and haunting, twine around a historical collage of words from other writers on motherhood and mental illness, ranging from Margery Kempe to Natalia Ginzburg. Childbirth caused other traumatic experiences from her past to resurface. How to cope? For Cornwell, therapy and writing went hand in hand. This is vivid and resolute, and perfect for readers of Catherine Cho, Sinéad Gleeson and Maggie O’Farrell. (See my full review for Shiny New Books.)
With thanks to Virago for the proof copy for review.
Antipodes: Stories by Holly Goddard Jones
Jones’s fourth work of fiction contains 11 riveting stories of contemporary life in the American South and Midwest. Some have pandemic settings and others are gently magical; all are true to the anxieties of modern careers, marriage and parenthood. In the title story, the narrator, a harried mother and business school student in Kentucky, seeks to balance the opposing forces of her life and wonders what she might have to sacrifice. The ending elicits a gasp, as does the audacious inconclusiveness of “Exhaust,” a tense tale of a quarreling couple driving through a blizzard. Worry over environmental crises fuels “Ark,” about a pyramid scheme for doomsday preppers. Fans of Nickolas Butler and Lorrie Moore will find much to admire. (Read via Edelweiss. See my full review for Shelf Awareness.)
Love Poems in Quarantine by Sarah Ruhl
Having read Ruhl’s memoir Smile, I recognized the contours of her life and the members of her family. In early poems, cooking and laundry recur, everyday duties that mark time as she tries to write and supervises virtual learning for three children. “Let this all be poetry,” she incants. Part Two contains poems written after George Floyd’s murder, the structure mimicking how abrupt the change in focus was for a nation. Part Three moves into haiku and tanka, culminating in a series of poems reflecting on the seasons. Like Margaret Atwood’s Dearly, I would recommend this even to people who think they don’t like poetry. A welcome addition to the body of Covid-19 literature. (Read via Edelweiss. See my full review on Goodreads.)
Two favourite poems:
To love a house
not because it’s perfect but because it shelters you
To love a body
not because it’s perfect but because it shelters you
“Quarantine in August, the overripe month”
I’m tired of summer. I crave fall. Luckily fall comes after summer.
And if I get tired of it all, winter will come, then spring.
Have you read anything from my tempting stack?
What other May releases can you recommend?
2022 Proof Copies & Early Recommendations (Julia Armfield’s Debut Novel, Lily King’s Short Stories)
I didn’t feel like I’d done a lot of pre-release reading yet, but put it all together and somehow it looks like a lot…
My top recommendations for 2022 (so far):
Our Wives Under the Sea by Julia Armfield
Coming on March 3rd from Picador (UK) and on July 12th from Flatiron Books (USA)
I loved Armfield’s 2019 short story collection Salt Slow, which I reviewed when it was shortlisted for the Sunday Times Young Writer of the Year Award. Her strategy in her debut novel is similar: letting the magical elements seep in gradually so that, lulled into a false sense of familiarity, you find the creepy stuff all the more unsettling.
Miri is relieved to have her wife back when Leah returns from an extended Centre for Marine Inquiry expedition. But something went wrong with the craft while in the ocean depths and it was too late to evacuate. What happened to Leah and the rest of the small crew? Miri starts to worry that Leah – who now spends 70% of her time in the bathtub – will never truly recover. Chapters alternate between Miri describing their new abnormal and Leah recalling the voyage. As Miri tries to tackle life admin for both of them, she feels increasingly alone and doesn’t know how to deal with persistent calls from the sister of one of the crew members.
This is a really sensitive consideration of dependency and grief – Miri recently lost her mother and Leah’s father also died. I especially liked the passages about Miri’s prickly mother: it was impossible not to offend her, and she truly believed that if she resisted ageing she might never die. Leah seems shell-shocked; her matter-of-fact narration is a contrast to Miri’s snark. Armfield gives an increasingly eerie story line a solid emotional foundation, and her words about family and romantic relationships ring true. I read this in about 24 hours in early December, on my way back from a rare trip into London; it got the 2022 releases off to a fab start to me. Plus, the title and cover combo is killer. I’d especially recommend this to readers of Carmen Maria Machado and Banana Yoshimoto. (Read via NetGalley)
Five Tuesdays in Winter by Lily King
Coming on January 20th from Picador (UK); released in the USA in November 2021
The same intimate understanding of emotions and interactions found in Euphoria and Writers & Lovers underlies King’s first short story collection. Some stories are romantic; others are retrospective coming-of-age narratives. Most are set in New England, but the time and place varies from the 1960s to the present day and from Maine to northern Europe. Several stories look back to a 1980s adolescence. “South” and “The Man at the Door” are refreshingly different, incorporating touches of magic and suspense. However, there are also a few less engaging stories, and there aren’t particularly strong linking themes. Still, the questions of love’s transience and whether any relationship can ever match up to expectations linger. I’d certainly recommend this to fans of King’s novels. (See my full review at BookBrowse. See also my related article on contemporary New England fiction.)
With thanks to Picador for the proof copy for review.
Other 2022 releases I’ve read:
(In publication date order)
Write It All Down: How to put your life on the page by Cathy Rentzenbrink [Jan. 6, Bluebird] I’ve read all of Rentzenbrink’s books, but the last few have been disappointing. Alas, this is more of a therapy session than a practical memoir-writing guide. (Full review coming later this month.)
Recovery: The Lost Art of Convalescence by Gavin Francis [Jan. 13, Wellcome Collection]: A short, timely book about the history and subjectivity of recovering from illness. (Full review and giveaway coming next week.)
