Tag Archives: flash fiction

Short Story Collections Read Recently

This is the fourth year in a row that I’ve made a concerted effort to read more short stories in the alliterative month of September. (See also my 2016, 2017 and 2018 performances.) Short story collections are often hit and miss for me, and based on a few recent experiences I seem to be prone to DNFing them after two stories – when I’ve had my fill of the style and content. I generally have better luck with linked stories like Olive Kitteridge and its sequel, because they rely on a more limited set of characters and settings, and you often get intriguingly different perspectives on the same situations.

So far this year, I’ve read just five story collections – though that rises to 13 if I count books of linked short stories that are often classed as novels (Barnacle Love, Bottled Goods, Jesus’ Son, The Lager Queen of Minnesota, Olive Kitteridge, Olive, Again, That Time I Loved You and The Unchangeable Spots of Leopards). Twelve is my minimum goal for short story collections in a year – the equivalent of one per month – so I’m pleased to have surpassed that, and will continue to pick up the occasional short story collection as the year goes on.

The first two books I review here were hits with me, while the third disappointed me a bit.

 

 

The Assassination of Margaret Thatcher by Hilary Mantel (2014)

Four of these 10 stories first appeared in the London Review of Books, and another four in the Guardian. Most interestingly, the opening story, “Sorry to Disturb,” about a bored housewife trying to write a novel while in Saudi Arabia with her husband in 1983–4, was published in the LRB with the subtitle “A Memoir.” That it’s one of the best few ‘stories’ here doesn’t negate Mantel’s fictional abilities so much as prove her talent for working in the short form.

My other few favorites were the very short ones, about a fatal discovery of adultery, an appalling accident on a holiday in Greece, and a sighting of a dead father on a train. I also enjoyed “How Shall I Know You?” in which an author is invited to give a talk to a literary society. I especially liked the jokey pep talks to self involving references to other authors: “come now, what would Anita Brookner do?” and “for sure A.S. Byatt would have managed it better.” Other topics include children’s horror at disability, colleague secrets at a Harley Street clinic, and a sister’s struggle with anorexia. The title story offers an alternative history in which Thatcher is assassinated by the IRA upon leaving an eye hospital after surgery.

In her stories Mantel reminds me most of Tessa Hadley. It’s high time I read another Mantel novel; most likely that will be the third Thomas Cromwell book, due out next year.

My rating:

 

In the Driver’s Seat by Helen Simpson (2005)

I liked this even more than Simpson’s first book, Four Bare Legs in a Bed, which I reviewed last year. The themes include motherhood (starting, in a couple of cases, in one’s early 40s), death versus new beginnings, and how to be optimistic in a world in turmoil. There’s gentle humor and magic to these stories that tempers some of the sadness. I especially liked “The Door,” about a grieving woman looking to restore her sense of security after a home break-in, “The Green Room,” a Christmas Carol riff (one of two Christmas-themed stories here) in which a woman is shown how her negative thoughts and obsession with the past are damaging her, and “Constitutional,” set on a woman’s one-hour circular walk during her lunch break and documenting her thoughts about everything from pregnancy to a nonagenarian friend’s funeral. [The UK title of the collection is Constitutional.]

In two stories, “Every Third Thought” and “If I’m Spared,” a brush with death causes a complete change of outlook – but will it last? “The Year’s Midnight” creates a brief connection between frazzled mums at the swimming pool in the run-up to the holidays. “Up at a Villa” and the title story capture risky moments that blend fear and elation. In “The Tree,” which is funny and cringeworthy all at the same time, a man decides to take revenge on the company that ripped off his forgetful old mother. Prize for the best title goes to “The Phlebotomist’s Love Life,” though it’s the least interesting story of the 11.

(Found in a Little Free Library at the supermarket near my parents’ old house.)

Some favorite lines:

“the inevitable difficulty involved in discovering ourselves to others; the clichés and blindness and inadvertent misrepresentations”

“Always a recipe for depression, Christmas, when complex adults demanded simple joy without effort, a miraculous feast of stingless memory.”

“You shouldn’t be too interested in the past. You yourself now are the embodiment of what you have lived. What’s done is done.”

My rating:

 

The Lager Queen of Minnesota by J. Ryan Stradal (2019)

I had sky-high hopes for Stradal’s follow-up after Kitchens of the Great Midwest (it was on my Most Anticipated list for the second half of the year). Theoretically, a novel about three pie-baking, beer-making female members of a Minnesota family should have been terrific. Like Kitchens, this is female-centered, on a foodie theme, set in the Midwest and structured as linked short stories. Here the chapters are all titled after amounts of money; they skip around in time between the 1950s and the present day and between the perspectives of Edith Magnusson, her estranged younger sister Helen Blotz, and Edith’s granddaughter, Diana Winter.

Edith and Helen have a rivalry as old as the Bible, based around an inheritance that Helen stole to reopen her husband’s family brewery, instead of sharing it with Edith. Ever since, Edith has had to work minimum-wage jobs at nursing homes and fast food restaurants to make ends meet. When Diana comes to live with her as a teenager, she, too, works hard to contribute to the family, but then gets caught up in a dodgy money-making scheme. It’s in penance for this error that she starts working at a local brewery, but beer soon becomes as much of an obsession for Diana as it once was for her great-aunt Helen.

I had a few problems with the book’s setup: Helen is portrayed as a villain, and never fully sheds that stereotypical designation; meanwhile, Edith is passive and boring, just a bit “wet” (in British slang). Edith and Diana suffer more losses than seems likely or fair, and there are too many coincidences involved in Diana’s transformation into a master brewer. I also found it far-fetched that a brewery would hire her as a 19-year-old and let her practice making many, many batches of lager, all while she’s still underage. None of the characters fully came alive for me, though Diana was the closest. The ending wasn’t as saccharine as I expected, but still left me indifferent. I did like reading about the process of beer-making and flavor development, though, even though I’m not a beer drinker.

My rating:

 

Short story DNFs this year (in chronological order):

Mr Wrong by Elizabeth Jane Howard – I read the two shortest stories, “Summer Picnic” and “The Proposition.” The former was pleasantly like Elizabeth Taylor or Tessa Hadley lite; I got zero out of the latter.

I Want to Show You More by Jamie Quatro – I read the first two stories. “Decomposition,” about a woman’s lover magically becoming a physical as well as emotional weight on her and her marriage, has an interesting structure as well as second-person narration, but I fear the collection as a whole will just be a one-note treatment of a woman’s obsession with her affair.

Multitudes: Eleven Stories by Lucy Caldwell – I read the first two stories. I enjoyed the short opener, “The Ally Ally O,” which describes a desultory ride in the car with mother and sisters with second-person narration and no speech marks. I should have given up on “Thirteen,” though, a tired story of a young teen missing her best friend.

