I have an all-female line-up for you this time, with selections ranging from a YA romance in verse to a memoir by a spiritual recording artist. There’s a very random detail that connects two of these books – look out for it!
In Paris with You by Clémentine Beauvais
[Faber & Faber, 7th]
I don’t know the source material Beauvais was working with (Eugene Onegin, 1837), but still enjoyed this YA romance in verse. Eugene and Tatiana meet by chance in Paris in 2016 and the attraction between them is as strong as ever, but a possible relationship is threatened by memories of a tragic event from 10 years ago involving Lensky, Eugene’s friend and the boyfriend of Tatiana’s older sister Olga. I’m in awe at how translator Sam Taylor has taken the French of her Songe à la douceur and turned it into English poetry with the occasional rhyme. This is a sweet book that would appeal to John Green’s readers, but it’s more sexually explicit than a lot of American YA, so is probably only suitable for older teens. (Proof copy from Faber Spring Party)
“Her heart takes the lift / up to her larynx, / where it gets stuck / hammering against the walls of her neck.”
“an adult with a miniature attention span, / like everyone else, refreshing, updating, / nibbling at time like a ham baguette.”
“helium balloons in the shape of spermatozoa straining towards the dark sky.”
Implosion: A Memoir of an Architect’s Daughter by Elizabeth W. Garber
[She Writes Press, 12th]
The author grew up in a glass house designed by her father, Modernist architect Woodie Garber, outside Cincinnati in the 1960s–70s. This and his other most notable design, Sander Hall, a controversial tower-style dorm at the University of Cincinnati that was later destroyed in a controlled explosion, serve as powerful metaphors for her dysfunctional family life. Woodie is such a fascinating, flawed figure. Manic depression meant he had periods of great productivity but also weeks when he couldn’t get out of bed. He and Elizabeth connected over architecture, like when he helped her make a scale model of Le Corbusier’s Villa Savoye for a school project, but it was hard for a man born in the 1910s to understand his daughter’s generation or his wife’s desire to go back to school and have her own career.
Mixed feelings towards a charismatic creative genius who made home life a torment and the way their fractured family kept going are reasons enough to read this book. But another is just that Garber’s life has been so interesting: she witnessed the 1968 race riots and had a black boyfriend when interracial relationships were frowned upon; she was briefly the librarian for the Oceanics School, whose boat was taken hostage in Panama; and she dropped out of mythology studies at Harvard to become an acupuncturist. Don’t assume this will be a boring tome only for architecture buffs. It’s a masterful memoir for everyone. (Read via NetGalley on Nook)
Florida by Lauren Groff
[William Heinemann (UK), 7th / Riverhead (USA), 5th]
My review is in today’s “Book Wars” column in Stylist magazine. Two major, connected threads in this superb story collection are ambivalence about Florida, and ambivalence about motherhood. The narrator of “The Midnight Zone,” staying with her sons in a hunting camp 20 miles from civilization, ponders the cruelty of time and her failure to be sufficiently maternal, while the woman in “Flower Hunters” is so lost in an eighteenth-century naturalist’s book that she forgets to get Halloween costumes for her kids. A few favorites of mine were “Ghosts and Empties,” in which the narrator goes for long walks at twilight and watches time passing through the unwitting tableaux of the neighbors’ windows; “Eyewall,” a matter-of-fact ghost story; and “Above and Below,” in which a woman slips into homelessness – it’s terrifying how precarious her life is at every step. (Proof copy)
“What had been built to seem so solid was fragile in the face of time because time is impassive, more animal than human. Time would not care if you fell out of it. It would continue on without you.” (from “The Midnight Zone”)
“The wind played the chimney until the whole place wheezed like a bagpipe.” (from “Eyewall”)
“How lonely it would be, the mother thinks, looking at her children, to live in this dark world without them.” (from “Yport”)
The Most Beautiful Thing I’ve Seen: Opening Your Eyes to Wonder by Lisa Gungor
You’re most likely to pick this up if you enjoy Gungor’s music, but it’s by no means a band tell-all. The big theme of this memoir is moving beyond the strictures of religion to find an all-encompassing spirituality. Like many Gungor listeners, Lisa grew up in, and soon outgrew, a fundamentalist Christian setting. She bases the book around a key set of metaphors: the dot, the line, and the circle. The dot was the confining theology she was raised with; the line was the pilgrimage she and Michael Gungor embarked on after they married at 19; the circle was the more inclusive spirituality she developed after their second daughter, Lucie, was born with Down syndrome and required urgent heart surgery. Being mothered, becoming a mother and accepting God as Mother: together these experiences bring the book full circle. Barring the too-frequent nerdy-cool posturing (seven mentions of “dance parties,” and so on), this is a likable memoir for readers of spiritual writing by the likes of Sue Monk Kidd, Mary Oliver and Terry Tempest Williams. (Read via NetGalley on Kindle)
Orchid & the Wasp by Caoilinn Hughes
[Oneworld, 7th] – see my full review.