The Store-House of Wonder and Astonishment by Sherry Rind [Jan. 15, Pleasure Boat Studio]: In her learned and mischievous fourth collection, the Seattle poet ponders Classical and medieval attitudes towards animals. (Full review coming to Shelf Awareness soon.)
Stepmotherland by Darrel Alejandro Holnes [Feb. 1, University of Notre Dame Press]: Holnes’s debut collection, winner of the Andrés Montoya Poetry Prize, ponders a mixed-race background and queerness through art, current events and religion. Poems take a multitude of forms; the erotic and devotional mix in provocative ways. (See my full review at Foreword.)
Rise and Float: Poems by Brian Tierney [Feb. 8, Milkweed Editions]: A hard-hitting debut collection with themes of bereavement and mental illness – but the gorgeous imagery lifts it above pure melancholy. (Full review coming to Shelf Awareness soon.)
Cost of Living: Essays by Emily Maloney [Feb. 8, Henry Holt]: Probing mental illness and pain from the medical professional’s perspective as well as the patient’s, 16 autobiographical essays ponder the value of life. (Full review coming to Shelf Awareness soon.)
Circle Way: A Daughter’s Memoir, a Writer’s Journey Home by Mary Ann Hogan [Feb. 15, Wonderwell]: A posthumous memoir of family and fate that focuses on a father-daughter pair of writers. A fourth-generation Californian, Hogan followed in her father Bill’s footsteps as a local journalist. Collage-like, the book features song lyrics and wordplay as well as family anecdotes. (See my full review at Foreword.)
Cold Enough for Snow by Jessica Au [Feb. 23, Fitzcarraldo Editions]: A delicate work of autofiction – it reads like a Chloe Aridjis or Rachel Cusk novel – about a woman and her Hong Kong-raised mother on a trip to Tokyo. (Full review coming up in a seasonal post.)
The Carriers: What the Fragile X Gene Reveals about Family, Heredity, and Scientific Discovery by Anne Skomorowsky [May 3, Columbia UP]: Blending stories and interviews with science and statistics, this balances the worldwide scope of a disease with its intimate details. (Full review coming to Foreword soon.)
(In release date order)
This Boy We Made: A Memoir of Motherhood, Genetics, and Facing the Unknown by Taylor Harris [Jan. 11, Catapult] (Reading via Edelweiss; to review for BookBrowse)
To Paradise by Hanya Yanagihara [Jan. 11, Picador] (Blog review coming … eventually)
I Came All This Way to Meet You: Writing Myself Home by Jami Attenberg [Jan. 13, Serpent’s Tail] (Blog review coming later this month)
Everything Is True: A Junior Doctor’s Story of Life, Death and Grief in a Time of Pandemic by Roopa Farooki [Jan. 20, Bloomsbury] (To review for Shiny New Books)
Some Integrity by Padraig Regan [Jan. 27, Carcanet] (Blog review coming later this month)
Additional proof copies on my shelf:
(In release date order; publisher blurbs from Goodreads/Amazon)
What I Wish People Knew About Dementia by Wendy Mitchell [Jan. 20, Bloomsbury]: “When Mitchell was diagnosed with young-onset dementia at the age of fifty-eight, her brain was overwhelmed with images of the last stages of the disease – those familiar tropes, shortcuts and clichés that we are fed by the media, or even our own health professionals. … Wise, practical and life affirming, [this] combines anecdotes, research and Mitchell’s own brilliant wit and wisdom to tell readers exactly what she wishes they knew about dementia.”
I Love You But I’ve Chosen Darkness by Claire Vaye Watkins [Came out in USA last year; UK release = Jan. 20, Quercus]: “Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. … Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history.”
Beasts of a Little Land by Juhea Kim [Feb. 3, Oneworld]: “From the perfumed chambers of a courtesan school in Pyongyang to the chic cafes of a modernising Seoul and the thick forests of Manchuria, Juhea Kim’s unforgettable characters forge their own destinies as they shape the future of their nation. Immersive and elegant, firmly rooted in Korean folklore and legend, [this] unveils a world where friends become enemies, enemies become saviours, and beasts take many shapes.”
Theatre of Marvels by Lianne Dillsworth [April 28, Hutchinson Heinemann]: “Unruly crowds descend on Crillick’s Variety Theatre. Young actress Zillah [a mixed-race orphan] is headlining tonight. … Rising up the echelons of society is everything Zillah has ever dreamed of. But when a new stage act disappears, Zillah is haunted by a feeling that something is amiss. Is the woman in danger? Her pursuit of the truth takes her into the underbelly of the city.” (Unsolicited) [Dillsworth is Black British.]
The Secret Lives of Church Ladies by Deesha Philyaw [Came out in USA in 2020; UK release = May 5, Pushkin]: “explores the raw and tender places where Black women and girls dare to follow their desires and pursue a momentary reprieve from being good. … With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be, and as free as they deserve to be.”
And on my NetGalley shelf:
Will you look out for one or more of these titles?
Any other 2022 reads you can recommend?
The November Outlook
Normally I’d start the month off with a few recommendations for new books, but I’ve only finished one November book I can recommend (Skating on the Vertical, short stories by Jan English Leary; not yet reviewed); I DNFed another couple and skimmed one more. So instead I’ll give a quick survey of what the month holds.