The Country Ahead of Us, the Country Behind by David Guterson – I read “Angels in the Snow” (last Christmas) and “Wood Grouse on a High Promontory Overlooking Canada” (the other week). Both were fine but not particularly memorable; a glance at the rest suggests that they’ll all be about baseball and hunting. If I wanted to read about dudes hunting I’d turn to Ernest Hemingway or David Vann. Nevertheless, I’ll keep this around in case I want to try it again after reading Snow Falling on Cedars this winter.

 

Currently reading:

  • Ship Fever by Andrea Barrett – Elegant stories about history, science and human error. Barrett is similar to A.S. Byatt in her style and themes, which are familiar to me from my reading of Archangel. This won a National Book Award in 1996.
  • Descent of Man by T. Coraghessan Boyle – Even in this slim volume, there are SO MANY stories, and all so different from each other. Some I love; some are meh. I’m tempted to leave a few unread, though then I can’t count this towards my year total…
  • Sum: Tales from the Afterlives by David Eagleman – A bibliotherapy prescription for reading aloud. My husband and I read a few stories to each other, but I’m going it alone for the rest. This is fairly inventive in the vein of Alan Lightman’s Einstein’s Dreams, yet I find it repetitive.

 

Future prospects:

See also Laura’s excellent post about her favorite individual short stories.

 

Are you a short story fan? Read any good ones recently?

Women’s Prize 2019: Longlist Review Excerpts and Shortlist Thoughts

There’s a reason I could never wholeheartedly shadow the Women’s Prize: although each year the prize introduces me one or two great novels I might never have heard of otherwise, inevitably there are also some I don’t care for, or have zero interest in reading. Here’s how I fared this year, in categories from best to worst, with excerpts and links to any I’ve reviewed in full:

 

Loved! (5)

  • The Pisces by Melissa Broder: This starts off as a funny but somewhat insubstantial novel about a thirtysomething stuck with a life she isn’t sure she wants, morphs into a crass sex comedy (featuring a merman), but ultimately becomes a profound exploration of possession, vulnerability and the fluidity of gender roles. It’s about the prison of the body, and choosing which of the many different siren voices calling us we’ll decide to listen to. It’s a Marmite book, but perfect Women’s Prize material.

 

  • Ordinary People by Diana Evans: Reminds me of On Beauty by Zadie Smith, one of my favorite novels of this millennium. It focuses on two Black couples in South London and the suburbs who, in the wake of Obama’s election, are reassessing their relationships. Their problems are familiar middle-class ones, but Evans captures them so candidly that many passages made me wince. The chapter in which two characters experience mental instability is a standout, and the Black slang and pop music references a nice touch.

 

  • An American Marriage by Tayari Jones: Roy and Celestial only get a year of happy marriage before he’s falsely accused of rape and sentenced to 12 years in prison in Louisiana. I ached for all three main characters: It’s an impossible situation. There’s a lot to probe about the characters’ personalities and motivations, and about how they reveal or disguise themselves through their narration. I found it remarkable how the letters, which together make up not even one-fifth of the text, enhance the raw honesty of the book.

 

  • Ghost Wall by Sarah Moss: It’s the late 1980s and teenager Silvie Hampton and her parents have joined a university-run residential archaeology course in the North of England, near the bogs where human sacrifice once took place. Nationalism, racism, casual misogyny – there are lots of issues brewing under the surface here. Women’s bodies and what can be done to them is central; as the climax approaches, the tricksy matter of consent arises. I ended up impressed by how much Moss conveys in so few pages. Another one custom-made for the Women’s Prize.

 

  • Bottled Goods by Sophie van Llewyn: I just finished this the other day. It’s a terrific hybrid work that manages to combine several of my favorite forms: a novella, flash fiction and linked short stories. The content is also an intriguing blend, of the horrific and the magical. After her brother-in-law’s defection, Alina and her husband Liviu come under extra scrutiny in Communist Romania. Bursts of magic realism and a delightful mixture of narrative styles (lists and letters; alternating between the first and third person) make all this material bearable.

 

 

Did not particularly enjoy (2)

  • Freshwater by Akwaeke Emezi: Magic realism and mental illness fuel a swirl of disorienting but lyrical prose. Much of the story is told by the ọgbanje (an Igbo term for evil spirits) inhabiting Ada’s head. The conflation of the abstract and the concrete didn’t quite work for me, and the whole is pretty melodramatic. Although I didn’t enjoy this as much as some other inside-madness tales I’ve read, I can admire the attempt to convey the reality of mental illness in a creative way.

 

  • Normal People by Sally Rooney: This book’s runaway success continues to baffle me. I kept waiting for more to happen, skimming ahead to see if there would be anything more to it than drunken college parties and frank sex scenes. It is appealing to see into these characters’ heads and compare what they think of themselves and each other with their awareness of what others think. But page to page it is pretty tedious, and fairly unsubtle.

 

 

Attempted but couldn’t get through (3)

  • Remembered by Yvonne Battle-Felton: A historical novel marked by the presence of ghosts, this is reminiscent of the work of Cynthia Bond, Toni Morrison and Jesmyn Ward. It’s the closest thing to last year’s Sing, Unburied, Sing. I only read the first 36 pages as neither the characters nor the prose struck me as anything special.

 

  • Swan Song by Kelleigh Greenberg-Jephcott: Full of glitzy atmosphere contrasted with washed-up torpor. I have no doubt the author’s picture of Truman Capote is accurate, and there are great glimpses into the private lives of his catty circle. I always enjoy first person plural narration, too. However, I quickly realized I don’t have sufficient interest in the figures or time period to sustain me through nearly 500 pages. I read the first 18 pages and skimmed to p. 35.

 

  • Number One Chinese Restaurant by Lilian Li: Vague The Nest vibes, but the prose felt flat and the characters little more than clichés (especially scheming ‘Uncle’ Pang). I grew up in Silver Spring, Maryland so was expecting there to be more local interest for me, but this could be taking place anywhere. Reviews from trusted Goodreads friends suggested that the plot and characterization don’t significantly improve as the book goes on, so I gave up after the first two chapters.

 

 

Not interested (6)

(Don’t you go trying to change my mind!)

  • The Silence of the Girls by Pat Barker: Updated Greek classics are so not my bag.
  • My Sister, the Serial Killer by Oyinkan Braithwaite: Meh.
  • Milkman by Anna Burns: Nah.
  • Lost Children Archive by Valeria Luiselli: I’ll try something else by Luiselli.
  • Praise Song for the Butterflies by Bernice L. McFadden: The setting of a fictional African country and that title already have me groaning.
  • Circe by Madeline Miller: See the note on Barker above.

 


The shortlist will be announced on Monday the 29th. Broder and Moss will most likely make the cut. I’d love to see the van Llewyn make it through, as it’s my favorite of what I’ve read from the longlist, but I think it will probably be edged out by more high-profile releases. Either Evans or Jones will advance; Jones probably has the edge with more of an issues book. One of the Greek myth updates is likely to succeed. Luiselli is awfully fashionable right now. Emezi’s is an interesting book and the Prize is making a statement by supporting a non-binary author. Rooney has already won or been nominated for every prize going, so I don’t think she needs the recognition. Same for Burns, having won the Booker.

