Frieda by Annabel Abbs: A Sideways Look at D.H. Lawrence
Possibly never before nor since has a great writer been so intensely and so permanently influenced by one woman as Lawrence was by Frieda von Richtofen.
~biographer Robert Lucas
I have a weakness for “famous wives” books, which have become increasingly popular over the past decade. (I have a whole shelf for them on Goodreads.) Frieda particularly appealed to me because of the reading I’ve done around the life of D.H. Lawrence. In my sophomore year of college I took a course on Yeats & Lawrence and found Lawrence fascinating almost in spite of myself. I remember bursting out in one early seminar on Sons and Lovers, “but he sexualizes everything!” The more I read, though, the more I admired his grasping for the fullness of life, which at least starts with the body.
After my study abroad year I did independent travel in Dorset and around Nottingham to explore the sense of place in Thomas Hardy and Lawrence’s works, and when I applied for graduate school scholarships I was undecided whether to focus on the Victorians or Lawrence and the Moderns (I eventually settled on the former). I also adapted a paper I’d written about D.H. Lawrence’s new moral framework for sexuality in Lady Chatterley’s Lover and presented it at the D.H. Lawrence Society of North America’s 2005 conference in Santa Fe, New Mexico. The conference included a wonderful trip out to Lawrence’s ranch at Taos.
All this explains why I was so keen to see how Annabel Abbs would depict Frieda, who came from disgraced German aristocracy and left her first husband, Ernest Weekley, a linguistics professor at Nottingham, and their three children to be with Lawrence. If you rely only on the words of Lawrence himself, you’d think Frieda was lucky to shed her dull family life and embark on an exciting set of bohemian travels with him as he built his name as a writer.
Abbs adds nuance to that picture by revealing just how much Frieda was giving up, and the sorrow she left behind her. Much of the book is in third person limited from Frieda’s point of view, but there are also occasional chapters from the perspectives of Ernest and the children, mostly their son Monty, as they work through their confusion over Frieda’s actions and try to picture the future without her. I loved the way that these chapters employ dramatic irony, especially to create a believable child mindset. “I have realised there is something inside me struggling to come out,” Frieda says to Monty. “I call it the what-I-could-be.” Poor Monty, just seven years old when the book opens in 1907, thinks his mother must be talking literally about a baby on the way. When her inchoate longings finally center on Lawrence, Ernest’s working-class former student, in 1912, Monty describes the young man as a “hungry fox.”
Frieda’s relationship with Lawrence, whom she called “Lorenzo,” lasted nearly two decades but was undeniably volatile. Abbs refuses to romanticize it: the early days of frolicking naked in meadows and weaving flowers through each other’s pubic hair soon cede to incidents of jealousy and disturbing cruelty. Lawrence pressed her into remarrying though she was happier living outside of convention. We can sympathize with the passion and deep communion she found with Lawrence –
“She was conscious, in that moment, that their minds had met and crossed and understood. That this miner’s son – so strange and unknown, so young – was more like her than anyone she’d ever met.”
“She felt as if she had been split open, as if Mr Lawrence had peered deep inside her, seen things she had hidden from the rest of the world. It was a marvellous feeling, she decided, to be explored and understood.”
– but also with the later suspicion that she’s given up so much – social acceptability and years of life with her children – and perhaps in some ways it hasn’t been worth it. “He could be so infuriating! So exhausting! But his vitality, the sharp light in which he saw everything, his wild poetic fury, they made her feel as if she could breathe again.”
Frieda is particularly reminiscent of Loving Frank, Nancy Horan’s novel about Mamah Borthwick Cheney’s affair with architect Frank Lloyd Wright: she left her children in pursuit of love and independence and spent time traveling, including in Germany, where she absorbed notions of free love and women’s rights – just as Frieda did. I was also reminded of Free Woman, Lara Feigel’s book on Doris Lessing, who gave up her children to pursue her writing. In Lessing’s case there was not the same wrenching regret. Still, all three books offer a valuable look at the choices women make when love, duty and vocation don’t align.

The Australian cover.
My knowledge of Lawrence’s writings and biography enhanced my enjoyment of this novel. I’ve appreciated for the first time just how much Frieda inspired the female protagonists in Lawrence’s major works. In a comprehensive Historical note and Author’s note, Abbs lists her sources and explains the small tweaks she made to the historical record to fit the story line. However, you don’t need any prior knowledge to fall in love with Frieda’s vivacity. Her determination to live according to her own rules makes her a captivating character.