- Young Writer of the Year reviews and events. I’ve read The Lauras; expect my review on Monday. I’m currently reading The Lucky Ones, Conversations with Friends, and the Steven Runciman biography, which will be my doorstopper for the month. There will be a shortlist event in London on the 18th, and on the 24th the shadow panel is meeting up to select a winner.
- I’ll be finishing up a brief climate change feature for Foreword Reviews magazine, consisting of mini-reviews of four upcoming books on an environmental theme.
- Review books I owe write-ups for: Jacob’s Room Is Full of Books by Susan Hill (released last month) and The Smell of Fresh Rain by Barney Shaw (out on the 14th). I’m fascinated by the science of smell and taste, so I’m intrigued to find out what Shaw has to say about a sense that often gets little attention.
- Blog tour for Celeste Ng’s new novel, Little Fires Everywhere, on the 14th. I haven’t started it yet but I’m looking forward to it immensely.
- You’d think with all those review books and library piles I wouldn’t be taking on any more projects…but I couldn’t resist agreeing to another “Book Wars” column (my third) for Stylist magazine, due on the 17th. I used to love reading Stylist when I worked in London; if you’re lucky enough to come across the magazine in your commuting, look out for my contribution to the Christmas-themed special.
- The Iris Murdoch Readalong begins with Under the Net. I’ll aim to squeeze it in before the end of the month. (Can I count it as my Classic?!)
- If I get a chance, I’ll also participate in German Literature Month by reading Bernhard Schlink’s The Woman on the Stairs on my Kindle.
- I’m revisiting some of my favorite Victorian pastiches for an article on neo-Victorian novels for Bookmarks magazine, due at the end of the month.
- Otherwise, I’ll be focusing on novellas for November, including some nonfiction novellas. I have a big pile of books set aside that are around 150 pages or shorter. I’ll get to as many of them as I can and summarize them in a roundup or two. They’re quick wins, true, often read in a single sitting (I read Alice Hoffman’s Survival Lessons this morning, for instance), but this doesn’t feel like a cheaty way to build up the book list because brevity is such an admirable skill.
How does November look for you?
Final Stats for 2015
I smashed through my initial goal of 250 books for the year, ending up at 285 instead. This is without a doubt the most I have read in a year, and I can’t imagine ever topping it.
According to Goodreads, this worked out as 75,387 pages, an average length of 270 pages per book. My average rating, meanwhile, was 3.7, which seems about right.
In terms of your basic genres, I read:
It was a lousy year in terms of family health and drama, but a great one for books.
I even managed to finish the year with a strong contender: Specimen by Irina Kovalyova, eight stories and a novella that incorporate science and family ties in a way that reminded me of Andrea Barrett and A.S. Byatt. I’ll be reviewing it for Foreword’s next issue.
Happy new year!
How did 2015 turn out for you reading-wise?
Reviews Roundup, November–December
One of my goals with this blog is to have one convenient place where I can gather together all my writing that has appeared in disparate online locations. To that end, once a month I provide links to all book reviews I’ve published elsewhere, with a rating (below each description) and a taster so you can decide whether to read more. A few exceptions: I won’t point out my Kirkus Indie, BlueInk or Publishers Weekly reviews since I don’t get a byline.
In Search of Mary: The Mother of All Journeys by Bee Rowlatt: A BBC journalist and mother of four sets out, baby in tow, to trace the steps of Mary Wollstonecraft in Norway and France. A follow-up trip to California is a little off-topic, but allows Rowlatt to survey the development of feminism over the last few centuries. This isn’t as successful a bibliomemoir as many I’ve read in recent years, such as Rebecca Mead’s My Life in Middlemarch or Samantha Ellis’s How to Be a Heroine, but for readers interested in engaging in the ongoing debate about how women can balance work life with motherhood, and especially for any women who have attempted traveling with children, it’s a fun, sassy travelogue.
Italy Invades: How Italians Conquered the World by Christopher Kelly and Stuart Laycock: Proceeding alphabetically from Afghanistan to Zimbabwe, the authors give a comprehensive picture of Italians’ global reach through one- to five-page snapshots. There are many familiar names here, such as Caesar, Garibaldi and Marco Polo. Along with exploration, some major reasons for historical crossover were trade, war, colonialism and immigration. At times it feels as if the authors are grasping at straws; better to skip one-paragraph write-ups altogether and focus instead on the countries that have extensive links with Italy. Nonetheless, this is a lively, conversational book full of surprising facts.
Why You Won’t Go to Hell by Benjamin Vande Weerdhof Andrews: In a well-structured argument, Andrews prizes empirical thinking, rejects the supernatural, and affirms the possibility of godless morality. His central thesis is that religion doesn’t evolve to keep pace with society and so holds humanity back. The book’s tone is too often defensive, often in response to included website comments, and there are some failures of accuracy and fairness. Ultimately, though, this could be an inspirational book for atheists or believers, prompting both groups to question their assumptions and be willing to say “I don’t know.” Readers of Sam Harris and Christopher Hitchens will be particularly drawn to the book, but others should take a chance on it too.
Cultured Food for Health by Donna Schwenk: When Schwenk started eating cultured foods in 2002, she had diabetes, high blood pressure, and a premature newborn. Keen to see if good bacteria could help with her medical problems, she started introducing the “healing powerhouse” of kefir (a fermented milk product resembling thin yogurt), kombucha (bubbly tea), and cultured vegetables into her diet, and soon reaped the rewards. About a quarter of the book is background information about probiotic foods. Bullet-pointed lists of health benefits, along with an alphabetical inventory of the diseases that cultured foods can treat, should prove helpful. The rest of the book is devoted to recipes, most vegetarian.