 

So, quickly pulling a combination of wanted and expected titles out of the air would give this predicted shortlist:

 

The Silence of the Girls by Pat Barker

The Pisces by Melissa Broder

Freshwater by Akwaeke Emezi

An American Marriage by Tayari Jones

Lost Children Archive by Valeria Luiselli

Ghost Wall by Sarah Moss

 


Eleanor, Eric, Laura and Rachel have been posting lots of reviews and thoughts related to the Women’s Prize. Have a look at their blogs!

March Reading Plans and Books to Look out For

My apologies if you’ve already heard this story on social media: I was supposed to be in France this past weekend, but for the fourth time in a row we’ve been plagued by transport problems on a holiday: a flat tire in Wigtown, a cancelled train to Edinburgh, a cancelled flight to the States, and now car trouble so severe we couldn’t get on the ferry to Normandy. Though we made it all the way to the ferry port in Poole, our car was by then making such hideous engine noises that it would have been imprudent to drive it any further. We got a tow back to the auto shop where our car is usually serviced and currently await its prognosis. If it can be fixed, we may be able to reschedule our trip for this coming weekend.

The good news about our strange (non-)travel day: I got a jump on my Doorstopper of the Month, Cutting for Stone by Abraham Verghese, a terrific read that reminds me of a cross between Midnight’s Children and The Cider House Rules, and also started Priestdaddy by Patricia Lockwood – though my husband made me stop reading it because I couldn’t stop sniggering while he was trying to make important phone calls about the car. We ended up having a nice weekend at home anyway: going out for Nepalese food, gelato and a screening of The Favorite; doing some gardening and getting bits of work and writing done; and (of course) doing plenty of reading. Waking up with a purring cat on my legs and tucking into a stack of pancakes with maple syrup, I thought to myself, being home is pretty great, too.

What I packed to read in France.

 

Reading Ireland Month 2019

This will be my second time participating in the annual challenge hosted by Cathy of 746 Books. I recently started The Heat of the Day by Elizabeth Bowen and I’m also currently reading two nonfiction books by Irish women: a review copy of Vagina: A Re-Education by Lynn Enright (which releases on March 7th) and the essay collection Notes to Self by Emilie Pine, on my Kindle. I have several other novels to choose from – two of which are set in Ireland rather than by Irish authors – plus a classic travel book by Dervla Murphy.

Irish selections.

 

Wellcome Book Prize

The second of my ‘assigned’ longlist reviews will be going up on Wednesday. I’m currently reading another three books from the longlist and will post some brief thoughts on them if I manage to finish them before the shortlist announcement on the 19th. At that point I will have read 10 out of the 12 books on the longlist, so should feel pretty confident about making predictions (or at least stating wishes) for what will go through to the next round.

 

Blog Tours

I have two blog tours coming up later in the month, including the official one that’s being run for the Dylan Thomas Prize longlist.

 

Review Books

I’ve got a pile-up of review copies that came out in February or are releasing early this month – 9, I think? Some I’ve already read and some are still in progress. So I will be doing my best to group these sensibly and write short reviews, but you may well notice a lot of posts from me.

 

Blog Anniversary

This Friday marks four years that I’ve been blogging about books!

 


Here are a few March releases I’ve read that you may want to look out for:

 

Sing to It: New Stories by Amy Hempel [releases on the 26th]: “When danger approaches, sing to it.” That Arabian proverb provides the title for Amy Hempel’s fifth collection of short fiction, and it’s no bad summary of the purpose of the arts in our time: creativity is for defusing or at least defying the innumerable threats to personal expression. Only roughly half of the flash fiction achieves a successful triumvirate of character, incident and meaning. The author’s passion for working with dogs inspired the best story, “A Full-Service Shelter,” set in Spanish Harlem. A novella, Cloudland, takes up the last three-fifths of the book and is based on the case of the “Butterbox Babies.” (Reviewed for the Pittsburgh Post-Gazette.)

 

The Cook by Maylis de Kerangal (translated from the French by Sam Taylor) [releases on the 26th]: This is a pleasant enough little book, composed of scenes in the life of a fictional chef named Mauro. Each chapter picks up with the young man at a different point as he travels through Europe, studying and working in various restaurants. If you’ve read The Heart / Mend the Living, you’ll know de Kerangal writes exquisite prose. Here the descriptions of meals are mouthwatering, and the kitchen’s often tense relationships come through powerfully. Overall, though, I didn’t know what all these scenes are meant to add up to. Kitchens of the Great Midwest does a better job of capturing a chef and her milieu.

 

Holy Envy: Finding God in the Faith of Others by Barbara Brown Taylor [releases on the 12th]: After she left the pastorate, Taylor taught Religion 101 at Piedmont College, a small Georgia institution, for 20 years. This book arose from what she learned about other religions – and about Christianity – by engaging with faith in an academic setting and taking her students on field trips to mosques, temples, and so on. She emphasizes that appreciating other religions is not about flattening their uniqueness or looking for some lowest common denominator. Neither is it about picking out what affirms your own tradition and ignoring the rest. It’s about being comfortable with not being right, or even knowing who is right.

 

What’s on your reading docket for March?

Today Is World Read Aloud Day

An unprecedented second post in one day for me. I recently learned from Ron Charles’s article in the Washington Post that today, February 1st, is World Read Aloud Day, an annual celebration hosted by LitWorld to draw attention to ongoing literacy challenges. I mentioned in my write-up of my bibliotherapy experience that one recommendation I was given was to try reading aloud with my husband. To that end, I got hold of the three suggested books below and we’ve dipped into all of them on recent evenings. At the moment we’re managing to do a bit of reading aloud every few days, which isn’t so bad for a start.

Dimitri’s book includes extracts by everyone from Neil Gaiman to Robert Macfarlane, all arranged under thematic headings. A special index at the back of the book orders the pieces according to how long they are estimated to take to read, ranging from three minutes to more like 15. So far we’ve tackled a handful of the shorter pieces; any of the longer ones we’ll probably split and each take half.

David Eagleman’s flash fiction collection is billed as being about the afterlife. The first story was a laugh-out-loud inventory of all the time the average human spends on different activities. Thirty-three hours sleeping versus 14 minutes experiencing pure joy. That kind of thing. I look forward to the rest.

Ella Berthoud particularly recommended Saki’s short story “Tobermory” since it’s about a talking cat (but is rather dark!), so we started with that one. Many of the others are only a couple of small-print pages. Have you read any Saki? What can you recommend?

Apart from classroom experiences, the last time I remember doing concerted reading aloud was with my mother when I was in my early teens. After I got home from school in the afternoons we’d convene on her bed to read Mark Twain short stories like “The Celebrated Jumping Frog of Calaveras County.”

 

Have you done any reading aloud lately?