My rating:
Frieda was published by Two Roads on November 15th. With thanks to the publisher for the proof copy for review.
Recommended May Releases
May and June are HUGE months for new releases. I’ve been doing enough early reading via NetGalley and Edelweiss that I’ve found plenty to recommend to you for next month. From a novel voiced by one of Hemingway’s wives to a physicist’s encouragement to waste more time, I hope there will be something here for everyone.
The Pisces by Melissa Broder
[Coming from Hogarth Press (USA) on the 1st and Bloomsbury (UK) on the 3rd]
At first I thought this was one of those funny, quirky but somewhat insubstantial novels about a thirtysomething stuck with a life she isn’t sure she wants – something along the lines of Goodbye, Vitamin, The Portable Veblen, or All Grown Up. Then I thought it was just a crass sex comedy. But the further I read the deeper it all seemed to become: tropes from Greek myth and the fluidity of gender roles made me think of You Too Can Have a Body Like Mine, another debut novel that surprised me for its profundity. Lucy, a thirty-eight-year-old PhD student, agrees to spend a summer dog-sitting for her yoga entrepreneur sister in Venice Beach, California while she undertakes therapy for the twin problems of low self-esteem and love addiction. If you know one thing about this book, it’s that there’s sex with a merman. Ultimately, though, I’d say it’s about “the prison of the body” and choosing which of the different siren voices calling us to listen to. I found it outrageous but rewarding.
My rating:
How to Be a Perfect Christian by Adam Ford and Kyle Mann
[Coming from Multnomah (USA) on the 1st]
The Babylon Bee is a Christian version of The Onion, so you know what you’re getting here: a very clever, pitch-perfect satire of evangelical Christianity today. If, like me, you grew up in a nondenominational church and bought into the subculture hook, line and sinker (Awana club, youth group, courtship, dc Talk albums, the whole shebang), you will find that so much of this rings true. The book is set up as a course for achieving superficial perfection through absolute “conformity to the status quo of the modern church.” Sample advice: find an enormous church that meets your needs, has a great coffee bar and puts on a laser-lit worship performance to rival “an amusement park for cats or a Def Leppard concert”; master the language of Christianese (“Keeping it in prayer” pretty much covers your bases); and bring as little as you can to the church potluck (a 25-pack of napkins) but consume as much as is anatomically possible. So, a lot of fun, just a little overlong because you get the joke early on.
My rating:
The Ensemble by Aja Gabel
[Coming from Riverhead (USA) on the 15th]
In May 1994, the members of the Van Ness String Quartet are completing their final graduate recital at a San Francisco conservatory and preparing for the Esterhazy quartet competition in the Canadian Rockies. These four talented musicians – Jana, first violin; Brit, second violin; Henry, viola; and Daniel, cello – have no idea what the next 15 years will hold for them: a cross-country move, romances begun and lost, and career successes and failures. Drawing on her own history as a violinist and cellist, Aja Gabel infuses her debut novel with the simultaneous uncertainty and euphoria of both the artistic life and early adulthood in general. An alternating close third-person perspective gives glimpses into the main characters’ inner lives, and there are evocative descriptions of classical music. I think The Ensemble will mean even more to those readers who are involved in music, but anyone can relate to the slow fade from youth into middle age and the struggle to integrate art with the rest of life.
My rating:
Tropic of Squalor by Mary Karr
[Coming from Harper (USA) on the 8th]
Mary Karr is mostly known as a memoirist, but this is actually her fifth poetry collection. Death is a major theme, with David Foster Wallace’s suicide and 9/11 getting multiple mentions. Karr also writes self-deprecatingly about her Texas childhood. Best of all is the multi-part “The Less Holy Bible”: a sort of Devil’s Dictionary based loosely around the books of the Bible, it bounces between Texas and New York City and twists biblical concepts into commonsense advice. Not one for those who are quick to cry heresy, perhaps, but I enjoyed it very much, especially “VI. Wisdom: The Voice of God”: “Ninety percent of what’s wrong with you could be cured with a hot bath, / says God through the manhole covers, but you want magic, to win / the lottery you never bought a ticket for. … Don’t look for initials in the geese honking / overhead or to see through the glass even darkly. It says the most obvious shit, / i.e. Put down that gun, you need a sandwich.”
