The Wainwright Prize is one that I’ve ended up following closely almost by accident, simply because I tend to read most of the nature books released in the UK in any given year. A few months back I cheekily wrote to the prize administrator, proffering myself as a judge and appending a list of eligible titles I hoped were in consideration. Although they already had a full judging roster for 2021, I got a very kind reply thanking me for my recommendations and promising to bear me in mind for the future. Fifteen of my 25 suggestions made it onto the lists below.
This is the second year that there have been two awards, one for writing on UK nature and the other on global conservation themes. Tomorrow (August 4th) at 4 p.m., the longlists will be narrowed down to shortlists. I happened to have read and reviewed 12 of the nominees already, and I have a few others in progress.
UK nature writing longlist:
The Circling Sky by Neil Ansell: Hoping to reclaim an ancestral connection, Ansell visited the New Forest some 30 times between January 2019 and January 2020, observing the unfolding seasons and the many uncommon and endemic species its miles house. He weaves together his personal story, the shocking history of forced Gypsy relocation into forest compounds starting in the 1920s, and the unfairness of land ownership in Britain. The New Forest is a model of both wildlife-friendly land management and freedom of human access. (On my Best of 2021 so far list.)
The Screaming Sky by Charles Foster: A Renaissance man as well versed in law and theology as he is in natural history, Foster is obsessed with swifts and ashamed of his own species: for looking down at their feet when they could be watching the skies; for the “pathological tidiness” that leaves birds and other creatures no place to live. He delivers heaps of information on the birds but refuses to stick to a just-the-facts approach. The book quotes frequently from poetry and the prose is full of sharp turns of phrase and whimsy. (Also on my Best of 2021 so far list.)
Featherhood by Charlie Gilmour: As an aimless twentysomething, Gilmour tried to rekindle a relationship with his unreliable poet father at the same time that he and his wife were pondering starting a family of their own. Meanwhile, he was raising Benzene, a magpie that fell out of the nest and ended up in his care. The experience taught him responsibility and compassionate care for another creature. Gilmour makes elegant use of connections and metaphors. He’s so good at scenes, dialogue and emotion – a natural writer.
Seed to Dust by Marc Hamer: Hamer paints a loving picture of his final year at the 12-acre British garden he tended for decades. In few-page essays, the book journeys through a gardener’s year. This is creative nonfiction rather than straightforward memoir. The prose is adorned with lovely metaphors. In places, the language edges towards purple and the content becomes repetitive – a danger of the diary format. However, the focus on emotions and self-perception – rare for a male nature writer – is refreshing. (Reviewed for Foreword.)
The Stubborn Light of Things by Melissa Harrison: A collection of five and a half years’ worth of Harrison’s monthly Nature Notebook columns for The Times. Initially based in South London, Harrison moved to the Suffolk countryside in late 2017. In the grand tradition of Gilbert White, she records when she sees her firsts of a year. I appreciate how hands-on and practical Harrison is. She never misses an opportunity to tell readers about ways they can create habitat for wildlife and get involved in citizen science projects. (Reviewed for Shiny New Books.)
Birdsong in a Time of Silence by Steven Lovatt: During the UK’s first lockdown, with planes grounded and cars stationary, many remarked on the quiet. All the better to hear birds going about their usual spring activities. For Lovatt, it was the excuse he needed to return to his childhood birdwatching hobby. In between accounts of his spring walks, he tells lively stories of common birds’ anatomy, diet, lifecycle, migration routes, and vocalizations. Lovatt’s writing is introspective and poetic, delighting in metaphors for sounds.
Vesper Flights by Helen Macdonald: Though written for various periodicals and ranging in topic from mushroom-hunting to deer–vehicle collisions and in scope from deeply researched travel pieces to one-page reminiscences, these essays form a coherent whole. Equally reliant on argument and epiphany, the book has more to say about human–animal interactions in one of its essays than some whole volumes manage. Her final lines are always breath-taking. I’d rather read her writing on any subject than almost any other author’s. (My top nonfiction release of 2020.)
