Tag Archives: existentialism
Memoirs of adoption and a life steeped in trauma and sex; a metafictional mystery about an inscrutable artist and his would-be biographer; and a European graphic novel about a thief. You can’t say I don’t read a wide variety of books! See if one or more of these can tempt you.
The Ginger Child: On Family, Loss and Adoption by Patrick Flanery
Patrick Flanery is a professor of creative writing at Queen Mary University of London and the author of four novels. In his first nonfiction book, he chronicles the arduous four-year journey he and his husband took to try and become parents. For a short time they considered surrogacy, but it’s so difficult in the UK that they switched tracks to domestic adoption.
The resulting memoir is a somber, meditative book that doesn’t gloss over the difficulties of queer family-making, but also sees some potential advantages: to an extent, one has the privilege of choice – he and Andrew specified that they couldn’t raise a child with severe disabilities or trauma, but were fine with one of any race – whereas biological parents don’t really have any idea of what they’re going to get. However, same-sex couples are plagued by bureaucracy and, yes, prejudice still. Nothing comes easy. They have to fill out a 50-page questionnaire about their concerns and what they have to offer a child. A social worker humiliates them by forcing them to do a dance-off video game to prove that a pair of introverted, cultured academics can have fun, too.
Eventually there’s a successful match and they have tentative meetings with four-year-old O—, his parents’ fifth child, now in foster care. But this is not a blithe story of everything going right. I enjoyed the glimpses of Flanery’s growing-up years in Nebraska and the occasional second-person address to O—, but there is a lot more theory and cultural criticism than I expected, and much of the film talk, at least, feels like irrelevant asides.
With thanks to Atlantic Books for the free copy for review.
The Unauthorised Biography of Ezra Maas by Daniel James
This is a twisty, clever meta novel about “Daniel James” desperately trying to write a biography of Ezra Maas, an enigmatic artist who grew up a child prodigy in Oxford and attracted a cult following in 1960s New York City, where he was a friend of Warhol et al. But, with rumors abounding that The Maas Foundation is preparing to announce Ezra’s death in 2011, James finds that his subject’s story keeps shifting shape and even disappearing around him – as one interviewee tells him, “Maas is a black hole. His presence draws everything in, warps, destroys, changes, and rewrites it.”
The book’s epistolary style deftly combines fragments of various document types: James’s biography-in-progress and an oral history he’s assembled from conversations with those who knew Maas, his narrative of his quest, transcripts of interviews and phone conversations, e-mails and more. All of this has been brought together into manuscript form by an anonymous editor whose presence is indicated through coy but increasingly tiresome long footnotes.
Look at the sort of authors who get frequent mentions in the footnotes, though, and you’ll get an idea of whether this might appeal to you: Paul Auster, Samuel Beckett, George Orwell and Thomas Pynchon. I enjoyed the noir atmosphere – complete with dream sequences and psychiatric evaluations – and the way that James the “writer-detective” has to careen around Europe and America looking for answers; it all feels rather like a superior Jason Bourne film.
My thanks to the author for sending a free signed copy for review.
Memoirs of a Book Thief by Alessandro Tota (illustrated by Pierre Van Hove)
[translated from the French by Edward Gauvin]
In April 1953, Daniel Brodin translates an obscure Italian poem in his head to recite at a poetry reading but, improbably, someone recognizes it. Soon afterwards, he’s also caught stealing a book from a shop. Just a little plagiarism and shoplifting? It might have stayed that way until he met Gilles and Linda, fellow thieves, and their bodyguard, Jean-Michel, a big blond goon with Gérard Dépardieu’s nose and haircut. Now he’s known as “Klepto” and is part of a circle that drinks at the Café Sully and mixes with avant-garde and Existentialist figures. He’s content with being a nobody and writing his memoirs (the book within the book) – until Jean-Michel makes him a proposition.
The book is entirely in black and white, which makes it seem unfinished, and the style is a little grotesque. For instance, Brodin is almost always depicted with beads of sweat rolling off his head. The intricate outdoor scenes were much more to my taste than the faces. The plot is also slightly thin and the ending abrupt. So, compared with many other graphic novels, this is not one I’m likely to recommend.
With thanks to SelfMadeHero for the free copy for review.
The Chronology of Water by Lidia Yuknavitch
This really blew me away. “Out of the sad sack of sad shit that was my life, I made a wordhouse,” Yuknavitch writes. Her nonlinear memoir ranges from her upbringing with an alcoholic, manic-depressive mother and an abusive father via the stillbirth of her daughter and her years of alcohol and drug use through to the third marriage where she finally got things right and allowed herself to feel love again after so much numbness. Reading this, you’re amazed that the author is still alive, let alone thriving as a writer.
Ken Kesey, who led a collaborative novel-writing workshop in which she participated in the late 1980s, once asked her what the best thing was that ever happened to her. Swimming, she answered, because it felt like the only thing she was good at. In the water she was at home and empowered. Kesey reassured her that swimming wasn’t her only talent: there is some truly dazzling writing here, veering between lyrical stream-of-consciousness and in-your-face informality.
There are so many vivid sequences, but two that stood out for me were cutting down a tree the Christmas she was four and the way her mother turned her teeth-chattering crisis into a survival game, and the drunken collision she had after her second ex-husband told her he was seeing a 23-year-old. With the caveat that this is extremely explicit stuff (the author is bisexual; there’s an all-female threesome and S&M parties), I would still highly recommend it to readers of Joan Didion, Anne Lamott and Maggie Nelson. The watery metaphor flowing through, as one woman learns to float free of what once threatened to drown her, is only part of what makes it unforgettable. You’ll marvel at what a memoir can do.
