Four February–March releases: A shape-shifting bereavement memoir; a poet’s selected works, infused with nature and history; a novel set among expatriates in Shanghai; and a graphic novel about a romance at the watershed of age 60 – you can’t say I don’t read a variety of books! I’m particularly pleased that two of these four are in translation. All:
When Death Takes Something from You Give It Back: Carl’s Book by Naja Marie Aidt
[Translated from the Danish by Denise Newman]
In March 2015 Aidt got a call telling her that her second of four sons, Carl Emil, was dead. The 25-year-old experienced drug-induced psychosis after taking some mushrooms that he and his friend had grown in their flat and, naked, jumped out of his fifth-floor Copenhagen window. In italicized sections she cycles back to the moment she was notified, each time adding on a few more harrowing details about Carl’s accident and the condition she found him in. The rest of the text is a collage of fragments: memories, dreams, dictionary definitions, journal entries, and quotations from the patron saints of bereavement (C.S. Lewis and Joan Didion) and poets who lost children, such as Stéphane Mallarmé.
The playful disregard for chronology and the variety of fonts, typefaces and sizes are a way of circumventing the feeling that grief has made words lose their meaning forever. David Grossman, whose son died during his service in the Israeli army, does a similar thing in Falling Out of Time, which, although it is fiction, blends poetry and dialogue in an attempt to voice the unspeakable. Han Kang’s The White Book and Yiyun Li’s Where Reasons End are two other comparable precursors.
A representative passage:
“no language possible language died with my child could not be artistic could not be art did not want to be fucking art I vomit over art over syntax write like a child main clauses searching everything I write is a declaration I hate writing don’t want to write any more”
With thanks to Quercus Books for the free copy for review.
Gallop: Selected Poems by Alison Brackenbury
I first encountered Alison Brackenbury’s poetry through her reading as part of the 2017 “Nature Matters” conference in Cambridge. From four generations of Lincolnshire shepherds, Brackenbury writes about history, nature, country life (especially horses, as you might guess from the title and cover) and everyday joys and regrets. A Collected/Selected Poems volume is often difficult to assess as a whole because there can be such a variety of style and content; while that is certainly true here in terms of the poems’ length and rhyme schemes, the tone and themes are broadly similar throughout. I connected most to her middle period. Her first and last lines are especially honed.
Highlights include “The Wood at Semmering” (“This is a dismal wood. We missed our train.”), “Half-day” (“Will she lift / Her face from cloth’s slow steam: will she find out / Ironing is duty; summer is a gift?”), “Hill Mist” (“I am too fond of mist, which is blind / without tenderness”), “On the Road” (the bravery of a roadkill squirrel), “Epigrams” (being in the sandwich generation), “The Card” (“Divorce comes close to death”), “Cycles” (“Would I go back?”), “The Jane Austen Reader” (“Welcome to the truth. Miss Bingley married Darcy”), “On the Aerial” (a starling’s many songs), and “Dickens: a daydream.”
Some favorite lines:
“we are love’s strange seabirds. We dive there, still.” (from “The Divers’ Death”)
“Ancestors are not in our blood, but our heads: / we make history.” (from “Robert Brackenbury”)
With thanks to Carcanet Press for the free copy for review.
Besotted by Melissa Duclos
Sasha is soon to leave Shanghai, her departure hastened by the collapse of her relationship with Liz, whom she hired to work at her international school because she had no teaching experience or Chinese – and maybe because she signed her cover letter “Besottedly,” thinking it meant drunkenly. Even before Liz arrived, Sasha built romantic fantasies around her, thinking she’d show her the ropes and give her a spare room to live in. All went according to plan – the erstwhile straight Liz even ended up in Sasha’s bed – until it all fell apart.
The novel is set over one school year and shows the main characters exploring the expat community, which primarily involves going to happy hours. Liz starts language exchange sessions at Starbucks with a Chinese guy, Sam, and both women try to ignore the unwanted advances of their acquaintance Dorian, an architect. Little misunderstandings and betrayals go a long way towards rearranging these relationships, while delicate flashbacks fill in the women’s lives before China.
There were a couple of narrative decisions here that didn’t entirely work for me: Sasha narrates the whole book, even scenes she isn’t present for; and there is persistent personification of abstractions like Loneliness and Love. But the descriptions of the city and of expat life are terrific, and the wistful picture of a romance that starts off sweet but soon sours is convincing.
A favorite passage:
“Shanghai had found its own identity since then: a glittering capitalist heart, hardened into a diamond and barely hidden beneath its drab, brown communist cloak. … Constantly under construction, Shanghai was a place to reinvent yourself.”
Full disclosure: Melissa and I worked together on Bookkaholic web magazine, and are Facebook friends. She sent me a free proof copy for review.
Blossoms in Autumn by Zidrou and Aimée de Jongh
[Translated from the French by Matt Madden]
The French-language title, translated literally, is The Programmed Obsolescence of Our Feelings. (Talk about highfalutin!) Both that and the English title defy the notion that we become less capable of true love and growth the older we are – as will be dramatized through the story of a later-life romance between the two main characters. Ulysses Varennes, a 59-year-old widower who retired early from his career as a mover, hates books (gasp!) because moving boxes of them ruined his back (he even refuses to read them!). Mediterranea Solenza, coming up on 62, was a nude model in her prime and is now a cheesemaker. At the book’s opening she has just laid her mother to rest, and her affair with Ulysses serves as a chance at a new life that somehow counterbalances the loss.