Skylarks with Rosie by Stephen Moss: Devoting a chapter each to the first 13 weeks of the initial UK lockdown, Moss traces the season’s development in Somerset alongside his family’s experiences and what was emerging on the national news. He welcomed migrating birds and marked his first sightings of butterflies and other insects. Nature came to him, too. For once, he felt that he had truly appreciated the spring, noting its every milestone and “rediscovering the joys of wildlife-watching close to home.”
Thin Places by Kerri ní Dochartaigh: I received a proof copy from Canongate and twice tried the first few pages, but couldn’t wade through the excessive lyricism (and downright incorrect information – weaving a mystical description of a Winter Moth’s flight, she keeps referring to the creature as “she,” whereas when I showed the passage to my entomologist husband he told me that the females of that species are flightless). I’m told it develops into an eloquent memoir of growing up during the Troubles. Perhaps reminiscent of The Outrun?
Into the Tangled Bank by Lev Parikian: A delightfully Bryson-esque tour that moves ever outwards, starting with the author’s own home and garden and proceeding to take in his South London patch and his journeys around the British Isles before closing with the wonders of the night sky. By slowing down to appreciate what is all around us, he proposes, we might enthuse others to engage with nature. With the zeal of a recent convert, he guides readers through momentous sightings and everyday moments of connection. (When I reviewed this in July 2020, I correctly predicted it would make the longlist!)
English Pastoral by James Rebanks: This struck me for its bravery, good sense and humility. The topics of the degradation of land and the dangers of intensive farming are of the utmost importance. Daring to undermine his earlier work and his online persona, the author questions the mythos of modern farming, contrasting its practices with the more sustainable and wildlife-friendly ones his grandfather espoused. Old-fashioned can still be best if it means preserving soil health, river quality and the curlew population.
I Belong Here by Anita Sethi: I recently skimmed this from the library. Two things are certain: 1) BIPOC writers should appear more frequently on prize lists, so it’s wonderful that Sethi is here; 2) this book was poorly put together. It’s part memoir of an incident of racial abuse, part political manifesto, and part quite nice travelogue. The parts don’t make a whole. The contents are repetitive and generic (definitions, overstretched metaphors). Sethi had a couple of strong articles here, not a whole book. I blame her editors for not eliciting better.
The Wild Silence by Raynor Winn: I only skimmed this, too. I got the feeling her publisher was desperate to capitalize on the popularity of her first book and said “give us whatever you have,” cramming drafts of several different projects (a memoir that went deeper into the past, a ‘what happened next’ sequel to The Salt Path, and an Iceland travelogue) into one book and rushing it through to publication. Winn’s writing is still strong, though; she captures dialogue and scenes naturally, and you believe in how much the connection to the land matters to her.
Global conservation longlist:
Like last year, I’ve read much less from this longlist since I gravitate more towards nature writing and memoirs than to hard or popular science. So I have read, am reading or plan to read about half of this list, as opposed to pretty much all of the other one.
Islands of Abandonment by Cal Flyn: This was on my Most Anticipated list for 2021 and I treated myself to a copy while we were up in Northumberland. I’m nearly a third of the way through this fascinating, well-written tour of places where nature has spontaneously regenerated due to human neglect: depleted mining areas in Scotland, former conflict zones, Soviet collective farms turned feral, sites of nuclear disaster, and so on. I’m about to start the chapter on Chernobyl, which I expect to echo Mark O’Connell’s Notes from an Apocalypse.
What If We Stopped Pretending? by Jonathan Franzen: The message of this controversial 2019 New Yorker essay is simple: climate breakdown is here, so stop denying it and talking of “saving the planet”; it’s too late. Global warming is locked in; the will is not there to curb growth, overhaul economies, and ask people to relinquish developed world lifestyles. Instead, start preparing for the fallout (refugees) and saving what can be saved (particular habitats and species). Franzen is realistic about human nature and practical about what to do next.