Ok, Mr Field by Katharine Kilalea
[Faber & Faber, 7th]
Mr. Field is a concert pianist whose wrist was shattered in a train crash. With his career temporarily derailed, there’s little for him to do apart from wander his Cape Town house, a replica of Le Corbusier’s Villa Savoye, and the nearby coastal path. He also drives over to spy on his architect’s widow, with whom he’s obsessed. He’s an aimless voyeur who’s more engaged with other people’s lives than with his own – until a dog follows him home from a graveyard. This is a strangely detached little novel in which little seems to happen. Like Asunder by Chloe Aridjis and Leaving the Atocha Station by Ben Lerner, it’s about someone who’s been coasting unfeelingly through life and has to stop to ask what’s gone wrong and what’s worth pursuing. It’s so brilliantly written, with the pages flowing effortlessly on, that I admired Kilalea’s skill. Her descriptions of scenery and music are particularly good. In terms of the style, I was reminded of books I’ve read by Katie Kitamura and Henrietta Rose-Innes. (Proof copy from Faber Spring Party)
This came out in the States (from Riverhead) back in early April, but releases here in the UK soon, so I’ve added it in as a bonus.
The Female Persuasion by Meg Wolitzer
[Chatto & Windus, 7th]
An enjoyable story of twentysomethings looking for purpose and trying to be good feminists. To start with it’s a fairly familiar campus novel in the vein of The Art of Fielding and The Marriage Plot, but we follow Greer, her high school sweetheart Cory and her new friend Zee for the next 10+ years to see the compromises they make as ideals bend to reality. Faith Frank is Greer’s feminist idol, but she’s only human in the end, and there are different ways of being a feminist: not just speaking out from a stage, but also quietly living every day in a way that shows you value people equally. I have a feeling this would have meant much more to me a decade ago, and the #MeToo-ready message isn’t exactly groundbreaking, but I very much enjoyed my first taste of Wolitzer’s sharp, witty writing and will be sure to read more from her. This seems custom-made for next year’s Women’s Prize shortlist. (Free from publisher, for comparison with Florida in Stylist “Book Wars” column.)
What June books do you have on the docket? Have you already read any that you can recommend?
Gael Foess, the antiheroine of Caoilinn Hughes’ debut novel, is a trickster. When we first meet her in Dublin in 2002, the 11-year-old is promptly kicked out of school for trying to sell other girls “virginity pills.” As the years pass we see her con her way into a London Business School interview, self-assuredly teach a literature class when her professor doesn’t show up, pretend to be a journalist to get an exclusive interview, and use deception to try to boost the careers of both her mother, Sive (a conductor), and her younger brother, Guthrie (a painter and single dad). In the title metaphor, which refers to an orchid species that lures pollinating wasps, Gael is the seductive flower that gets what it wants. We’re also invited to think of her, with that typically Gael-ic name, as an incarnation of mythological Irish hero Cúchulainn.
The novel spans about nine years: a politically turbulent decade that opens with Iraq War protests and closes with the Occupy movement in New York City. The financial crisis temporarily jolts Gael and Guthrie’s father, Jarleth, a high-flying Barclays banker who leaves the family in 2008. The biblical parable of the talents, which he recounted to Gael when she was a little girl, comes back to resonate: It’s a potent reminder that money and skills don’t get distributed fairly in this life. When Gael gets to New York in 2011, she plans to redress the balance in two paradoxical ways: living in the Occupy camp and taking part in protests; and secretly earning her brother a fortune on his modern art. For even while decrying her father’s privilege, she indulges her own love of fine things; even if ironically, she says that she aspires to be in the 1%, too.