Three Simple Questions: Being in the World, But Not of It by Charlie Horton: Horton, trained as a social worker, was diagnosed with cerebellar degeneration in 1988. It has gradually affected his speech and movement. Despite having lived with disability for nearly three decades, he declares, “the world I live in is rich, and my spirit is young.” Here he documents how he deals with depression and physical limitations through guided meditations that bring him closer to God. Although he comes from a Christian perspective, he writes about spirituality in such inclusive terms that his work should speak to people of any faith.
Middle Passage: The Artistic Life of Lawrence Baker by Louis B. Burroughs, Jr.: This ghostwritten autobiography of an African-American artist is not only an evocative, eventful life story that moves from the Jim Crow South to the North, but also a forceful artist’s manifesto. Burroughs writes in Baker’s voice, a decision that works surprisingly well. The title is a powerful reference to the slave trade. Indeed, Burroughs consciously crafts Baker’s autobiography as an “up from slavery” narrative reminiscent of Richard Wright and Maya Angelou – with ‘slavery’ in this case being poverty and racism.
40 Sonnets by Don Patterson: All but one of the poems in this new book have the sonnet’s traditional 14 lines; “The Version” is a short prose story about writing an untranslatable poem. However, even in the more conventional verses, there is a wide variety of both subject matter and rhyme scheme. Topics range from love and death to a phishing phone call and a footpath blocked off by Dundee City Council. A few favorites were “A Powercut,” set in a stuck elevator; “Seven Questions about the Journey,” an eerie call-and-response; and “Mercies,” a sweet elegy to an old dog put to sleep. There weren’t quite enough stand-outs here for my liking, but I appreciated the book as a showcase for just how divergent in form sonnets can be.
Without You There Is No Us by Suki Kim: This is a quietly gripping book even though not much of moment happens over Kim’s five months teaching young men at a missionary-run college in Pyongyang. She was in a unique position in that students saw her as ethnically one of their own but she brought an outsider’s perspective to bear on what she observed. Just before she flew back to the States in 2011, Kim Jong-Il died, an event she uses as a framing device. It could have represented a turning point for the country, but instead history has repeated itself with Kim Jong-un. Kim thus ends on a note of frustration: she wants better for these young men she became so fond of. A rare glimpse into a country that carefully safeguards its secrets and masks its truth.
Alive, Alive Oh!: And Other Things that Matter by Diana Athill: Diana Athill turns 98 on December 21st. Apart from “Dead Right,” however, this collection is not primarily concerned with imminent death. Instead Athill is still grateful to be alive: marveling at a lifetime of good luck and health and taking joy in gardening, clothing, books, memories and friendships. Six of the 10 essays originally appeared elsewhere. The collection highlight is the title piece, about a miscarriage she suffered in her forties. Another stand-out is “The Decision,” about moving into a retirement home in her nineties. This doesn’t live up to her best memoirs, but is an essential read for a devoted fan, and a consolation given she will likely not publish anything else (though you never know). [For first-time Athill readers, I’d recommend starting with Somewhere Towards the End, followed by Stet, about her work as a literary editor.]
I also post reviews of most of my casual reading and skimming on Goodreads:
The Weightless World by Anthony Trevelyan: This debut novel blends postcolonial bureaucracy with steampunk zaniness. The setup is familiar enough: businessmen head overseas to take financial advantage of a former colony, puzzle over unfamiliar customs, and by the end are chastened but gain a clearer sense of values. Narrator Steven Strauss is the personal assistant to Raymond Ess, an entrepreneur with a history of mental illness. Their aviation company has gone bust; Strauss is to accompany Ess to India and keep him occupied by looking for an anti-gravity machine. Not anchored by either current events or convincing fantasy, the plot suffers in comparison to works by Geoff Dyer or Nick Harkaway. Despite entirely serviceable writing and a gravity-defying theme, it never really takes off.
My Confection: Odyssey of a Sugar Addict by Lisa Kotin: 1978. Twenty-one-year-old mime goes to macrobiotic rehab to recover from sugar addiction. Fails. Shows signs of being a sex addict as well. Pared down to headlines, that’s how this fairly rambling memoir about Kotin’s relationships with food, family, lovers, and career opens. I kept waiting for a turn, some moment of revelation, when Kotin’s binge eating would be solved. Still, her recreation of her obsessive younger self can be pretty funny and charming, and her family sounds a bit like the Sedaris clan. I found this a bit dated, but others may find the time period and Jewish family background more evocative.
Good on Paper by Rachel Cantor: I’m going to chalk this one up to blurb inflation. The writing is lively and the plot well crafted, with quirky postmodern touches, but the novel as a whole did not live up to my absurdly high expectations: it’s really nothing like A.S. Byatt’s Possession. It’s 1999 and Shira Greene is a failed translator from the Italian, now working as a temp in New York City and raising her daughter Andi with the help of her gay, Pakistani co-parent, Ahmad. One day she gets a call from Romei, a Nobel Prize-winning Italian poet who wants her to translate his new work, a version of Dante’s Vita Nuova that focuses on his relationship with his ill wife – and eventually starts to comment on Shira’s own life in surprising ways.
Water Sessions by James Lasdun: Wonderful poems from a severely underrated writer. The British Lasdun has relocated to small-town upstate New York, where he’s learned the spiritual worth of manual labor. There are such interesting rhyme schemes and half-rhymes throughout. One of the most striking poems, “Thing One and Thing Two,” compares human and animal sexuality in a rather disturbing way. The title sequence is a dialogue between a patient and a therapist, discussing what went wrong in a relationship and how arguments are never ‘about’ the thing that started it.