Entangled Life by Merlin Sheldrake: Sheldrake’s enthusiasm is infectious as he researches fungal life in the tropical forests of Panama, accompanies truffle hunters in Italy, and takes part in a clinical study on the effects of LSD (derived from a fungus). More than a travel memoir, though, this is a work of proper science – over 100 pages are taken up by notes, bibliography and index. This is a perspective-altering text that reveals our unconscious species bias. I’ve recommended it widely, even to those who tend not to read nonfiction.
Ice Rivers by Jemma Wadham: I have this out from the library and am two-thirds through. Wadham, a leading glaciologist, introduces readers to the science of glaciers: where they are, what lives on and under them, how they move and change, and the grave threats they face (and, therefore, so do we). The science, even dumbed down, is a little hard to follow, but I love experiencing extreme landscapes like Greenland and Antarctica with her. She neatly inserts tiny mentions of her personal life, such as her mother’s death, a miscarriage and a benign brain cyst.
The rest of the longlist is:
- A Life on Our Planet by David Attenborough – I’ve never read a book by Attenborough (and tend to worry this sort of book would be ghostwritten), but wouldn’t be averse to doing so.
- Fathoms by Rebecca Giggs – All about whales. Kate raved about it. I have this on hold at the library.
- Net Zero: How We Stop Causing Climate Change by Dieter Helm
- Under a White Sky by Elizabeth Kolbert – I have read her before and would again.
- Riders on the Storm by Alistair McIntosh – My husband has read several of his books and rates them highly.
- The New Climate War by Michael E. Mann
- The Reindeer Chronicles by Judith D. Schwartz – I’ve been keen to read this one.
- A World on the Wing by Scott Weidensaul – My husband is reading this from the library.
My predictions/wishes for the shortlists:
It’s high time that a woman won again. And why not for both, eh? (Amy Liptrot is still the only female winner in the Prize’s seven-year history, for The Outrun in 2016.)
UK nature writing:
- The Circling Sky by Neil Ansell
- The Screaming Sky by Charles Foster
- Featherhood by Charlie Gilmour
- Vesper Flights by Helen Macdonald*
- English Pastoral by James Rebanks
- I Belong Here by Anita Sethi
- The Wild Silence by Raynor Winn
Writing on global conservation:
- Islands of Abandonment by Cal Flyn*
- Fathoms by Rebecca Giggs
- Under a White Sky by Elizabeth Kolbert
- Entangled Life by Merlin Sheldrake
- Ice Rivers by Jemma Wadham
- A World on the Wing by Scott Weidensaul
*Overall winners, if I had my way.
Have you read anything from the Wainwright Prize longlists?
Do any of these books interest you?
Another day, another prize longlist! This year the Wainwright Prize has split into two awards for writing on 1) UK nature and 2) global conservation themes. Tomorrow (July 30th), they will be whittled down to shortlists. I happen to have read and reviewed 10 of the nominees already. I took the opportunity to experience a few more before the shortlist announcement. I give a paragraph on each below (forgive me for, in some cases, repeating the excerpts that appeared in my reviews roundups and best-of lists).
From the UK nature writing longlist:
Dark, Salt, Clear: Life in a Cornish Fishing Town by Lamorna Ash: In her early 20s, Ash made multiple trips from London to stay in Newlyn: walking to the cove that bears her name, going out on fishing trawlers, and getting accepted into the small community. Gruelling and lonely, the fishermen’s way of life is fading away. The book goes deeper into Cornish history than non-locals need, but I enjoyed the literary allusions – the title is from Elizabeth Bishop. I liked the writing, but this was requested after me at the library, so I could only skim it.