Novellas in November, Part 1

This is my second year of joining Laura (Reading in Bed) and others in reading mostly novellas in November. I’ve trawled my shelves and my current library pile for short books, limiting myself to ones of around 150 pages or fewer. First up: four short works of fiction. (I’m at work on various ‘nonfiction novellas’, too.) For the first two I give longer reviews as I got the books from the publishers; the other two are true minis.

 

Swallowing Mercury by Wioletta Greg

(translated from the Polish by Eliza Marciniak)

[146 pages]

I heard about this one via the Man Booker International Prize longlist. Quirkiness is particularly common in indie and translated books, I find, and while it’s often off-putting for me, I loved it here. Greg achieves an impressive balance between grim subject matter and simple enjoyment of remembered childhood activities. Her novella is, after all, set in Poland in the 1980s, the last decade of it being a Communist state in the Soviet Union.

The narrator (and autobiographical stand-in?) is Wiolka Rogalówna, who lives with her parents in a moldering house in the fictional town of Hektary. Her father, one of the most striking characters, was arrested for deserting from the army two weeks before she was born, and now works for a paper mill and zealously pursues his hobbies of hunting, fishing, and taxidermy. The signs of their deprivation – really the whole country’s poverty – are subtle: Wiolka has to go selling hand-picked sour cherries with her grandmother at the market even though she’s embarrassed to run into her classmates; she goes out collecting scrap metal with a gang of boys; and she ties up her hair with a rubber band she cut from an inner tube.

Catholicism plays a major role in these characters’ lives: Wiolka wins a blessed figure in a church raffle, the Pope is rumored to be on his way, and a picture of the Black Madonna visits the town. A striking contrast is set up between the threat of molestation – Wiolka is always fending off unwanted advances, it seems – and lighthearted antics like school competitions and going to great lengths to get rare matchbox labels for her collection. This almost madcap element balances out some of the difficulty of her upbringing.

What I most appreciated was the way Greg depicts some universalities of childhood and adolescence, such as catching bugs, having eerie experiences in the dark, and getting one’s first period. This is a book of titled vignettes of just five to 10 pages, but it feels much more expansive than that, capturing the whole of early life. The Polish title translates as “Unripe,” which better reflects the coming-of-age theme; the English translator has gone for that quirk instead.

A favorite passage:

“Then I sat at the table, which was set with plates full of pasta, laid my head down on the surface and felt the pulsating of the wood. In its cracks and knots, christenings, wakes and name-day celebrations were in full swing, and woodworms were playing dodgeball using poppy seeds that had fallen from the crusts of freshly baked bread.”


Thanks to Portobello Books for the free copy for review.

 

A Field Guide to the North American Family by Garth Risk Hallberg

[126 pages]

Written somewhat in the style of a bird field guide, this is essentially a set of flash fiction stories you have to put together in your mind to figure out what happens to two seemingly conventional middle-class families: the Harrisons and the Hungates, neighbors on Long Island. Frank Harrison dies suddenly in 2008, and the Hungates divorce soon after. Their son Gabe devotes much of his high school years to drug-taking before an accident lands him in a burn unit. Here he’s visited by his girlfriend, Lacey Harrison. Her little brother, Tommy, is a compulsive liar but knows a big secret his late father was keeping from his wife.

The chapters, each just a paragraph or two, are given alphabetical, cross-referenced headings and an apparently thematic photograph. For example, “Entertainment,” one of my favorite stand-alone pieces, opens “In the beginning was the Television. And the Television was large and paneled in plastic made to look like wood. It dwelled in a dim corner of the living room and came on for national news, Cosby, Saturday cartoons, and football.”

This is a Franzen-esque take on family dysfunction and, like City on Fire, is best devoured in large chunks at a time so you don’t lose momentum: as short as this is, I found it easy to forget who the characters were and had to keep referring to the (handy) family tree at the start. Ultimately I found the mixed-media format just a little silly, and the photos often seem to bear little relation to the text. It’s interesting to see how this idea evolved into the mixed-media sections of City on Fire, which is as epic as this is minimalist, though the story line of this novella is so thin as to be almost incidental.

Favorite lines:

Depending on parent genotype, the crossbreeding of a Bad Habit and Boredom will result in either Chemistry or Entertainment.”

Though hardly the most visible member of its kingdom, Love has never been as endangered as conservationists would have us believe, for without it, the Family would cease to function.


Thanks to Vintage Books for the free copy for review.

 

The Comfort of Strangers by Ian McEwan

[100 pages]

This is the earliest McEwan work I’ve read (1981). I could see the seeds of some of his classic themes: obsession, sexual and otherwise; the slow building of suspense and awareness until an inevitable short burst of violence. Mary and Colin are a vacationing couple in Venice. One evening they’ve spent so long in bed that by the time they get out all the local restaurants have shut, but a bar-owner takes pity and gives them sustenance, then a place to rest and wash when they get lost and fail to locate their hotel. Soon neighborly solicitude turns into a creepy level of attention. McEwan has a knack for presenting situations that are just odd enough to stand out but not odd enough to provoke an instant recoil, so along with the characters we keep thinking all will turn out benignly. This reminded me of Death in Venice and The Talented Mr. Ripley.

 

First Love by Gwendoline Riley

[167 pages – on the long side, but I had a library copy to read anyway]

Neve tells us about her testy marriage with Edwyn, a Jekyll & Hyde type who sometimes earns our sympathy for his health problems and other times seems like a verbally abusive misogynist. But she also tells us about her past: her excess drinking, her unpleasant father, her moves between various cities in the north of England and Scotland, a previous relationship that broke down, her mother’s failed marriages, and so on. There’s a lot of very good dialogue in this book – I was reminded of Conversations with Friends – and Neve’s needy mum is a great character, but I wasn’t sure what this all amounts to. As best I can make out, we are meant to question Neve’s self-destructive habits, with Edwyn being just the latest example of a poor, masochistic decision. Every once in a while you get Riley waxing lyrical in a way that suggests she’s a really great author who got stuck with a somber, limited subject: “Outside the sunset abetted one last queer revival of light, so the outlook was torched; wet bus stop, wet shutters, all deep-dyed.”

Other favorite lines:

“An illusion of freedom: snap-twist getaways with no plans: nothing real. I’d given my freedom away. Time and again. As if I had contempt for it. Or was it hopelessness I felt, that I was so negligent? Or did it hardly matter, in fact? … Could I trust myself? Not to make my life a lair.”


 

Have you read any of these novellas? Which one takes your fancy?