With all her contradictions, Gael is an unforgettable character. I also found Guthrie fascinating. It was serendipitous that I read this novel alongside Suzanne O’Sullivan’s new book, Brainstorm. Guthrie was a mystically religious child and suffered from seizures, which doctors determined weren’t due to epilepsy but to somatic delusions – psychological rather than physiological. The seizures, ironically, became a boon because they inspire his art: “they’re hallowed and each aura is an absolution – a benison – and not just a synaptic blip.”
Hughes is wonderfully adept at voices, bringing secondary characters to life largely through how they speak. I especially warmed to Art, Sive’s boyfriend, who’s a Yorkshireman; and Harper, Gael’s OCD-plagued flatmate from Las Vegas. Even a brief run-in with American officialdom gets the perfect deadpan rendering: “United States Customs has no interest in surprises. Matter of fact, we hate surprises.” The novel often has a frenetic pace – an energy that’s well matched by the virtuosic use of language, with wordplay, neologisms, and metaphors drawn from art, music and nature. An orchestra is compared to a flock of starlings; a despondent Sive “began to resemble a bass clef.” The Irish are like radishes: “Pink on the outside, white underneath. Speck of mud on their cheeks.” Harper’s entire upbringing is pithily reduced to an “only-childhood of sprinkler weather, window glare and doughnut glazing.” I also loved this tiny poem of a phrase: “sobbing hampers syntax.”
My only real misgiving about the novel is the ending: After Gael comes back from New York, things sort of fizzle out. I even wondered if the story line could have stopped a chapter earlier. But in a way it makes sense to get no tidy closure for our protagonist. Gael is still only 20 years old at the book’s end, so it’s no surprise that she remains a restless wanderer. I certainly wouldn’t object to hearing about her further adventures in a sequel. Hughes is an exciting writer who has rightfully attracted a lot of buzz for her debut, and this is sure to be one of my novels of the year. It’s a perfect follow-on read from Tom Rachman’s The Italian Teacher, and I’d also recommend it highly to fans of Sweetbitter, The Art of Fielding, The Nix, and The Life and Death of Sophie Stark. Watch out for it in two weeks’ time.
Orchid & the Wasp will be published by Oneworld in the UK on June 7th. It’s not out in the USA until July 10th (Hogarth). My thanks to Margot Weale for a proof copy for review.
Two very different but equally enjoyable selections for you this month:
American Wolf: A True Story of Survival and Obsession in the West by Nate Blakeslee
(Coming from Crown on the 17th)
By the 1920s, wolves had almost been eradicated from the Lower 48 states. In 1995–6, though, two rival packs were brought in from Canada to repopulate Yellowstone National Park. Blakeslee gives a panoramic overview of the reintroduction project and the recurring clashes between hunters and biologists about whether wolves should be a protected species. He keeps his account relatable by focusing on particular family groups of wolves and bringing out the animals’ individual personalities.
One important wolf pack was the Druids, which “were like the Kennedys, American royalty.” O-Six, an alpha female of the third generation so named because she was born in 2006, is one of the main animal characters here, with two central human characters being Rick McIntyre, a long-time National Park Service ranger and wolf expert, and Steven Turnbull (an alias), an elk hunter from Crandall, Wyoming.
The 2011 federal budget snuck in a rider removing wolves from the endangered species list in Montana and Idaho. The same followed for Wyoming, heralding an open hunting season on wolves for the first time in 50 years. Though his sympathies are clear, Blakeslee doesn’t demonize those who killed Yellowstone wolves that strayed beyond the park boundaries. He also emphasizes that the battle over this species reflects a wider struggle “over public land—what it should be used for and who should have the right to decide.”
It’s especially interesting to read about the animals’ behavior: a wolf uncle hanging around to help raise the pups, O-Six fighting off grizzlies near her den, showdowns between packs, and pups hunting mice and ravens for fun.
With thanks to the publisher for the free review copy.
Love and Laughter in the Time of Chemotherapy by Manjusha Pawagi
(Coming from Second Story Press on the 10th)
It’s a rare book that can wring both laughs and (mostly happy) tears out of a cancer ordeal. I read a lot of books about illness, death and dying – subjects I can appreciate aren’t for anyone. Nevertheless, I can heartily recommend this to you for the Everywoman perspective on the cancer experience and rebuilding life on the other side. Pawagi is a family court judge and mother of twin teenagers in Toronto. She was diagnosed with leukemia in April 2014, went through two intensive rounds of chemotherapy, and then had a stem cell transplant from a donor from the South Asian immigrant community six months later.