Wild Child: Coming Home to Nature by Patrick Barkham: Childhood has moved indoors over the course of three generations, the Guardian journalist observes. Highlighting activities that will engage budding naturalists in every season and accompanying his three children to outdoor nursery, he suggests how connection with nature can be part of everyday life. An engaging narrative not just for parents and educators but for anyone who has a stake in future generations’ resolve to conserve the natural world – which is to say, all of us. (Reviewed for Shiny New Books)
Bird Therapy by Joe Harkness: In 2013, Harkness was in such a bad place that he attempted suicide. Although he’s continued to struggle with OCD and depression in the years since then, birdwatching has given him a new lease on life. Avoiding the hobby’s more obsessive, competitive aspects (like listing and twitching), he focuses on the benefits of outdoor exercise and mindfulness. He can be lyrical when describing his Norfolk patch and some of his most magical sightings, but the writing is weak. (My husband helped crowdfund the book via Unbound.)
Dancing with Bees: A Journey Back to Nature by Brigit Strawbridge Howard: Bees were the author’s gateway into a general appreciation of nature, something she lost for a time in midlife because of the rat race and family complications. Allotment gardening gives her opportunities to observe bee behaviour and marvel at their various lookalikes (like hoverflies), identify plants, work on herbal remedies, and photograph her finds. She delights in discovery and is devoted to lifelong learning in a book characterized by curiosity and warmth. (On my runners-up of 2019 list)
Surfacing by Kathleen Jamie: Jamie has a particular interest in birds, islands, archaeology and the oddities of the human body. The bulk of the book is three long pieces set in Alaska, Orkney and Tibet. Neolithic sites lead her to think about deep time – a necessary corrective to short-term thinking that has gotten us into environmental crisis. I connected with the few-page pieces on experiencing a cave, spotting an eagle or getting lost in a forest. Beautiful nature writing and relatable words on the human condition. (My #9 nonfiction book of 2019)
Native: Life in a Vanishing Landscape by Patrick Laurie: Galloway may be the forgotten corner of Scotland, but this third-generation cattle farmer can’t imagine living anywhere else. In his year-long nature diary, each month brings rewards as well as challenges as he strives to manage the land in a manner beneficial to wildlife. I’m lucky to have visited Wigtown and the surrounding area. You needn’t have been in person, though, to appreciate this pensive account rich with the sense of place and balanced between solastalgia and practicality. (Reviewed for Shiny New Books)
Wintering by Katherine May: May’s sympathetic memoir considers winter not only as a literal season, but also as an emotional state. Although “depression” could be substituted for “wintering” in most instances, the book gets much metaphorical mileage out of the seasonal reference as she recounts how she attempted to embrace rather than resist the gloom and chill through rituals such as a candlelit St. Lucia service and an early morning solstice gathering at Stonehenge. Wintering alternates travel and research, mind and body. (Reviewed for TLS)
Diary of a Young Naturalist by Dara McAnulty: McAnulty is the UK’s answer to Greta Thunberg: a leader in the youth environmental movement and an impassioned speaker on the love of nature. This is a wonderfully observant and introspective account of his fifteenth year: of disruptions – moving house and school, of outrage at the state of the world and at individual and political indifference, of the complications of being autistic, but also of the joys of everyday encounters with wildlife. Impressive perspective and lyricism. (Reviewed for Shiny New Books; on my Best of 2020 so far list.)
Wanderland: A Search for Magic in the Landscape by Jini Reddy: Reddy has often felt like a nomad and an outsider. Through a year of travelling to holy sites, she seeks to be rooted in the country she has come to call home. The quest takes her all over the British Isles, creating an accessible introduction to its sacred spots. Recovering a sense of reverence for nature can only help in the long-term mission to preserve it. Reddy is the first person of colour nominated for the Wainwright Prize in its seven-year history. (Reviewed for Shiny New Books)
I think this year’s is an especially appealing longlist. It’s great to see small presses and debut authors getting recognition. I’ve now read 8 out of 13 (and skimmed one), and am interested in the rest, too, especially The Frayed Atlantic Edge by David Gange. The final three, all combining nature and (auto)biographical writing, are On the Red Hill by Mike Parker, The Well-Gardened Mind by Sue Stuart-Smith, and Rootbound: Rewilding a Life by Alice Vincent.