Short Fiction for September

I toyed with the wild idea of only reading short stories as my fiction for the month of September, but it was never really going to happen: I just don’t find short stories compelling enough, and in some ways they feel like hard work – every few pages, it seems, you have to adjust to a new scene and set of characters. In the end I made it through one anthology of flash fiction this month, and read parts of three other story collections. Mini reviews below…

 

Best Small Fictions 2017, edited by Amy Hempel

Now in its third year, the Best Small Fictions anthology collects the year’s best short stories under 1000 words. (I reviewed the two previous volumes for BookTrib and the Small Press Book Review.) Starting with a zinger of a first line is one strategy for making a short-short story stand out, and there are certainly some excellent opening sentences here. Symbols and similes are also crucial to conveying shorthand meaning. Two stand-outs are “States of Matter,” Tara Laskowski’s deliciously creepy story of revenge aided by a gravedigger; and Matthew Baker’s “The President’s Doubles,” in which an island nation becomes so protective of its imperiled leader that he ends up a prisoner. They’ve saved the best for last in this collection, though: the late Brian Doyle’s “My Devils,” in which an Irish-American boy learns how to interpret the adult world by deciphering what people say versus what they mean. It’s remarkable how concisely a coming of age and loss of blind faith are conveyed. Although there are fewer overall highlights than in the first volume, this is an excellent snapshot of contemporary super-short story writing, recommended for story lovers and newbies alike. (See my full review for the Pittsburgh Post-Gazette.) 

 

The Bus Driver Who Wanted to Be God and Other Stories by Etgar Keret

How can you not want to read a book with that title? Unfortunately, “The Story about a Bus Driver Who Wanted to Be God” is the first story and probably the best, so it’s all a slight downhill journey from there. That story stars a bus driver who’s weighing justice versus mercy in his response to one lovelorn passenger, and retribution is a recurring element in the remainder of the book. Most stories are just three to five pages long. Important characters include an angel who can’t fly, visitors from the mouth of Hell in Uzbekistan, and an Israeli ex-military type with the ironic surname of Goodman who’s hired to assassinate a Texas minister for $30,000. You can never predict what decisions people will make, Keret seems to be emphasizing, or how they’ll choose to justify themselves; “Everything in life is just luck.”

Aside from the title story, I particularly liked “Pipes,” in which the narrator makes himself a giant pipe through which to escape to Heaven, a place for misfits who’ve never found a way to be happy on Earth. Twisted biblical allusions like this are rife, including “Plague of the Firstborn.” A few stories have a folktale-like ambiance. It felt like there were too many first-person narrators, though, and too many repeating plots: “Good Intentions” takes up the same contract killing theme as “Goodman,” while both “Katzenstein” and “Jetlag” involve ejection from a plane. I read everything bar the 86-page novella Kneller’s Happy Campers; after so much flash fiction I wasn’t prepared to change pace so dramatically. So I’ve marked this as unfinished even though I read 110 pages in total. (Read in translation from the Hebrew.) 

 

Honeydew by Edith Pearlman

I don’t know what it is with me lately, but I seem to lack staying power with story collections. I read the first 40% of Pearlman’s most recent book on my Kindle and then just felt no need to continue. You could consider that a virtue of story collections: you can read as much or as little at a time as you want and pick and choose what bits interest you, in a way that you can’t with novels. Or you could say an author must be doing something wrong if a reader doesn’t long to keep turning the pages.

At any rate, I enjoyed Pearlman’s stories well enough. They all apparently take place in suburban Boston and many consider unlikely romances. My favorite was “Castle 4,” set in an old hospital. Zephyr, an anesthetist, falls in love with a cancer patient, while a Filipino widower who works as a security guard forms a tender relationship with the gift shop lady who sells his disabled daughter’s wood carvings. I also liked “Tenderfoot,” in which a pedicurist helps an art historian see that his heart is just as hard as his feet and that may be why he has an estranged wife. “Blessed Harry” amused me because the setup is a bogus e-mail requesting that a Latin teacher come speak at King’s College London (where I used to work). Two stories in a row (four in total, I’m told) center around Rennie’s antique shop – a little too Mitford quaint for me. 

Favorite lines: “Happiness lengthens time. Every day seemed as long as a novel. Every night a double feature. Every week a lifetime, a muted lifetime, a lifetime in which sadness, always wedged under her breast like a doorstop, lost some of its bite.” (from “Stone”)

 

Even though I didn’t finish either of these books, I’d gladly try something else by the authors. Can you recommend something to me?

 


 

Currently reading: After enjoying Bernard MacLaverty’s Midwinter Break so much, I picked up one of his short story collections (along with Keret’s) from Book-Cycle in Exeter earlier this month. So far I’ve read the first two stories in The Great Profundo, one about a struggling artist and a lonely widow who connect over an Emily Dickinson passage, and another about a cardinal whose father confesses he lost his faith years ago.

Upcoming: I have collections by Andrea Barrett, T.C. Boyle, Tessa Hadley and Alice Munro on the shelf. I also have far too many languishing on my Kindle, including For a Little While by Rick Bass, Whatever Happened to Interracial Love? by Kathleen Collins, We Come to Our Senses by Odie Lindsey, Music in Wartime by Rebecca Makkai and 99 Stories of God by Joy Williams. The ones I’m most likely to get to fairly soon, I think, are Difficult Women by Roxane Gay and The Garden Party by Katherine Mansfield.


Are you a short story fan? Read any good ones recently?

Three Novellas in Translation


The Institute by Vincent Bijlo

[London’s Holland Park Press specializes in making classic and contemporary Dutch literature available in English translation.]

Otto Iking is a resident at the Institute, a boarding school for the blind. He characterizes his fellow students firstly according to their smell – “foul soap,” “piss” or “grated Swiss cheese” – only later adding in details about their speech and habits. It’s a zany sort of place, powered by pranks and strange decisions. Some stand-out scenes include hiding Harry’s glass eyes and a visit from the president of Surinam, a former Dutch colony. The slapstick humor works well (“When I walked into a lamppost, I said sorry. When I struck my head against a traffic sign, I said sorry. No one has ever apologised to street furniture as often as I did”), but some humor translates less well, seeming cruel or even offensive (“Tony was fat and deaf and black-skinned”).

Alongside the silliness is the matter of Otto’s coming of age. He has the first inklings of what sex is about and falls for Sonja, and also undergoes training to prepare him for the real world, things like reading and writing Braille, preparing and eating tricky meals (soup’s a killer). One day he hopes to go to a mainstream school and broadcast radio programs. The institutional setting and quirky cast reminded me of The Secret Diary of Hendrik Groen, 83¼ Years Old and Linda Grant’s The Dark Circle.


The Institute, originally from 1998, was published on April 27th. Translated from the Dutch by Susan Ridder. My thanks to Bernadette Jansen op de Haar for sending a free copy for review.

This is the first of three Otto Iking novels. Vincent Bijlo, a Dutch stand-up comedian, was born blind.

My rating:

 

Dance by the Canal by Kerstin Hensel

[Peirene Press issues its translated European novellas in trios. This is the final installment in the “East and West: Looking Both Ways” series; I’ve also reviewed the first two, The Last Summer by Ricarda Huch and The Orange Grove by Larry Tremblay.]