This is a warts-and-all account of the treatment process – if it hurt like hell, if she wept into her pillow at night, if she felt like crap, she says so. Though not entirely without self-pity, the book transforms such feelings through a wry, atheist’s “why not me?” approach. In the lovely last chapter, the author meets her donor, a young man in New York City, and his relatives two years after her transplant and realizes that she’s unwittingly acquired not just a blood brother but a whole new extended family.
They may be clichés but they’re completely true in this case: this is a heart-warming and life-affirming read, and with any luck will encourage more people to become blood and organ donors. (See also this interview with Pawagi from Foreword Reviews.)
Some favorite lines:
“I want to wake up and be a judge again, not an overgrown diapered baby.”
“Hell is other people…in the hospital bed next to yours.”
I read an e-ARC via NetGalley.
I also won an advanced Goodreads giveaway copy of a novel that came out in the States in June and will be released in the UK by Borough Press on the 5th, but I’m not sure it’s one I’d wholeheartedly recommend…
Stephen Florida by Gabe Habash
You might think of Stephen Florida as an heir to Alexander Portnoy and Holden Caulfield (“I guess I should describe myself. No, I don’t want to do that”). A senior at North Dakota’s Oregsburg College, he’s obsessed with becoming a champion wrestler for the 133 weight class. He’s a loner, and his every attempt at connection with others falters. Stephen acts and speaks like a crazed preacher, and the more he goes off the rails the harder it is to figure out exactly what’s going on and how much you can trust this narrator. This struck me as a very male story that doesn’t have the same crossover appeal as works by John Irving or Chad Harbach. I would have enjoyed a short story or novella about this character and his self-destructive single-mindedness, but spending a whole novel with him creeped me out.
Other October releases I’m planning to read:
- In Shock by Rana Awdish (St. Martin’s, 17th)
- A Glorious Freedom: Older Women Leading Extraordinary Lives by Lisa Congdon (Chronicle Books, 3rd)
- Eco-Dementia [poetry] by Janet Kauffman (Wayne State University Press, 2nd)
- Hug Everyone You Know: A Year of Community, Courage, and Cancer by Antoinette Truglio Martin (She Writes Press, 3rd)
What October books do you have on the docket? Have you already read any that you can recommend?
It’s hard to resist a campus novel. The Devil and Webster, the sixth novel by Jean Hanff Korelitz, is unusual in focusing more on the administration than the students of a fictional American college. Webster College, Massachusetts was founded as a Native American training academy in the eighteenth century by missionary Josiah Webster. Now it rivals Harvard and other Ivy League schools, attracting liberal students with its enlightened gender and racial politics. (I had Swarthmore and Oberlin in mind as models.)
Yet Naomi Roth, Webster’s first female president, soon finds that racial and sexual tension still bubble under the surface here. A decade ago, her first major challenge as president was dealing with the uproar when Nell Jones-Givens, who lived in female-only Radclyffe Hall, began transitioning to become Neil. But now she faces an even stickier problem: A group of students have set up an Occupy-style camp in the center of the quad to protest the decision to deny tenure to Nicholas Gall, a popular African-American anthropology professor.
The protest is spearheaded by Omar Khayal, a charismatic Palestinian refugee who wowed Naomi’s closest friend, Dean of Admissions Francine Rigor, with his application essay about growing up in the midst of conflict and surviving the death of his entire family. What Omar and these other outraged students don’t know – and Naomi can’t reveal because of the confidentiality of the process – is that Gall has a negligible publication record and was also found guilty of plagiarism. They instead presume that this is all because he is black.
What starts off as manageable dissent thus morphs into unpleasant, racially motivated retribution. “Webster is not a city on a hill. Webster is still the reactionary place it was before,” Omar declares in a media interview. In this context, Naomi’s upcoming Native American conference, though planned long ago, seems like a pathetic attempt at placation.