From the writing on global conservation longlist:
Greenery: Journeys in Springtime by Tim Dee: From the Cape of Good Hope to the Arctic Circle, Dee tracks the spring as it travels north. From first glimpse to last gasp, moving between his homes in two hemispheres, he makes the season last nearly half the year. His main harbingers are migrating birds, starting with swallows. The book is steeped in allusions and profound thinking about deep time and what it means to be alive in an era when nature’s rhythms are becoming distorted. A fresh, masterful model of how to write about nature. (Review reprinted at Shiny New Books; on my Best of 2020 so far list.)
Irreplaceable: The Fight to Save Our Wild Places by Julian Hoffman: Species and habitat loss are hard to comprehend even when we know the facts. This exquisitely written book is about taking stock, taking responsibility, and going beyond the numbers to tell the stories of front-line conservation work. Irreplaceable is an elegy of sorts, but, more importantly, it’s a call to arms. It places environmentalism in the hands of laypeople and offers hope that in working together in the spirit of defiance we can achieve great things. (Reviewed for Shiny New Books; my #1 nonfiction book of 2019)
Losing Eden: Why Our Minds Need the Wild by Lucy Jones: While nature’s positive effect on human mental health is something we know intuitively and can explain anecdotally, Jones wanted to investigate the scientific mechanism behind it. She makes an empirical enquiry but also attests to the personal benefits nature has. Losing Eden is full of common sense and passion, cramming masses of information into 200 pages yet never losing sight of the big picture. Like Silent Spring, on which it is patterned, I can see this leading to real change. (Reviewed for Shiny New Books; on my Best of 2020 so far list.)
Notes from an Apocalypse: A Personal Journey to the End of the World and Back by Mark O’Connell: The same satirical outlook that made O’Connell’s first book so funny is perfect for approaches to the end of the world, especially in the early chapter about preppers. Preparing = retreating, so he travels to South Dakota bunkers; a Mars Society Conference in Los Angeles; New Zealand, where billionaires plan to take refuge; and the wilderness of the Scottish Highlands. While pessimism strikes him as the only rational attitude, he decides constant anxiety is no way to live. (More extended thoughts here.)
The other book from this longlist that I’m interested in reading is Rebirding by Benedict Macdonald. I DNFed Bloom (all you ever wanted to know about algae!) last year; the other five seem too similar to other things I’ve read.
My predictions-cum-wish lists:
UK nature writing:
- The Frayed Atlantic Edge by David Gange
- Surfacing by Kathleen Jamie*
- On the Red Hill by Mike Parker
- Diary of a Young Naturalist by Dara McAnulty
- Wanderland by Jini Reddy
- Rootbound: Rewilding a Life by Alice Vincent
Writing on global conservation:
- Greenery by Tim Dee
- What We Need to Do Now for a Zero Carbon Future by Chris Goodall
- Irreplaceable by Julian Hoffman*
- Losing Eden by Lucy Jones
- Bloom by Ruth Kassinger
- Harvest: The Hidden Histories of Seven Natural Objects by Edward Posnett
*Predicted overall winners.
Have you read anything from the Wainwright Prize longlists? Do any of these books interest you?
For me, 2019 has been a more memorable year for nonfiction than for fiction. Like I did last year, I’ve happened to choose 12 favorite nonfiction books – though after some thematic grouping this has ended up as a top 10 list. Bodies, archaeology, and the environmental crisis are recurring topics, reflecting my own interests but also, I think, something of the zeitgeist.
Let the countdown begin!