The Secret Chord by Geraldine Brooks: A retelling of the life of King David from the perspective of the prophet Nathan. The naming takes some getting used to, but the stories – from gory massacres to moments of triumph – are recognizable from the Old Testament. What makes Brooks’s take unique is the different points of view it shows and the ways it subtly introduces doubt about David’s carefully cultivated image. It’s sensual historical fiction, full of rich descriptive language. Strangely unmemorable for me, perhaps because the storyline is just too familiar. Brooks doesn’t offer a radical reinterpretation but sows small seeds of doubt about the hero we think we know. (Full review in Jan/Feb 2016 issue of Third Way magazine.)
When I Die: Lessons from the Death Zone by Philip Gould: Gould may be familiar to British readers as a key strategist of the New Labour movement and one of Tony Blair’s advisors. In 2008 he was diagnosed with esophageal cancer and chose to pay for private treatment at New York’s Sloan-Kettering hospital instead of going for a radical operation through the NHS – a fateful decision. Gould’s own account is fairly short, about 140 pages, but it’s supplemented by short reminiscences from his wife and two daughters. Daughter Georgia’s, especially, is a very good blow-by-blow of his final week. All royalties from the book went to the National Oesophago-Gastric Cancer Fund.
Twain’s End by Lynn Cullen: “Twain’s End” was a possible name for the Clemens house in Connecticut, but it’s also a tip of the hat to Howards End and an indication of the main character’s impending death. In January 1909, when the novel opens, Samuel Clemens, 74, is busy dictating his autobiography and waiting for Halley’s Comet, the heavenly body that accompanied his birth, to see him back out. His secretary, Isabel Lyon, is 45 and it’s no secret that the two of them are involved. I love how the novel shifts between the perspectives of several strong female characters yet still gives a distinct portrait of Clemens/Twain. Interestingly, I found that it helped to have visited the Twain house in Connecticut – I could truly picture all the scenes, especially those set in the billiard room and conservatory.
Meadowland: The Private Life of an English Field by John Lewis-Stempel: Lewis-Stempel is a proper, third-generation Herefordshire farmer, but also a naturalist with a poet’s eye. His day job might involve shooting rabbits, cutting hay and delivering lambs, but he still finds the time to notice and appreciate wildlife. He knows his field’s flowers, insects and birds as well as he knows his cows; he gets quiet and close enough to the ground to watch a shrew devouring beetles. June and July are the stand-out chapters, with some truly magical moments. When his mower breaks on a stone, he has to cut the hay by hand, returning him to a centuries-gone model of hard labor. All delivered in the loveliest prose.
Did You Ever Have a Family by Bill Clegg: A strong debut novel about personal and community responses to tragedy. Clegg’s multivocal approach works quite well, though there are perhaps a few too many voices diluting the mixture. I like how the revelations of what really happened that night before the wedding to cause the fatal house fire come gradually, making you constantly rethink who was responsible and what it all means. The small-town Connecticut setting is a good one, but I’d question the decision to set so much of the book in Washington, where the bereaved June drives on a whim. For a tragic story, it’s admirably lacking in melodrama.
A Homemade Life: Stories and Recipes from My Kitchen Table by Molly Wizenberg: Foodoir extraordinaire! I liked this even better than Delancey, which is a terrific book about opening a pizza restaurant in Seattle with her husband. Here we get the prequel: the death of her father Burg from cancer, time spent living in Paris, building a new life in Seattle, starting her now-famous food blog (Orangette), and meeting her husband Brandon through it. Each brief autobiographical essay is perfectly formed and followed by a relevant recipe, capturing precisely how food is tied up with her memories. Wizenberg’s very fond of salad, but also of cake, and every recipe is full-on in terms of flavors and ingredients.
Ellen Foster by Kaye Gibbons: This was a random library book sale purchase, chosen almost entirely for the title. I set aside my usual dislike of child narrators and found an enjoyable voice-driven novella about a feisty ten-year-old who loses both her parents (good riddance to her father, at least) and finds her own unconventional family after cycling through the homes of some truly horrid relatives. Just as an example, her maternal grandmother sends her out to work picking cotton. The book is set in the South, presumably in the 1970s or 80s, so it’s alarming to see how strong racial prejudice still was.
The Ecco Book of Christmas Stories, edited by Alberto Manguel: I read this over several years, a handful each holiday season. There are some very unusual choices, including some that really have hardly anything to do with Christmas (e.g. one by Bessie Head). Still, it’s a nice book to have to hand, even if just to skip through. Manguel strikes a good balance between well-known short story writers, authors you might never think to associate with Christmas, and fairly obscure works in translation. Four favorites: “A Christmas Memory,” Truman Capote (overall favorite); “Christmas Is a Sad Season for the Poor,” John Cheever; “The Zoo at Christmas,” Jane Gardam; and “O’Brien’s First Christmas,” Jeanette Winterson.
Reviews Roundup, October–November
One of my goals with this blog is to have one convenient place where I can gather together all my writing that has appeared in disparate online locations. To that end, once a month I provide links to all book reviews I’ve published elsewhere, with a rating (below each description) and a taster so you can decide whether to read more. A few exceptions: I won’t point out my Kirkus Indie, BlueInk or Publishers Weekly reviews since I don’t get a byline.