We come to understand these characters through the sadness of their past but also through their hopeful future, both encompassed by the metaphor of a Homeric journey (Ulysses, get it?). Indeed, the book takes an unusual turn I never would have expected; if it beggars belief, it is at least touching. Zidrou is a Belgian comics writer and Aimée de Jongh is a Dutch-born illustrator. She portrays these ageing bodies sensitively but realistically, retreating into an appropriately impressionistic style for the spreads that show their actual lovemaking. In a nice touch, the first two words and last two words of the book are exactly the same.
With thanks to SelfMadeHero for the free copy for review.
Would you be interested in reading one or more of these?
By Hope Jahren
This memoir puts so many things together that it shouldn’t work, yet somehow – delightfully – does. With witty anecdotes and recreated dialogue, Jahren tells about her Minnesota upbringing, crossing the country to take up geobiology/botany academic posts in Atlanta, Baltimore and Hawaii, her long-time platonic relationship with eccentric lab partner Bill, and zany road trips for conferences and field work. On the serious side, she writes about how bipolar disorder complicated work life, marriage and motherhood. Add to that the interspersed chapters illuminating aspects of plant biology and you get a truly varied and intricate narrative. What Jahren does best is simply convey what it is like to have true passion for your work, a rare thing. You don’t have to be a science type to enjoy this book. All that’s required is curiosity about how others live. Jahren might even inspire you to go plant a tree.
It’s Okay to Laugh (Crying Is Cool, Too)
By Nora McInerny Purmort
Purmort was hit by a triple whammy of loss: within weeks of miscarrying her second child, both her father and her husband were dead of cancer. After a seizure revealed his brain tumor, she and Aaron got engaged on his hospital bed and went through fertility treatment to have their son. All in all they got three years together, after which the Minneapolis-based author founded what she calls the “Hot Widows Club.” She’s only about my age but, as she puts it, has “been through some shit.” The book is in the form of short essays, a lot like blog entries, that tread the fine line between heartbreak and humor. I might have preferred a bit more of a narrative; I wearied of open letters and lists. The book is best where she eases up on self-deprecating jokes and pop culture references and just tells her story, so much of which resonates with my sister’s experience. As soon as I finished the book, I ordered her a copy.
My Heart Can’t Even Believe It: A Story of Science, Love, and Down Syndrome
By Amy Silverman
When her younger daughter Sophie was born with Down’s syndrome in 2003, Silverman had no idea what to expect. The long-time Arizona journalist put her investigative skills to work, finding out everything she could about the discovery of Down’s and the history of how patients have been treated down the decades. In addition, she delves into the foundation of the Special Olympics (which had a connection with the Kennedy family) and its alternatives, and – not being a “support group kinda girl,” the other sources of encouragement she finds, especially through fellow bloggers. A significant portion of the book is about finding the best schools for Sophie – information that may well be not just U.S.-specific but particular to Arizona, where charter schools are popular. Still, what comes through is Silverman’s fierce love for her daughter and her insistence that every person with Down’s is an individual.
How to Ruin Everything: Essays
By George Watsky
Watsky is a slam poet and rap/hip hop artist from San Francisco. These essays about his misadventures reminded me most of Lauren Weedman (Miss Fortune) and John Jeremiah Sullivan (Pulphead). My favorite pieces were “Tusk,” on smuggling a narwhal tusk from Canada to the States to be his roommate’s great-aunt June’s hundredth birthday present, and “The White Whale,” about his unreliable tour bus. Others see him moving from a crumbling Boston college house to the heart of Hollywood deadbeat territory, traveling through India, fishing in Alaska, trying to attract older women, and reflecting on a childhood love of baseball. In the other stand-out essay, a more serious one, he reveals his experience of epilepsy and weaves in the history of its diagnosis and treatment. Also remarkable was a mention of Pauly Shore, a personage I haven’t thought about in, oh, I don’t know, a decade?
Only in Naples: Lessons in Food and Famiglia from My Italian Mother-in-Law
By Katherine Wilson
This is just the kind of book I would want to write about my experience studying abroad in England and eventually settling here. Of course, Wilson had it harder: she had to conduct her romance with Salvatore Avallone, relate to her future in-laws, and start a career all in a different language. But there were consolation prizes, chief among them the food. A lot of the best anecdotes revolve around Italian cuisine, like Salva’s mother Raffaella sending food down to her daughter in the apartment below via the elevator, or his uncle catching octopi with his one arm. I loved the colorful Italian and Neapolitan dialect expressions Wilson dots around, and as a fellow expat it was interesting to see what her non-negotiable American imports are (we all have our own list, I’m sure): wall-to-wall carpeting, air conditioning, a garbage disposal, and peanut butter – I’m with her on that last one, anyway.
(For each one, read my full Goodreads review by clicking on the title link.)
Have you read any of these? Which one takes your fancy?
Note: I’m traveling until the 24th so won’t be responding to comments right away, but will be sure to catch up soon after I’m back. I always welcome your thoughts!