- Because Internet: Understanding how language is changing by Gretchen McCulloch: Surprisingly fascinating stuff, even for a late adopter of technology. The Internet popularized informal writing and quickly incorporates changes in slang and cultural references. The book addresses things you may never have considered, like how we convey tone of voice through what we type and how emoji function as the gestures of the written word. Bursting with geeky enthusiasm.
- Surfacing by Kathleen Jamie: A fusion of autobiography with nature and travel writing – two genres that are too often dominated by men. Jamie has a particular interest in birds, islands, archaeology and the oddities of the human body, all subjects that intrigue me. There is beautiful nature writing to be found in this volume, as you might expect, but also relatable words on the human condition.
- Mother Ship by Francesca Segal: A visceral diary of the first eight weeks in the lives of the author’s daughters, who were born by Caesarean section at 29 weeks in October 2015 and spent the next two months in the NICU. Segal describes with tender precision the feeling of being torn between writing and motherhood, and crafts twinkly pen portraits of others she encountered in the NICU, including the staff but especially her fellow preemie mums.
- Surrender: Mid-Life in the American West by Joanna Pocock: Prompted by two years spent in Missoula, Montana and the disorientation felt upon a return to London, this memoir-in-essays varies in scale from the big skies of the American West to the smallness of one human life and the experience of loss and change. This is an elegantly introspective work that should engage anyone interested in women’s life writing and the environmental crisis.
- (A tie) Constellations by Sinéad Gleeson / The Undying by Anne Boyer / Notes Made while Falling by Jenn Ashworth: Trenchant autobiographical essays about female pain. All three feel timely and inventive in how they bring together disparate topics to explore the possibilities and limitations of women’s bodies. A huge theme in life writing in the last couple of years and a great step toward trauma and chronic pain being taken seriously. (See also Notes to Self by Emilie Pine and the forthcoming Pain Studies by Lisa Olstein.)
- Time Song: Searching for Doggerland by Julia Blackburn: Deep time is another key topic this year. Blackburn follows her curiosity wherever it leads as she does research into millions of years of history, including the much shorter story of human occupation. The writing is splendid, and the dashes of autobiographical information are just right, making her timely/timeless story personal. This would have been my Wainwright Prize winner.
- The Seafarers: A Journey among Birds by Stephen Rutt: The young naturalist travelled the length and breadth of the British Isles – from Skomer to Shetland – courting encounters with seabirds. Discussion of the environmental threats that hit these species hardest, such as plastic pollution, makes for a timely tie-in to wider issues. The prose is elegantly evocative, and especially enjoyable because I’ve been to a lot of the island locations.
- Once More We Saw Stars by Jayson Greene: In 2015 the author’s two-year-old daughter, Greta, was fatally struck in the head by a brick that crumbled off an eighth-story Manhattan windowsill. Music journalist Greene explores all the ramifications of grief. I’ve read many a bereavement memoir and can’t remember a more searing account of the emotions and thoughts experienced moment to moment. The whole book has an aw(e)ful clarity to it.
- The Body: A Guide for Occupants by Bill Bryson: Bryson is back on form indulging his layman’s curiosity. Without ever being superficial or patronizing, he gives a comprehensive introduction to every organ and body system. He delights in our physical oddities, and his sense of wonder is contagious. Shelve this next to Being Mortal by Atul Gawande in a collection of books everyone should read – even if you don’t normally choose nonfiction.
- Irreplaceable: The Fight to Save Our Wild Places by Julian Hoffman: Species and habitat loss are hard to comprehend even when we know the facts. This exquisitely written book is about taking stock, taking responsibility, and going beyond the numbers to tell the stories of front-line conservation work. Irreplaceable is an elegy of sorts, but, more importantly, it’s a call to arms. It places environmentalism in the hands of laypeople and offers hope that in working together in the spirit of defiance we can achieve great things. So, if you read one 2019 release, make it this one.
What were some of your top nonfiction reads of the year?
29th: Other superlatives and some statistics
30th: Best backlist reads
31st: The final figures on my 2019 reading