This month you may recognize a few books I already previewed in my posts on books as beautiful objects and library books read in October.
Charlotte Brontë’s Secret Love by Jolien Janzing: Charlotte and Emily Brontë’s time in Belgium – specifically, Charlotte’s passion for her teacher, Constantin Heger – is the basis for this historical novel. The authoritative yet inviting narration is a highlight, but some readers may be uncomfortable with the erotic portrayal; it doesn’t seem to fit the historical record, which suggests an unrequited love affair. My other issue with the book is a couple of subplots that only seem to have minor significance.
In Fidelity by Jack Wilson: In this 1970s-set novel, the central couple’s relationship is tested by illness and extramarital sexual experiences. Moving from New England to Nigeria and back, the story asks what loyalty really requires when a once-strong connection has faded over time. Strongly reminiscent of John Updike in Part One, this is the male view of adultery. Something about the self-justifying tone stuck in my craw. A more balanced book would give the wife’s perspective, too, as Carol Shields did in Happenstance, or like Lauren Groff recently did to great success in Fates and Furies.
The Tsar of Love and Techno by Anthony Marra [subscription service]: This collection of tightly linked short stories, an intimate look at Russia and Chechnya in wartime and afterwards, reveals how politics, family, and art intertwine. Ranging from 1937 to 2013, the pieces show how fear and propaganda linger in the post-Stalinist era. In art as much as in politics, it can be difficult to distinguish airbrushed history from bitter reality. Just as he did in his excellent debut novel, A Constellation of Vital Phenomena, Marra renders unspeakable tragedies bearable because of his warm and witty writing. All his characters’ voices are well-realized and inviting, and he comes up with terrific one-liners.
Mad Feast by Matthew Gavin Frank: This is the cookbook David Foster Wallace might have written. In an off-the-wall blend of memoir, travel, history and fiction, Frank proceeds region by region, choosing for each American state one beloved dish and interrogating its origins as well as its metaphors and associations. It’s a mixed bag of familiar foods and ones that only locals are likely to know about. Each chapter ends with a recipe for the signature plate, whether from a Lutheran church or a posh restaurant. Frank’s digressive, anecdotal approach takes some getting used to. If you appreciate the style of writers like Geoff Dyer, Maggie Nelson and Will Self, this should be your next food-themed read.
For Books’ Sake
Charlotte Brontë: A Life by Claire Harman: With her bicentennial approaching in April 2016, it’s the perfect time to revisit Charlotte Brontë’s timeless stories. One of the things Harman’s biography does best is trace how the Brontës’ childhood experiences found later expression in fiction. A chapter on the publication of Jane Eyre is a highlight. Diehard fans might not encounter lots of new material, but Harman does make a revelation concerning Charlotte’s cause of death – not TB, as previously believed, but hyperemesis gravidarum (extreme morning sickness). This will help you appreciate afresh a “poet of suffering” whose novels were “all the more subversive because of [their] surface conventionality.”
Cockfosters by Helen Simpson: Simpson’s sixth story collection is full of wry, incisive reflections on aging, loss, regrets, gender roles, and a changing relationship to sex. Most of Simpson’s characters are in their late forties, a liminal time when they’re caught between older parents and still-needy children. Many pieces are dialogue-driven, like scenes in plays. In “Kentish Town,” book club members meet to discuss Dickens’s The Chimes. Simpson weaves in discussion of the plot with commentary on the state of the nation as the ladies set the world to rights and make New Year’s resolutions. It’s a perfect story to read in the run-up to Christmas. The overall stand-out is “Erewhon,” named for Samuel Butler’s 1872 satirical utopian novel. It quickly becomes clear that gender roles are reversed in its fictional world.
Addiction Is Addiction by Raju Hajela, Paige Abbott and Sue Newton: This comprehensive, well-organized guide discusses the features of addictive thinking and feeling, suggests holistic recovery methods, and offers useful definitions, diagrams, and case studies. The authors are affiliated with Health Upwardly Mobile Inc., Calgary, Alberta. Tracing the history of addiction back to the eighteenth century, when it was first known as “alcoholic disease syndrome,” they present an expert view of the disease’s symptoms and outlook. Strongly recommended to those who have participated in groups like Alcoholics Anonymous or Narcotics Anonymous.
Indie Spotlight: Books about Religion: Self-publishing allows writers to tell their full stories. An article based on interviews with four indie religion authors and mini-reviews of their books.
Notes on Suicide by Simon Critchley: Critchley is a philosophy professor at New York’s New School for Social Research. Although he reassures readers with his first line that “This book is not a suicide note,” he also hints that its writing was inspired by personal trouble: “my life has dissolved over the past year or so, like sugar in hot tea.” Not suicidal himself, then, but sympathetic to those who are driven to self-murder. This concise essay illuminates arguments surrounding suicide, with points of reference ranging from Greek philosophers to Robin Williams. Overall, though, it feels cursory and inconclusive.
The Gratitude Diaries by Janice Kaplan: We can all do with a little encouragement to appreciate what we already have. In so many areas of life – finances, career, relationship, even the weather – we’re all too often hoping for more or better than what we are currently experiencing. Here Kaplan undertakes a year-long experiment to see if gratitude can improve every aspect of her life. She draws her information from interviews with researchers and celebrities, quotes from philosophers, and anecdotes from her own and friends’ lives. It’s easy, pleasant reading I’d recommend to fans of Gretchen Rubin.
