It feels like the whole world has changed in the past week, doesn’t it? I hope you all are keeping well and turning to books for comfort and escape. Reading Ireland Month is run each March by Cathy of 746 Books. I’m wishing you a happy (if subdued) St. Patrick’s Day with this post on the Irish books I’ve been perusing recently. Even before this coronavirus situation heated up, I’d been struggling with my focus, so only one of these was a proper read, while the rest ended up being skims. In the meantime, I’m trying out a new blog design and have been working to create more intuitive menu headings and helpful intro pages.
Are You Somebody? The Accidental Memoir of a Dublin Woman by Nuala O’Faolain (1996)
Before writing this landmark memoir, O’Faolain was a TV documentary producer and Irish Times columnist. Her upbringing in poverty is reminiscent of Frank McCourt’s: one of nine children, she had a violent father and an alcoholic mother who cheated on each other and never seemed to achieve happiness. Educated at a convent school and at university in Dublin (until she dropped out), she was a literary-minded romantic who bounced between relationships and couldn’t decide whether marriage or a career should be her highest aim. Though desperate not to become her mother – a bitter, harried woman who’d wanted to be a book reviewer – she didn’t want to miss out on a chance for love either.
O’Faolain feels she was born slightly too early to benefit from the women’s movement. “I could see sexism in operation everywhere in society; once your consciousness goes ping you can never again stop seeing that. But I was quite unaware of how consistently I put the responsibility for my personal happiness off onto men.” Chapter 16 is a standout, though with no explanation (all her other lovers were men) it launches into an account of her 15 years living with Nell McCafferty, “by far the most life-giving relationship of my life.”
Although this is in many respects an ordinary story, the geniality and honesty of the writing account for its success. It was an instant bestseller in Ireland, spending 20 weeks at number one, and made the author a household name. I especially loved her encounters with literary figures. For instance, on a year’s scholarship at Hull she didn’t quite meet Philip Larkin, who’d been tasked with looking after her, but years later had a bizarre dinner with him and his mother, both rather deaf; and David Lodge was a friend. The boarding school section reminded me of The Country Girls. Two bookish memoirs I’d recommend as readalikes are Ordinary Dogs by Eileen Battersby and Leave Me Alone, I’m Reading by Maureen Corrigan.
Skims (all: )
Actress by Anne Enright (2020)
The Green Road is among my most memorable reads of the past five years, so I was eagerly awaiting Enright’s new novel, which is on the Women’s Prize longlist. I read the first 30 pages and found I wasn’t warming to the voice or main characters. Norah is a novelist who, prompted by an interviewer, realizes the story she most needs to tell is her mother’s. Katherine O’Dell was “a great fake,” an actress who came to epitomize Irishness even though she was actually English. Her slow-burning backstory is punctuated by trauma and mental illness. “She was a great piece of anguish, madness and sorrow,” Norah concludes. I could easily see this making the Women’s Prize shortlist and earning a Booker nomination as well. It’s the sort of book I’ll need to come back to some years down the line to fully appreciate.
Cal by Bernard MacLaverty (1983)
As Catholics, Cal McCluskey and his father are a rarity in their community and fear attacks on their home. Resistant to join his father in working at the local abattoir, Cal spends his days doing odd jobs and lurking around the public library – he has a crush on a married librarian named Marcella. Aimless and impressionable, he’s easily talked into acting as a driver for Crilly and Skeffington, the kind of associates who have gotten him branded as “Fenian scum.” The novella reflects on the futility of cycles of violence (“If you’re not part of the solution, you’re part of the problem,” Crilly says, to which Cal replies, “But it all seems so pointless”), but is definitely a period piece. Cal is not the most sympathetic of protagonists. I didn’t enjoy this as much as the two other books I’ve read by MacLaverty.