I don’t think I’ve ever read a novel narrated by a homeless person before. Gabriela von Haßlau has a noble name and a solid upper-middle-class background – her father was a surgeon and chief medical officer specializing in varicose veins; her mother was trained as a radiographer before becoming a housewife and society hostess – but her life took a turn for the worse at some point and she now lives in an encampment under a canal bridge in the town of Leibnitz (a fictional stand-in for Leipzig).

It’s July 1994 and she decides to write her life story on whatever scraps of paper she can get her hands on. She remembers being forced to play the violin as a child even though she was largely unmusical, enduring mockery at school for being one of the intelligentsia, playing hooky with her best friend Katka, and failing at a mechanical engineering apprenticeship. The narrative toggles between Gabriela’s memories and her present situation: getting blankets and food from a shelter and trying to avoid being sent to the mental hospital.

My unfamiliarity with German history, especially that relating to East Germany and reunification, means I probably missed some nuances of the plot; I found the ending quite sudden. What was most worthwhile about the book for me was experiencing homelessness with Gabriela and tracing some of the unfortunate events that led her to this situation. It’s also interesting to see how she shapes her life story in scenes and streams of consciousness.


Dance by the Canal, originally from 1994, was published on July 3rd. Translated from the German by Jen Calleja. With thanks to Peirene Press for the free copy for review.

My rating:

 

Hair Everywhere by Tea Tulić

[London’s Istros Books specializes in Balkans and South-Eastern European literature in translation.]

How could I resist such a terrific title and cover image? This was Croatian novelist Tea Tulić’s first book. In brief, titled vignettes almost like flash fiction stories, she dramatizes how a cancer diagnosis affects three generations of women. The book is strong on place, sensual detail and scene-setting. The narrator’s mother is in the hospital, and all the specialists and medicinal plant extracts in the world don’t seem to be helping. In such a restrictive narrative format, a line or two of dialogue can reveal a lot about a character’s attitude. The grandmother is a weary pessimist – “I just need to help your mother get through this and then I can die” – while the narrator is quite the hypochondriac.

The tone ranges from poignant to cynical, as in the absurd two-page sequence in which the family cannot locate an on-duty doctor who can read the latest X-ray results for them. The deadpan language and mixture of black humor and pathos reminded me of Adios, Cowboy by Olja Savičevi, which coincidentally is the only other Croatian novel I’ve encountered, and was originally published in the same year, 2011.

A few favorite lines:

“One little cloud was urinating.”

“While I watch her lying in bed, I can feel the umbilical cord between us. Something I have tried to cut a thousand times already. And now I hold onto that invisible cord as though I were hanging from a bridge.”

“Patrick Swayze” in its entirety: “My brother is angry because the doctors say they cannot help Mum. I tell him Patrick Swayze had lots of money but he still died of cancer.”


Hair Everywhere was published on May 22nd. Translated from the Croatian by Coral Petkovich. My thanks to Susan Curtis for sending a free copy for review – and to TJ at My Book Strings for making me aware of this title during Women in Translation Month.

My rating:

Show Her a Flower, a Bird, a Shadow by Peg Alford Pursell

Northern California’s Peg Alford Pursell is the founder of Why There Are Words, a Bay Area series of public literary readings, and the independent publishing house WTAW Press. Her short fiction has been shortlisted for the Flannery O’Connor Award.

The lovely cover image is from White Dove and Roses by David Kroll.

Her debut work, Show Her a Flower, a Bird, a Shadow, is a collection of flash fictions, ranging in length from a few lines to a few pages, many of which have been previously published in literary journals or anthologies. They often read like poems, with the alliteration, colors and imagery lending more resonance to the prose than you usually find in short stories. First and last lines are especially incisive, like the phrase that opens “Petal, Feather, Particle,” about a single mother on her way to a hotel to calm her daughter down: “Show her a flower, a bird, a shadow, and she will show you what is simultaneously forming and falling apart.”

Plot is incidental and largely secondary to language and emotion here, but many of the pieces share a topic of shaky relationships, and the bonds that last in life versus the ones that fade away. Young female first-person narrators frequently alternate with third-person stories about older women, but a recurring theme throughout is how others view you versus how you see yourself. Especially in the context of long-term relationships, these characters have to keep life from going stagnant by staying in motion and living mindfully:

Just as in marriage. He didn’t believe in stopping, resting, or pausing. Drive was everything. Look at the fat bumblebee busy on the flower stalk: the creature anything but in repose, gathering nectar for all it’s worth before moving on to the next. That was how to be in the world. (from “At the Flower”)

Likewise, “This is what familiarity demands: that I examine every detail again as if new clues will present themselves,” a woman thinks while looking at photographs of her daughter (in “The Girl in the Picture”).

A few of my favorite stories were “Day of the Dead,” which mixes Mexican traditions with the narrator’s own bereavements; “Girl on a Hobby Horse,” in which a woman meditates with her Buddhist daughter after her own 14-year relationship breaks down; and “A Weak Light Shining through the High Small Window,” about a woman visiting her brain-injured husband in the hospital and imagining their future together.

The final piece, “Inscription of Time,” reminded me most of Margaret Drabble’s The Dark Flood Rises with its picture of a woman who has lost many family members and friends yet gains a necessary sense of closure when a former lover, a race car driver who once had an accident that left him in a temporary coma, invites her to his apartment to say a proper goodbye. “It was as if he’d understood what she hadn’t known until that moment. That she needed an ending.”

It may be only 70 pages long, but this book packs a poetic punch. Its images and lines linger, and it deserves to be read slowly and mulled over. I’d recommend it to readers of Tessa Hadley and Desiree Cooper, and fans of flash fiction in general.


Show Her a Flower, a Bird, a Shadow was released by ELJ Editions on March 31st. My thanks to the author for sending a PDF copy for review.

My rating:

Reviews Roundup, September–October

One of my goals with this blog is to have one convenient place where I can gather together all my writing that has appeared in disparate online locations. To that end, once a month I’ll provide links to all the book reviews I’ve published elsewhere, with a rating (below each description) and a short taster so you can decide whether to click to read more. A couple of exceptions: I won’t point out my Kirkus Indie, BlueInk or Publishers Weekly reviews since I don’t get a byline.


The Bookbag

Rising Strong by Brené Brown: Brown, a qualitative researcher in the field of social work, encourages readers to embrace vulnerability and transform failure and shame through a simple process of re-evaluating the stories we tell ourselves. The gimmicky terminology and frequent self-referencing grated on me a bit, but I appreciated how the book made me reconsider events from my own life. It’s the ideas that carry Rising Strong, so as long as you come to it expecting a useful tool rather than a literary experience you shouldn’t be disappointed. Genuinely helpful self-help.

4 star rating

life after youLife After You by Lucie Brownlee: With honesty and humor, Brownlee reconstructs the two years following her husband’s sudden death. My sister is still a new widow, so I read this expecting it to resonate with her situation, and it certainly does. I had an issue with the title and marketing, though. When originally published last year, the book had the title Me After You. That’s been changed to sound a little less like a Jojo Moyes novel, but the cover is more chick lit than ever, which doesn’t really match the contents of the book.