The Water Book by Alok Jha: An interdisciplinary look at water’s remarkable properties and necessity for life on earth. For the most part, Jha pitches his work at an appropriate level. However, if it’s been a while since you studied chemistry at school, you may struggle. Part IV, on the search for water in space, is too in-depth for popular science and tediously long. In December 2013 Jha was part of a month-long Antarctic expedition. He uses the trip as an effective framing device, but I would have liked more memoiristic passages. All in all, I was hoping for less hard science and more reflection on water’s importance to human culture.
Claxton: Field Notes from a Small Planet by Mark Cocker: Mark Cocker is the Guardian’s country diarist for Norfolk. The short pieces in this book are reprints of his columns, some expanded or revised. I would advise keeping this as a bedside or coffee table book from which you read no more than one or two entries a week, so that you always stay in chronological sync. You’ll appreciate the book most if you experience nature along with Cocker, rather than reading from front cover to back in a few sittings. The problem with the latter approach is that there is inevitable repetition of topics across years. All told, after spending a vicarious year in Claxton, you’ll agree: “How miraculous that we are all here, now, in this one small place.”
A Mile Down by David Vann: Vann, better known for fiction, tells the real-life story of his ill-fated journeys at sea. He hired a Turkish crew to build him a boat of his own, and before long shoddy workmanship, language difficulties, bureaucracy, and debts started to make it all seem like a very bad idea. Was he cursed? Would he follow his father into suicide? The day-to-day details of boat-building and sailing can be tedious, and there’s an angry tone that’s unpleasant; Vann seems to think everybody else was incompetent or a crook. However, he does an incredible job of narrating two climactic storms he sailed through.
The Triumph of the Snake Goddess by Kaiser Haq: Beginning with the creation of the world and telling climactic tales of the snake goddess Manasa’s interactions with humans, Haq crafts a uniquely playful set of sacred stories that bear striking similarities to those from other religious traditions. Like Greek myths, the Manasa stories are full of shape-shifting and mistaken identity; rape and incest; jealousy and revenge; and over-the-top exploits of warring gods. She even wears snakes in her hair, like Medusa. Many parallels can also be drawn with the Hebrew and Christian scriptures. Haq’s rendering of the creation account, in particular, resembles the language of Genesis. This book will appeal to students of comparative religion, but can be read with equal enjoyment by laymen in search of engaging storytelling.
I also post reviews of most of my casual reading and skimming on Goodreads.
Mrs. Stevens Hears the Mermaids Singing by May Sarton: Although I’m a huge fan of Sarton’s memoirs, this was my first taste of her fiction. I was underwhelmed: it’s slight and strangely unfeminist. Part of the problem may be that I know so much about Sarton that I couldn’t help but see all the autobiographical detail here. Most of the novel’s action takes place in one day, as Mrs. Stevens awaits the arrival of two interviewers and reflects on past love affairs (some with women) and the meaning of the Muse. For me, Sarton’s journals are a better source of deep thoughts on the writer’s vocation, the value of solitude and the memory of love. This was seen as Sarton’s coming-out book, although it’s not at all sexually explicit.
Running on the March Wind by Lenore Keeshig: Keeshig is a First Nations Canadian; these poems are full of images of Nanabush the Trickster, language from legal Indian acts, and sly subversion of stereotypes – cowboys and Indians, the only good Indian is a dead Indian (in “Making New”), the white man’s burden, and so on. In places I found these more repetitive and polemical than musical, though I did especially like the series of poems on trees.
The Cartographer Tries to Map a Way to Zion by Kei Miller: Kei Miller is a Jamaican writer who uses island patois and slang, and Rastafarian images and language, alongside standard English. Here he sets up (especially with the long, multi-part title poem) a playful contrast between the cartographer, emblem of civilization and unbiased science, and the rastaman, who takes an altogether more laidback approach to mapping his homeland. This was the perfect poetry collection to be reading in tandem with A Brief History of Seven Killings (see below).
Very British Problems Abroad by Rob Temple: This is possibly ever so slightly funnier than the original (Very British Problems). A lot of it rings true. Once again the fact that the book originated as tweets means you can’t read too much of it at a time or the one-liners grow tiresome. A couple of my favorites were: “The feeling of dread as you approach the campsite and only then remembering that last year you said you’d never, ever do this again” and “Noticing an avalanche heading your way and hoping your umbrella’s up to the job.”
Purity by Jonathan Franzen: By starting and ending with Purity ‘Pip’ Tyler, Franzen emphasizes his debt to Dickens: shades of both Bleak House and Great Expectations are there in the discovery of true parentage and unexpected riches. This is strong on the level of character and theme. Secrecy, isolation and compassion are recurring topics. East Germany, Bolivia and Oakland, California: Franzen doesn’t quite pull all his settings and storylines together, but this is close. With a more dynamic opening section, it might have been 5 stars.
A Brief History of Seven Killings by Marlon James: This is an edgy, worthwhile Booker pick, but not for the faint-hearted. For the most part, James alternates patois and standard speech, but nearly every section is packed with local slang and expletives. Whether in monologue or dialogue, the many voices form a captivating chorus. The novel is in five parts, each named after a popular song or album of the time. James’s scope, especially as he follows Josey Wales to the Bronx, is too wide. All the narrative switches, once so dynamic, grow tiresome. At 350 pages this would have been a 5-star read. Nevertheless, I’ll be watching the HBO miniseries. (Full review to appear in December 2015 issue of Third Way magazine.)