Full Tilt: Ireland to India with a Bicycle by Dervla Murphy (1965)
Murphy and her bike “Roz” set out on an epic Fermor-like journey in the first six months of 1963. She covered 60 to 100 miles a day, facing sunburn, punctured tires and broken ribs. She was relieved she brought a gun: it came in handy for fending off wolves, deterring a would-be rapist, and preventing bike thieves. For some reason travel books are slow, painstaking reads for me. I never got into the flow of this one, and was troubled by snap judgments about groups of people – “I know instinctively the temper of a place, after being five minutes with the inhabitants. … the Afghans are, on balance, much dirtier in clothes, personal habits and dwellings than either the Turks or Persians.” Murphy does have a witty turn of phrase, though, e.g. “I suppose I’ll get used to it but at the moment I wouldn’t actually say that camel’s milk is my favourite beverage.”
My Father’s Wake: How the Irish Teach Us to Live, Love and Die by Kevin Toolis (2017)
Toolis is a journalist and filmmaker from Dookinella, on an island off the coast of County Mayo. His father Sonny’s pancreatic cancer prompted him to return to the ancestral village and reflect on his own encounters with death. As a young man he had tuberculosis and stayed on a male chest ward with longtime smokers; despite a bone marrow donation, his older brother Bernard died from leukemia.
As a reporter during the Troubles and in Malawi and Gaza, Toolis often witnessed death, but at home in rural Ireland he saw a model for how it should be: accepted, and faced with the support of a whole community. People made a point of coming to see Sonny as he was dying. Keeping the body in the home and holding a wake are precious opportunities to be with the dead. Death is what’s coming for us all, so why not make its acquaintance? Toolis argues.
I’ve read so much around the topic that books like this don’t stand out anymore, and while I preferred the general talk of death to the family memoir bits, it also made very familiar points. At any rate, his description of his mother’s death is just how I want to go: “She quietly died of a heart attack with a cup of tea and a biscuit on a sunny May morning.”
What have you been picking up for Reading Ireland Month?
I always used to be more of a dog person than a cat person, even though we had both while I was growing up, but now I’m a dedicated cat owner and have tried out some related reading. You’ll notice I don’t rate any of these five books about cats particularly highly, whereas there have been a number of dog books I’ve given 4 stars (Dog Years by Mark Doty, Ordinary Dogs by Eileen Battersby, A Dog’s Life by Peter Mayle; even books that aren’t necessarily about dogs but reference life with them, like A Three Dog Life by Abigail Thomas and Travels with Charley by John Steinbeck). What’s with that? Maybe dog lovers don’t have to worry so much about striking a balance between a pet’s standoffishness and affection. Maybe dogs play a larger role in everyday human life and leave a more gaping hole when they shuffle off the canine coil. Still, I enjoyed aspects of or specific passages from each of the following.
The Guest Cat by Takashi Hiraide
As a cat-loving freelance writer who aspires to read more literature in translation, I thought from the blurb that this book could not be more perfect for me. I bought it in a charity shop one afternoon and started reading right away. It’s only 140 pages, so I finished within 24 hours, but felt at a distance from the story the whole time. Part of it might be the translation – the translator’s notes at the end explain some useful context about the late 1980s setting, but also conflate the narrator and the author in such a way that the book seems like an artless memoir rather than a novella. But the more basic problem for me is that there’s simply not enough about the cat. There’s plenty of architectural detail about the guesthouse the narrator and his wife rent on the grounds of a mansion, plenty of economic detail about the housing market…but the cat just doesn’t make enough of an impression. I’m at a bit of a loss to explain why this has been such a bestseller. Quite the disappointment.
The Fur Person by May Sarton
I’m a huge fan of May Sarton’s journals – in which various cats play supporting roles – so for a while I’d been hoping to come across a copy of this little novelty book from 1957, a childish fable about a tomcat who transforms from a malnourished Cat-About-Town to a spoiled Gentleman Cat. Luckily I managed to find a copy of this one plus the Lessing (see below) in the Nature section at Book Thing of Baltimore. In a preface to the 1978 edition Sarton reveals that Tom Jones was, indeed, a real cat, a stray she and her partner Judy Matlack adopted when they lived in Cambridge, Massachusetts. Wonderful coincidence: when they were on sabbatical in the early 1950s, they sublet the place to the Nabokovs, who looked after Tom while they were away!