 4 star rating

The Glass Girl by Sandy Hogarth (& interview): Moving between Australia and England and spanning several decades of Ruth Bishop’s life, this debut novel explores the psychological effects of sexual trauma and betrayal. The middle of the book feels a little meandering, and the chronology is sometimes over-complicated. However, Ruth’s is a warm first-person voice, and the ending hints at welcome resolution to unanswered questions. My favorite aspect of the novel, though, is the frequent observations of the natural world.

3.5 star rating

year of runawaysThe Year of the Runaways by Sunjeev Sahota: With multilingual slang and several Sikh characters, Sahota’s second novel illuminates aspects of the South Asian experience that might be unfamiliar. Daily life is a struggle for Tochi, Randeep and Avtar: they work multiple jobs to make ends meet, serving at Crunchy Fried Chicken, cleaning sewers, or building a luxury hotel in Leeds. The fourth protagonist is Randeep’s visa-wife, Narinder. Through flashbacks we discover each one’s past. It’s a harrowing read, but you can’t help but sympathize with the four runaways as they make and dissolve connections over the year.

4 star rating

The Gap of Time by Jeanette Winterson: This contemporary ‘cover version’ of The Winter’s Tale links a London financier, a Parisian singer, and a blended family in New Orleans. Winterson creates clear counterparts for each Shakespeare characters, often tweaking names so they are recognizable but more modern. Inventive and true to the themes and imagery (time, adoption; angels, bears, statues) of the original, but ultimately adds little to one’s experience of Shakespeare. I’ll hope for better things from the rest of the Hogarth Shakespeare series. (Still to come: Margaret Atwood on The Tempest, Howard Jacobson on The Merchant of Venice and Anne Tyler on The Taming of the Shrew, among others.)

 3.5 star rating


BookBrowse

after the paradeAfter the Parade by Lori Ostlund [subscription service, but the full text of my review will be available for free during the week of October 20th as part of Editor’s Choice]: Ostlund’s debut novel explores trauma and loneliness through the past and present of the protagonist, an ESL teacher who has just left his long-term partner, as well as the stories of those he meets. Although set over a six-month period, the novel is so full of flashbacks that it feels dense with the weight of the past. At times this can seem more like a set of short stories, only loosely connected through Aaron. Still, the overarching theme is strong and resonant: “after the parade,” after everything has changed irrevocably, you must keep going, pushing past the sadness to build a new life.

4 star rating


BookTrib

best small fictionsThe Best Small Fictions 2015, ed. by Tara L. Masih and Robert Olen Butler: In this very strong anthology of flash fiction, stories range from Tweet length to a few pages, but are always under 1,000 words. Titles and first lines carry a lot of weight. One of the best openers is “I didn’t recognize her without her head” (“Before She Was a Memory,” Emma Bolden). In genre the stories run the gamut from historical fiction to whimsical fantasy. You’ll be introduced to a wealth of fresh and existing talent. There are literally dozens of stand-outs here, but if I had to choose a top 3, they’d be “A Notice from the Office of Reclamation” by J. Duncan Wiley, “The Lunar Deep” by David Mellerick Lynch, and (overall favorite) “Something Overheard” by Yennie Cheung.

4 star rating


For Books’ Sake

fates and furiesFates and Furies by Lauren Groff: An incisive study of a marriage, beautifully written and rich with allusions to Shakespeare and Greek mythology. Short, verbless sentences pile up to create exquisite descriptions, as in “Sunset. House on the dunes like a sun-tossed conch. Pelicans thumb-tacked in the wind.” However, I was less sure about the necessity of the bracketed phrases, which seem to represent a Greek chorus giving omniscient commentary, and the use of slang and nicknames can grate. Groff makes it onto a short list of women I expect to produce the Great American Novel.

4 star rating


Foreword Reviews

when all goes quietWhen All Goes Quiet by Augustinus F. Lodewyks: This religious memoir should interest those who are curious about how spiritual experience can infiltrate everyday life. “When all goes quiet, I know that Heaven is trying to show me its glory,” Lodewyks writes. In autobiographical vignettes, he vividly expresses his mystical visions, particularly those featuring Jesus, the Virgin Mary and angels, who tend to appear in times of crisis and during events of ritual significance like weddings, funerals and religious pilgrimages. Some will still object to the overt proselytizing, especially in the book’s last quarter.

3 star rating

The Blessing of Movement by Deborah Konrad: Konrad’s story is an inspirational memoir about life with disability and caring for dying relatives. Her sister Sandra became a quadriplegic in her twenties. Throughout the book, Konrad investigates the secret strength that underlay “the sunny disposition of the pretty paralyzed woman.” She concludes that it was all about thankfulness, as proven by Sandra’s gratitude journal. Konrad’s own life undeniably gets sidelined, though; more self-reflection would provide a good match for her insights into her sister’s character.

3 star rating

dna-of-mathematics.w250DNA of Mathematics by Mehran Basti: Drawing on his academic specialty in mathematics, Basti explores how scientific theories have been used and misused through history. The book lacks focus due to frequent unrelated asides. It may be difficult to grant credibility to a scientist who dismisses the big bang because it was theorized through “semi-broken scientific methods” and seems to have a personal vendetta against Stephen Hawking. Most importantly, the mathematics that forms the book’s basis is never fully explained.

2 star rating

From Hell to Heaven, One Man’s Journey by Gustav Daffy: This book was inspired by an acrimonious divorce and other family troubles; although Christian faith helped Gustav adjust his thinking, many of the poems still feel like the angry outpourings of a man with an ax to grind. Moreover, formulaic rhyming and poor spelling and grammar mar this overlong collection. It would take a professional copyeditor to hone this into a concise set of linguistically and stylistically acute poems. However, the author’s in-the-moment reactions are easy to relate to.

 2 star rating


Shiny New Books

grief is the thingGrief Is the Thing with Feathers by Max Porter: It may seem perverse to twist Emily Dickinson’s words about hope into a reflection on bereavement, but Porter’s exceptional debut does just that: tweak poetic forebears – chiefly Poe’s “The Raven” and Ted Hughes’s Crow – to create a hybrid response to loss. The novella is composed of three first-person voices: Dad, Boys and Crow (the soul of the book: witty, onomatopoeic, often macabre). Dad and his two young sons are adrift in mourning; the boys’ mum died after an unspecified accident in their London flat. The three narratives resemble monologues in a play, with short lines laid out on the page more like stanzas of a poem.

4 star rating


We Love This Book

slanting of the sunA Slanting of the Sun by Donal Ryan: The Irish author of the novels The Spinning Heart (winner of the Guardian First Book Award in 2013) and The Thing About December, returns with 20 jolting, voice-driven short stories suffused with loneliness and anger. Nineteen of the 20 are in the first person, echoing the chorus of voices that made The Spinning Heart so effective. Many of the narrators speak in thick dialect and run-on sentences, which helps to immerse you in the rhythms of Irish speech. In a book full of lonely people, it is the moments of connection – however fleeting – that matter. For example, in “Long Puck,” one of the best stories, a Catholic priest posted to Syria initiates interfaith hurling matches that temporarily lift everyone’s spirits.