Kitchens of the Great Midwest by J. Ryan Stradal: One of my favorite debuts of 2015. Stradal has revealed that his grandmother’s Lutheran church cookbook was the inspiration for this culinary-themed novel that takes place over the course of 30 years. His unique structure takes what are essentially short stories from different perspectives and time periods and links them loosely through Eva Thorvald. Eva’s pop-up supper club gains fame thanks to her innovative adaptations of traditional Midwestern foods like venison or Scandinavian lutefisk; it charges $5,000 a head. I loved almost all of Stradal’s ordinary, flawed characters. If you want a peek at how average Americans live (apart from the $5,000 meals), you’ll find it here.
The Japanese Lover by Isabel Allende: Allende is a wonderful storyteller. This isn’t up to the level of her South American novels (e.g. The House of the Spirits), and in elaborating both Alma’s and Irina’s stories there’s a bit too much telling rather than showing, but I thoroughly enjoyed the book all the same – I devoured it in just a few days. Allende is sensitive to both the process of aging and the various strategies for dealing with traumatic events from the past.
Accidental Saints: Finding God in All the Wrong People by Nadia Bolz-Weber: I knew of Nadia Bolz-Weber through Greenbelt Festival. She’s a foul-mouthed, tattooed, fairly orthodox Lutheran pastor. This brief, enjoyable memoir is about how she keeps believing despite her own past issues and the many messed-up and outwardly unlovable people who show up at her church, House for All Sinners and Saints in Denver. In my favorite section, she zeroes in on one Holy Week and shows the whole range of emotions and trauma that religion can address. The Ash Wednesday chapter is the overall highlight.
The Road to Little Dribbling: Adventures of an American in Britain by Bill Bryson: Bryson’s funniest book for many years. It meant a lot to me since I am also an American expat in England. Two points of criticism, though: although he moves roughly from southeast to northwest in the country, the stops he makes are pretty arbitrary, and his subjects of mockery are often what you’d call easy targets. Do we really need Bryson’s lead to scorn litterbugs and reality television celebrities? Still, I released many an audible snort of laughter while reading.
Shaler’s Fish by Helen Macdonald: I was a huge fan of Macdonald’s memoir, H is for Hawk, so was excited to read her poetry collection, originally published in 2001 but to be reissued by Atlantic Monthly Press. Unfortunately, despite the occasional bird and nature imagery (e.g. in “Monhegan”), I found these poems largely inaccessible. Perhaps it was the sprinkling of archaic vocabulary and spellings, or the general lack of punctuation apart from annoying slashes and ampersands.
Portrait of an Addict as a Young Man: A Memoir by Bill Clegg: One of the finest memoirs I’ve come across (and I read a heck of a lot of them). Through this book I followed literary agent Bill Clegg on dozens of taxi rides between generic hotel rooms and bar toilets and New York City offices and apartments; together we smoked innumerable crack pipes and guzzled dozens of bottles of vodka while letting partners and family members down and spiraling further down into paranoia and squalor. Every structural and stylistic decision works: the present tense, short paragraphs, speech set out in italics, occasional flashback chapters distanced through third-person narration. Clegg achieves a perfect balance between his feelings at the time – being out of control and utterly enslaved to his next hit – and the hindsight that allows him to see what a pathetic figure he was becoming.
Landfalls by Naomi J. Williams: An enjoyable novel of eighteenth-century maritime adventure, based on a true story and reminiscent of Matthew Kneale’s English Passengers and Peter Carey’s Parrot and Olivier in America. Williams moves between the perspectives of various crew members and outsiders, sometimes employing first person and sometimes third. Key chapters are set in South America, California, Alaska, Macao, and the Solomon Islands. I especially enjoyed a chapter from the point-of-view of a native Alaskan girl – one of the few times the novel focuses on female experience.
Dept. of Speculation by Jenny Offill: Not as innovative or profound as I was expecting given the rapturous reviews from so many quarters. It’s an attempt to tell an old, old story in a new way: wife finds out her husband is cheating. Offill’s style is fragmentary and aphoristic. Some of the facts and sayings are interesting, but most just sit there on the page and don’t add to the story. What I did find worthwhile was tracing the several tense and pronoun changes: from first-person, past tense into present tense, then to third-person and back to first-person for the final page.
As Far As I Know by Roger McGough: A bit silly for my tastes; lots of puns and other plays on words. In style they feel like children’s poems, but with vocabulary and themes more suited to adults. I did like “Indefinite Definitions,” especially BRUPT: “A brupt is a person, curt and impolite / Brusque and impatient / Who thinks he’s always right.” The whole series is like that: words with the indefinite article cut off and an explanation playing on the original word’s connotations. From the “And So to Bed” concluding cycle, I loved Camp bed: “A la Recherche du Temps Perdu / on the bedside table / Gardenia on the pillow / Silk pyjamas neatly folded.”
The Penguin Lessons: What I Learned from a Remarkable Bird by Tom Michell: Marley & Me with a penguin. Well, sort of. A sweet if slight story about the author keeping a Magellanic penguin as a pet while teaching in an Argentina boarding school in the 1970s. On a vacation to Uruguay the twentysomething rescued a penguin from an oil spill and named him Juan Salvado. The uproarious process of cleaning the oil-sodden bird, achieved with a bidet, string bag, and plenty of dish soap, was my favorite passage. However, I’m hesitant about anthropomorphizing, and the language can be stiff – I would have dated this to the 1950s by the speech. Also, there’s precious little evidence of Argentina’s political upheaval.