I found this a bit lightweight overall, and the whole idea of a ‘fur person’ is a little strange – don’t we love cats precisely because they’re not people? Still, I enjoyed the proud cat’s Ten Commandments (e.g. “II. A Gentleman Cat allows no constraint of his person … III. A Gentleman Cat does not mew except in extremity”) and spotted my own domestic situation in this description: “while she [‘Gentle Voice’ = Judy] was away the other housekeeper [= Sarton] was sometimes quite absent-minded and even forgot his lunch once or twice because she sat for hours and hours in front of a typewriter, tapping out messages with her fingers.” The black-and-white illustrations by David Canright are a highlight.
Particularly Cats…And Rufus by Doris Lessing
A book about cats that I would almost hesitate to recommend to cat lovers: it contains many a scene of kitty carnage, as well as some unenlightened resistance to spaying and neutering. Lessing grew up on a farm in Zimbabwe that was at one point overrun with about 40 cats. Her mother went away, expecting her father to have ‘taken care of them’ by the time she got back. He tried chloroform to start with, but it was too slow and ineffective; in the end he rounded them all up in a room and got out his WWI revolver. And that’s not the end of it; even into her adulthood in England Lessing balked at taking female cats in for surgery so would find occasionally herself saddled with unwanted litters of kittens that they decided had to be drowned. It’s really a remarkably unsentimental record of her dealings with cats.
That’s not to say there weren’t some cats she willingly and lovingly kept as pets, particularly a pair of rival females known simply as “black cat” and “grey cat,” and later a stray named Rufus who adopted her. But even with cherished felines she comes across as tough: “Anyway, she had to be killed and I decided that to keep cats in London was a mistake” or “I smacked grey cat” for bullying the black one. The very fact of not giving the pair names certainly quashes any notion of her as some cuddly cat lady. All the same, she was a dutiful nurse when black cat and Rufus fell ill. The book ends on a repentant note: “Knowing cats, a lifetime of cats, what is left is a sediment of sorrow quite different from that due to humans: compounded of pain for their helplessness, of guilt on behalf of us all.”
My favorite thing about the book is the watercolor illustrations by James McMullan.
The Unadulterated Cat: A Campaign for Real Cats by Terry Pratchett
Like Douglas Adams or Monty Python, Terry Pratchett is, alas, a representative of the kind of British humor I just don’t get. But I rather enjoyed this small novelty book (bought for my husband for Christmas) all the same. For Pratchett, a “Real” cat is a non-pampered, tough-as-nails outdoor creature that hunts and generally does its own thing but also knows how to wrap its human servants around its paws. I like his idea of “cat chess” as a neighborhood-wide feline game of strategy, moving between carefully selected vantage points to keep an eye on the whole road yet avoid confrontation with other cats. It’s certainly true on our street. And this is quite a good summary of what cats do and why we put up with them:
What other animal gets fed, not because it’s useful, or guards the house, or sings, but because when it does get fed it looks pleased? And purrs. The purr is very important. It’s the purr that makes up for the Things Under the Bed, the occasional pungency, the 4 a.m. yowl.
On Cats by Charles Bukowski
“In my next life I want to be a cat. To sleep 20 hours a day and wait to be fed. To sit around licking my ass.” I’d never read anything else by Bukowski, so I wasn’t sure quite what to expect from this book, which is mostly composed of previously unpublished poems and short prose pieces about the author’s multiple cats. The tone is an odd mixture of gruff and sentimental. Make no mistake: his cats were all Real cats, in line with the Pratchett model. A white Manx cat, for instance, had been shot, run over, and had his tail cut off. Another was named Butch Van Gogh Artaud Bukowski. You wouldn’t mess with a cat with a macho name like that, would you? My favorite passage is from “War Surplus,” about an exchange he and his wife had with a store clerk:
“what will the cats do if there is an explosion?”
“lady, cats are different than we are, they are of a lower order.”
“I think cats are better than we are,” I said.
the clerk looked at me. “we don’t have gas masks for cats.”