3.5 star rating


I also post reviews of most of my casual reading and skimming on Goodreads.

river humphreysThe River by Helen Humphreys: Humphreys has lived along Ontario’s Napanee River for over a decade. I was expecting a blend of personal reflection and natural observations, but instead the book is mostly composed of brief fictional passages illuminating a handful of species. I liked the passages about the heron best – Humphreys successfully imagines the life of a plume hunter and contrasts it with the excitement of two women involved in the foundation of a bird conservation charity. However, much of the book felt like unconnected vignettes, not building to any kind of grander picture of a location.

2.5 star rating

The Mountain Can Wait by Sarah Leipciger: The novel opens and closes with a hit-and-run, but in between those momentous peaks it’s a quieter tale of a single father trying to guide his son and daughter into young adulthood in the wilds of Canada’s west and islands. Tom Berry’s work is not cutting trees down but planting them – an interesting adaptation of a traditional woodsman’s activity to a new eco age. I found the story a little sleepy but loved Leipciger’s writing, especially her account of the daily drudgery of manual labor and her descriptions of wilderness scenery.

3 star rating

decline of animalDecline of the Animal Kingdom by Laura Clarke: Bizarre, in-your-face poetry from a 30-year-old Canadian: business jargon, YouTube videos, fast food…and, yes, animals. Many of the poems feature mules and lions, including weird dialogues between a mule and its supervisor / domestic partner / psychiatrist. With plays on words and sexualized vocabulary, Clarke considers inter-species altruism and the inevitable slide towards extinction. Two favorite lines: “You forget you live parallel to violence” (from “Carnivora”); “The Tasmanian tiger live-tweets its extinction from the Hobart zoo in 1933” (from “Extirpation”).

3 star rating

Do No Harm: Stories of Life, Death and Brain Surgery by Henry Marsh: “Terrible job, neurosurgery. Don’t do it.” Lucky for us, Henry Marsh reports back from the frontlines of brain surgery so we don’t have to. He’s nearing retirement age after a career divided between a London hospital and medical missions to Ukraine. The punchy chapters are named after conditions he has treated or observed. Marsh comes across as having a hot temper, exhibiting extreme frustration with NHS bureaucracy. At the same time, he gets very emotional over his patients declining and dying, and experiences profound guilt over operations that go wrong or were ultimately unnecessary.

5 star rating

In the Flesh PBK mech.inddIn the Flesh by Adam O’Riordan: My favorite poems in O’Riordan’s debut collection were about Victorian Manchester, 1910s suffragettes and the Wordsworths, this last based on the author’s year in residence at their Lake District cottage. I also liked “The Corpse Garden” – about the outdoor forensic lab in Knoxville, Tennessee – and a couple of multi-part poems that seem to enliven family history. It’s the vocabulary and alliteration that make these poems; there are only a handful of rhyming couplets.

4 star rating

A Circle of Quiet by Madeleine L’Engle: If, like me, you only knew L’Engle through her Wrinkle in Time children’s series, this journal should come as a revelation. I didn’t know she wrote any nonfiction for adults. The Crosswicks books cannot be called simple memoirs, however; there’s so much more going on. In this journal (published 1972) of a summer spent at their Connecticut farmhouse, L’Engle muses on theology, purpose, children’s education, the writing life, the difference between creating stories for children and adults, neighbors and fitting into a community, and much besides.

5 star rating

view of the harbourA View of the Harbour by Elizabeth Taylor: My third Taylor – not as good as Mrs. Palfrey, but better than Angel. It’s about the everyday family and romantic entanglements of a small English harbor village in the 1940s. Beth is a preoccupied writer who doesn’t notice that her husband, the local doctor, is carrying on an affair with her best friend, the divorcée Tory, who is also their next-door neighbor. As always, Taylor has great insight into the human psyche and unlikely relationships. The plot is low on thrills for sure, but it’s pleasant reading, especially if you’re on holiday at the seaside (I started reading it on the coast near Dublin).

4 star rating

Amazing Grace: A Vocabulary of Faith by Kathleen Norris: This makes the shortlist of books I would hand to skeptics to show them there might be something to this Christianity nonsense after all. Norris spent 20 years away from the faith but gradually made her way back, via the simple Presbyterianism of her Dakota relatives but also through becoming an oblate at a Benedictine monastery – two completely different expressions of the same faith. In few-page essays, she gives each word or phrase a rich backstory through anecdote, scripture and lived philosophy, ensuring that it’s not just religious jargon anymore.

5 star rating

undermajordomoUndermajordomo Minor by Patrick deWitt: What The Sisters Brothers did for the Western, this does for the Gothic fairytale. It’s not quite as fun or successful as the previous book, but has a nicely campy Dracula or Jane Eyre feel. Lucien “Lucy” Minor, a compulsive liar, sets out to find adventure and romance as undermajordomo of a castle in the quaint German countryside. Here he meets pickpockets, a periodically insane baron, a randy maiden, and a strapping rival who’s a soldier in the absurdist local conflict. DeWitt’s understated humor is not as clearly on display here; there’s also, strangely, quite a bit of sex.

3 star rating

Sentenced to Life by Clive James: James, an Australian critic and all-round man of letters, was first diagnosed with leukemia in 2010. After a setback in 2013, he’s rallied, but these poems are certainly infused with a sense of imminent mortality. The incessant ABAB rhyming in the early poems set up a jaunty rhythm I didn’t find appropriate to the subject matter; I much prefer the later unrhymed poems. “Plot Points” is my favorite, artfully linking disparate historical moments.

3 star rating

gold fame citrusGold Fame Citrus by Claire Vaye Watkins: Gold, fame, citrus: reasons people once came to California. Now, only a desperate remnant remains in this waterless wasteland. Luz and Ray squat in a starlet’s abandoned mansion and live off of Luz’s modeling money – she was once the environmental movement’s poster child, “Baby Dunn.” When they take charge of a baby called Ig, however, their priorities change. They set off for the strangely beautiful sea of dunes, the Amargosa, leaving behind the ‘frying pan’ of exposure to the elements for the ‘fire’ of a desert cult. There is some absolutely beautiful prose. This is the book that California (Edan Lepucki) wanted to be.

4 star rating

Satin Island by Tom McCarthy: U. is a corporate anthropologist in London, coming off the success of the Koob–Sassen contract and facing the blank page of the Great Report he’s tasked with writing. Not much happens here; the book is more about his anthropological observations and the things he fixates on, like oil spills, a sabotaged parachutist, and Satin Island – a place he encounters in a dream and then, by word association, likens to Staten Island, a destination he doesn’t quite make it to. For me the most interesting parts were about narrative. I found this too clever for its own good; not Booker Prize material.

3 star rating