Throughout, the third-person narration sticks close to Naomi, a compelling protagonist not least because she’s a single mother and her daughter Hannah is also a protesting Webster student. By documenting Naomi’s thoughts (often in italics) versus what she says, Korelitz emphasizes the difficult position she’s in, always having to hold her tongue and speak diplomatically, as when addressing the protest camp:
“My only interest is in learning more about your concerns and your intentions. We share this community, and I’m sure we all want the best for it. If there are problems to be identified, issues to be discussed, changes to be made…whatever. It won’t happen if you won’t…” Talk, she wanted to say. Open your fucking mouths with their years of orthodontia and use those expensively educated voices to articulate your pathetic complaints about this…this halcyon, evolved, rarified, creative, and intellectual college campus, where you are free to learn and nap and make things and have sex and get high and change your fucking gender even, and clean water comes out of the tap and you wave your school ID under a scanner to help yourself to smorgasbords of food (meat! meat alternative! vegan! lactose-sensitive! nut-free! gluten-free!) and all we expect of you is that you pass your classes and don’t hurt anyone else. But she didn’t say these things. Of course she didn’t say them.
Naomi has her own background in feminist activism, but now, instead of being in a position to ‘speak truth to power,’ she has to realize that, as Francine reminds her, she is the power.
This is an interesting book about appearances and assumptions. Again and again characters make ethical compromises, proving how difficult it is to find and maintain the moral high ground. As the college’s historian points out to Naomi, from its very beginnings Webster has had a tendency towards capitulation. He plans to write up this story in a book called The Devil and Webster – which is also a reference to “The Devil and Daniel Webster,” the 1936 O. Henry Award-winning, Faustian short story by Steven Vincent Benét. I haven’t read the story, but looking at a synopsis I can see that it’s relevant in that it touches on themes of race, patriotism and the treatment of Native Americans.
The story line feels fresh and surprising, if at times melodramatic. My problem was more with the author’s style, which seemed to me old-fashioned and belabored. Korelitz has a habit of minutely describing everything: a house, a room, the food, the hairstyles, and so on. There are four pages on Naomi’s presidential wardrobe, and we get not just a passing reference to her PhD thesis but three pages on it. This means that it feels like it takes forever for the plot to get going. Much of modern fiction is more minimalist, I think, or would more naturally weave in its short bits of backstory. I even wondered if this book would have been better off as a collection of linked short stories from different points in Naomi’s or the college’s past.
This is all a shame, because while I liked the characters, dialogue and setting and enjoyed many of the turns of phrase (e.g. “filling in the spousal synapses” and “Garrison Keillor’s voice had a narcotic vocal element that always made her feel sleepy, each word a nepenthe puff”), I found the book tiresome overall, and can’t imagine myself picking up another one from Korelitz any time soon.
The Devil and Webster was published in the UK by Faber & Faber on April 6th and in the USA by Grand Central Publishing on March 21st. My thanks to Josh Smith for the review copy.
What are your favorite campus novels?
Besides Donna Tartt’s The Secret History, I’ve loved Kingsley Amis’s Lucky Jim, Chad Harbach’s The Art of Fielding, Julie Schumacher’s Dear Committee Members, and many of David Lodge’s books. See also my review of Bradstreet Gate by Robin Kirman.
You can never get a cup of tea large enough or a book long enough to suit me.
~ C. S. Lewis
Here’s to doorstoppers! Books of 500 pages or more [the page count is in brackets for each of the major books listed below] can keep you occupied for entire weeks of a summer – or for just a few days if they’re gripping enough. There’s something delicious about getting wrapped up in an epic story and having no idea where the plot will take you. Doorstoppers are the perfect vacation companions, for instance. I have particularly fond memories of getting lost in Jonathan Strange and Mr. Norrell by Susanna Clarke  on a week’s boating holiday in Norfolk with my in-laws, and of devouring The Crimson Petal and the White by Michel Faber  on a long, queasy ferry ride to France.
I have an MA in Victorian Literature, so I was used to picking up novels that ranged between 600 and 900 pages. Of course, one could argue that the Victorians were wordier than necessary due to weekly deadlines, the space requirements of serialized stories, and the popularity of subsequent “triple-decker” three-volume publication. Still, I think Charles Dickens’s works, certainly, stand the test of time. His David Copperfield [~900] is still my favorite book. I adore his sprawling stories crammed full of major and minor characters. Especially in a book like David Copperfield that spans decades of a character’s life, the sheer length allows you time to get to know the protagonist intimately and feel all his or her struggles and triumphs as if they were your own.