A couple of favorite passages:
“It is possible to carry life and death in the same sentence. In the same body. It is possible to carry love and pain. In the water, this body I have come to slides through the wet with a history. What if there is hope in that?”
“Make up stories until you find one you can live with. Make up stories as if life depended on it.”
With thanks to Canongate for the free copy for review.
Would you be interested in reading one or more of these?
Each month I aim to preview two to four books to be released in the next month that I have already read and can recommend. It’s looking thin on the ground for August because two of my most anticipated reads of the year were disappointments, and another August release I left unfinished; I give mini write-ups of these below. However, I’ve very much enjoyed What It Means When a Man Falls from the Sky, the debut story collection by Lesley Nneka Arimah, which came out in America in April but releases on the 24th over here; I’ll be reviewing it for Shiny New Books shortly. Also, I’m 20% into The Education of a Coroner by John Bateson (releases August 15th), a fascinating set of sometimes gory true crime case studies.
As for the one August book I’m currently able to wholeheartedly recommend, that is…
The Futilitarians: Our Year of Thinking, Drinking, Grieving, and Reading by Anne Gisleson
(Coming from Little, Brown and Company on the 22nd)
One for angsty, bookish types. In 2012 Anne Gisleson, a New Orleans-based creative writing teacher, her husband, sister and some friends formed an Existential Crisis Reading Group (which, for the record, I think would have been a better title). Each month they got together to discuss their lives and their set readings – both expected and off-beat selections, everything from Kafka and Tolstoy to Kingsley Amis and Clarice Lispector – over wine and snacks.
One of their texts, Arthur Koestler’s The Act of Creation, proposed the helpful notion of the Trivial and Tragic Planes. The Trivial is where we live everyday; the Tragic is where we’re transported when something awful happens. Gisleson had plenty of experience with the latter: not just the suicides of her younger twin sisters, a year and a half apart, and her father’s death from leukemia, but also the collective loss of Hurricane Katrina. She returns again and again to these sources of grief in her monthly chapters structured around the book group meetings, elegantly interweaving family stories and literary criticism.
I found the long quotes from the readings a little much – you probably shouldn’t pick this up if you haven’t the least interest in philosophy and aren’t much troubled by life’s big questions – but in general this is a fascinating, personal look at what makes life worth living when it might be shattered any second. I particularly loved the chapter in which the book club members creatively re-enact the Stations of the Cross for Easter and the sections about her father’s pro bono work as an attorney for death row inmates at Angola prison. Sometimes it really is a matter of life and death.
“Generations of parents have put their children to bed in this house and even if I haven’t quite figured out the why and the how of living, others have found reasons to keep moving things forward. In quiet moments I can feel the collective push of these ghost-hands on my back, nudging me on.”
And now for the ones I’m closer to lukewarm on…
(Reviews in the order in which I read the books.)
Mrs. Fletcher by Tom Perrotta
(Coming from Scribner on the 1st)
I enjoy Tom Perrotta’s novels: they’re funny, snappy, current and relatable; it’s no surprise they make great movies. I’ve somehow read seven of his nine books now, without even realizing it. Mrs. Fletcher is more of the same satire on suburban angst, but with an extra layer of raunchiness that struck me as unnecessary. It seemed something like a sexual box-ticking exercise. But for all the deliberately edgy content, this book isn’t really doing anything very groundbreaking; it’s the same old story of temptations and bad decisions, but with everything basically going back to a state of normality by the end. If you haven’t read any Perrotta before and are interested in giving his work a try, let me steer you towards Little Children instead. That’s his best book by far.
Sour Heart by Jenny Zhang
(Coming from Lenny Books on the 1st [USA] and Bloomsbury Circus on the 10th [UK])
I read “We Love You Crispina” (13%), about the string of awful hovels a family of Chinese immigrants is forced to move between in early 1990s New York City. You’d think it would be unbearably sad reading about cockroaches and shared mattresses and her father’s mistress, but Zhang’s deadpan litanies are actually very funny: “After Woodside we moved to another floor, this time in my mom’s cousin’s friend’s sister’s apartment in Ocean Hill that would have been perfect except for the nights when rats ran over our faces while we were sleeping and even on the nights they didn’t, we were still being charged twice the cost of a shitty motel.” Perhaps I’m out of practice in reading short story collections, but after I finished this first story I felt absolutely no need to move on to the rest of the book.
Forest Dark by Nicole Krauss
(Coming on the 24th from Harper [USA] and Bloomsbury [UK])
Impressive in scope and structure, but rather frustrating. If you’re hoping for another History of Love, you’re likely to come away disappointed: while that book touched the heart; this one is mostly cerebral. Metafiction, the Kabbalah, and some alternative history featuring Kafka are a few of the major elements, so think about whether those topics attract or repel you. Looking a bit deeper, this is a book about Jewish self-invention and reinvention. Now, when I read a novel with a dual narrative, especially when the two strands share a partial setting – here, the Tel Aviv Hilton – I fully expect them to meet up at some point. In Forest Dark that never happens. At least, I don’t think so.* I sometimes found “Nicole” (the author character) insufferably clever and inward-gazing. All told, there’s a lot to think about here: more questions than answers, really. Interesting, for sure, but not the return to form I’d hoped for.
*Hop over to my Goodreads review to read the marked spoilers and chip in with comments!