My rating:
In Praise of Wasting Time by Alan Lightman
[Coming from Simon & Schuster / TED (USA and UK) on the 15th]
Lightman, a physicist and MIT professor, argues that only in unstructured time can we rediscover our true identity and recover our carefree childhood creativity. This work-as-play model goes against the modern idea that time is money and every minute must be devoted to a project. “For any unexpected opening of time that appears during the day, I rush to patch it, as if a tear in my trousers. … I feel compelled to find a project, to fill up the hole.” Yet there is another way of approaching time, as he discovered when doing research in a village in Cambodia. He realized that the women he talked to didn’t own watches and thus had no real sense of how long any task took them. This sharp, concise treatise ruminates on the cultural forces that have enslaved us in the West to productivity. (In short, he blames the Internet, but specifically smartphones.) Lightman insists on the spiritual benefits of free time and solitude. “With a little determination, each of us can find a half hour a day to waste time,” he asserts.
My rating:
Love and Ruin by Paula McLain
[Coming from Ballantine Books (USA) and Fleet (UK) on the 1st]
This is the weakest of the three McLain novels I’ve read, but when we’re talking about a writer of this caliber that isn’t much of a criticism. It’s strange to me that, having written a novel from the perspective of Hadley Richardson, Ernest Hemingway’s first wife, McLain would choose to tell the story of another Hemingway wife – this time Martha Gellhorn, a war reporter and author in her own right. If I set aside this misgiving, though, and just assess the quality of the writing, there are definitely things to praise, such as the vivid scenes set during the Spanish Civil War, the dialogues between Martha and Hem, the way he perhaps fills in for her dead father, her fondness for his sons, and her jealousy over his growing success while her books sink like stones. I especially liked their first meeting in a bar in Key West, and the languid pace of their life in Cuba. I read such books because I’m intrigued about the appeal of a great man, but here I got a little bogged down with the many settings and events.
My rating:
What May books do you have on the docket? Have you already read any that you can recommend?
Blog Tour: The Secret Life of Mrs. London by Rebecca Rosenberg
I have a weakness for novels about history’s famous wives, whether that’s Zelda Fitzgerald, the multiple Mrs. Hemingways, or the First Ladies of the U.S. presidents. A valuable addition to that delightful sub-genre of fiction is The Secret Life of Mrs. London, the recent debut novel by California lavender farmer Rebecca Rosenberg. I’m pleased to be closing out the blog tour today with a mini review. So many thorough reviews have already appeared that I won’t attempt to compete with them, but will just share a few reasons why I found this a worthwhile read.
Set in 1915 to 1917, this is the story of the last couple of years of Jack London’s life, narrated by his second wife, Charmian, who was five years his senior. The novel opens in California at the Londons’ Beauty Ranch and Wolf House complex and also travels to Hawaii and New York City. Events are condensed and fictionalized, but true to life – thanks to the biography Charmian wrote of Jack and the author’s access to her journals and their letters.
Here are a few things I particularly liked about the novel:
A fantastic opening scene: September 1915: Charmian decides to fix Jack’s hangover with strong coffee and a boxing match – with her! – while their Japanese servant, Nakata, and their house guests look on with bemusement. “Nothing breathes vigor into a marriage like a boxing match.”
- A glimpse into Jack London’s lesser-known writings: I’ve only ever read White Fang and The Call of the Wild, as a child. But in addition to his adventure stories he also wrote realist/sociopolitical novels and science fiction. At the time when the novel opens, he’s working on The Star Rover. This has inspired me to look into some of his more obscure work.
- The occasional clash of the spouses’ ambitions: Charmian considers it her duty to hold Jack to his promise of writing 1,000 words a day. However, she is an aspiring writer herself, and she often needles Jack to talk to his publisher about accepting her books. (She eventually published two travel books, The Log of the Snark (1915), about their years sailing the Pacific, and Our Hawaii (1917), as well as her biography of her late husband, The Book of Jack London, in 1921.)
- Charmian’s longing for motherhood: Jack London had an ex-wife and two daughters, Joan and Becky. In 1910 Charmian gave birth to a daughter, Joy, who soon died. Even though she is 43 by the time the book opens, she still wants to try again for a baby. Her hopes and disappointments are a poignant part of the story.
- Cameos from other historical figures: Harry Houdini and his wife, especially, have a large part to play in the novel, particularly in the last quarter.
I wasn’t so keen on the sex scenes, which are fairly frequent. However, I can recommend this to fans of Nancy Horan’s work.
My rating:
The Secret Life of Mrs. London was published by Lake Union Publishing on January 30th. I read an e-copy via NetGalley.