I felt the same about A Little Life by Hanya Yanagihara , which I recently reviewed for Shiny New Books. Jude St. Francis is a somewhat Dickensian character anyway, for his orphan origins at least, and even though the novel is told in the third person, it is as close a character study as you will find in contemporary literature. I distinctly remember two moments in my reading, one around page 300 and one at 500, when I looked up and thought, “where in the world will this go?!” Even as I approached the end, I couldn’t imagine how Yanagihara would leave things. That, I think, is one mark of a truly masterful storyteller.
Speaking of Dickensian novels, in recent years I’ve read two Victorian pastiches that have an authentically Victorian page count, too: The Luminaries by Eleanor Catton  and Death and Mr. Pickwick by Stephen Jarvis . The Luminaries, which won the 2013 Booker Prize, has an intricate structure (based on astrological charts) that involves looping back through the same events – making it at least 200 pages too long.
It was somewhat disappointing to read Jarvis’s debut novel in electronic format; without the physical signs of progress – a bookmark advancing through a huge text block – it’s more difficult to feel a sense of achievement. Once again one might argue that the book’s digressive nature makes it longer than necessary. But with such an accomplished debut that addresses pretty much everything ever written or thought about The Pickwick Papers, who could quibble?
John Irving’s novels are Dickensian in their scope as well as their delight in characters’ eccentricities, but fully modern in terms of themes – and sexual explicitness. Along with Dickens, he’s a mutual favorite author for my husband and me, and his A Prayer for Owen Meany  numbers among our collective favorite novels. Most representative of his style are The World According to Garp and The Cider House Rules.
Here are a handful of other long novels I’ve read and reviewed within the last few years (the rating is below each description):
All the Light We Cannot See by Anthony Doerr  – The 2015 Pulitzer Prize winner; set in France and Germany during World War II.
In the Light of What We Know by Zia Haider Rahman  – Digressive intellectualizing about race, class and war as they pertain to British immigrants.
The Son by Philipp Meyer  – An old-fashioned Western with hints of Cormac McCarthy.
The Art of Fielding by Chad Harbach  – Baseball is a window onto modern life in this debut novel about homosocial relationships at a small liberal arts college.
“A Discovery of Witches” fantasy trilogy by Deborah Harkness: A Discovery of Witches , Shadow of Night , and The Book of Life  – Thinking girl’s vampire novels, with medieval history and Oxford libraries thrown in.
And here’s the next set of doorstoppers on the docket:
Of Human Bondage by W. Somerset Maugham  – A Dickensian bildungsroman about a boy with a clubfoot who pursues art, medicine and love.
The Goldfinch by Donna Tartt  – I have little idea of what this is actually about. A boy named Theo, art, loss, drugs and 9/11? Or just call it life in general. I’ve read Tartt’s other two books and was enough of a fan to snatch up a secondhand paperback for £1.
A Brief History of Seven Killings by Marlon James  (as with A Little Life, the adjective in the title surely must be tongue-in-cheek!) – The starting point is an assassination attempt on Bob Marley in the late 1970s, but this is a decades-sweeping look at Jamaican history. I won a copy in a Goodreads giveaway.
A Suitable Boy by Vikram Seth [1,474!] – A sprawling Indian family saga. Apparently he’s at work on a sequel entitled A Suitable Girl.
This Thing of Darkness by Harry Thompson  – A novel about Charles Darwin and his relationship with Robert FitzRoy, captain of the Beagle.
The Last Chronicle of Barset by Anthony Trollope  – As the title suggests, this is the final novel in Trollope’s six-book “Chronicles of Barsetshire” series. Alas, reading this one requires reading the five previous books, so this is more like a 5,000-page commitment…
Now, a confession: sometimes I avoid long books because they just seem like too much work. It’s sad but true that a Dickens novel takes me infinitely longer to read than a modern novel of similar length. The prose is simply more demanding, there’s no question about it. So if I’m faced with a choice between one 800-page novel that I know could take me months of off-and-on reading and three or four 200–300-page contemporary novels, I’ll opt for the latter every time. Part of this also has to do with meeting my reading goals for the year: when you’re aiming for 250 titles, it makes more sense to read a bunch of short books than a few long ones. I need to get better about balancing quality and quantity.
How do you feel about long books? Do you seek them out or shy away? Comments welcome!